MOVIE REVIEW: ANCHORMAN 2: THE LEGEND CONTINUES

Will Ferrell returns to the role of Ron Burgundy in Anchorman 2: The Legend Continues, which finds the popular San Diego television newsman pulling up stakes with co-host Veronica (Christina Applegate), his intrepid reporter Brian (Paul Rudd), overenthusiastic sports reporter Champ (David Koechner), and imbecilic weatherman Brick (Steve Carell) in order to move to New York City and launch the first ever 24-hour news network. Adam McKay, who directed the original, returns as well to helm this comedy. ~ Perry Seibert, Rovi

Director: Adam McKay

Cast: Will Ferrell, Paul Rudd, Steve Carell, David Koechner, Christina Applegate

Release Date: Dec 18, 2013

Rated PG-13 for crude and sexual content, drug use, language
and comic violence

Runtime: 1 hr. 59 min.

Genres: Comedy

Review:

Let’s get this out of the way right from the start. Anchorman 2 isn’t as funny or consistent as the original. Sky high expectations from fans, like myself, left the sequel with the nearly impossible task of topping the first film. That being said, the sequel does have plenty of bright spots with certain sequences veering into outlandish hilarity especially a certain cameo filled sequence near the end. Will Ferrell loves this character, in case you didn’t notice his 5 month in character publicity tour, and I still think it’s his most complete creation. The returning cast is all fun even if some get less screen time while others get more with varying results. Kristen Wiig’s role isn’t as large as the trailers lead you to believe but she has good chemistry with Steve Carell. I do think their portions of the film will split people, some loving it and others finding it utterly stupid. Meagan Good is a solid addition to the cast and she shows off some real comedic chops throughout. The plot is fairly clever even though there are a handful of recycled sequences from the first film. The biggest issue is that the film overall is overlong. The original film was a lean hour and half comedy. The sequel clocks in at nearly 2 hours and it has too many dead spot to warrant that runtime. All in all, the sequel is like Ron Burgundy’s life, filled with hilarious peaks and so-so valleys.

B-

Cindy Prascik's Review of The Hobbit: The Desolation of Smaug

Dearest Blog, if ya ever want to test your mettle at the cinema, try sitting through the same three-hour movie twice in 12 hours. Yesterday I did just that with The Hobbit: The Desolation of Smaug.

Spoiler level here will be mild-ish, nothing you wouldn't know or have guessed from the trailers. Also, I took some notes on the second go-round, but from the darkened theatre to the light of day I can't read them all, so...DKGHSKYIEKSHELDKEIX might be exactly what I think of this film!

The company of Thorin Oakenshield continues its quest to reclaim the kingdom of Erebor from the great dragon Smaug.

My first remark following the midnight screening of Smaug was that I hated it almost as much as I loved it. That wasn't really fair, as the only thing I really hated about it was that I couldn't love it with the unbridled enthusiasm I've always had for the franchise.

I'm the type of gal who likes to get her bad news out of the way first, so here goes.

Clocking in at a mammoth two hours and 41 minutes, Desolation of Smaug is too damn long. Jackson was pushing his luck stretching this little book into two normal-sized movies, and three three-hour movies is just plain stupid. Theatrical cuts of the original LOTR trilogy pressed three hours each (with director's cuts craning towards four), but I wouldn't have changed a thing. Smaug, like An Unexpected Journey before it, is the worst example of Hollywood forgetting how to edit. There are numerous, repetitive action and fight sequences that, if they'd each been trimmed by only a few minutes, could have brought this in at a much more manageable two-fifteen or so.

There's some inexcusably bad CGI, particularly in fight scenes involving Elves.

While most of the actors turn in fine performances in large and small roles, Lee Pace is cringe-worthy. Evangeline Lilly is also kinda awful, but I wasn't sure whether to blame her or the character. The only other thing in which I've ever seen Evangeline Lilly is Real Steel, and she was out-acted by the robot...but, in fairness, so was just about everyone else. Anyway, on that note...

Let's talk about Tauriel. Peter Jackson is noted for fiddling with his source material, to the point it's almost a punch line, but if I don't love his changes they generally don't bother me too much, either; unfortunately, the way this insipid woman is shoehorned into the story is obvious and jarring. Bad enough they added an unnecessary character, but, really, this warrior, this general in the guard, instantly becomes a blushing, eyelash-batting idiot when addressed by a person she might half-fancy?? In the grand scheme of an almost-three-hour film, it's a tiny thing, but I'll be damned if it didn't almost ruin it for me.

In happier news, I still love Middle Earth, and, for the most part, Peter Jackson's vision of it.

Pace and Lilly aside, there's some great acting underneath all the wigs and prosthetic noses. Particularly moving are Richard Armitage and Ken Stott, as Thorin and Balin, when the company first lays eyes on Erebor. If it's taken you 'til now to notice how good Martin Freeman is, well, you can't pretend you don't notice anymore. James Nesbitt, the hidden gem among this company, is under-used but still has some good moments. Of course I would be remiss if I didn't make special mention two of my favorite people, Luke Evans and Aidan Turner, sharing a screen for the first (and hopefully not the last) time. Evans is featured as Bard, and, now that he's getting better films, you can see what I've been telling you all along: the guy is good! Though Turner is mostly exploited for his obscenely-good looks, he has a bit more individual screen time in Smaug, which does my little black heart good.

