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Showing posts with label Bill Paxton. Show all posts
Showing posts with label Bill Paxton. Show all posts

Saturday, November 1, 2014

MOVIE REVIEW: NIGHTCRAWLER




An ambitious young crime journalist probes the dark underbelly of L.A. in this cynical urban drama that marks the feature directorial debut of screenwriter Dan Gilroy (Real Steal, Dan Gilroy). Lou Bloom (Jake Gyllenhall) is a petty thief in search of a payday when he stumbles onto the scene of a grisly car accident, and witnesses seasoned "Nightcrawler" Joe Loder (Bill Paxton) gathering video footage for a local news broadcast. Convinced that this is a career he could excel at, Lou promptly purchases a police scanner and a cheap video camera, and hits the streets. In short order Lou has hired an assistant (Riz Ahmed) to help him navigate the city streets, and started selling footage to local TV producer Nina (Rene Russo), one of Joe's regular buyers. ~ Jason Buchanan, Rovi
Director: Dan Gilroy 

Cast: Jake Gyllenhaal, Rene Russo, Bill Paxton, Riz Ahmed


Release Date: Oct 31, 2014

Rated R for Violence, Language and Graphic Images

Runtime: 1 hr. 57 min.

Genres: Drama

Review:

Nightcrawler is a kinetic film anchored by a career defining performance by Jake Gyllenhaal which is sure to garner more than a few acting nods come award season.  Dan Gilroy’s directorial debut isn’t perfect but it’s impressive enough to leave a lasting impression.  His film captures the hollow neon griminess of the Los Angeles at night all while following an empty and nearly soulless character.  Gyllenhaal’s performance is entrancing from the start as he channels a serial killers level of creepiness mixed with a robotic energy peppered with corporate speak as a second language.  Renee Russo is solid in a supporting role as the TV producer with an endless amount of moral grey area.  She’s reserved but just as focused as Gyllenhaal.  There is some clumsiness in Gilroy’s directorial effort which is most apparent near the end where the film lingers a tad longer than it needs to.  Still, it’s a rather impressive debut and perfect showcase for Gyllenhaal’s talent.

B+

Cindy Prascik's Review of Nightcrawler








































Dearest Blog, yesterday I spent the final day of my vacation as you might expect: at the cinema with Nightcrawler.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

An unemployed but highly-motivated young man shoehorns his way into the LA video news business, but blurs the line between covering a story and becoming part of it.

Nightcrawler finds Jake Gyllenhaal on point as Louis Bloom, utterly mesmerizing from start to finish. Regular reader(s) will know that I worship Gyllenhaal's Donnie Darko performance as well, despite the fact I think the movie itself is grossly overrated.

The moral of the story is: Creepy Jake = Amazing Jake. Nightcrawler sets a dark, gritty tone, filled with nighttime skylines and some seedier bits of Los Angeles. The film's humor is darker still, uneasy graveyard laughs that keep the movie enjoyable without turning it silly.

Nightcrawler is an uncomfortable watch. At face value, it's unnerving to see Bloom using whatever means he deems necessary to achieve his ends. On a deeper level, it puts a spotlight on our society's willingness to exploit misery for entertainment. It's a fascinating, if unsettling, ride that hooks you for the duration and ends at exactly the right spot, suffering neither a hurried, contrived finish nor (as is annoyingly common in this day of three-hour non-epics) dragging on long after it should have said farewell.

Nightcrawler runs 117 minutes and is rated R for "violence including graphic images, and for language."

Nightcrawler is a terrific crime drama that should be considered a contender in at least the Best Picture and Best Actor categories come awards time.

Of a possible nine Weasleys, Nightcrawler gets eight.

Until next time...



Happy Jake = *sigh

Sunday, June 22, 2014

Cindy Prascik's Reviews of Edge of Tomorrow & Jersey Boys










Dearest Blog, yesterday it was off to the pictures for the strange-bedfellows double bill of Edge of Tomorrow and Jersey Boys.

Spoiler level here will be mild, nothing you wouldn't know from the trailers or, you know, if you lived through the 60s.

After weeks of missing out due to my Winter Soldier obsession, yesterday's opener was Edge of Tomorrow.

In the midst of an alien invasion, a US military officer finds himself reliving the same day over and over again. As synopses go, that one's a bit over-simplified, but, dear reader(s) you gotta give me some credit for not saying "Groundhog Day."

Edge of Tomorrow is a clever sci-fi pic that is surprisingly fun. I say "surprisingly" only because I think comparisons to Tom Cruise's last outing, Oblivion, are unavoidable, and though Oblivion was a good movie, it was also pretty joyless. Edge of Tomorrow is anything but.

