MOVIE REVIEW: SUPERGIRL

 

When an unexpected and ruthless adversary strikes too close to home, Supergirl reluctantly joins forces with an unlikely companion for an interstellar journey of vengeance and justice.

Director: Craig Gillespie

Cast: Milly Alcock, Matthias Schoenaerts, Eve Ridley, David Krumholtz, Emily Beecham, David Corenswet, Jason Momoa

Release Date: June 26, 2026

Genre: Action, Adventure, Drama, Sci-Fi

Rated PG-13 for sequences of strong violence, action, language, and smoking.

Runtime: 1h 50m

Review:

Supergirl, much like its central character, is a messier and less refined than last year’s Superman as Milly Alcock capably takes center stage as an emotionally damaged version Kara Zor-El.  Craig Gillespie film borrows heavily from plenty of sources with Guardians of The Galaxy and Mad Max being the most obvious but there’s a grimier, 80’s B movie vibe, that permeates the whole film.  It gives the film a distinctive look and feels that works in its favor as we move from world to world and run into a cornucopia of alien species.  The visuals and action are chaotic by design but once the dust settles it does leave you wondering why everything feels so familiar.  The majority of the characters and their motivations are well worn tropes that we’ve seen a million times before.  Eve Ridley’s Ruthye Marye Knoll quest for revenge after Matthias Schoenaerts’s Krem of the Yellow Hills kicks off the action with both character’s introduced early in the film and take up a good amount of screentime which makes you wonder why the characters are so thinly drawn.   Ridley feels miscast as she never really sells the burning fire that’s driving the character after witnessing her family’s murder.  She comes off as too sweet with the role needing something closer to Bella Ramsey’s Lyanna Mormont in Game of Thrones.  It doesn’t help that we aren’t offered up more depth or backstory about her or her family outside of the fact that her father made swords.  Matthias Schoenaerts’s Krem fares even worse as he’s given the most generic villain in recent memory with the script giving him even less to work with as the character is simply evil, well because.  It’s a shame because Schoenaerts is talented character actor and could have brought something more interesting to the screen if he had better material to work with.  Milly Alcock, on the other hand, gives the titular character much more nuance and depth to this self-destructive version of Kara.  She’s always the most interesting performer onscreen, especially when she’s given a chance to dig into the character’s more traumatic backstory which works as the perfect mirror to David Corenswet’s optimistic and hopeful Superman.  It’s a strong turn across the board but the story has a far more melancholy tone, especially in the 2nd half, than Superman which might turn off some people looking for another light, fizzy superhero story.  Her performance is generally the best thing about the whole film, which makes it a real headscratcher when they decide to take the focus off her character and move to the other less interesting ones.  Jason Momoa does provide a nice boost every time he pops up as DC’s legendary bounty hunter, Lobo, taking the reins of a character that’s much more tailor made for his vibe.  The film would have been better off if they’d given Momoa’s Lobo and Alcock’s Kara more time together to take full advantage of their natural chemistry together.  As is, Supergirl is a serviceable launching pad for the character and Alcock’s take on her but are you left wishing it was something more engaging and memorable.  

B-

Cindy Prascik's Review of Dune

My dear reader(s), this weekend gave me a rare bit of time for watching and writing, so I decided to check out Denis Villeneuve's latest, Dune.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Chronicling the grim interplanetary shenanigans of some absurdly beautiful people.

I will surprise no one by admitting I did not: a) revisit the source material, or b) revisit the original, before diving into Dune 2021. In fact, I remembered so little about the 1984 movie that I had to resort to IMDB to remember who was in it. No, this weekend's choices came down to going to the cinema for over two and a half hours of James Bond, or staying home for over two and a half hours of Dune. I was equally excited (or not) for both, so - as is my norm these days - I opted to stay home. Having said that, I really wanted to like Dune, and was disappointed to find that impossible.

First, though, the good.

Dune boasts a magnificent score by Hans Zimmer. It grabbed me from the very first minute and never let go. The film is visually stunning, the special effects are nifty, and the fight choreography is quite sharp. The cast features a bunch of folks you probably know and love from other things, which leads us to...

...the bad.