In the runup to this movie, fans' chief concern seemed to be that the dragon not disappoint, and I am pleased to say that Smaug is magnificent. This dragon is stunning to see and chilling to hear (thanks to some terrific voice work by Benedict Cumberbatch), the undoubted highlight of the film. The movie's 3D is mostly immaterial, but it's worth the upcharge to have this glorious beast right up in your face. However else this movie pleases or disappoints, casual and die-hard fans alike are bound to be awed by Smaug.

The Hobbit: The Desolation of Smaug runs 161 minutes and is rated PG13 for "extended sequences of intense fantasy action violence, and frightening images."

In the long run, I'm sure I will grow to love Desolation of Smaug as an important part of something that truly matters to me. After all, The Two Towers remains the weakest link of the original series, but a strong finish to this trilogy will similarly erase the negativity I'm now feeling. Still, for the moment, I'm not sure this is going to need that spot I've been saving in my year-end top ten.

Of a possible nine Weasleys, The Hobbit: The Desolation of Smaug gets seven.

Until next time...



'Member, kids...I saw him first! ;-)

MOVIE REVIEW: THE HOBBIT: THE DESOLATION OF SMAUG

Thorin Oakenshield (Richard Armitage), his mighty band of dwarves, Bilbo Baggins (Martin Freeman), and wise wizard Gandalf (Ian McKellen) embark on a crusade to reclaim Erebor from the vicious dragon Smaug (voiced by Benedict Cumberbatch) in this sweeping fantasy adventure that picks up where the events of The Hobbit: An Unexpected Journey left off. Peter Jackson (The Lord of the Rings trilogy) once again directs from a screenplay by Fran Walsh, Philippa Boyens, and Guillermo del Toro. ~ Jason Buchanan, Rovi

Director: Peter Jackson

Cast: Ian McKellen, Martin Freeman, Richard Armitage, Benedict Cumberbatch, Evangeline Lilly.

Release Date: Dec 13, 2013 RealD 3D

Rated PG-13: Frightening Images and Fantasy Action Violence

Runtime: 2 hr. 40 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

The Hobbit: The Desolation of Smaug is a well made film through and through. It’s wonderfully shot and acted with a fanciful story that’s engaging with characters that we’ve come to know and root for. There are massive action set pieces like the barrel escape which is a visual feast which is just as fun as it’s thrilling. All this makes for an excellent film except for the most glaring issue at play, it’s unnecessarily bloated. It’s someth I was worried about since the film was already stretched from 2 movies into 3 and here it shows. The much talked about addition, Tauriel, feels about as tacked on as possible throughout. Her character and Evangeline Lilly’s performance aren’t terrible but they are rather pointless. There are plenty of scenes that feel stretched out throughout as if Jackson has a running bet that he’ll never make Middle Earth film that’s under 2 and half hours. The cast is all solid with the new additions and returning players from LOTR series slipping easily into their roles again. The supporting dwarfs are still a tad undeveloped; fleshing them out probably would have been a better way to use the screen time. Smaug is masterful CGI creation which really needs to be seen in IMAX 3D to fully appreciate. Benedict Cumberbatch’s voice work is stellar as expected even if I kept getting random flashback to the forgotten Dennis Quaid movie Dragonheart. When Smaug finally shows up he does pick up the pace a bit but by that point your butt numbness makes you wish there wasn’t another 40 minutes to go. Since this is the middle chapter of the series there’s not resolution to look forward to either so it leaves you hanging for the next 3 hour opus which will hit theaters next year and I’ll be there again.

B-

[Trailer] Edge of Tomorrow

The new trailer for Doug Liman’s Tom Cruise led sci-fi epic looks visually impressive with a derivative plot, much like Cruise’s recent Oblivion. The idea doesn’t seem original because it feels like a hodgepodge of the Starship Troopers (book), The Forever War (book) and Groundhog Day. The oddest thing is that I found it all rather intriguing, check out the trailer below…

Cindy Prascik's Review of Out of The Furnace

Dearest Blog, yesterday I used my trip "recovery day" to catch up on the weekend's cinema. On my agenda: the locally-filmed drama Out of the Furnace.

Spoiler level here will be mild, nothing you wouldn't have learned from the trailers.

After four tours of Iraq, a soldier (Casey Affleck) returns home and gets himself in trouble with a brutal criminal (Woody Harrelson), leaving his hard-luck brother (Christian Bale) to try and sort things out.

Trailers for Out of the Furnace were promising, and--with this group of actors--how bad could it be, right? Well...

The cast is, to a person, very very good, but unfortunately a full third of the dialogue is unintelligible. It's like a whole movie full of Ennis Del Mars! I can't say the accent/diction would have been the actors' call. I can say I live near where this movie is set and was filmed, and nobody around here talks that way. It was a very poor choice and almost lost me before the film even hit its halfway point. Christian Bale gets plenty of "I never learned to read!!" Oscar-clip moments, and his co-stars don't come up short in that regard, either. Affleck has some solid moments as the veteran coming off the rails, and Harrelson is especially effective as the film's baddie. The lovely Zoe Saldana holds her own with her decorated co-stars, in a more limited role.

