MOVIE REVIEW: AVATAR: THE WAY OF WATER

 

Jake Sully and Ney'tiri have formed a family and are doing everything to stay together. However, they must leave their home and explore the regions of Pandora. When an ancient threat resurfaces, Jake must fight a difficult war against the humans.

Director: James Cameron

Cast: Sam Worthington, Zoe Saldaña, Stephen Lang, Joel David Moore, CCH Pounder, Giovanni Ribisi, Dileep Rao, Matt Gerald, Sigourney Weaver, Kate Winslet, Cliff Curtis, Edie Falco, Jemaine Clement, Brendan Cowell

Release Date: December 16, 2022 

Genre: Action, Adventure, Fantasy, Sci-Fi

Rated PG-13 for sequences of strong violence and intense action, partial nudity and some strong language

Runtime: 3h 12m

The first Avatar was a huge film and leave it to James Cameron to deliver a larger more immersive experience with the sequel Avatar: The Way of Water.  Cameron's film delivers some truly awe-inspiring visuals which feel like another high point in technical achievement akin to Star Wars or Jurassic Park.  So much so that this is the first film since the original Avatar that'd I'd recommend be seen in 3D.  The massive world that is painted onscreen is so incredibly detailed and vibrant that it's almost overwhelming.  Cameron is fully aware of what he's achieved and reiterates the point with a handful of "wow" sequences which simply serve to show off the technical tenacity even if it doesn't do much for the actual story.  The story does tend to take a backseat to the overall experience almost to a detriment.  

This entry's plot focuses more on family/legacy drama with splashes of the overreaching conflict from the original.  It’s fairly straightforward with nearly everything playing out the way you'd expect with a scant amount of surprises.  It doesn't help matters that the story is so large and expansive that it lacks a defined focus even with a heavy emphasis on characters.  Sam Worthington and Zoe Saldaña's characters from the original still anchor the film but they play more of a secondary supporting role here with the film focusing more time on their children. 

Those characters are lead by Sigourney Weaver, Jamie Flatters and Britain Dalton and do their best with fairly clichéd roles.  Their characters are the film's focus, but they are never as engaging as they should be.  Stephen Lang fairs slightly better here as the resurrected Na'vi avatar of Colonel Miles Quaritch.  Lang, again, nails the gruff, laser focused solider with the script adding a subplot with his son who's gone native in his absence. His son, Miles "Spider" Socorro, played by Jack Champion is one of those characters that stands out for all the wrong reasons.  Champion isn't a strong enough of a performer to make the character work even though he serves an important role in the story.  It’s a shame because it does take you of the moment every time he pops up on screen.  

It’s one of the few glaring missteps overall but it's easy to overlook especially once the final act starts.  Cameron delivers a hodgepodge of his greatest hits by borrowing moments and beats from Aliens, The Abyss, Terminator and Titanic in a rousing finale which reminds you why he's one of the best big film directors in history.  Avatar: The Way of Water is a testament to his talent as a director and his ability to deliver the kind of memorable big screen experience which have been lacking in the current glut of superhero.

B+

Cindy Prascik's reviews of Sabotage & Noah

Dearest Blog, yesterday it was off to the cinema with all the Rainy Day People for a double-feature of Sabotage and Noah.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Arnie was first on the docket with Sabotage.

An elite, undercover DEA unit comes under suspicion when ten million dollars in drug money disappears.

Dear Blog, I'm going to tell you something you might not know: Sabotage was made JUST for me. It's Hollywood's way of saying, "Look, we're sorry for all the pretentious Oscar drivel and Easter-season religious propaganda, but you've been a good sport, so here are a couple testosterone-fueled hours of mayhem for your trouble. Well, Hollywood, apology accepted.

Sabotage is yet another attempt to thrust an aging Arnold Schwarzenegger back into the leading action hero mold. Like previous efforts, the general reception seems middling, but it's once again made me a happy action fan. If Schwarzenegger is getting a bit long in the tooth, it doesn't keep him from carrying a picture with flair, and at no time is there any doubt that this is Arnold's movie. The supporting cast is comprised of actors both very good (Terrence Howard, Mireille Enos) and pretty bad (Sam Worthington, Joe Manganiello), but none really stands out either way, aside from Enos, who is ah-maz-ing.

These days most action movies have to pick a side. Either they go too vanilla to secure the coveted PG13 rating, or the gore and swearing are so extreme that shock value seems the only objective. Sabotage definitely leans toward the latter, and it suffers some laughably bad dialogue, but a well-executed, suspenseful plot saves the movie from being just a big-screen bundle of bad words and maximum carnage.

Sabotage clocks in at 109 minutes and is rated R for "strong bloody violence, pervasive language, some sexuality/nudity, and drug use."

