MOVIE REVIEW: IRON MAN 3

Tony Stark (Robert Downey, Jr.) wrestles with inner demons while contending with monsters of his own creation in this sequel from writer\director Shane Black. The story in Iron Man 3 picks up shortly after the events of The Avengers. Having previously entered another dimension in order to save New York City, Tony remains deeply haunted by the experience. Tony has only started to appreciate the gravity of his problems when an enigmatic terrorist named the Mandarin (Ben Kingsley) hijacks the airwaves and threatens to bring America to its knees with a painful series of "lessons". ~ Rovi

Director: Shane Black

Cast: Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall

Release Date: May 03, 2013

Rated PG-13 for sequences of intense sci-fi action and violence throughout, and brief suggestive content

Runtime: 2 hr. 20 min.

Genres: Action/Adventure

Review:

Picking up after the Avengers was going to be a bit of a task, thankfully Iron Man 3 handles it fairly well lead by new director Shane Black. A slightly more focused, albeit kind of silly, plot than the overstuffed 2nd entry breathes life back into the franchise. Black and Robert Downey Jr. have a tangible chemistry together. Black is capable of keeping RDJ from going into cruise control and the script forces him to explore the effects of the events in The Avengers. It’s a solid logical choice, it would have been terribly easy to just breeze past it and keep him feeling invincible. There are still plenty of laughs and tons of massive summer movie level action set pieces that are thrillingly staged such as the attack on Starks home and a mid air multi-person rescue. That being said there are a few blemishes on the film. It’s not as overstuffed as Iron Man 2, which was too busy serving as a sequel to Iron Man and prequel to The Avengers, but it’s still too busy. The villains are a bit too cartoonish with Ben Kingsley going a bit too overboard (with good reason though). Sadly, Guy Pierce’s character never feels like a complete creation, simply functioning as a plot mechanism. Paltrow and Cheadle are given some extra bits of characterization but nothing earth shattering. As the film, wraps the film starts to feel like it’s tying things up in case RDJ decides to retire from the superhero business (this films marks the last film on his contract with Marvel). While a bit of streamlining and trimming would have made this more efficient summer film, it still manages to trill and excite so maybe it’s not time to throw this franchise on the scrap heap just yet.

B

Cindy Prascik’s Review of Pain & Gain

Dearest Blog, hot on the heels of a great concert, the movies seemed like a poor substitute for the thing I really love. Still, it's Saturday, so off to the cinema I went to see Pain & Gain.

Three muscle-bound meatheads hatch a risky plot to relieve a Miami mogul of his considerable wealth.
Spoiler level here will be mild.

There's really no reason Pain & Gain should be a funny story. Three idiots ruin their own lives and several others, just because they think life owes them more than they've got. However, the sheer stupidity of our terrible trio--brilliantly played by Mark Wahlberg, Anthony Mackie, and Dwayne Johnson--makes this the funniest movie I've seen in at least a year.

I've never held with people who believe dramatic acting is more credible than comedy. Wahlberg, Mackie, and Johnson are absolutely fantastic in Pain & Gain, and Ed Harris nearly steals the show when he turns up to take on the bumbling criminals. It's to both writers' and actors' credit that the leads are enjoyable, yet it's
always clear they're bad guys, and you won't feel sorry for them if things go sideways.

Pain & Gain is loaded with brutal violence, bad language, and drug use, with some boobies thrown in for good measure...pretty much offensive across the board. If you're sensitive about such things, this isn't the movie for you. If, for whatever reason, you can get a laugh out of some horrible and inappropriate scenarios, well...you're in the right place! My only complaint is that the movie's somewhat longer than it needs to be.

Pain & Gain clocks in at 130 minutes and is rated R for "bloody violence, crude sexual content, nudity, language throughout, and drug use." I thoroughly enjoyed it, laughing out loud for most of the two hours. Of a possible nine Weaselys, Pain & Gain gets seven and a half.
Until next


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Time….

Uhhh...get well soon?

MOVIE REVIEW: PAIN & GAIN

Daniel Lugo (Mark Wahlberg) is a regular bodybuilder who works at the Sun Gym along with his friend Adrian Doorbal (Anthony Mackie). Sick of living the poor life, Lugo concocts a plan to kidnap Victor Kershaw (Tony Shalhoub), a regular at the gym and a rich, spoiled businessman, and extort money from him by means of torture. With the help of recently released criminal Paul Doyle (Dwayne Johnson), the "Sun Gym Gang" successfully gets Kershaw to sign over all his finances. But when Kershaw survives an attempted murder by the gang, he hires private investigator Ed Du Bois (Ed Harris) to catch the criminals after the Miami Police Department fails to do so.

