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Showing posts with label Danny Boyle. Show all posts
Showing posts with label Danny Boyle. Show all posts

Thursday, June 19, 2025

MOVIE REVIEW: 28 YEARS LATER

 






















It's been almost three decades since the rage virus escaped from a biological weapons laboratory. Still living in a ruthlessly enforced quarantine, some have found ways to exist amid the infected. One such group of survivors lives on a small island connected to the mainland by a single, heavily defended causeway. When one of them decides to venture into the dark heart of the mainland, he soon discovers a mutation that has spread to not only the infected, but other survivors as well.

Director: Danny Boyle

Cast: Jodie Comer, Aaron Taylor-Johnson, Alfie Williams, Ralph Fiennes, Jack O'Connell

Release Date: June 20, 2025

Genre: Horror, Thriller

Rated R for strong bloody violence, grisly images, graphic nudity, language and brief sexuality.

Runtime: 1h 55m

Review:

28 Years Later subverts expectations at every turn as Danny Boyle's return brings back his frenzied, kinetic style paired with an overstuffed script from Alex Garland that aims for something far more meaningful and epic than you'd expect.  Boyle takes the reins behind the camera, after ushering a new age of zombie films with 28 Days Later, with confidence that shines through as he delivers an evocative, fever dream of a film.  There are moments scattered throughout its nearly two-hour runtime that are simply mesmerizing in such a way that they almost feel other worldly even though the story boils down to coming-of-age tale.  It’s a visually aggressive film that feeds images in such a steady succession that it rarely gives the audience a moment to fully dissect what is being splashed on screen.  There's still plenty of "rage" induced action, but Boyle is far more concerned with the characters living in this postapocalyptic landscape.  It’s chock-full with allegorical meaning, speaking to variety of issues and concepts currently playing out in the real world.  Those looking for more action heavy, more mindless zombie fare might be left disappointed here as the story stakes out its own path with some choices working better than others.  Aaron Taylor-Johnson and Alfie Williams carry the first half of the film as we follow a seemingly straightforward father/son relationship before slow reveals open up the story to its back half with the character's mother played well by Jodie Comer.  Ralph Fiennes gets the least amount of screentime of the main characters, but his inspired turn leaves such a big impression that you wish Boyle would have given him more time to flesh him out.  When it’s all said and done, Alfie Williams deserves a hefty bit of credit for serving as the film's life blood as the film ends with a set up for the 28 Years Later sequel that looks to take everything in a more Romeroesque vibe.

A-

Sunday, October 25, 2015

MOVIE REVIEW: STEVE JOBS








































Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.

Director: Danny Boyle

Cast: Michael Fassbender, Seth Rogen, Katherine Waterston, Kate Winslet, Jeff Daniels

Release Date: Oct 09, 2015

Rated R for Language

Runtime: 2 hr. 1 min.

Genres: Drama

Review:

Danny Boyle’s electric biopic of Apple’s cofounder and CEO crackles at a steady pace throughout.  Aaron Sorkin’s script is excellent as expected with Michael Fassbender and Kate Winslet excelling at the requisite walk and talk throughout the film.  Boyle’s direction and his filming techniques, he uses 3 different film stocks for each section, keeps the dialogue heavy film moving at an impressive pace.  It rarely lags, an impressive feat for a 2 hour film that doesn’t have much going on outside of a series of conversations.  Fassbender disappears into his role especially as the film moves into the final act.  He’s magnetic for the entire run time.  Kate Winslet delivers equally impressive work in a supporting role with Jeff Daniels and Seth Rogen making the most of their limited screen time.  Daniels and Rogen both get excellent exchanges with Fassbender that you just have to sit back and appreciate the level of talent on display.  Steve Jobs is sure to litter the awards docket with Fassbender leading the charge with a best actor nomination.

A

Sunday, April 14, 2013

MOVIE REVIEW: TRANCE



A thieving art auctioneer seeks the help of an alluring hypnotherapist in order to repair his damaged memory and recover the treasured Goya painting that he stashed following a brazen heist in this kinetic thriller reteaming Oscar-winning Slumdog Millionaire director Danny Boyle with Trainspotting and Shallow Grave screenwriter John Hodge.. ~ Jeremy Wheeler, Rovi

Director: Danny Boyle

Cast: James McAvoy, Vincent Cassel, Rosario Dawson, Danny Sapani, Tuppence Middleton.

Release Date: Apr 05, 2013

Rated R for language, Graphic Nudity, Sexual Content, Some Grisly Images and Violence

Runtime: 1 hr. 41 min.

Genres: Suspense/Thriller

Review:

Danny Boyle’s pulse pounding techno noir film Trance is a mind bending assault on the senses. It starts off with a wonderfully shot heist that provides the mcguffin for the plot. Once Rosario Dawson’s character is introduced it’s easy to wonder what’s real and what’s not. It’s a film that’s best during the journey down the rabbit hole. It’s a bendy journey which borders on directorial excess but it’s never boring. The film and performances are all incredibly engaging even if the actual plot is a poorly built match stick castle which relies a little too much on chance. James McAvoy gives a wonderfully frazzled sweaty performance as the sort of lead. Rosario Dawson, sporting an impressive hair bun, is just luminous as the hypnotherapist. Dawson just commands the screen every time she’s on it regardless of how ludicrous the situation. Vincent Cassel character is underwritten but he’s always dependable. Boyle’s film would have faired better if it’d been left open ended since it’s so intent on playing games with our senses. Still it’s the type of film that’s probably worth revisiting.

B-


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