A solid action flick with a good cast and a hero that's familiar and easy to root for, of a possible nine Weasleys, Sabotage gets seven.

Next on Saturday's agenda was the Biblical epic, Noah.

A man suffers a terrifying vision of the world destroyed by a great flood, and must battle Sauron's legions as he attempts to get the One Ring to Mount Doom. Wait, what? Sorry...wrong movie.

There's been much fuss about Noah's lack of faithfulness to the Bible story on which it's based. In the interest of full and fair disclosure, I admit that means about as much to me as a less-than-accurate adaptation of any novel or comic book. I don't say that to be offensive or provocative, merely to be clear: If the rumor is non-religious people will love this and religious people will hate it, this card-carrying heathen is here to tell ya, there's no shortage of reasons to hate this movie, whatever you believe.

Russell Crowe is one of my top three actors, and, in my opinion, the most magnetic screen presence working in movies today. Not once in his long and storied career have I seen a movie and thought, "Boy, even Russell Crowe couldn't help that." Until now, that is. Instead of a man tormented by difficult choices he feels his "Creator" has forced him to make, this Noah is a profoundly unlikable nut job who comes dead even with the movie's villain in the "I really hate that guy" sweepstakes. Then there's the bloat. Yes, that's "bloat," dear Blog, not "boat." Pared by 20-30 minutes, Noah would have been a far more bearable exercise creative license. As it stands, I had plenty of time to count ceiling tiles (I think there are 180 in theatre eight, but it was a little tricky in the dark) and ponder what I was going to eat at Olive Garden after the movie (spaghetti marinara, if you're wondering). During the interminable ark-building, I wondered why they didn't just ask Hermione to wave her wand and get it done. Hang on... Huh? Oh, sorry, there I go again. Somewhere around a halfway point that seemed to take 12 hours to reach, I wrote "TERRIBLE" on my notepad, in all caps and underlined three times, as if I'd need a reminder when I sat down to write this review.

There are positives, of course, among them some glorious cinematography and a couple time-lapsey sequences that are quite stunning...if possibly seizure inducing. The CGI procreation-ready pairs of animals look pretty great, and Emma Watson continues to be a revelation in a role that's at least half an underwater world away from the studious Miss Granger of the Harry Potter movies. There's also a sneaky pro-vegetarian message that made me think I might have had a chance of bunking with the Noah family instead of dog paddling for my life.

Noah runs 138 minutes and is rated PG13 for "violence, disturbing images, and brief suggestive content."

Whether you believe the Bible or not, Noah is a bloated mess that might as well have starred Adam Sandler for all the credibility it's got. Of a possible nine Weasleys, Noah gets two. Oh, and when someone films the book of Revelations, remind me to get high before I see it.

Until next time...

 Hands up, who's ready for that Gladiator prequel?

MOVIE REVIEW: WRATH OF THE TITANS

IN THEATERS

WRATH OF THE TITANS 3D



The epic battle between the Titans and the gods continues in this sequel set ten years after the events in Clash of the Titans, as Perseus (Sam Worthington) descends into the underworld on a mission to rescue Zeus from the clutches of Hades (Ralph Fiennes), Ares (Edgar Ramirez), and Kronos. In the wake of his decisive victory against the Kraken, Perseus has retreated to a remote fishing village to raise his young son, Helius. Meanwhile, humanity has lost faith in the gods. As a result, Zeus, Hades, and Poseidon find their power beginning to slip, a development that could spell disaster for all of humankind should their imprisoned father, Kronos, manage to break free from his underworld prison in Tartarus. When Perseus learns that Zeus' son Ares has teamed with Hades and Kronos to capture Zeus, steal his power, and create hell on earth, the time comes to take action. Now, with Andromeda (Rosamund Pike), Argenor (Toby Kebbell), and Hephaestus (Bill Nighy) by his side, brave Perseus will venture deep into the underworld on a mission to defeat the Titans, deliver Zeus from evil, and prevent the powers of darkness from consuming all of humanity. ~ Jason Buchanan, Rovi

Director: Jonathan Liebesman

Cast: Sam Worthington, Liam Neeson, Ralph Fiennes, Edgar Ramirez, Toby Kebbell

Release Date: Mar 30, 2012

Rated PG-13 for Intense Sequences of Fantasy Action and Intense Sequences Fantasy Violence

Runtime: 1 hr. 39 min.