Bad acting that is. With the exception of Jason Momoa, who always manages to entertain, everyone is either wooden as a marionette or overacting wildly. No real in-between. (And, no, I'm not saying Momoa is the best actor here by any means, just that he fares best with what he's got to work with.) It's nice to see David Dastmalchian turning up in everything these days, though. The movie is pretentious and far too long. I imagine you're meant to be entranced by the relationships and conflicts among characters and groups, but...nah. I was bored by the 30-minute mark, and completely checked out with about 45 minutes left. With a mighty display of will, I finished it, but it definitely didn't have anything close to my full attention for that last third(ish). Maybe James Bond could have done better.

Dune clocks in at a bloated 155 minutes and is rated PG13 for "sequences of strong violence, some disturbing images, and suggestive material."

Dune is a feast for the eyes, but fails to engage otherwise. Of a possible nine Weasleys, Dune gets three.

Dune is now playing in cinemas worldwide, and streaming on HBO Max until mid-November.

MOVIE REVIEW: DUNE

 

Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence, only those who can conquer their own fear will survive.

Director: Denis Villeneuve

Cast:  Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Zendaya, David Dastmalchian, Chang Chen, Sharon Duncan-Brewster, Charlotte Rampling, Jason Momoa, Javier Bardem

Release Date: October 22, 2021

Genre: Action, Adventure, Drama, Sci-Fi

Rated PG-13 for sequences of strong violence, some disturbing images and suggestive material

Runtime: 2h 35min

Review:

Denis Villeneuve's Dune is a massive movie in everyway shape and form.  This second attempt at adapting Frank Herbert's notoriously dense tome is an opulent feast for the eyes with each scene and sequence leaving a lasting impression due to sheer amount of craftsmanship on display.  It's the kind of cinematic worldbuilding that is bound to leave plenty of people in awe due to the visual bounty on screen.  The cast is peppered with A list talent across the board with each delivering strong if self serious performances.  Oscar Isaac's stoic but loving father/general plays perfectly into his wheelhouse.  Likewise, Josh Brolin's stern solider fits him perfectly just like Jason Momoa's Duncan the caring but fierce warrior.  Dave Bautista's animalistic Harkonnen savage and Stellan Skarsgård's nefarious Baron Vladimir Harkonnen serve as the primary villain's in what amounts to an origin story for Timothée Chalamet's Paul.  Chalamet's performance is strong but subdued landing somewhere in the Hamlet territory.  Rebecca Ferguson though is the real life blood of film as her character and performance is always the most interesting thing on screen even in the mist of the visual cornucopia.  There's an air of Shakespearian tragedy to the story and overall approach.  It's all very self serious and methodical in it's approach which might be off putting to people who aren't pulled immediately into the story which is admittedly dense.  There is also a Kubrick like clinical distance from the characters on screen making it difficult to connect to them on an emotional level.  Additionally, Dune is merely setting the table for the real action to kick off in it's sequel.  That doesn't make it any less of a cinematic achievement that's sure enrapture and dazzle audiences.

B+

Cindy Prascik's Review of Zack Snyder's Justice League

 

My dear reader(s), this weekend has brought us a great gift. No, it's not the first day of spring or even the (hopefully) impending end of Covid, but rather the long-awaited "Snyder Cut" of Justice League.

Spoiler level here will be...mild(ish), I guess.

Probably everybody - or at least everybody who'd bother to read this - knows the story of 2017's Justice League. Midway through building his DC Universe, a personal tragedy caused Snyder to exit the film. Joss Whedon stepped in and made a very Marvel-colored DC movie, maligned by critics and fans alike. In anticipation of the release of the Snyder Cut, I rewatched the original last week, and was reminded that I did enjoy it in a very Marvel-ish way, that is, I laughed at its goofiness and forgot it the minute it was over. The four-hour Snyder Cut...*that* I enjoyed in a very DC way, that is, I loved every minute and will hold it in my heart forever.