Director: Michael Bay

Cast: Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub, Ed Harris

Release Date: Apr 26, 2013

Rated R for crude Sexual Content, Bloody Violence, Drug Use, Language Throughout and Nudity

Runtime: 2 hr. 9 min.

Genres: Action/Adventure, Comedy

Review:

I’ve been a bit of a Michael Bay apologist over the years. Not because I believe he’s a mad genius but because I think he’s actually a solid action director whose becoming a whipping boy admittedly due to some of his really bad films. He creates the type of bombastic popcorn movies that are easily digestible and would rot your teeth if you consumed them regularly. Like all indulgences it should be done in moderation which is ironic since Bay doesn’t know anything about moderation. Pain & Gain is a bulging muscle flexing with veins popping out everywhere. Its first act is the type of caffeinated movie going experience that feels like somebody’s poured cocaine into your eyeballs. A bulging Mark Wahlberg is focused and dedicated to his role. He’s clearly enjoying himself throughout and keeps a bug eyed energy alive through the better part of the film. Equally game Dwayne Johnson, looking bigger than I’ve ever seen him, and Anthony Mackie match him throughout. Their interplay is great comedy especially as things get more ridiculous and out of control. Having the story change from point of during the story allows us to get into these morons minds and see what’s leading them down the incredibly slippery slope towards disaster. Tony Shalhoub delivers an extra salty performance in a limited role. Sadly Ed Harris and Rebel Wilson are mostly marginalized in thankless roles. Pain and Gain’s major faults are really a reflection of Bay’s. The characters, all of them, are caricatures of people; none of them feel real in anyway. They’re Bay mutated version of what real people are. Additionally, Bay never knows too much of a good thing. The first 2 acts are crisp and energetic but the last act drags on. It’s not terrible but it could have been streamlined. Bay would have been better served if he remembered its ok not to flex all the time.

B

[Trailer] Thor 2: The Dark World

[Trailer] Thor 2: The Dark World

Iron Man 3 is getting ready to screen in a little under a week and a half and with it Marvel’s Phase 2 of their cinematic universe. The trailer for the 2nd Thor film has been released and it looks like it’ll take the action off world instead of keeping it focused on Earth which I consider a good thing.

Things look grittier and less glossy this time around which could be a good thing. The original Thor was a big question mark for me originally, mainly because I thought it looked silly, but it made me a fan. Here’s to hoping the 2nd film continues to deliver the goods….

Release Date: Nov 08, 2013

Cindy Prascik’s Review of Oblivion

Dearest Blog, yesterday my dear cuz and I headed out to the cinema to check out Tom Cruise's latest flick, Oblivion.

Spoiler level here will be mild.

Future Earth is a wasteland, its few remaining inhabitants charged with safeguarding those resources needed by survivors living off-planet.
Ima be straight with ya, dear Blog, I thought I was gonna love Oblivion. I've been comparing it with Will Smith's upcoming post-Apocalyptic blockbuster, After Earth, and was sure this one would be the winner of the two. Though it's not really a loser, terming Oblivion a winner might be over-reaching.

As you'd expect, Tom Cruise is solid in the lead, Morgan Freeman and my best gal Melissa Leo equally so in lesser roles. Cruise's leading ladies, Olga Kurylenko and Andrea Riseborough, are ho-hum and painfully annoying, respectively. Of the remaining supporting cast, all that's worth mentioning is that Game of Thrones' Nikolaj Coster-Waldau looks really good.

Oblivion is smart, but slow, sci-fi, and I'll cop to dozing off at least once. I can give full marks for production design, but the other tech was sometimes so laughably awful I wondered how it slipped into such a high-profile blockbuster. For the most part, I think Oblivion is a pretty well done film, but just not one I found all that enjoyable. Or, to sum it up, as we exited the cinema, my cuz' first words were, "Well...I didn't hate it......."

Oblivion clocks in at an excessive 126 minutes and is rated PG13 for "sci-fi action violence, brief strong language, and some sensuality/nudity." I'm so "meh" about it that I fear it may do to After Earth what Cloud Atlas did to Life of Pi, that is, I won't be able to force myself to see the second, the first left me with such a sour taste.