Genres: Action/Adventure

Review:

The sequel that nobody really asked hits the screen like a film that’s content not being the porta potty stain that the Clash of the Titans was. As a result, we get a straight up film that’s easy to follow but terribly generic with a script that has some groan inducing moments like having the hero defend himself from a fire breathing creature with a wooden board leaving him unscathed. Line are uttered, comic relief spatter out as if this were a test film created by a studio executive to function as a “how to create a blockbuster”. Jonathan Liebesman deserves a little credit for delivering some watch set pieces that are sufficiently fun to watch. Spattered throughout the film’s runtime, these action sequences keep the film moving even though none of the characters are fleshed out beyond the most superficial of terms. Sam Worthington is listed as the lead and he does some yelling, grunting and whispering all while rocking a strong mullet. Liam Neeson and Ralph Fiennes return as well, seemingly battling in a “who can be more somber contest”. Rosamund Pike and Toby Kebbell are tasked with being Worthington’s side kick and love interest with Kebbell trying his hardest to bring some life to a terribly underwritten character. Bill Nighy shows up briefly trying just as hard to surpass the hackneyed script. The finale is fun eye candy even though it feels more like a superhero/video game than anything else. The first film put the bar so low that any outside of 2 hours of human waste would have been an improvement, Wrath is an improvement even if nobody really asked for it.

D+

[Trailer] Wrath of the Titans

Being overshadowed by the massive new of The Dark Knight Rises trailer’s release, the sequel to the redux of Clash of the Titans has released its first trailer.

Personally, Clash of the Titans was one of my least favorite remakes of recent memory. It just seemed to get everything wrong on so many levels.

This one looks a bit more promising, probably because of the higher amount of CGI and hair conditioner, and the trailer gives off a noticeable God of War video game feel.

They might deliver a more enjoyable experience, especially since they are removed from the first films requirement to adhere to part of the originals plot.

Then again it might just be more garbage….

MOVIE REVIEWS: CLASH OF THE TITANS

Sunday, April 04, 2010

IN THEATERS



CLASH OF THE TITANS



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The 1981 mythological fantasy adventure Clash of the Titans is resurrected in this remake from Incredible Hulk director Louis Leterrier. The joint Legendary Films/Warner Bros. production focuses on Perseus (Sam Worthington), the mortal hero made to carry out a series of quests by the gods in order to win the hand of the imprisoned princess Andromeda (Alexa Davalos). Liam Neeson, Ralph Fiennes, Mads Mikkelsen, and Gemma Arterton co-star. ~ Jeremy Wheeler, All Movie Guide

Director: Louis Leterrier

Cast: Sam Worthington, Liam Neeson, Ralph Fiennes, Jason Flemyng, Gemma Arterton.

Release Date: Apr 02, 2010..

Rated PG-13 for some frightening images, fantasy action violence and brief sensuality

Runtime: 1 hr. 50 min.

Genres: Action

Review:

Being a child of the 80’s I have had a handful of my childhood movie loves remade with varying degrees of effectiveness. The original Clash of the Titans for all its flaws is still a terribly enjoyable film for me that take me back to childhood. It left indelible images on my young mind and was one of those films that helped shape my general love for films. I doubt Louis Leterrier’s remake will leave that type of impression on today’s children. I could be wrong but I doubt this type of uninspired and chunky film making will leave much of an impression after they leave the theater but who knows, a lot of people said that about the original as well. This film is a chesse fest that’s only occasionally fun and mostly tedious. Leterrier’s direction does his best to give the proceedings an epic feel but for the most part it feels like that is way beyond his talents. The large scale action set pieces are handled with a pedestrian hand only occasionally capturing any sense of grandeur or scope. The battle in Medusa’s lair and final battle with the final battle with the Kraken are the best of the group but the scorpion battle feels more like something out of Starship Troopers. The script makes various changes to the original plot changing the general motivation of Perseus and the gods. They work to certain extent, the gods in particular are a tad more interesting even if we only get Zeus and Hades for the most part and the remainder stands around looking godly. The changes to Perseus aren’t as effective mainly because it makes him less heroic and more petulant. Worthington’s performance doesn’t help as he appears to have mastered the ability to be aggressively wooden. He lacks any fire or drive and just comes across as disingenuous for the better part of the film. Liam Neeson and Ralph Fiennes have more fun hamming it up, Fiennes in particular looks like he’s having a ball. Gemma Arterton doesn’t make as much of an impression as she should and Mads Mikkelsen is overly serious throughout. The cast is saddled with a script that’s just as clunky as the film’s direction; neither seems to be able to decide if it wants to be serious or cheesy. While I suppose there is a chance this could become a cult favorite like the original I think it’s a long shot. The original has a certain endearing campiness to it and this remake has a terribly generic feel to it.