Let's start with Master Wayne. Batman is my favorite A-List hero (the Tick is my overall favorite, if anyone wondered), and Ben Affleck is my favorite Batman by far. Cocky but world weary, strong but fading, his take on the character wouldn't be out of place in any dramatic awards darling. In the theatrical release of Justice League, Batman was basically reduced to comic relief, an insult to the Caped Crusader's legacy. The Snyder Cut reinstates him as the quarterback of this team of heroes.

While the movie retains the darker tone for which DC is noted, there is a good bit of humor, mostly from Aquaman (Jason Momoa) and Flash (Ezra Miller). Gone are the Iron Man-esque wise cracks in every scene that were forced into the theatrical release. The movie does not miss them.

Gal Gadot shines as Wonder Woman, Diana doing her part to lead the team and perhaps temper Bruce Wayne's hardness and cynicism. It's also worth noting that Wonder Woman has the coolest musical cue of all the heroes.

Henry Cavill remains a perfect Superman, and maybe the very best news about the Snyder cut is that it's missing the awful CGI moustache erasure that made such a laughingstock of the theatrical cut from its very first moments.

Finally, we come to Victor Stone. Snyder has called him the heart of the film, and he definitely benefits from added screen time and a more fleshed-out backstory. A leader though he's just a kid, Ray Fisher's Cyborg is the glue that holds Justice League together. I know I speak for many when I say, if DC made a feature with Fisher's Cyborg and Miller's Flash, I'd be there with bells on.

The Snyder Cut boasts some super effects, especially on the villian Steppenwolf; in fact, its visuals are quite stunning nearly every step of the way. The film features an epic score by Junkie XL. There are plenty of surprises/Easter eggs for DC fans, and I don't mind admitting that I got a bit choked up by certain frames of the movie. If the picture has a fault, it's that all that super slo-mo does get a bit exhausting, but mostly it is, in every way, the epic big screen endeavor that the world's greatest heroes deserve.

Zack Snyder's Justice League runs a whopping 242 minutes and is rated R for "violence and some language."

As a DC fangirl, I am happy to report Zack Snyder's Justice League is everything I'd hoped for. Of a possible nine Weasleys, Zack Snyder's Justice League gets all nine...and I'm watching it again as I type this!

Fangirl points: Song to the Siren makes a brief appearance here, and even though it's a cover instead of Tim Buckley's original....I'll take it!

Zack Snyder's Justice League, along with his director's cut of Batman v Superman, is now streaming on HBO Max.

MOVIE REVIEW: ZACK SNYDER'S JUSTICE LEAGUE

 

In ZACK SNYDER'S JUSTICE LEAGUE, determined to ensure Superman's (Henry Cavill) ultimate sacrifice was not in vain, Bruce Wayne (Ben Affleck) aligns forces with Diana Prince (Gal Gadot) with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions.

Director: Zack Snyder

Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Ezra Miller, Jason Momoa, Ray 
Fisher, Ciarán Hinds

Release Date: March 18, 2021

Genres: Action, Adventure, Fantasy 

Rated R for violence and some language 

Runtime: 4h 2min 

Review:

Zack Snyder's Justice League had a long and tragic road to becoming a reality.  Joss Whedon's cobbled together Frankenstein film isn't terrible but it just reeks of shooting for the lowest common denominator, what works is mainly due to the cast.  Regardless of that, the Whedon film felt nothing like Snyder's lead in, Batman v Superman: Dawn of Justice, an overstuffed film but one with a clear vision.  The last time we've been able to see two separate versions of the same film was in the early 2000's when both Renny Harlin's Exorcist: The Beginning and Paul Schrader's Dominion: Prequel to the Exorcist were both released with one film being the result of studio meddling, sadly both films were terrible for different reasons.  Against all odds, Zack Snyder's Justice League is a opus that hits all the right marks without any of cheesy one liners of the Whedon film.  Snyder's film is entirely his own entity from the start and fits in perfectly with Batman v Superman: Dawn of Justice.  Perhaps the most interesting thing about the whole thing is that while it's much more serious than the Whedon film, it's never an overly dour affair.  There's well placed levity throughout with Ezra Miller's Flash carrying the comedic load and it never feels fake or forced.  Even more surprising is the amount of heart and character building on display in this film, something that's been lacking from the majority of Snyder's previous films.  