Out of the Furnace conveys hopelessness and despair with every frame. From the dying mill to the family's claustrophobic home to their ugly neighborhood, all of it looks like someplace you'd never want to be, which is exactly where the main characters are...not just physically, but mentally and emotionally. Bale's character might well have been called "Job" for the bad luck he endures, and that seemed very contrived after a point. Much like Gravity before it, the number of things that had to go wrong to get Out of the Furnace where it's going were too unbelievable. The movie also shows its hand pretty early on, leaving little in the way of twists or surprises. The first act is painfully slow and, while the finale picks up a bit, I still lost count of how often I checked the time. In my sparsely-attended weekday screening, a couple people left and didn't come back.

Out of the Furnace clocks in at 116 minutes, which feels like about eight hours. It is rated R for "strong violence, language, and drug content."

Out of the Furnace is a hard film to rate, weighing the huge discrepancy between top-notch performances and the lack of anything else to recommend it. It definitely gets a full point deducted for making me listen to Pearl Jam, a band I despise with the fire of a thousand suns, not just once, but twice!! I suppose we'll say, of a possible nine Weasleys, Out of the Furnace gets four and a half.

Until next time...



I liked you better when you were Batman!

[Trailer] Godzilla 2014

The first teaser trailer for Gareth Edwards redux of Godzilla is out and it does its job perfectly, setting up tone and atmosphere.

We don’t get a clear view of Godzilla but it sure looks like it’ll actually be Godzilla and not some unrecognizable beast like the 1998 film, which also had an excellent teaser trailer I might add. For now, I’ll give Gareth Edward the benefit of the doubt…..

MOVIE REVIEW: RED 2

Frank (Bruce Willis), Sarah (Mary-Louise Parker), and Marvin (John Malkovich) fight an unrelenting onslaught of hired killers, heavily armed terrorists, and powerful government officials in their desperate race to prevent a missing portable nuclear device from falling into the wrong hands. Sir Anthony Hopkins, Helen Mirren, Lee Byung-hun, and Catherine Zeta Jones co-star. ~ Jason Buchanan, Rovi

Director: Dean Parisot

Cast: Bruce Willis, John Malkovich, Mary-Louise Parker, Anthony Hopkins, Helen Mirren

Release Date: Jul 19, 2013

Rated PG-13 for pervasive action and violence including frenetic gunplay, and for some language and drug material.

Runtime: 1 hr. 56 min.

Review:

I’ll be upfront and say that I enjoyed Red 2 much more than I probably should have. It’s overlong somewhat predictable and incredibly stupid but it delivers the kind of mindless fun I look for occasionally. Dean Parisot direction is far from perfect but he excels with the outlandish action set pieces which are lots of fun. Unfortunately there are plenty of dead spots throughout, the film could have easily been trimmed by a good half hour. By the end of the film even the action pieces start to drag on because the film just seems to go on forever. Still, the cast is clearly enjoying themselves with expanded roles for Mary-Louise Parker and Helen Mirren which I consider a positive. Anthony Hopkins and Lee Byung-hun inject some good energy while Catherine Zeta Jones isn’t nearly as effective as you’d expect. Bruce Willis is on cruise control letting the supporting players do the heavy lifting. Red 2 is a film that’s easy to watch and just as easy to forget.

C+

MOVIE REVIEW WE’RE THE MILLERS

A low-level pot dealer poses as a family man in order to pay back a debt to his supplier in this comedy starring Saturday Night Live alumni Jason Sudeikis. When David attempts to perform a good deed and gets robbed in the process, however, his supplier Brad (Ed Helms) is none too happy. Now, in order to pay Brad back before the hammer drops, David must retrieve a big drug shipment from Mexico and sneak back across the border undetected. It's a risky job for sure, but with the help of a few neighbors David might just pull it off. With sardonic stripper Rose (Jennifer Aniston) assuming the role of housewife, teenage misfit Kenny (Will Poulter) posing as the awkward son, and rebellious Casey (Emma Roberts) filling in as his sister, David slips on some khakis, and starts heading south. Nick Offerman, Kathryn Hahn, and Ken Marino co-star. ~ Jason Buchanan, Rovi

Director: Rawson Marshall Thurber

Cast: Jennifer Aniston, Jason Sudeikis, Will Poulter, Emma Roberts, Ed Helms

Release Date: Aug 07, 2013

Rated R for crude sexual content, pervasive language, drug material and brief graphic nudity.

Runtime: 1 hr. 50 min.

Genres: Action/Adventure, Comedy

Review:

We’re the Millers is fun raunchy little romp of movie with cartoonish characters in cartoonish situations. It’s well aware of the type of film it is but for some reason it wants to tack on a redemptive ending for some generally bad characters. Personally I’ve never understood why raunchy comedies feel the need to teach its characters a lesson especially when it doesn’t make sense. Jason Sudeikis’s character is more or less jerk, albeit a funny one, throughout until he has his A-HA moment in an eye rolling moment. I know I’ve probably belabored the point about the ending but it does kind of leave a WTF taste in your mouth. Regardless, the better portion of the film is consistently funny while remaining fairly harmless for an R rated film. Aniston, who I can’t stand for some reason, is solid throughout even though her chemistry with Sudeikis is extremely forced. Will Poulter is lots of fun while Emma Roberts comes across as nondescript in an underwritten role. We’re The Millers isn’t going to be considered a classic but it’s the perfect kind of comedy for a lazy afternoon.

