Cindy Prascik's Review of Air

 

My dear readers, with continued apologies for my sporadic content, here I am pleased to share some thoughts on Ben Affleck's Air.

Hoping to compete with the biggest names in its field, a shoe company courts a future superstar as the face of its brand.

Spoiler level here will be mild for the film, with no accounting for what a reader might know of actual events.

Air isn't the sort of film that's going to set the world on fire, but it's an engaging story, well told and well acted. As the shoe company's brass and bolts, the reliably watchable trio of Matt Damon, Jason Bateman, and Ben Affleck carries the movie effortlessly. Viola Davis nearly steals the whole show as the mother of the athlete they court to represent their company. The broad popularity of the titular product makes it unlikely anyone's watching Air without knowing how it turns out, but the movie manages to maintain tension all the same (a feat Affleck also achieved admirably with Argo). Rounded out with a stellar 80s soundtrack, Air is the most enjoyable movie I've seen in a good, long while.

Air clocks in at 111 minutes and is rated R for language.

It won't be the talk of awards season, but Air is a satisfying exercise elevated by a familiar and likeable cast. Of a possible nine Weasleys, Air gets eight.

Air is now streaming on Amazon Prime.

Until next time...

MOVIE REVIEW: AIR

Sonny Vaccaro and Nike pursue basketball rookie Michael Jordan, creating a partnership that revolutionizes the world of sports and contemporary culture.

Director: Ben Affleck

Cast: Matt Damon, Ben Affleck, Jason Bateman, Marlon Wayans, Chris Messina, Chris Tucker, Viola Davis

Release Date: April 5, 2023

Genre: Drama, Sport

Rated R for language throughout.

Runtime: 1h 51m

Air runs the gamut of sports underdog tropes as it dramatizes the truth story of how Michael Jordan and Nike started their legendary business relationship. Ben Affleck’s direction injects the film with a breezy, retro feel by using archival footage and music to place it firmly in a very specific place in time.  In lesser hands, this could have been a very bland and paint by the number dramatization that wouldn’t have been nearly as interesting as it is since we all know how it ends.  The film’s biggest asset though is its cast which is made up of likable actors led by Matt Damon.   The role of Sonny Vaccaro is perfectly suited for Damon’s talents since it requires an air of authentic sense of self-determination, drive, and vulnerability.   He delivers the kind of performance that makes some of the more grandiose and self-aware speeches hit with more emotional impact than they would in the hands of a lesser actor.  The supporting cast is made up of familiar faces like Jason Bateman, Marlon Wayans, Chris Tucker and Affleck who all share the kind of lived-in chemistry which make their interactions believable.  Chris Messina is fun even though he’s jarringly over the top as legendary sports agent David Falk.  Viola Davis and her real-life husband, Julius Tennon, play Jordan’s parents with the kind of levelheaded parental energy the roles call for.  Jordan himself is only shown from behind and has very minimal dialogue with archival footage from his career and life serving as most of his presence in the film.  The script smartly focuses the story on the Nike side of this story since Jordan is such a well-known figure.  There are moments, though, where the script rushes some of the behind-the-scenes machinations and relationships a bit too much to make you believe they would take such a massive risk.  These issues are sort of baked into the genre along with the predictability of it all, but Air does an impressive job of making it all so easy and engaging to watch.

B+

MOVIE REVIEW: SILVER LININGS PLAYBOOK

SILVER LININGS PLAYBOOK




David O. Russell's Silver Linings Playbook stars Bradley Cooper as Pat, a bipolar man from Philadelphia who has spent the last eight months in a mental hospital. He was ordered there after a violent incident involving his wife and another man. Pat moves in with his father (Robert De Niro), a lifelong Eagles fans who has low-level OCD issues. Pat wants to get back together with his wife, even though there is a restraining order keeping him from contacting her. He soon befriends a depressed young woman who's mourning the death of her husband by engaging in compulsive sex with almost everyone she meets; she also knows his wife and offers to deliver a letter of his to her if he acts as her partner in a local dance competition. Silver Linings Playbook screened at the 2012 Toronto International Film Festival. ~ Perry Seibert, Rovi

Director: David O. Russell

Cast: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver, Chris Tucker

Release Date: Nov 16, 2012

Rated R for some Sexual Content/Nudity and Language

Runtime: 2 hr. 2 min.

Genres: Comedy, Drama, Romance

Review:

Silver Linings Playbook is an interesting film that’s probably better than it should be because of a pair of outstanding performances from its leads. David O. Russell directs this film with a steady hand giving it a frantic energy during some of the more intense scenes. What’s impressive about his direction is that at its base the story and film as a whole is a romantic dramedy. Bradley Cooper really impresses as the male lead showing a level talent we hadn’t seen before. Cooper expresses so much on his face, you can see so much about what’s going on in his mind without saying a word. Jennifer Lawrence matches him step for step with an equally impressive and occasionally ferocious performance. Lawrence gives the character strength mixed with a pervading sadness throughout. The pair share a manic yet believable chemistry onscreen with both giving us plenty of insight into these broken people who are still trying to run away from traumatic event in their lives. The supporting cast is filled with an impressive list of actors and actresses giving the film a lot of credibility. If there’s a fault it’s that the film does start down a familiar path especially in the last act. It’s not terrible but noticeable, not enough to detract from the strong work put in by Cooper and Lawrence.

A-