This film gave Ray Fisher's Cyborg a real emotional arch and the character himself feels more like a fully realized creation with understandable motivations and emotions.  Ciarán Hinds's villain Steppenwolf is given more depth than he did in the original which works in the character's and story's favor.  Likewise, Jason Momoa's Aquaman isn't the over the top dudebro from the original release which makes his character far more interesting and nuanced.  This approach gives Momoa the chance to actually display some real acting chops and he does incredibly well.  Ben Affleck's Batman is more hopeful in this version without having to use goofy one liners.  Henry Cavill's resurrected Superman is saved from bad facial CGI and it's nerdy fun to see him don the black suit but his story is more or less unchanged. Gal Gadot's Wonder Woman gets a far better shake in this version as well, those complaining about the lack of action in Wonder Woman 84 from the Amazonian will find plenty to love here.  The action sequences themselves are also a revelation, the major set pieces are more or less the same but Snyder's version are stylized 300 esque battles that deliver an appropriately epic scope.  Steppenwolf's attack on Themyscira early on serves as a prime example of how Snyder's action worked much better on multiple levels, it helps that Connie Nielsen's Hippolyta is given more screen.  Much like the action, the story itself is cleaner and more efficient here which makes you wonder why some of the changes were even made in the first place.  It's a testament to how engaging the story and characters are that its four hour runtime rarely feels oppressive.  There aren't many scenes that feel superfluous, instead they all serve the character's story.  Zack Snyder's Justice League is an achievement on multiple levels, it's both ground and personal but epic in scope.  Comic book fans will find plenty to love in this version while DC fans will finally get to see their hero's in film they deserve which makes the sequel set up all that more painful.

A-

Cindy Prascik's Reviews of Bumblebee, Aquaman, and Holmes & Watson

Holiday Catch-Up Triple Feature!

Dearest Blog: Yesterday it was off to Marquee Cinemas for the catch-up triple-bill of Bumblebee, Aquaman, and Holmes & Watson.

Spoiler level here will be mild, including a couple non-plot-specific things not revealed by trailers (far as I remember).

First on the docket: Bumblebee, a Transformers origins story.

Bumblebee is a pretty great film that, for me, was ruined by a really bad audience. I'll keep this review as objective as possible, but I know I didn't love it half as much as it deserved due to the poor theater experience.

Bumblebee represents a bit of a reset for the much-maligned Transformers franchise. Gone are the male leads and testosterone-driven action, replaced by Hailee Steinfeld as our young heroine with extensive auto-repair skills and an impressive collection of concert tees. Though Bumblebee doesn't diverge from the Transformers mold, Steinfeld carries the acting and action almost entirely on her tiny shoulders. Second-fiddle John Cena is amusing, and Jorge Lendeborg, Jr. is quite charming, but mostly it's down to Steinfeld and giant alien robots. Bumblebee's effects are sufficiently huge, and thankfully minus the dodgy bits that plague many CGI-heavy blockbusters these days. Sound mixing and editing are extraordinary. The picture boasts a hot 80s soundtrack that helps it accurately capture the feel of the decade. I didn't enjoy Bumblebee as much as the previous two entries in the franchise, but even I must admit it is, objectively, an improvement and a nice step in a positive direction.

Bumblebee runs 114 minutes and is rated PG13 for "sequences of sci-fi action and violence."

Bumblebee feels longer than it is and I enjoyed it less than I should have, but it can fairly be called not just a good Transformers movie, but a good movie all 'round.

Of a possible nine Weasleys, Bumblebee gets seven and a half.

Fangirl points: Lovin' that Damned tee! And Save a Prayer in digital surround-sound? Yes, please!

The filling in yesterday's cinema sandwich was the latest entry in DC Comics' cinematic universe, Aquaman.

Who lives in a pineapple under the sea? Well, it's not Aquaman, though for years a yellow cartoon sponge has been laughed at only slightly more than DC's waterlogged hero. That ends now.

I am a DC girl through and through, and I'd been giving big-screen Aquaman the side-eye for some time. Between Arthur Curry's comic-relief role in Justice League and a wisecrack-heavy trailer, I expected a full-on attempt to mimic Marvel's "funny" superhero films. While Aquaman is neither as grounded as the Nolan Bat-verse nor as grim as Batman v. Superman, I'm pleased to report it finds a solid balance and is quite the enjoyable outing.