Of a possible nine Weasleys, Oblivion gets five.

Until next time...





...still more technically advanced than Oblivion...

MOVIE REVIEW: OBLIVION

A solitary drone repairman working on a war-ravaged planet Earth becomes humanity's last hope for survival in this ambitious sci-fi epic from Tron Legacy director Joseph Kosinski, and Rise of the Planet of the Apes producer Peter Chernin. Olga Kurylenko and Morgan Freeman co-star. ~ Jason Buchanan, Rovi

Director: Joseph Kosinski

Cast: Tom Cruise, Olga Kurylenko, Morgan Freeman, Andrea Riseborough, Nikolaj Coster-Waldau

Release Date: Apr 19, 2013

Rated PG-13 for nudity, Brief Strong Language, Sci-Fi Action Violence and Some Sensuality

Runtime: 2 hr. 5 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

You’d be hard pressed to argue that Joseph Kosinski can’t direct a beautiful movie with loads of cool visuals. Both Tron: Legacy and Oblivion are incredibly pretty films but both lack any semblance of emotion or originality. Oblivion takes liberal doses of “inspirations” from a variety of sci-fi classics from the past and even more recent fare. There are moments were the film is nearly in danger of becoming more than the sum of its parts but it just never gets there. There’s plenty to keep you busy and the eye candy on display is occasionally thrilling if terribly familiar. There are plenty of twists and turns in the overly complicated plot. The film would have been better served if the plot were streamlined and avoided some of the more obvious “surprise” turns, some of which are telegraphed as early as the first 10 minutes of the film. Tom Cruise does his usual reliable work but, through no fault of his own, we never feel a connection with his character. Instead it feels like he’s simply driving us through the terrain. Olga Kurylenko, who looks like she’s just had a very sour lemon most of the time and Andrea Riseborough aren’t asked to do much. As a result, the audience is always kept at arms length leaving us thinking about the films that touched on the same subject matter in much better fashion.

C

[Trailer] Man of Steel

The first few trailers for Zach Snyder reboot of Superman were pretty lackluster to say the least. While I don’t quite have the vitriol that some do with Snyder, I was letdown with first glimpse but this trailer is rather rousing and exciting, give it a look below….

Cindy Prascik’s review of 42

Dearest Blog, having survived a bout with the Death Flu on Friday, today I rewarded myself with a trip to the cinema. On the docket was my much anticipated baseball drama 42.

Spoiler level here will be as mild as possible for a story about a super-famous person who's been dead for four decades.
Jack Roosevelt "Jackie" Robinson becomes the first man to break Major League Baseball's color barrier.

Well, dear Blog, there's no sense denying it: I'm stupidly sentimental about baseball, and therefore stupidly sentimental about baseball movies. Not once did I get through the 42 trailer sans tears, so needless to say I expected the film to be the emotional equivalent of a 15-car freeway pileup.

Chadwick Boseman, who isn't quite a newcomer but certainly is new to headlining a project of this caliber, carries 42 with flair. A weaker performance easily might have been overcome by Harrison Ford's strong turn as Brooklyn Dodgers' general manager (then titled "business manager") Branch Rickey; depending on how strong the field is, I won't be surprised if voters remember his performance come awards season. Supporting players include a few of my faves: Brett Cullen (too briefly...again), Christopher Meloni, Hamish Linklater, and Steve the Pirate Alan Tudyk as the bigoted jerk manager of my beloved Philadelphia Phillies. The cast is almost uniformly strong, with only Nicole Beharie coming off a bit too dewey-eyed and perfect as Robinson's wife Rachel. (In fairness, writing may be to blame there; more on that later.)

Though I loved it overall, 42 does have a few faults worth mentioning, the first being that it is, at times, too earnest with its message. There are two kid scenes at the ballpark (which I won't spoil here) that are played way too hard for tugging the heartstrings, and it was absolutely unnecessary; the film speaks for itself and needn't have hit viewers over the head. Secondly, the movie portrays Robinson's wife (now widow) Rachel, and therefore their relationship, as just a bit too perfect. Remember a few years back when VH1 did that Temptations biopic? At my house, we call it "The World According to Otis." The only surviving Temptation at the time was Otis Williams, and the mini-series went out of its way to make sure viewers knew Otis was the good guy in...well...everything. I'm not sure how much of a hand Mrs. Robinson had in this film, but it definitely skews towards making her look brave, flawless, and pretty much responsible for Major League Baseball not being an all-white sport to this day.