B-

Cindy Prascik's Reviews of Homefront & Enough Said

Dearest Blog, over the long weekend I was fortunate to make two trips to two different cinemas. Thanks to the busy weekend, I'm only just posting my reviews. Apologies for the delay.

Spoiler level here will be mild-ish, I guess.

Thanks to my benevolent employer dismissing at noon on Wednesday, I spent my afternoon enjoying Jason Statham's latest flick, Homefront.

A former DEA agent moves with his daughter to a small town, which proves less peaceful than expected when he has to face off with the local meth dealer.

Statham Disclaimer (yes, he has his own disclaimer): Jason Statham is one of my favorite people who makes movies, and he almost unerringly makes movies I like. Opening weekend isn't good enough for Statham movies; I'm willing to burn vacation time to see them opening day. I am perfectly capable of loving a terrible movie just because Jason Statham in it (though that's not always the case).

I think Homefront would have been a good enough movie with or without Statham, but for Statham fans there's no denying it's a happy return to form after the drudgery of Redemption (a.k.a. Hummingbird).

Homefront does a nice job of maintaining tension throughout, and really kept me on the edge of my seat. There's not only the obvious good guy versus bad guy plot, but also the more relatable theme of trying to fit in...an idea that probably terrifies me more than the prospect of a firefight with the local drug lord! As you would expect in any movie that involves drug dealers, there's a fair bit of gun violence and things blowing up, but, for the most part we get to see Statham in hand-to-hand combat, which is definitely where he shines. It's all the more entertaining for knowing he insists on doing as much of his own stunt-work as the insurance will allow!

James Franco serves as an oddly-perfect foil to Statham's tough guy, and (to me, anyway) the character was enjoyable despite being a generally horrible person. Kate Bosworth is freakishly accurate as Franco's druggie sister, and Winona Ryder looks born to play the role of a meth-head prostitute. It was nice to see Omar Benson Miller again, too, reminding me how much I actually miss the idiotic glory of CSI: Miami.

Homefront runs 100 minutes and is rated R for "strong violence, pervasive language, drug content, and brief sexuality."

Come awards season, Homefront won't make anyone's lists, but, for my money, it was one of the more enjoyable afternoons I've passed at the cinema this year. Of a possible nine Weasleys, Homefront gets seven.

On Saturday, my Mother, who normally wouldn't sit through a movie if someone demanded it at gunpoint, got in her head that she wanted to see the flick playing at our tiny local theatre, which shows some smaller and indie releases when it isn't hosting live performances from our local theatre troupe. As my luck would have it, the film they were showing last weekend was the Julia Louis-Dreyfuss/James Gandolfini rom-com, Enough Said. (I must have crossed paths with a black cat or broken a mirror or something.)

Eva (Louis-Dreyfuss) and Albert (Gandolfini) meet at a party and get romantically involved...but another party guest may ruin the relationship.

I don't think I need to tell anyone that, of all the genres in all of cinema, the romantic comedy is my least favorite by a mile. The only way I'll consider a rom-com is if it stars someone I absolutely can't miss, or if I get pressganged into it. (Read: Mother wants to go to the local movie house on Small Business Saturday.) That's not to say I can't be won over by such a film if it's cute or the characters are likable enough, but unfortunately Enough Said embodies absolutely everything I hate about romantic comedies and then some.

Enough Said is a criminal waste of its two stellar leads, who manage to turn in nice performances while reciting some of the dopiest dialogue I've ever heard outside a Twilight movie. I understand that, to some degree, it's meant to convey the discomfort of getting used to someone new, but too much of it is just bad. Both characters are divorced with daughters about to head off to college, and the kids are so vile I wanted to bang their heads together. (As my sister says, "I don't understand how anyone decides to have kids once they've met a teenager.") The rancid icing on this putrid cake was having to look at my least-favorite actress, Toni Collette, who had more screen time than anyone other than the two main characters. That woman makes me want to throw a shoe at the screen! (If you were wondering, I didn't.)

Enough Said sells those tired, old rom-com principles: there's someone for everyone, nice people should give even the most awful people a second chance, and everyone deserves a happy ending, all of which are less believable to me than anything I've ever seen in a Marvel film or Claymation Christmas special. With the exception of Albert, I found every single character so unlikable that the movie's brief runtime felt like about six hours, and I left thinking they all deserved to die alone and miserable.

Enough Said clocks in at 93 minutes. It is rated PG13 for "crude and sexual content, comic violence, language, and partial nudity." Its impressive IMDB and Rotten Tomatoes ratings tell me I'm in the minority, but I hated nearly every minute. Of a possible nine Weasleys, Enough Said gets three.

Finally, though it relates to neither of this week's films, I want to acknowledge the unexpected passing of Paul Walker over the weekend. When I first I saw the news, I spent the next hour refreshing the screen and hoping someone would prove it a hoax, until his reps officially confirmed via his official Facebook and Twitter. Walker seemed like a genuinely decent guy who was universally well-loved, particularly by his Fast & Furious family and fans, and I am having a hard time shaking off the blues over this one. So, rest peacefully, Paul Walker, and thanks for all the fun times at the movies.