Jason Momoa is terrific as the would-be King of Atlantis, carrying the picture with his super-heroic buffness and easy charm. The dude-bro act from Justice League has been toned wayyyyyyy down, leaving a very human, very 2018 hero who hugs his pa, cries over his ma, and even makes a reasonable facsimile of that awful classic Aquaman costume look pretty rad. Patrick Wilson appears to be having the time of his life as Curry's half-brother and nemesis, gleefully overacting at every turn.The film is all the better for having names like Willem Dafoe, Dolph Lundgren, and Nicole Kidman in supporting roles. The only real negative is a dull turn by Amber Heard, who occupies just enough screen time to be annoying, but thankfully not enough to ruin the film. Aquaman boasts magical visuals, and natural comedy that flows well and doesn't feel forced. The movie does run a bit long, and the second act starts feeling like one run-on fight; like most superhero movies, by the time it hit the two-hour mark, I was ready to jump in and save the damn world myself.

Ultimately, though, Aquaman is enough fun that the need for a trim is a small quibble. Though I'm still jonesing for a really good Batman movie starring my favorite Bruce Wayne, Ben Affleck*, I'm happy to let Arthur Curry and Diana Prince get DC back on solid cinematic footing.

Aquaman clocks in at 143 minutes and is rated PG13 for "sequences of sci-fi violence and action, and some language."

Aquaman is a redeeming big-screen outing for an overdue hero and an unlikely win for DC. Of a possible nine Weasleys, Aquaman gets eight.

Finally, yesterday's closer was the Will Ferrell/John C. Reilly comedy, Holmes & Watson.

A comedic take on the world's greatest detective and his sidekick.

Here I shall go on record as a fan of Will Ferrell and John C. Reilly, both individually and as a team. Talladega Nights is a top go-to movie in my house; we watch it religiously and quote it relentlessly. I mention that only to be clear: There's nothing that made me pre-disposed to dislike an idiotic comedy; it was quite the unpleasant surprise that I hated Holmes & Watson so, so much. The sad fact of the matter is: It just isn't funny.

Holmes & Watson hopes to earn laughs by exaggerating Sherlock Holmes' insufferable arrogance and John Watson's sometimes pitiful devotion. Ferrell's trademark ridiculousness is in full effect, but the film is more gross-out than slapstick. Proving that resistance turns up in the unlikeliest of places, Holmes & Watson takes a few swipes at He Who Must Not Be Named and American gun culture. While both are easy marks, that sort of poke only works if it's funny and/or clever, and this is most emphatically neither. Even more unforgivably, the movie is a criminal waste of two of my best girl crushes, Rebecca Hall and Kelly MacDonald. There's one solid gag at the end, but it's way too little, way too late.

Holmes & Watson runs a painful 90 minutes and is rated PG13 for "crude sexual material, language, some violence, and drug references."

If you really need a Sherlock Homes fix for 2018, your better big-screen bet is the one where he's a garden gnome.

Of a possible nine Weasleys, Holmes & Watson begrudgingly gets one.

Fangirl points: He must've lost a bet to turn up in this garbage, but great to see Hugh Laurie!

Until next time...

*Shut up. I won't believe he's not coming back until they cast someone else.

MOVIE REVIEW: AQUAMAN

Once home to the most advanced civilization on Earth, the city of Atlantis is now an underwater kingdom ruled by the power-hungry King Orm. With a vast army at his disposal, Orm plans to conquer the remaining oceanic people -- and then the surface world. Standing in his way is Aquaman, Orm's half-human, half-Atlantean brother and true heir to the throne. With help from royal counselor Vulko, Aquaman must retrieve the legendary Trident of Atlan and embrace his destiny as protector of the deep.