Finally, my two favorite teams, the Philadelphia Phillies and Pittsburgh Pirates, are portrayed as dicks and laughingstocks, respectively, a view many hold of both teams to this day. History is what it is, but they didn't have to keep saying, "Pittsburgh??" like it was some big damn joke. (Though I did laugh anyway.)

While 42 successfully tells what's ultimately an uplifting story, the racism that was the norm for the time is more than uncomfortable to watch...all the more so for knowing we aren't entirely past it a half-century later. Still, the fact that we keep telling the story leads me to believe we'll get there someday, and that the movie earned a houseful of applause in my not-necessarily-progressive little town lets me hope we're closer than I think. Oh, and to the staff and management at the Highlands' Marquee Cinemas, that flood in room 12 was just my tears. Sorry about that.

42 clocks in at 128 minutes that’s as deliberately-paced as the game of baseball itself, though it doesn't feel long. It's rated PG13 for "thematic elements, including language." (At one point, dialogue prompted a little boy at the back of my cinema to ask, "Dad, what's adultery?" to which his father hastily replied, "NOTHING!")

42 is a great movie about the great sport of baseball. If it comes on a bit strong with its message, well, that's easily forgiven when the message is this important.

Of a possible nine Weasleys, 42 earns seven and a half.

Now, dear Blog, if you'll excuse me, my flu-decimated self needs a nap. Until next time...




Thank you.

MOVIE REVIEW: TRANCE

A thieving art auctioneer seeks the help of an alluring hypnotherapist in order to repair his damaged memory and recover the treasured Goya painting that he stashed following a brazen heist in this kinetic thriller reteaming Oscar-winning Slumdog Millionaire director Danny Boyle with Trainspotting and Shallow Grave screenwriter John Hodge.. ~ Jeremy Wheeler, Rovi

Director: Danny Boyle

Cast: James McAvoy, Vincent Cassel, Rosario Dawson, Danny Sapani, Tuppence Middleton.

Release Date: Apr 05, 2013

Rated R for language, Graphic Nudity, Sexual Content, Some Grisly Images and Violence

Runtime: 1 hr. 41 min.

Genres: Suspense/Thriller

Review:

Danny Boyle’s pulse pounding techno noir film Trance is a mind bending assault on the senses. It starts off with a wonderfully shot heist that provides the mcguffin for the plot. Once Rosario Dawson’s character is introduced it’s easy to wonder what’s real and what’s not. It’s a film that’s best during the journey down the rabbit hole. It’s a bendy journey which borders on directorial excess but it’s never boring. The film and performances are all incredibly engaging even if the actual plot is a poorly built match stick castle which relies a little too much on chance. James McAvoy gives a wonderfully frazzled sweaty performance as the sort of lead. Rosario Dawson, sporting an impressive hair bun, is just luminous as the hypnotherapist. Dawson just commands the screen every time she’s on it regardless of how ludicrous the situation. Vincent Cassel character is underwritten but he’s always dependable. Boyle’s film would have faired better if it’d been left open ended since it’s so intent on playing games with our senses. Still it’s the type of film that’s probably worth revisiting.

B-

MOVIE REVIEW: EVIL DEAD

The Deadites return in this revamp of the Evil Dead franchise from newcomer director Fede Alvarez. The action centers on a group of friends who head out to an isolated cabin in order to clean up their drug-addicted friend (Jane Levy).. The helmer wrote the script with Rodo Sayagues. Film series veterans Sam Raimi, Robert Tapert, and Bruce Campbell handle producing duties on the Ghost House Pictures production for Sony Pictures Entertainment. ~ Jeremy Wheeler, Rovi

Director Fede Alvarez

Cast: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Jim McLarty

Release Date: Apr 05, 2013

Rated R for strong bloody violence and gore, some sexual content and language

Runtime: 1 hr. 31 min.

