MOVIE REVIEW: JUROR #2

 

A juror for a high-profile murder trial finds himself struggling with a serious moral dilemma that could influence the verdict and potentially convict, or free, the accused killer.

Director: Clint Eastwood

Cast: Nicholas Hoult, Toni Collette, J. K. Simmons, Kiefer Sutherland, Chris Messina, Zoey Deutch

Release Date: October 27, 2024

Genre: Thriller

Rated PG-13 for some violent images and strong language.

Runtime: 1h 54m

Review:

Clint Eastwood's latest film is a fascinating morality tale in the form of a courtroom drama that dissects the ideas of truth and justice in an earnest, meaningfully way.  Eastwood's film is a deliberately paced throwback drama that gives the audience plenty to chew on while rarely falling back on didactic moralism.   It’s a film that works in morally grey areas for the majority of its runtime with each participant bringing their own self interest to the table adding an intriguing level of complexity to their motivations.  Eastwood does a solid job of laying all these conflicting viewpoints onscreen to show how complicated and imperfect the justice system can be.  It’s all very glossy, lacking the kind of real world grittiness that would have made it even more effective with Eastwood pulling for a more satisfying resolution as opposed to something more nebulous and complicated.  It’s a minor complaint because the film is so well constructed and acted that it’s easy to overlook some of the film's biggest cinematic stretches.  The ensemble cast led by Nicholas Hoult is solid across the board.  Hoult's tortured turn as the juror/assailant is a study in subtly as more and more layers reveal themselves as the film goes on.  Zoey Deutch is given an underwritten role as his wife which she does what she can with.  There's a sense that there's plenty of fertile ground that goes untouched thanks to the generic characterization she's given to work with.  Toni Collette, sporting an aggressive southern access, fares better as the DA who's prosecuting the case and running for re-election.  Collette brings a dogged single mindedness to the character making her tunnel vision make sense as she attempts to advance her career.  There's a bit of moderation in the back half of the film as her friend and public defender played with abject earnestness by Chris Messina makes it clear she's more focused on her career as opposed to the pursuit of truth.  Messina and Collette have solid chemistry together which makes their interaction a strong showcase for both even though you wish the script offered more details about their friendship.  J. K. Simmons, Kiefer Sutherland and Leslie Bibb have small supporting roles which add texture to the story just through their screen presence.  The film could have made better use of Simmons in particular who has a moment to shine before he's shuffled off screen for the remainder of the story.  Juror #2 plays it a tad too safe for my taste in its final act but that doesn't detract from its polished presentation and strong performances from its ensemble. 

B+

MOVIE REVIEW: BEING THE RICARDOS

 

In 1952, Hollywood power couple Lucille Ball and Desi Arnaz face personal and professional obstacles that threaten their careers, their relationship, and their hit television show.

Director: Aaron Sorkin

Cast: Nicole Kidman, Javier Bardem, J. K. Simmons, Nina Arianda, Tony Hale, Alia Shawkat, Jake Lacy, Clark Gregg

Release Date: December 10, 2021 

Genre: Biography, Drama

Rated R for language

Runtime: 2h 5m

Review:

Being The Richardos is a showy biopic that's held together by a wonderful turn from it's cast but it lacks consistency from start to finish.  Writer/director Aaron Sorkin brings his signature dialogue to his film and it drives the narrative as expected.  A strange and unnecessary faux documentary framing device though saps the film of forward momentum by moving the focus off the titular couple. Once onscreen, Nicole Kidman and Javier Bardem make for an interesting couple even if their physical similarities to the real people are less than convincing especially Bardem.  Kidman is fully committed to the role and delivers a strong performance, capturing Ball's signature raspy voice and mannerisms.  There are portions of the film where she just disappears into the role especially in the few scenes where iconic moments from the original show are recreated.  Outside of mere mimicry, Sorkin and Kidman give us moments that display Ball's eye for comedy and others that display her strength as the TV heavyweight she was.  Bardem is solid throughout even though his performance isn't able to escape his gravelly voice and distinct style.  Its a minor issue as Bardem and Kidman share some strong moments together onscreen especially in the film's final act.  The supporting cast is made up of familiar faces like Alia Shawkat, Tony Hale and Jack Lacy who all deliver workman turns.  J.K. Simmons and Nina Arianda though leave the biggest impressions, once you overlook the fact that neither looks anything like their real life counter parts, with memorable turns as William Frawley and Vivian Vance who played the Mertz.  It all makes for an entertaining biopic that uses heavy dramatic license to condenses multiple life events in the Balls life but Being The Richardos is not the homerun it should have been.  