Director: James Wan

Cast: Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Nicole Kidman

Release Date: December 14, 2018

Genres: Action, Adventure, Fantasy

Rated PG-13 for sequences of sci-fi violence and action, and for some language

Runtime: 2h 23 min

Review:

Aquaman is one of those properties that could have gone off the rails fairly easily much like Marvel’s Thor.  The best thing DC did was nail the casting much like they did with Gal Gadot as Wonder Woman.  Jason Momoa has great screen presence and he never takes himself overly serious.  He’s had a trial run with him making an impressive debut in Justice League and he proves that he’s more than capable of carrying his own film here.  The combination of James Wan and Jason Momoa make for an incredibly fun film which has a massive scope but it never loses its focus even as it becomes more and more ridiculous.  Wan does a healthy bit of world building delivering some incredibly impressive visual set pieces and action sequences.  After a bit of a slow start the film revs up and never let’s down, its energy is palpable through out even at nearly two in half hours.  The supporting cast rounds out the film with Amber Heard leaving the biggest impression with Nichole Kidman coming in a strong second.  It’s a testament to how well crafted the film is that you can overlook a few missteps like a bland villain, Black Manta would have worked better as the primary baddie, and some formulaic story beats.  Even so Aquaman is a superhero film that’s sure to please nearly everyone especially long suffering DC fans.  

A-

April Sokol's Review of Justice League

Movie review: Justice League

Justice League is the latest DC Comic Universe offering. The story picks up shortly after the death of Superman has plunged the world into darkness, chaos and violence.

Directed by Zack Snyder

Starring: Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fischer, Henry Cavill, Amy Adams, Diane Lane, Connie Nielsen, JK Simmons, Amber Heard and Ciaran Hinds

My slightly spoilery review:

I feel like in the interest of full disclosure, I should mention before we go further into this review that I am not a DC fan usually. The big shiny exception being the incredible Wonder Woman. I have felt as though most of the DC movies have been dark and dreary and have taken themselves entirely too seriously. So my expectations for this movie were not what anyone would consider “high”. What a shock it was to find myself REALLY enjoying this movie.

Our story is nothing incredibly new or unique. The world is being threatened by the evil demon Steppenwolf (voiced by Hinds) who is set on total destruction. Batman (Affleck) and Wonder Woman (Gadot) realize that they are going to need more help if they hope to defeat him and save planet Earth. Enter the rest of the team: The Flash (Miller), Aquaman (Momoa) and Cyborg (Fisher). We get glimpses into each of their lives as they are being recruited. This is done without the repetition of Suicide Squad and in a way where I felt intrigued by what each new member will bring to the table. The slight spoiler here is in the resurrection of Superman (Cavill).

Where I feel this movie really scores is in the emotional components. There are some really wonky CGI problems which I was willing to overlook because I felt invested in the characters. The deep layered complexities of what it means to be a human are really explored here in a way that many superhero movies seem to miss. Adams and Lane are back as Lois Lane and Martha Kent respectively. They don't get an awful lot of red meat to work with, but they both do at the very least an adequate job in their roles. Jeremy Irons (Alfred) and JK Simmons (Commissioner Gordon) are good even though both characters are completely unnecessary.

The true winners of this movie have to be Miller and Fisher. They are complex and vulnerable and funny and I would have watched a 3 hour movie of just the two of them. Both are tasked with acting while a significant portion of their faces are covered by either a mask or cybernetic enhancements. Miller in particular really shines in this area. He is able to act with just the use of his eyes and I was thoroughly impressed with him throughout.

Justice League feels far more like a Marvel movie than any of it's predecessors. There is significantly more humor here than what's come before. Both of my showings had very vocal crowd applause and laughter. The villain being somewhat cartoonish and not actually “scary” makes this a family friendly option. My only other slight quibble would be a sort of muddy 3rd act. But my grade is a very solid 4 out of 5 stars.

Give me a Flash/Cyborg movie STAT!

MOVIE REVIEW: JUSTICE LEAGUE

Fueled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne enlists newfound ally Diana Prince to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes -- Batman, Wonder Woman, Aquaman, Cyborg and the Flash -- it may be too late to save the planet from an assault of catastrophic proportions.