Until next time...

Cindy Prascik's The Hunger Games: Catching Fire

Dearest Blog, today I was off to the cinema with every single teenager on Earth to catch the latest Hunger Games installment, Catching Fire.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Following her victory in the 74th Hunger Games, Katniss Everdeen becomes a symbol of hope to the people of Panem, sparking a rebellion against the Capitol.

I haven't read The Hunger Games series and therefore shall take no side in the age-old books vs. movies debate.

Catching Fire is, like its predecessor, a very good movie, and not something only the die-hard fandom can appreciate. If you're looking for a well-written, well-acted, nail-biter of a film, Catching Fire is the one for you.

That's not to say the Hunger Games movies are always an easy or pleasant watch; on the contrary, these are the Game of Thrones of the big screen. Don't go getting too attached to anyone, ya hear? What's important is any unpleasantness feels organic and absolutely integral to moving the story along, nothing is done just for shock value.

Jennifer Lawrence is as fantastic as ever in the lead. I could be accused of some bias there, and the accusation would be fair, but the young lady is a treasure. There's truthfully not a weak link among the cast, though Woody Harrelson is once again my favorite. Can't say having Philip Seymour Hoffman around ever hurt a movie, either.

Catching Fire gets full marks for costumes and set design, the lavish ridiculousness of the Capitol standing in stark contrast to the desolation of the other districts.

Catching Fire runs a slightly overlong 146 minutes and is rated PG13 for "intense sequences of violence and action, some frightening images, thematic elements, a suggestive situation, and language."

The Hunger Games: Catching Fire is an outstanding film from start to finish. It features sharp writing, a terrific cast, and will leave you on the edge of your seat until The Hunger Games: Mockingjay is released next Thansgiving.

Of a possible nine Weasleys, The Hunger Games: Catching Fire gets seven and a half.

Next week we get a new Statham flick, so I'm sure I don't need to tell anyone where to find me!!

Until next time...



Oh, hai...just having some folks over to watch the game...

MOVIE REVIEW: THE HUNGER GAMES: CATCHING FIRE

The Hunger Games saga continues in this sequel that finds a revolution brewing as Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) take a "Victor's Tour" of the districts, and President Snow (Donald Sutherland) plots their downfall during preparations for The Quarter Quell, which only occurs every 25 years in celebration of the Capitol's victory over the districts. ~ Jason Buchanan, Rovi

Director: Francis Lawrence

Cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Elizabeth Banks, Stanley Tucci, Jena Malone, Woody Harrelson

Release Date: Nov 22, 2013

Rated PG-13 for intense sequences of violence and action, some
frightening images, thematic elements, a suggestive situation and language.

Runtime: 2 hr. 26 min.

Genres: Action/Adventure

Review:

The 2nd film in a major film franchise is typically the most difficult. It has to deal with heightened expectations first and foremost with most films failing to match the energy that made the first entry successful. Thankfully The Hunger Games: Catching Fire isn’t one of those films. Catching Fire does everything you want a 2nd entry in a big budget franchise to do, it corrects chemistry and story problems from the 1st film while expanding the world, while delivering a deeper exploration of the themes at play. It’s an impressive feat accomplished by the cast and crew. Francis Lawrence’s direction is steady and capable making the 2 and ½ hour run seem necessary with rarely a wasted scene in the whole film. Lawrence moves the film at a steady pace, giving the audience enough time to digest the events on screen but never lingering. The first two acts in particular are quite impressive mainly because with a lesser director, cast and script it’d be a laborious slog through exposition. Instead the first act serves nicely as an epilogue/entry point for the new film as it shows the after effects of the first film. The 2nd act starts the main plot in earnest even though we do start to run into some retread moments with slightly different spins with the 3rd act leaving you with an overwhelming sense of déjà vu. It’s not a major fault but it does feel very familiar until the last 15 minutes change up the entire game. The cast lead by Jennifer Lawrence, providing even more depth to the reluctant rebel, is excellent throughout. Lawrence is the center of the film providing it with heart and strength while maintaining a tangible vulnerability. Thankfully, Josh Hutcherson’s character and performance in this entry is stronger overall even if he does seem to suffer from damsel in distress syndrome quite a bit. The returning cast member, Harrelson and Banks in particular, are given a bit more to chew on, fleshing out their characters into living breathing human beings. Sam Claflin and Jena Malone are both welcome additions to the cast even if Malone tends to oversell her performance from time to time. When you add it all up, Catching Fire really delivers on nearly all counts, stumbling slightly in the 3rd act which can get a little repetitive before an interesting turn and cliffhanger.

B+

[Trailer] Noah

The first trailer for the upcoming religious epic is finally out and we get 2 tonally different trailer. The American trailer seems to hit more traditional beats playing up the religious angle more so than the International trailer which plays more like a traditional FX event film. Honestly, if Darren Aronofsky and Russell Crowe weren’t attached to this project I probably would have ignored it.

With Aronofsky in the director’s chair it leaves the door open to all kinds of possibilities, just think about his underrated film The Fountain. Both trailers look intriguing if a tad safe, either way I’m interested enough to mark this one on my calendar.

