MOVIE REVIEW: THE FABELMANS

 

Young Sammy Fabelman falls in love with movies after his parents take him to see "The Greatest Show on Earth." Armed with a camera, Sammy starts to make his own films at home, much to the delight of his supportive mother.

Director: Steven Spielberg

Cast: Gabriel LaBelle, Michelle Williams, Paul Dano, Seth Rogen, Judd Hirsch, David Lynch

Release Date: November 11, 2022

Genre: Drama

Rated PG-13 for some strong language, thematic elements, brief violence and drug use.

Runtime: 2h 31m

Steven Spielberg's The Fablemans is a tender, thematically dense quasi-autobiography that shows the power of film and its effect on people.  Initially, his film is a light bit of idyllic nostalgia as he discovers cinema and his nascent filmmaking as a child.  Slowly, he reveals small fractures in his home life as he continues to explore his love of filmmaking.  Gabriel LaBelle delivers an excellent central performance as Sammy Fableman.  LaBelle gives the character a likable authenticity that makes his coming of age journey engaging and relatable as his family moves from New Jersey to Arizona and finally California.  It’s a subtle performance as his character traverses  a wide range of emotions and experiences since the film covers a large swath of time.  Michelle Williams gets the showier role and delivers a textured heartfelt turn as his loving mother.  Williams' performance reveals itself as the story moves along with her free spirted, artistic soul collapsing under itself as she's increasingly feeling trapped in a life she never wanted.  There's a palatable sense of yearning for her unrealized dreams that drives the film and Sammy throughout.  Paul Dano does yeoman's work as the loving and kind but decidedly analytical patriarch of the family.  It’s a reserved, measured turn that only gives you glimpses his heartbreak.  Seth Rogen and Judd Hirsch have small but important supporting roles with each actor making the most of their screen time.  The film's unhurried pace might turn off for some since it moves at a decidedly methodical pace.  That pace, though, does allow you to digest more of the underlying themes about film and its ability to refocus perceptions and truth, something explicitly addressed in a telling scene between Sammy and a high school bully in the final act.  It’s a testament to Spielberg that he knowingly acknowledges that this sanitized, glossy retelling of his upbringing veers somewhere between truth and tale.

A-

MOVIE REVIEW: INDEPENDENCE DAY: RESURGENCE

Roland Emmerich returns to the helm for this long-awaited sequel to the 1996 blockbuster Roland Emmerich. Fearful of another attack, the nations of Earth have teamed up against their common enemy -- the extraterrestrials who brought humanity to the brink of extinction. Using recovered alien technology to bolster their defenses, the alliance braces itself for another invasion. Jeff Goldblum and Bill Pullman reprise their roles from the original film, while Liam Hemsworth, Jessie Usher, and Maika Monroe are among the new additions to the cast. ~ Daniel Gelb, Rovi

Director: Roland Emmerich 

Cast: Liam Hemsworth, Jeff Goldblum, Bill Pullman, Judd Hirsch, Vivica A. Fox

Release Date: Jun 24, 2016

Rated PG-13 for sequences of Sci-Fi Action, Destruction and Some Language

Runtime: 2 hr. 0 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Independence Day: Resurgence is a massive summer blockbuster that’s as dumb as it is loud.  The good thing about it is that the film never really feels like a chore and rarely bores throughout.  It’s a silly film and that will affect people’s enjoyment of it.  The spectacle is impressive but less impressive than it was 20 years ago when it seemed groundbreaking.  The comedy is about as broad as humanly possible, as if one of the six writers on the project wanted to make sure they recycled as many jokes as possible while trying not to offend.  We get a run through of returning characters and some are killed off unceremoniously while other still play vital roles.  The first act also, makes it a point to let the audience know that Will Smith’s character had died in the 20 years since the original film, explaining away Smith absence.  Sadly, the new characters aren’t terribly engaging or interesting but the film does throw in a African Warlord and a high speed school bus vs. giant alien chase because why not.  Independence Day: Resurgence isn’t going to set the world on fire like the original but it’s surprisingly light disaster film that’s eager to please.

C