C-

Movie Reviews: AVATAR 3D

Saturday, December 19, 2009
Movie Reviews: AVATAR 3D
IN THEATERS

AVATAR 3D

AVATAR takes us to a spectacular world beyond imagination, where a reluctant hero embarks on an epic adventure, ultimately fighting to save the alien world he has learned to call home. James Cameron, the Oscar-winning director of “Titanic,” first conceived the film 15 years ago, when the means to realize his vision did not exist yet. Now, after four years of production, AVATAR, a live action film with a new generation of special effects, delivers a fully immersive cinematic experience of a new kind, where the revolutionary technology invented to make the film disappears into the emotion of the characters and the sweep of the story.


Cast: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi, Joel David Moore


Director: James Cameron


Opened ..December 18, 2009..


Runtime: 2 hr. 30 min.


Rated PG-13 for warfare, intense battle sequences, some smoking, sensuality and language


Genres: Sci-Fi Action, Science Fiction


Review:


James Cameron’s Avatar is a thrilling and mind blowing visual feast for the eyes and ears. It’s the type of film that will leave you with your mouth wide open on more than a few occasions. Cameron’s Pandora and the Na’vi are completely realized creations that feel entirely real and believable the entire way through. The lush landscape and its inhabitants are incredible marvels of technological achievements. This is epic filmmaking in every sense of the word and nothing here is done on a small scale. The environments are massive there isn’t nary a sense that anything was skimped on. While this is Cameron’s crowing achievement in visual and technical feats, the story and characters don’t come anywhere close to living up to them. The plot is a predictable rehash of the “gone native” themes that’s been done plenty of times over the years. The characters are mostly single dimensional and paint by the numbers. Sam Worthington gives a mostly wooden performance throughout but he’s not really done any favors by thread bare scripting. He does his best to emote passion in the last act but it never reaches a believe level. Faring much better is Zoe Saldana who gives life and energy to her CGI Na’vi character. Saldana adds as much depth and pathos to her character as she can. Sigourney Weaver is mostly in Jane Goodall mode for the better part of her time on screen. Stephen Lang plays the one dimensional army head well and I would have liked to have seen what he could have done with a more fleshed out role. Michelle Rodriguez and Giovanni Ribisi are in the film for what amount to extended cameos and neither really adds anything to the goings on. Regardless of the story’s shortcomings, this the type of movie watching experience that will leave an indelible experience and won’t be quickly forgotten. It’s a real disservice to not see this film in 3D as it adds a wonderful level of immersion to the entire thing.


B

Movie Reviews: TERMINATOR SALVATION

aturday, May 23, 2009
Movie Reviews: TERMINATOR SALVATION
IN THEATERS

TERMINATOR SALVATION

In the fourth installment of the Terminator series, Christian Bale stars as John Connor, the eventual leader of mankind's fight againts the machines. The setting is 2018, focusing on the war between the humans and the computer network Skynet. Anton Yelchin co-stars as soldier Kyle Reese, and Sam Worthington appears as new terminator Marcus Wright.

Cast: Christian Bale, Sam Worthington, Anton Yelchin, Moon Bloodgood, Bryce Dallas Howard, Common

Director: McG

Opened May 21, 2009

Runtime: 2 hr. 10 min.

Rated PG-13 for intense sequences of sci-fi violence and action and language

Genres: Sci-Fi Action, Science Fiction

Review:

Terminator Salvation is a loud Sci-Fi film that feels like it might have had something worthwhile to say if the director had given its character a chance to breathe and come to life. As it is, McG’s Terminator entry is more concerned about big showy action sequences, which are done effectively, than with creating any connection with the characters. As mentioned, the action is handled well and there are plenty huge set pieces that provide the spectacle that one would expect from a huge summer tent pole blockbuster. McG’s got a good eye for directing action, a helicopter crash shot via POV early is on in the film is quite impressive, but the problem is that it becomes quite repetitive and tedious very quickly. Very little time is given to the characters that inhabit this wonderfully realized post apocalyptic that had only been hinted at in the previous films. It’s a real shame as the collected talent is quite impressive. Christian Bale turns in a surprisingly forgettable performance as Connor, never really breaking from a general sense of controlled rage and intensity. Sadly, it’s the only thing the script allows and for a character so central to the mythos it’s a massive mistake. Sam Worthington is given a little more meat to work with and he does mildly better when there aren’t explosions and artillery fire to deal with. Anton Yelchin delivers a solid turn as a teenage Kyle Reese, making him a believable precursor to Michael Biehn’s older version in the original. Moon Bloodgood has a small but effective role as a resistance member. Bryce Dallas Howard is merely window dressing as she’s given nothing to do and even less to say. By the time we reach the final showdown and are given all the spectacle and action expected but the pivotal emotional moments really show the massive disconnect between the audience and the characters. In the end, McG delivers an unfocused showy and sometime stylish Sci-Fi action piece but if this franchise is looking to continue post Arnold it’ll need a massive infusion of character and heart.

C+