Official Trailer


International Trailer

Cindy Prascik’s review of Thor: The Dark World

Dearest Blog, yesterday I was off to the cinema with the masses to worship at the altar of the mighty Thor.
Spoiler level here will be mild, almost nothing you didn't see in a trailer somewhere.

Disclaimer: This review is being written through a haze of cold meds...and I think I accidentally may have taken the nighttime stuff instead of the daytime stuff. (Didn't the nighttime stuff used to be green??) Reader discretion is advised.
As the Nine Realms align, they are threatened by an enemy so powerful that Thor must make an unlikely alliance to save them.

Getting the requisite shallowness out of the way, the first thing you'll notice about Thor is that it looks terrific, and I mean across the board. The sets and effects are spectacular, the costumes are gorgeous, and most of the cast is hurt-your-eyes good looking. (Tiny spoiler alert) Chris Hemsworth has an early shirtless scene and the reaction across my theatre was so ridiculous it was like when an extra-hot person walks into a sitcom.

If the Marvel cinematic universe is noted for being a good time, in my opinion, the two Thor films represent the best time of all the Marvel properties. The Dark World does, of course, have its serious moments (with the universe at risk and all!), but there are one-liners aplenty, and almost all of them hit their marks. The action is huge and keeps things moving along nicely, though I did feel the first hour maybe could have been trimmed a bit. Performances are terrific across the board, with Tom Hiddleston's Loki again the standout.

I ended up in a 3D showing because I'm apparently too chemically addled to correctly read movie listings, and I wouldn't say the 3D was worth much. There's maybe a bit of added depth here and there, but Idris Elba never actually landed in my lap, so I'd suggest you go ahead and hang onto that extra three bucks.

Thor: The Dark World is everything I want in a superhero flick. The action and effects are huge and the cast has great chemistry, just a great time all around.

Of a possible nine Weasleys, Thor: The Dark World gets eight.

Until next time...

Cindy Prascik’s Review of CBGB

Dearest Blog, it is customary for a number of good little (and not so little) films to pass my 'burb right on by. Evidence: Neither of my local cinemas is showing 12 Years a Slave, Dallas Buyers Club, The Fifth Estate, or About Time...but by golly we could see Grown Ups 2 on the big screen right up through the Thursday before it was released on DVD. *sigh*

It was disappointing, but not surprising, when one of my most-anticipated movies of 2013, CBGB, never played locally. Thankfully, XFinity On Demand was around to save the day!

Spoiler level here will be mild, nothing you wouldn't know from a trailer if you happened to see one.

Rebounding from two failed attempts to run a club, Hilly Kristal rents a dump in the Bowery section of New York City and becomes the man who launched a thousand careers.

Dear Blog, it would be dishonest in the extreme if I didn't admit that I was bound to love this movie. The subject matter is so near to my heart that, handled with anything but absolute malice, CBGB had to rank among my favorite films of the year. That being said, the movie has its pros and cons.

The filmmakers elected to go with a very light tone that, while it makes for a quick and engaging movie, I daresay it barely touches what living in that environment every day must have been like.

Even when you know you're a part of something monumental, slogging through the day-to-day in filth and poverty is no fun, but CBGB mostly plays the negatives for laughs. Smashing roaches and stepping in dog poo are running gags...and if you've got a weak stomach, you're going to want to turn away from the kitchen scenes entirely!

Introductions and transitions are handled via comic-book panels. The movie gets away with it because it's consistent, and because, all these years later, all's well that ends well, eh?

Performances range from terrific to so-so to poor. Alan Rickman is, of course, fantastic as the good hearted but sometimes unrealistic Kristal. Ashley Greene is great as his loyal but frustrated daughter, and Donal Logue and Freddie Rodriguez are both entertaining as Kristal's partners/employees/co-horts at the club. Of the folks tackling the difficult task of mimicking the familiar, Joel David Moore and Julian Acosta are especially good as the ever-battling Joey and Johnny Ramone, and Mickey Sumner does a great job as Patti Smith. I don't think folks will have a hard time forgetting Ron Weasley once they've seen Rupert Grint's turn as Dead Boy Cheetah Chrome! Justin Bartha and Malin Akerman are merely okay as Stiv Bators (my favorite of the lot) and Debbie Harry, and Taylor Hawkins (who, in fairness, isn't really an actor) and Kyle Gallner are sadly underwhelming as Iggy Pop and Lou Reed, respectively. The real Cheetah Chrome has an amusing cameo that you won't want to miss!

It's fair to say a person's enjoyment of CBGB probably will be commensurate with his or her nostalgia for the club and the bands. I don't imagine it's a great enough piece of filmmaking to win over folks to whom this music means nothing, but if the movie barely scratches the surface of real events, it's an entertaining enough couple hours.

Thanks in no small part to my own affection for the subject matter, I loved it.

Of a possible nine Weasleys, CBGB gets eight.

Until next time...



Thanks for the memories!