B-

MOVIE REVIEW: THE TOMORROW WAR

 

A man is drafted to fight in a future war where the fate of humanity relies on his ability to confront his past.

Director: Chris McKay

Cast: Chris Pratt, Yvonne Strahovski, J. K. Simmons, Betty Gilpin, Sam Richardson, Mary Lynn Rajskub

Release Date: July 2, 2021

Genre: Action, Adventure, Sci-Fi, Thriller

Rated PG-13 for intense sequences of sci-fi violence and action, language and some suggestive references.

Runtime: 2h 20min

Review:

The Tomorrow War, not to be confused with fantastic novel The Forever War by Joe Haldeman, is a hodgepodge of recycled parts that delivers a capable if forgettable sci-fi film.  Director Chris McKay seems to be channeling Starship Troopers sans the satire by way of early 2000s Michael Bay.  It’s a loud dumb movie that throws out some intriguing ideas but decides to go for the path of least resistance. The script is filled with clichés seasoned sci-fi fans haven’t seen before so don’t expect the story to surprise you at any turn, it predictable from start to finish.  Thankfully, the film isn’t an overly serious or grim affair so there is plenty of fun to be had in some of the film’s larger set pieces even if the CGI varies from top notch to video game cut scene quality.  Chris Pratt leads the film as best he can, but you get the feeling he needs somebody to work off in order to deliver his best work.  Early in the film, he has nice chemistry with Sam Richardson, but he disappears to the better part of the film.  He shares more dramatic moments with Yvonne Strahovsk and he can’t quite sell the emotional connection so your investment in the relationship isn’t nearly as important as it should be.  Strahovsk, for her part, delivers solid work with the character being right in her wheelhouse.  J.K. Simmons has a small but memorable supporting role, sadly Betty Gilpin is little more than window dressing in her few scenes.  The Tomorrow War ultimately ends up being a fun but disposable sci-fi film which is a shame since you get a strong sense that there is a better film somewhere in in the story. 

C+

MOVIE REVIEW: PALM SPRINGS

Stuck in a time loop, two wedding guests develop a budding romance while living the same day over and over again.

Director: Max Barbakow

Cast:  Andy Samberg, Cristin Milioti, Peter Gallagher, J. K. Simmons, Meredith Hagner, Camila Mendes, Tyler Hoechlin

Release Date: July 10, 2020

Genres:  Comedy, Fantasy, Mystery 

Rated R for sexual content, language throughout, drug use and some violence

Runtime: 1h 30min

Review:

Max Barbakow's debut film will feel instantly familiar to lots of people who've seen Groundhog Day, 50 First Dates or even the recent horror comedy Happy Death Day.  At times, the film feels like an amalgam of those film’s ideas, but the impressive thing is that Barbakow’s film does not come off terribly derivative even though it is.  His direction is breeze and easy to like especially once the general concept is laid out.  The story itself is very much in line with Andy Samburg’s type of humor, sophomoric but there is always an air of sweetness and general lack of cynicism.  People who enjoyed previous Lonely Island productions like Hot Rod, Popstar or even Brooklyn Nine-Nine will feel right at home here.  Samburg being paired with Cristin Milioti makes the film work far more than it would in lesser hands.  They both share solid screen chemistry which can make or break these kinds of movies.  Together they make for a likeable couple so much so that you will probably overlook the fact that there a strong rom-com vibe throughout the story.  The film could have made better use of J. K. Simmons because his storyline would have been fun to explore but he still makes the film pop when his character pops up.  Palm Springs is the kind of fun, breezy film that’s eager please and it does for the most even though it doesn’t bring a ton of new to the table.

B