MOVIE REVIEW: DUNGEONS & DRAGONS: HONOUR AMOUNG THIEVES

 

A charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a long lost relic, but their charming adventure goes dangerously awry when they run afoul of the wrong people.

Director: John Francis Daley, Jonathan Goldstein

Cast: Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Hugh Grant

Release Date: March 31, 2023

Genre: Action, Adventure, Fantasy

Rated PG-13 for fantasy action/violence and some language

Runtime: 2h 14m

Review:

Dungeons & Dragons: Honor Among Thieves is a fun, if inconsistent, adventure comedy that works mostly because of the energetic charisma of its ensemble cast.  Directors John Francis Daley and Jonathan Goldstein do a solid job of setting up the world and its light goofy tone early on.  Chris Pine is a perfect shepherd for this fantasy romp by using his natural onscreen charisma to great effect.  Pine makes the whole thing far more accessible than it should be since the script throws a bevy names and locations which longtime fans of the game will probably appreciate but will fly over the general public's head.  The action set pieces are large impressive mostly CGI creations with a graveyard and arena sequence being the best of the bunch.  Thankfully, the story never takes itself overly serious even as we traverse the Lord of the Rings style world as the group of misfits assembles.  This allows the rest of the ensemble their moments to shine typically through a series of extended flashback which flesh out their backstories.  Michelle Rodriguez is perfectly cast as the barbarian and Pine's platonic partner.  Justice Smith is appropriately award and unsure as the less than stellar sorcerer whose hopelessly in love with Sophia Lillis shapeshifting druid.  Lillis is a fun counterpoint to Smith with her natural poise and self confidence.  Regé-Jean Page and Hugh Grant both make the most of their screen time but you get the sense that the film could have made better use of the performers and characters.  It’s a strange sort of film that's far better than it deserves to be mainly because of the cast is able to rise about the film's script with is filled plenty of clunky dialogue.  The surprising thing about Dungeons & Dragons: Honor Among Thieves is that amongst all the goofiness it's got a good amount of heart at the center of the story.  

B-

MOVIE REVIEW: GRETEL & HANSEL

When their mother descends into madness, siblings Gretel and Hansel must fend for themselves in the dark and unforgiving woods. Hungry and scared, they fortuitously stumble upon a bounty of food left outside an isolated home. Invited inside by the seemingly friendly owner, the children soon suspect that her generous but mysterious behavior is part of a sinister plan to do them harm.

Director: Oz Perkins

Cast: Sophia Lillis, Charles Babalola, Jessica De Gouw, Alice Krige

Release Date: January 24, 2019

Genres: Fantasy, Horror, Thriller

Rated PG-13 for disturbing images/thematic content, and brief drug material

Runtime: 1h 27min

Review:

There are certain films that come out of nowhere and end up leaving a major impression.  Oz Perkins’s third film is a visually arresting film that grabs your attention from its opening frame and never really lets it go.  This adaptation of the famous Grimm fairytale follows most of the basics beats but it adjusts portions of the tale to give a more meaty meaning and resonance.  The film is buoyed by two excellent performances from Sophia Lillis and Alice Krige.  Sophia Lillis performances continue to impress and this turn is tailor made for her ability to emote strength and intelligence.  She’s displays a maturity that some actors never reach but she’s boosted here by her interplay with Alice Krige.  Krige is the kind of character actor that really seems to relish being hidden behind make up and costuming. Krige and Lillis scenes together are some of the film’s highlights as the mentor and student relationship plays out.  The story plays out in an interesting and clever way while Perkin’s borrows heavily on cues from Dario Argento and Stanley Kubrick that will delight horror aficionados.   If there is a small issue it’s that for a horror movie it’s never really scary instead it’s atmospheric and moody.  Ultimately, it almost feels like the remake of Suspira people wanted all along. 

A-

Cindy Prascik is Takin’ it to the Sewers: It

Dearest Blog: Yesterday it was off to Marquee Cinemas for the first big-screen stab at Stephen King's It.

Spoiler level here will be mild, nothing you wouldn't know or have guessed from the trailers.

A group of young outcasts faces off with an ancient evil that haunts their town.

Disclaimers: While I am a fan of both the book and the original TV mini-series adaptation of It, I'm many moons removed from revisiting either, so you'll find little by way of comparison here. Also, for the record, I like clowns.

Regular reader(s) may recall I don't have much love for modern horror. Mostly I find it a series of cheap startles and gross outs. I have four cats, so I needn't pay for either; I can step out of bed into a hairball any o'l time. It has a fair bit of blood and guts and some of the effects are lame enough they could be right out of the film's late-80s setting, but it is much more than just a horror movie.

As with the earlier TV version, 2017's It has an air of melancholy that reaches to the very depths of the story, the town, and the characters. It's not just about missing children; it's about an unhappy home life and not fitting in and, from an adult standpoint, those childhood connections that invariably fade and disappear with time. The movie's visual tone beautifully conveys the uneasy mood, along with some legitimately great acting by the young principals. It's a common complaint of mine that kid actors, even when they're good, are generally "good for kid actors," but these kids are GOOD, and that's to a person, not one weak link. As for Pennywise himself, filmmakers have worked to make him as horrific as possible, but the frights are mostly down to to timing, makeup, and effects rather than to Bill Skarsgard's performance. (Editorial note: Incessant drooling is not scary and I'm not a fan.) It is smartly-crafted enough to more than make up for any small complaints, though, a suspenseful thriller highlighted by outstanding performances and enough gore and jump-scares to keep horror fans happy.

It clocks in at 135 minutes and is rated R for "violence/horror, bloody images, and language."

Send in the clowns! Of a possible nine Weasleys, It gets eight and a half.

Fangirl points: Keep those ears open for pieces of Anthrax' Antisocial and XTC's Dear God!

Until next time...

MOVIE REVIEW: IT

Seven young outcasts in Derry, Maine, are about to face their worst nightmare -- an ancient, shape-shifting evil that emerges from the sewer every 27 years to prey on the town's children. Banding together over the course of one horrifying summer, the friends must overcome their own personal fears to battle the murderous, bloodthirsty clown known as Pennywise.

Director: Andy Muschietti

Cast: Bill Skarsgård, Jaeden Lieberher, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Wyatt Oleff, Chosen Jacobs, Jack Dylan Grazer, Nicholas Hamilton, Jackson Robert Scott

Release Date: Sept 9, 2017

Genres: Drama, Horror

Rated R for violence/horror, bloody images, and for language

Review:

I’ve been a huge fan of Stephen King for most of my life.  Strangely though 2 of his books really never connected with me, The Dark Tower series and IT.  The latter I tried to make it through before just giving up.  Ultimately, clowns just never scared me much, I actually like clowns, so maybe the scares never landed as intended.  This new film version suffers, just a tad, from the same effect.  Bill Skarsgård is great as Pennywise, even though it feels a bit more like old school Freddy Kruger more often than not, but I was ever really scared throughout the film.  That’s not to say it’s a bad film, far from it, IT just isn’t very scary.  That being said, a big chunk of the credit for the film’s success has to go to director Andy Muschietti and his preteen cast.  Muschietti directs a well crafted, borrowing bits and pieces from the best King adaptor Frank Darabont, piece that captures that all important feel of King’s works.  There’s a slight Stand by Me feel to the proceedings even though the film is set in the late 80’s.  The cast delivers excellent performances throughout, making you care about each character’s journey.  Jaeden Lieberher and Sophia Lillis in particular stand out for the authenticity of their performances.  IT is an excellent film even if it doesn’t make you hide under your covers after you see it.

B+