MOVIE REVIEW THOR: THE DARK WORLD

Thor (Chris Hemsworth) returns to do battle with Malekith (Christopher Eccleston), the vengeful leader of a primordial race that seeks to destroy the Nine Realms, in this big-budget comic-book adventure set after the events of Marvel's The Avengers. With even Odin (Anthony Hopkins) unable to protect Asgard from the approaching darkness, the god of thunder reunites with Jane Foster (Natalie Portman) and prepares to make the ultimate sacrifice in order to save the world from certain destruction. Tom Hiddleston, Stellan Skarsgård, Idris Elba, and Tadanobu Asano co-star. ~ Jason Buchanan, Rovi

Director: Alan Taylor

Cast: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård, Idris Elba, Anthony Hopkins

Release Date: Nov 08, 2013

Rated PG-13 for some Suggestive Content and Intense Sci-Fi Action/Violence

Runtime: 1 hr. 51 min.

Genres: Sci-Fi/Fantasy

Review:

Thor: The Dark World is a strong sequel that expands the scope of everything while bringing a slightly different flavor than the original. Alan Taylor takes over the directing reigns from Kenneth Branagan, delivering a grittier and occasionally darker take on this character and his world. It’s a welcome change of pace, aided by some incredibly choreographed actions sequences, the final act being the most fun, which really up the spectacle quotient. Some of these sequences feels more like a Star Wars prequel/sequel, one you’d actually want to watch, than the original’s straightforward fantasy slant. Thor: The Dark World hop scotches across from genres, moving freely between fantasy, sci-fi and back to superhero. The strange thing is that these changes are rarely jarring with the film hitting its mark more times than not. There are a few minor quibbles though. The film occasionally gets bogged down with its plot, giving us too much exposition when it isn’t needed, killing some of its forward momentum. Those moments pale in comparison to the Earth based scenes which stick out even more than they did the first time around. Natalie Portman still feels terribly out of place and her obnoxious plucky character is mostly obnoxiously plucky. Kat Dennings and Stellan Skarsgård are given very little to do in supporting roles, mostly serving as comic relief. Thankfully Hemsworth and Hiddleston once again deliver the goods. Hemsworth was born to play a superhero and here he’s given just enough meat to make his performance interesting. Hiddleston deftly moves back into Loki’s skin giving us another taste of his dynamic and multifaceted frienemy. Christopher Eccleston is underused and underwritten as the primary villain. He isn’t given much to work with; his character is nothing more than a plot device and a forgettable one at that. Issues aside there is plenty to enjoy for the devout fanboys (Marvel cameos and post credit scenes) and causal fan (Chris Hemsworth without a shirt in 3D) alike. In the end, it delivers the kind of spectacle, action while maintaining a strong sense of fun.

B+

MOVIE REVIEW: 12 YEARS A SLAVE

Steve McQueen's 12 Years a Slave stars Chiwetel Ejifor as Solomon Northup, a free black man in 1840s America. He makes his living as a fiddle player, and his wife is a teacher. He is shanghaied by a pair of nefarious white men, and soon finds himself on a ship headed to New Orleans where he is informed he will be called Platt and is sold into slavery by an unscrupulous businessman (Paul Giamatti). Solomon bides his time, attempts to preserve a modicum of self-respect, and waits for the chance to reclaim his rightful name as well as his family. ~ Perry Seibert, Rovi

Director: Steve McQueen

Cast: Chiwetel Ejiofor, Paul Giamatti, Benedict Cumberbatch, Paul Dano, Michael Fassbender, Lupita Nyong'o, Alfre Woodard

Release Date: Oct 18, 2013

Rated R for violence/cruelty, some nudity and brief sexuality

Runtime: 2 hr. 14 min.

Genres: Drama

Review:

When you are watching a movie there occasionally comes a sense that you are watching a classic piece of filmmaking. It’s rare especially in modern cinema but it does happen. Steve McQueen’s 12 Years a Slave is majestic journey through America’s “peculiar institution”. McQueen direction and visuals are beautiful, unflinching and incredibly moving. It’s a powerful movie centered by a powerful performance from Chiwetel Ejiofor. I’ve always found Ejiofor incredibly interesting as an actor and it was really impressive watching him flex in considerable acting muscles here. Ejiofor has a quiet strength about himself which suits the character very well. Ejiofor’s talent shines through during those moments when he doesn’t say anything. His pain and anguish is readily apparent through his eyes and face, its spectacular piece of acting. The supporting actors are a who’s who of A list actors with Michael Fassbender getting the beefiest role. Fassbender continues to impress me which his range. Personally, I didn’t know if he’d be able to pull off a plantation owner but he delivers in spades. Lesser known actress Lupita Nyong'o has a small role as a fellow slave but it’s a stunningly effective and tragic performance, it wouldn’t surprise me if she was nominated for a supporting acting nod come awards season. That same can be said of the film as a whole. It’s a prestige through and through with everyone’s talents on full display in this modern day classic.

A

[Trailer] X-Men: Days of Future Past

That nerd screech you heard earlier today was just a normal reaction to the next big comic book movie on the horizon. After being revitalized by prequel/reboot X-Men: First Class, the franchise suddenly had some interesting avenues it could explore but most were surprised when it was announced they’d tackle the legendary Days of Future Past storyline helmed by Bryan Singer and mixing the old cast with the new one.