Release Date: Nov 17, 2017
 
Genres: Action/Adventure, Sci-Fi/Fantasy

Director: Zack Snyder

Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Ezra Miller, Jason Momoa, Ray 
Fisher

Rated PG-13 for sequences of sci-fi violence and action

Review:

Justice League gives DC fans the big superhero team up they’ve been waiting for.  It’s not a perfect film by any stretch of the imagination but it’s still incredibly fun.  The film had its share of behind the scenes issues, due to the death of Zack Snyder’s daughter that had Joss Whedon stepping in, and at times it does feel a bit like a Frankenstein mash up of Synder and Whedon’s styles.  The first act feels a tad clunky as we catch up or meet all the heroes and are introduced to the primary villain.  It feels like it could have used some smoothing out but it’s not really a huge detriment once the film finds its footing.  Once it does and the characters are fleshed out we get an enjoyable superhero romp that feels like a live action version of Bruce Timm’s animated Justice League show.  Established characters like Batman (Affleck is lighter and having more fun), Wonder Woman (Gal Gadot is always on point) and Superman (Henry Cavill is still a great choice even with CGI weirdness on his mustache) all get their just due while intermixing with the newcomers.  The newcomers all leave a lasting impression.  Ezra Miller’s Flash is great fun every time he’s on screen.  His manic and energetic personality translates wonderfully on screen.  Miller’s got tangible chemistry with the entire cast which serves the film well.  Jason Momoa brings an unbridled macho swagger to Aquaman which is a fun take on the character and it works far better than expected.  Ray Fisher might be overlooked but he shouldn’t because he’s delivers one on better performances in the whole film.  Anyone who’s a fan of the character from Teen Titans will instantly recognize as soon as Fisher shows up.  It’s an impressive turn that can get lost in the overall shuffle but it really shouldn’t.  The villain, Steppenwolf who voiced by Ciarán Hinds, isn’t memorable or terribly deep, he’s more of a mechanism to the overall plot.  Hinds, to his credit, gives the character a commanding presence and he plays it loose enough that you can tell he’s enjoying the outlandish bombast of the character.  The action sequences are all fun and well plotted out with the arrival of Steppenwolf on Themyscira being an impressive high point.  Justice League is a film that checks all the boxes for fans and general audiences.  It’s hard to see anyone not having a good time with this film especially long time DC fans.

B+

Cindy Prascik's Review of Justice League

Dearest Blog: I have spent the better part of the last two days in three Justice League screenings at Marquee Cinemas, and I am now prepared to talk to you about it. This will probably get long, so grab a coffee and dive on in!

 

Spoiler level here will be moderate; if I talk about anything not explicitly revealed by the trailers, it will be something obvious from a quick check of the IMDB credits, or enough discussed (pre-release) to assume it was a not-actually-secret secret. Still, if you prefer to know nothing until you've seen the movie, read no further until you do.

 

When Superman's passing leaves the world lawless and without hope, Batman and Wonder Woman assemble a team of heroes to fill the super-sized gap.

 

Dear reader(s), as I so often mention, I approach every movie--whatever my predisposition towards it--with an open enough mind to be surprised to the good or to the bad. In the interest of full and fair disclosure, and to exactly no one's surprise, please note that the opinions hereafter shared are honest, but coming from a place of great affection. This movie would have had to work very hard to make me dislike it.

 

So let's begin at the beginning, shall we? More than a decade removed from that benchmark of superhero movie perfection, The Dark Knight, DC is trying to find its footing again. That is not my personal opinion--I love the way DC does things, and they have yet to produce a movie I didn't like--but, if the DC Universe officially rebooted following Christopher Nolan's directorial swan song, this movie represents at least an informal CTRL-ALT-DELETE, adopting an entirely different tone from the one to which we're accustomed. Even Wonder Woman, redeemer of heroic cinema and hope of all DC fans, didn't seem as much of a departure to me.

 

Though the future of the whole world is at stake, the tone here is light and cartoonish. It's not the choice I'd have made, but it is enjoyable and nearly all of the humor is spot on. Outside of a few missteps with Aquaman (more on that later), the funny bits are well-timed and often quite clever. (Look out for an exchange between Lois Lane and Martha Kent in the Daily Planet breakroom!) The film's overall appearance is very comic-bookish, and continues to overuse that super-slo-mo that annoyed me so much in Wonder Woman. The effects are mostly solid, but there is some oddly-dodgy CGI, most notably in scenes where the porn-stache Henry Cavill was wearing for another project was digitally removed in post production. Yes, you may utter those never-before-spoken words: "Henry Cavill's face looks bad!" and that will be why. A final note on the look of the film: for the first time in recent memory, I could actually see everything that was going on; nothing was overly dark, despite my not bothering with the 3D.