Cruise is fantastic in the lead, an action hero's action hero who can also be a little bit scared or confused or funny or (*gasp*) not afraid to let a chick to the heavy lifting sometimes. Said "chick" is Emily Blunt, who...um...well, it's fair to say wouldn't have been the first person I'd think of for a role like this, but who does a mighty fine job of it nonetheless. I'm embarrassed to confess I didn't even recognize Jonas Armstrong, despite the fact that I own (and religiously watch) the box set of the BBC's Robin Hood. What's become of me?? Edge of Tomorrow boasts solid effects and scary aliens.

If it bogged down ever-so-slightly a couple times, I can't complain since it clocks in under the two-hour mark...AND they tie it up without getting contrived or being a buzzkill.

Edge of Tomorrow runs 113 minutes and is rated PG13 for "intense sequences of sci-fi action and violence, language, and brief suggestive material." It's a smart, fun shoulda-been-a-blockbuster that deserves your attention.

Of a possible nine Weasleys, Edge of Tomorrow gets seven and a half.

Next on my agenda was the big-screen rendering of the 2006 Tony Award winner for Best Musical, Jersey Boys.

Four kids from the wrong side of the tracks form a band that goes on to make some of the world's best-loved and most enduring music.

In the interest of full and fair disclosure, I admit this movie ticked all the boxes for me before I ever saw a single second of a single trailer. A movie musical about a group I love, that stars actual stage vets rather than big Hollywood names? Yes, please. Of course, the downside is such high expectations could have led to disappointment, but I'm happy to report that's not even close to the case.

I've been to IMDB and Rotten Tomatoes this morning. I've seen that Jersey Boys is carrying middling ratings and has been trounced at the box office by Think Like a Man 2. (Really?) I am confounded by this state of affairs.

Jersey Boys runs slightly longer than two hours, but it never feels slow or boring. A couple numbers from the stage show were eliminated, and a couple more songs relegated to the background; I certainly wouldn't have cut another thing. Telling the story from several points of view means it never patronizes by painting any one person strictly the bad guy or strictly the good guy. John Lloyd Young, who won a Tony Award as Best Leading Actor in a Musical for originating the role of Frankie Valli on Broadway, embodies his part like few actors ever do. He is mesmerizing. Other than Boardwalk Empire's Vincent Piazza, all members of the band are portrayed by actors who have performed in one or more stage versions of the show. This is a good thing, Hollywood! And the songs...OH! The songs!!

If you weren't a fan of the Four Seasons before seeing the movie, you certainly will be after. At both my screening and the one before it, everyone exiting the theatre was smiling and singing, and the movie earned TWO big rounds of applause at the end of my show. I can't speak for the people who rate movies at IMDB and Rotten Tomatoes (nor for those who saw Think Like a Man 2 instead), but, if I'm making movies, that right there is the reaction I'm going for. If there's one tiny negative, I thought there were an awful lot of f-words for a movie whose median audience member easily qualifies for the AARP discount.

Jersey Boys runs 134 minutes and is rated R for "language throughout."

Jersey Boys is a well written, well acted story that is filled with great, iconic music. For my money, it's easily as good as or even better than the screen version of Chicago that won the 2003 Best Picture Oscar.

Of a possible nine Weasleys, I am pleased to award Jersey Boys 2014's first perfect nine.

Until next time..

Thursday, June 5, 2014

MOVIE REVIEW: EDGE OF TOMORROW







































Tom Cruise stars as a soldier who lives out the last day of his life over and over again in this Warner Bros. sci-fi production from driector Doug Liman. Emily Blunt and Bill Paxton co-star, with Dante Harper and Joby Harold providing the script. ~ Jeremy Wheeler, Rovi

Director: Doug Liman 

Cast: Tom Cruise, Emily Blunt, Bill Paxton, Jonas Armstrong, Kick Gurry.