Personally, I think this might be a more daunting task than The Avengers because of how established the characters are in the old and new iterations. This first trailer gives us a glimpse into the ominous storyline with plenty of glimpse at the returning cast members, more so than the more recent incarnations. It’s not heavy on effects, most aren’t ready, which actually benefits the trailer getting me even more intrigued, check it out below…

Cindy Prascik's Review of The Counselor

Dearest Blog, despite early whispers of its absurdity, it was with great excitement that I headed to the cinema today to see The Counselor.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A lawyer (Michael Fassbender) lands in deep trouble when he attempts to cure his money woes doing business with drug dealers.

So, dear Blog, when I see a film with Fassbender, Penelope Cruz, Cameron Diaz, Javier Bardem, and Brad Pitt, my thought is "How bad can it be?" Well...........

The Counselor kicks off with an awkward sex scene that sets the tone for the whole film: you just want to laugh, however aware you are that you're not supposed to. The stellar cast isn't to blame for the movie's shortcomings, and, while it could be said they don't save it either, I would suggest it's beyond saving.

All the performances are solid, and Pitt is notably better than the material.

However, twists that aim for shocking reveals land, instead, in a muddled mess. Forget subtle foreshadowing, the movie knocks you over the head with everything.

There are gross-outs aplenty, and I don't just mean the bloody ones you expect in any movie about drug dealers. When I wasn't trying to stifle inappropriate laughter, I was struggling mightily to stay awake.

Now, dear Blog, never let it be said I don't look for the positive. The Counselor takes first prize on an important "all-time" movie list: Best snot rocket ever.

Like, seriously, puts Gimli's "I will be dead before I see the ring in the hands of an elf!" to shame. Readers, I know you look to this blog for the serious skinny on flicks, so there it is.

This weekend, The Counselor is probably in a pretty tight race for "Funniest New Release" with Jackass Presents: Bad Grandpa, but, unfortunately, only one was an intentional entry.

Of a possible nine Weasleys, The Counselor gets three...AND CAN I PLEASE JUST HAVE THOR ALREADY??

Until next time...



You! Yes, you! Fire your agent now!!

MOVIE REVIEW: JACKASS PRESENTS: BAD GRANDPA

86 year-old Irving Zisman is on a journey across America with the most unlikely companion, his 8 year-old Grandson Billy in "Jackass Presents: Bad Grandpa.” The signature Jackass character Irving Zisman (Johnny Knoxville) and Billy (Jackson Nicoll) will take movie audiences along for the most insane hidden camera road trip ever captured on camera. Real people in unreal situations, making for one really messed up comedy.

Director: Jeff Tremaine

Cast: Johnny Knoxville, Jackson Nicoll

Release Date: Oct 25, 2013

Rated R for strong crude and sexual content throughout, language, some graphic nudity and brief drug use

Runtime: 1 hr. 32 min.

Genres: Comedy

Review:

About 5 minutes into the movie “Irving Zisman” has his testicles stuck in a vending machine as confused and shocked bystanders walk by. If this type of candid camera humor doesn’t fit your palette then you’d probably want to stay as far as way from Bad Granpa as possible. It’s not quite as inspired as Borat but Knoxville and his crew create some great set ups, the high point occurring in a male strip club, framed by the slightest of a plot. Knoxville, who’s always willing to put himself out there, is a lot of fun as the Zisman. Thankfully this installment removes a lot of the gross out, self injury humor which was a big part of the previous Jackass series and films. As a result, this is probably the most accessible film of the franchise. Part of the credit for its accessibility has to go to Jackson Nicoll who is just an adorable child actor. Still this is a Jackass film so there are plenty of explicit scenes greeted with lots of confused, angry and shocked reactions.

B-

MOVIE REVIEW: THE COUNSELOR

Cormac McCarthy provides his first original screenplay with this Ridley Scott-directed thriller starring Michael Fassbender as a lawyer who dabbles in trafficking drugs only to realize just how dangerous a situation he's gotten himself into. Brad Pitt, Javier Bardem, and Cameron Diaz head up the rest of the starring cast. ~ Jeremy Wheeler, Rovi

Director: Ridley Scott

Cast: Michael Fassbender, Penelope Cruz, Brad Pitt, Javier Bardem, Cameron Diaz

Release Date: Oct 25, 2013

Rated R for graphic violence, some grisly images, strong sexual content and language.

Runtime: 1 hr. 57 min.

Genres: Drama, Suspense/Thriller

Review:

A top notch cast with an A list director boosted by a Cormac McCarthy script should be a slam dunk. And for about half of the film’s runtime, filled with whisperings about nefarious doings and ramifications, it kind of confuses you into thinking it might be a quality film. Mainly due to the fact that you don’t know what the hell is actually going. Once the film lays its cards out on the table, it’s fairly pedestrian. The story plays out in a straightforward manner while we’re subjected to long winded discussions all while displaying a noticeable and angry misogynism. The cast delivers fairly solid work with the exemption of Diaz who’s so far out of her league that her performance is nearly laughable. Ridley Scott shoots a nice clean film but the film’s main problem is its story and characters. None of the characters are particularly engaging or interesting. They are just bad people in a bad situation headed towards gloom and destruction. One character in particular is a walking talking metaphor. Its greatest drawback though is its smugness and overbearing self importance. It thinks it’s an important film talking about large important themes but it really isn’t. Instead, its lasting image maybe Cameron Diaz humping a car.

C