MOVIE REVIEW: JOHN WICK: CHAPTER 4

 

With the price on his head ever increasing, legendary hit man John Wick takes his fight against the High Table global as he seeks out the most powerful players in the underworld, from New York to Paris to Japan to Berlin.

Director: Chad Stahelski

Cast: Keanu Reeves, Donnie Yen, Bill Skarsgård, Laurence Fishburne, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rina Sawayama, Scott Adkins, Ian McShane

Release Date: March 24, 2023

Genre: Action, Crime, Thriller

Rated R for pervasive strong violence and some language

Runtime: 2h 49m

Review:

John Wick: Chapter 4, possibly the final entry in the main series, throws everything it has in this ludicrous but insanely entertaining entry.  It’s a rare thing to watch a director grow in real time but Chad Stahelski has shown an impressive evolution over the span of his signature series.  What started as a pulpy bit of well choregraphed gunsplotion slowly morphed into something more stylized complete with an ever expanding mythos.  Stahelski once again ups the ante by delivering three distinctive and massive action set pieces with each bringing a very specific type of kinetic energy.  The first act plays like a live action anime with the second bringing a more standard euro vibe and the third coming through as an homage to 1979's The Warriors with a Parisian demolition derby thrown in for good measure.  The sheer creativity of the bloody ballet that's played out onscreen is impressive on multiple fronts.  Even as some of the sequences start to boarder on self indulgent, there such a large variety of action that it rarely grows stale.  At the center of it is all is Keanu Reeves and his particular brand of acting which fits this series perfectly, so much so that the supporting cast match is tone and tenor.  Donnie Yen brings a fresh sense of energy as a blind frienemy assassin that echoes his Star Wars Rogue One character.  Its a fun performance that becomes more enjoyable as the film goes on.  Bill Skarsgård is the central villain for this entry, chewing up every bit of scenery with impressive aplomb even with a shaky French accent.  Shamier Anderson character is literally called Nobody and the script doesn't do him any favors by giving him very little depth outside of having a faithful German Shepard.  Rina Sawayama and Hiroyuki Sanada have some solid chemistry as father and daughter early on with hints that one might show up again in the future. Returning players like Ian McShane, Laurence Fishburne and Lance Reddick give the film a bit of franchise flavor even if they aren't given anything substantial to do.  John Wick is the strange kind of series that manages to overcome its light characterization and basic storytelling with truly impressive action spectacle.  

A-

MOVIE REVIEW: BARBARIAN

 

A young woman discovers the rental home she booked is already occupied by a stranger. Against her better judgment, she decides to spend the night but soon discovers there's a lot more to fear than just an unexpected house guest.

Director: Zach Cregger

Cast: Georgina Campbell, Bill Skarsgård, Justin Long, Matthew Patrick Davis

Release Date: September 9, 2022

Genre: Horror, Thriller 

Rated R for some strong violence and gore, disturbing material, language throughout and nudity.

Runtime: 1h 42m

Review:

Zach Cregger's Barbarian is a devilishly clever, brutal and darkly funny horror film that's sure to leave an impression by the time it ends.  Cregger smartly structures his film using the audience’s preconceived notions to great effect as he plays a game of misdirection, using mood and atmosphere to great effect especially in the film's opening act.  There is a point where the film takes an unexpected turn as it gleefully resets the board and audience’s expectations.  Even as the film moves into stranger and admittedly more ridiculous territory its cast is game for everything the script and director throws at them.  Georgina Campbell is a likable lead who uses common sense early on until the film needs her to lose some IQ points to move the plot along.  Bill Skarsgård plays his character with a solid mix of understated charm and menace which works well for the film.  Barbarian is the type of horror film that works on many levels due to its fastidious level of design and construction which makes it so effective.  

B+

Cindy Prascik is Takin’ it to the Sewers: It

Dearest Blog: Yesterday it was off to Marquee Cinemas for the first big-screen stab at Stephen King's It.

Spoiler level here will be mild, nothing you wouldn't know or have guessed from the trailers.

A group of young outcasts faces off with an ancient evil that haunts their town.

Disclaimers: While I am a fan of both the book and the original TV mini-series adaptation of It, I'm many moons removed from revisiting either, so you'll find little by way of comparison here. Also, for the record, I like clowns.

Regular reader(s) may recall I don't have much love for modern horror. Mostly I find it a series of cheap startles and gross outs. I have four cats, so I needn't pay for either; I can step out of bed into a hairball any o'l time. It has a fair bit of blood and guts and some of the effects are lame enough they could be right out of the film's late-80s setting, but it is much more than just a horror movie.

As with the earlier TV version, 2017's It has an air of melancholy that reaches to the very depths of the story, the town, and the characters. It's not just about missing children; it's about an unhappy home life and not fitting in and, from an adult standpoint, those childhood connections that invariably fade and disappear with time. The movie's visual tone beautifully conveys the uneasy mood, along with some legitimately great acting by the young principals. It's a common complaint of mine that kid actors, even when they're good, are generally "good for kid actors," but these kids are GOOD, and that's to a person, not one weak link. As for Pennywise himself, filmmakers have worked to make him as horrific as possible, but the frights are mostly down to to timing, makeup, and effects rather than to Bill Skarsgard's performance. (Editorial note: Incessant drooling is not scary and I'm not a fan.) It is smartly-crafted enough to more than make up for any small complaints, though, a suspenseful thriller highlighted by outstanding performances and enough gore and jump-scares to keep horror fans happy.