Release Date: Jun 06, 2014

Rated PG-13 for intense seq. of sci-fi action, brief suggestive material, intense seq. of sci-fi violence and language 

Genres: Action/Adventure 

Review:

Doug Liman’s Edge of Tomorrow maybe the biggest surprise of the summer.  An odd thing to say considering it stars Tom Cruise and Emily Blunt, believably badass throughout, during the middle of blockbuster season.  Cruise’s last sci-fi epic, Oblivion, failed to impress because of how much it borrowed from other sources while never really adding much to the mix.  Edge of Tomorrow also borrows heavily from other sources, think Groundhog Day meets Starship Troopers, but it’s just a film that’s a lot more enjoyable to watch especially the first 2 acts.  Cruise and Blunt are wonderful together with the latter really leaving you with a different impression of her overall.  Cruise isn’t overly serious, having fun with the role that doesn’t place him in the hero role right away, instead making him earn it.  Massive set pieces are revisited various times but some sharp editing keeps it from becoming too tedious.  The last act falters a tad because it falls into some standard sci-fi territory which gives you time to start nitpicking the story’s premise and the endless plot holes at play.  That’s when you kind of wish Liman would have trimmed the film just a tad.   

B+

Wednesday, December 11, 2013

[Trailer] Edge of Tomorrow

The new trailer for Doug Liman’s Tom Cruise led sci-fi epic looks visually impressive with a derivative plot, much like Cruise’s recent Oblivion. The idea doesn’t seem original because it feels like a hodgepodge of the Starship Troopers (book), The Forever War (book) and Groundhog Day. The oddest thing is that I found it all rather intriguing, check out the trailer below…





Saturday, August 3, 2013

MOVIE REVIEW: 2 GUNS





Contraband director Baltasar Kormákur and star Mark Wahlberg reteam for this all-star thriller centered on the fragile alliance between two operatives from rival bureaus, neither of whom realize that the other is working undercover. For the past year, U.S. naval intelligence officer Marcus Stigman (Wahlberg) and DEA agent Bobby Trench (Denzel Washington) have been on a covert mission to infiltrate a powerful narcotics syndicate. In the criminal underworld, trust comes in short supply. Bill Paxton, Edward James Olmos, Paula Patton, and James Marsden co-star. ~ Jason Buchanan, Rovi

Director: Baltasar Kormákur

Cast: Mark Wahlberg, Denzel Washington, Paula Patton, Bill Paxton, Fred Ward

Release Date: Aug 02, 2013

Rated R for violence throughout, language and brief nudity.

Runtime: 1 hr. 49 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

2 Guns is an incredibly fun film which takes advantage of its 2 stars talents which is helped by a whip cracking script. Baltasar directs a brisk film which doesn’t take itself overly seriously. A solid sense of fun is established right from the start with Washington and Wahlberg shooting back and forth with each other. They have wonderful screen chemistry together making it a joy to watch them onscreen. Both seem to be having a blast working together. The supporting cast is solid throughout with Paula Patton and Edward James Olmos doing yeoman’s work in limited roles. Bill Paxton chews up the screen every minute he’s on it but in a good way. The action is big loud and violent. All of it choreographed perfectly making each action set piece more fun than the last. After a crash em up sequence between Wahlberg’s Stigman and Washington’s Trench, Wahlberg ask him to admit that was a lot of fun. I’d have to agree.

A

Cindy Prascik’s Review of 2 Guns

Dearest Blog, yesterday I took advantage of my employer's benevolence and used my afternoon off for an early screening of the Denzel Washington/Mark Wahlberg buddy action flick 2 Guns.

Spoiler level here will be mild, only things divulged by the trailers. I must call out the film on one specific scene, but I won't mention any details.

Nothing is what it seems in the fallout of two law enforcement agents' attempt to infiltrate a Mexican drug cartel.
If we're being honest, chances of my not liking 2 Guns were slim to none, as I knew from the first trailer that it's exactly my kind of movie: action heavy, with two great male leads and nary a chick in sight. Booyah! Fortunately, the movie does not disappoint.

Though 2 Guns is obviously not short on gun battles and explosions, it also tells a great story full of interesting twists. Denzel Washington and Mark Wahlberg have terrific chemistry, and Washington commands the screen as only he can. If he just stood there reading the TV Guide, it'd easily be worth the price of admission. The supporting cast boasts standouts Edward James Olmos, Bill Paxton, and Fred Ward, as well as the lovely Paula Patton and James Marsden.

2 Guns is a very violent film, including one unnecessary and inexcusable scene of animal cruelty early on, but it also has a fair bit of humor. I laughed out loud several times, was engaged from start to finish, and can happily say I loved it every bit as much as I expected to.

2 Guns clocks in at 109 minutes and is rated R for "violence throughout, language, and brief nudity." If not for the awful animal-abuse scene, it might well have had my first perfect rating of the year, but, even so, of a possible nine Weasleys, 2 Guns easily earns eight.

Until next time...




Denzel Washington, Mark Wahlberg, and it's raining money? Where do I sign up???
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