 

I was prepared to open this review by stating that Justice League could use more Batman. Truth be told, I got a LOT more Batman than I anticipated with such a large ensemble...though pretty much any movie could always use more Batman. (Lookin' at YOU, La La Land!) The lighter overall tone makes Ben Affleck's Bruce Wayne seem somewhat less world weary, but his perpetually bemused expression and self-imposed outsider status still make him a perfect Batman, in my opinion, the best ever. As expected, Gal Gadot's Wonder Woman is front and center throughout, and she is an absolute delight. Henry Cavill remains an ideal Superman, handsome, strong, and vanilla. Jason Momoa's Aquaman is a little too "bro" for my liking, but claims credit for some of the movie's funniest moments. Strictly for science purposes, here I shall inform you, dear and faithful reader(s), that there's a fair bit of gratuitous, but not unwelcome, shirtlessness on the parts of Messrs. Cavill and Momoa. Bring the galoshes! While all those big names are pretty terrific, the movie's highlights are Ezra Miller and Ray Fisher as The Flash and Cyborg. Miller brings a real sense of wonder and spot-on comedy skills to Barry Allen, an isolated kid who is as excited as he is overwhelmed to be asked to join such a super team. Fisher is extraordinary, turning in a natural performance that easily makes Victor Stone the most sympathetic and likable character in the film. Unsurprisingly, awards darlings Diane Lane, Jeremy Irons, and Amy Adams provide small bright spots in limited screen time. Oh, and there's Not-Gary-Oldman as the new Jim Gordon. I guess he's okay too.

 

Plot wise, Justice League seems a little scattered, especially at the start. Much like the whole of Suicide Squad, the early parts of JL are more like a bunch of small stories than one cohesive larger one. Ultimately the pieces start fitting together, but it's a feeling the movie never quite shakes. My personal taste leans strongly towards the grittier, more real Nolan-verse, but I think Justice League works well as an attempt to reinvent the DC Universe as more fun and less grim. Missteps in the humor are rare, and there's nothing that feels shoehorned in, as I so often complain of Marvel movies in general and Tony Stark's one-liners in particular. A well-defined message makes it easy to excuse a few ridiculously hokey lines. (Hokey lines, are, after all, a Super-staple!) There's a peripheral hint at possible romance between Bruce Wayne and Diana Prince, and--if I don't especially need romance in my superhero fare--I don't mind this pairing either. Justice League is more than accessible enough for a casual fan to enjoy, but there are plenty of fanboy moments too. Though the climactic battle scene bogs down just a hair, Justice League also succeeds in one way that no other costumed hero picture has in recent memory: It runs shy of the two-hour mark. This is a smart decision and a trend I hope both DC and Marvel will continue. There are two post credits scenes--one (far as I could tell) merely amusing and the other functional and thrilling. I enthusiastically encourage you to stay for both.

 

A few random thoughts that I couldn't weave in anywhere else:

 

Why is Wonder Woman always grunting like she's constipated? None of the men do that.

Momoa's Arthur Curry always sounds like a guy who's about to drop a Limp Bizkit track at karaoke.

 

Weird that Alfred spent this movie dressed like a member of the Newsies ensemble...??

 

Justice League runs 119 minutes and is rated PG13 for "sequences of sci-fi (??) violence and action."

 

By now, you've probably seen a bunch of professional critics complaining about Justice League, but my Facebook feed is full of people saying they loved it and can't wait to see it again. I've seen it three times, and am proud to throw in my lot with the "can't wait to see it again" crowd. It may not be perfect, but it's pretty great. Of a possible nine Weasleys, Justice League gets eight and a half.

 

Fangirl points: Batman! (DUH!) Billy Crudup! Holt McCallany!

 

Until next time...