It clocks in at 135 minutes and is rated R for "violence/horror, bloody images, and language."

Send in the clowns! Of a possible nine Weasleys, It gets eight and a half.

Fangirl points: Keep those ears open for pieces of Anthrax' Antisocial and XTC's Dear God!

Until next time...

MOVIE REVIEW: IT

Seven young outcasts in Derry, Maine, are about to face their worst nightmare -- an ancient, shape-shifting evil that emerges from the sewer every 27 years to prey on the town's children. Banding together over the course of one horrifying summer, the friends must overcome their own personal fears to battle the murderous, bloodthirsty clown known as Pennywise.

Director: Andy Muschietti

Cast: Bill Skarsgård, Jaeden Lieberher, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Wyatt Oleff, Chosen Jacobs, Jack Dylan Grazer, Nicholas Hamilton, Jackson Robert Scott

Release Date: Sept 9, 2017

Genres: Drama, Horror

Rated R for violence/horror, bloody images, and for language

Review:

I’ve been a huge fan of Stephen King for most of my life.  Strangely though 2 of his books really never connected with me, The Dark Tower series and IT.  The latter I tried to make it through before just giving up.  Ultimately, clowns just never scared me much, I actually like clowns, so maybe the scares never landed as intended.  This new film version suffers, just a tad, from the same effect.  Bill Skarsgård is great as Pennywise, even though it feels a bit more like old school Freddy Kruger more often than not, but I was ever really scared throughout the film.  That’s not to say it’s a bad film, far from it, IT just isn’t very scary.  That being said, a big chunk of the credit for the film’s success has to go to director Andy Muschietti and his preteen cast.  Muschietti directs a well crafted, borrowing bits and pieces from the best King adaptor Frank Darabont, piece that captures that all important feel of King’s works.  There’s a slight Stand by Me feel to the proceedings even though the film is set in the late 80’s.  The cast delivers excellent performances throughout, making you care about each character’s journey.  Jaeden Lieberher and Sophia Lillis in particular stand out for the authenticity of their performances.  IT is an excellent film even if it doesn’t make you hide under your covers after you see it.

B+

TV SHOW REVIEW: HEMLOCK GROVE

A teenage girl is brutally murdered, sparking a hunt for her killer. But in a town where everyone hides a secret, will they find the monster among them?

Cast: Famke Janssen, Penelope Mitchell, Freya Tingley, Bill Skarsgård, Freya Tingley, Kandyse McClure, Aaron Douglas

Executive producer(s) Eli Roth, Charles H. Eglee, Eric Newman, Michael Connolly, Lee Shipman, Brian McGreevy, Dan Paige

Written by Brian McGreevy Lee Shipman Dan Paige

Review:

Hemlock Grove feels familiar, incredibly familiar. A multitude of supernatural themed shows litter the airwaves and movie screens. Shows like True Blood and The Vampire Diaries cover somewhat similar territory with the latter proving to be a more consistently written product. Hemlock Grove has an uphill battle from the start. It has to bring us engaging characters and a new slant on certain genre tropes. Does it succeed? Not really. The central mystery at the heart of season 1 is rather uninteresting and the final reveal is telegraphed early on. The characters vary from semi interesting to bland. The fact that a mute comes off as the most intriguing character speaks volumes. The cast has a few stand outs such as Landon Liboiron as Peter Rumancek. Liboiron performance feels comfortable and natural throughout and he never comes across like he’s trying too hard unlike Bill Skarsgård. Skarsgård’s performance undersells what’s supposed to be a sexy conflicted lead; instead he comes off as whiny and disinterring. Nicole Boivin with Amazon Eve working as her massive body double as Shelly, the mute mutant Godfrey sister, emotes more through simple looks, while under extensive make up, than most of her cast mates. A usually reliable Dougray Scott comes off as stiff and fairly bland even though he’s a regular cast member. Battlestar Galactica alums, Aaron Douglas and Kandyse McClure are surprisingly bad. Some of their line delivers, especially some of the more emotional moments, miss the mark badly. Bad acting is hardly limited to them because it does pester the first season like an annoying fly. The best example of this is Famke Janssen. Janssen, with a truly embarrassing and distracting “British” accent, chews up scenery like she hasn’t eaten for weeks. Her character is supposed to be a rich, sexy man eater with a biting tongue. Janssen’s performance rarely hits her mark, occasionally falling into camp territory. Her character doesn’t become truly interesting until the latter episodes. The same can be said for the season as a whole. Its plot hints at a supernatural sci-fi, religious mix but stays in a holding pattern for most of the season. As a result, most of the plot feels like a trudge mainly because the ”twists” revealed in the latter episodes are fairly obvious and you wished it’d just get on with it already. After the reveals, the series seems to find some much stronger forward moment, something it could have sorely used earlier on. Let’s hope season 2, just confirmed, can take advantage of it.

C