Genres: Horror

Review:

Stilted acting, outrageous gore and inventive camera work made the original Evil Dead a horror camp classic. A remake of that film is terribly unnecessary just like all the other unnecessary remakes but it’s a trend that won’t stop so I will. This re-imagining focuses on the same cabin with a group of pretty 20 somethings expect one of them is trying to get clean this go around. When the action starts it engages in a full throttle assault on the senses. Fede Alvarez gives the original it due with a ton of winks and nods but while delivering an over the top gross out that’s as campy as the original. The trailers suggested a more serious tone but the film is just as stupid as the original. The characters are intentionally idiotic and moronic. The FX are notch though, delivering some of the best gross out gore I’ve seen in a long while. Jane Levy, in heavy make up for the better part of the film, does her best to add a little something to her character but it’s not really required for carnival of carnage that borrows heavily from all kinds of horror sources even recalling The Exorcist on occasion. It all builds to a rather thrilling 3rd act that’s rather insane but satisfying at the same time.

B+

MOVIE REVIEW: ROOM 237

Filmmaker Rodney Ascher examines the many conspiracy theories surrounding Stanley Kubrick's controversial 1980 horror classic The Shining by speaking with fans of the film, and scholars who claim the director had a hidden agenda in adapting Stephen King's bestselling novel to the big screen. In-depth conversations with Bill Blakemore, Geoffrey Cocks, Juli Kearns, John Fell Ryan, and Jay Weidner (Kubrick's Odyssey) reveal a wide spectrum of theories pertaining to Kubrick's film, including speculation that it was a cinematic allegory for the slaughter of Native Americans, the Holocaust, or perhaps a cleverly-constructed confession that he was in fact the filmmaker responsible for faking the 1969 moon landing that placed the U.S. at the cutting-edge of the international space race against the former Soviet Union. ~ Jason Buchanan, Rovi

Director: Rodney Ascher

Cast: Bill Blakemore, Geoffrey Cocks, Juli Kearns, John Fell Ryan, and Jay Weidner

Release Date: Mar 29, 2013

Rated: Not Rated

Runtime: 1 hr. 42 min.

Genres: Documentary

Review:

Room 237 is like a speaking tour into a conspiracy theorist slightly insane mind. Connections are made from the slightest misinterpreted detail and extrapolated into infinity. The funny thing is that after a bit of listening to some of these people it starts making sense until reality seeps in. It’s a fascinating adventure into these people’s minds. At its center is Kubrick’s The Shining. I’m personally a massive Kubrick fanboy who just adores everything the man ever did. His style and attention to detail are something that’s always left an impression on me. His films are just masterworks, at least in my humble opinion. That being said The Shining, as a straight up horror movie, really never did anything for me. It never terrified me or sent me home weeping like The Exorcist did. That not to say I didn’t enjoy it, I still do, but it’s a totally different animal than a standard issue horror flick. Listening to the variety of theories set forth on this documentary kind of speaks to that. Having read the King book, I can tell you the movie bears little relation to the book outside of major plot points. Kubrick’s creation was something more of a cipher leaving the door open to all kind of crackpot theories, some slightly more sensible than others. As a film fan and Kubrick diehard I enjoyed listening to even the craziest connections, Moon landing and Minotaur being my favorite. Rodney Ascher stays as neutral as possible with only a few condescending displays thrown in here or there. We never see any of these people, only stock footage or clips from Kubrick’s catalogue repurposed along with a lot of clips from The Shining, sometimes played backward, in super slow mo and well you get the idea. It’s all great fun for movie lovers and when it starts to drag a tad it wraps up and lets you come back to reality.

B+

Cindy Prascik’s reviews of The Host / G.I. Joe: Retaliation

Dearest Blog, on Good Friday I set out for the cinema, hoping religious observances coupled with a warm spring day would give me the place to myself.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Since we didn't get The Place Beyond the Pines, my leadoff batter on Friday was The Host.

Alien beings inhabit human bodies and take over the Earth, leaving only small pockets of human resistance.

The Host is a profoundly bad film. It's based on a novel by Stephanie Meyer, of Twilight fame, who writes at about a fifth-grade level. I never assumed this'd land among the alltime greats, but I hoped by this point filmmakers were pumping enough cash into her garbage to make it halfway tolerable. That hope was misplaced.

The premise of The Host is fine, if nothing new, but the execution is awful. The dialogue is painfully awkward, particularly exchanges between the lead girl and the alien that occupies her body. Poor writing doesn't help the young cast shine, but the actors have to shoulder some of the blame for their uninspired performances. Every turn is predictable, and, at a bloated two hours and five minutes, this disaster is easily 125...er...30 minutes longer than it should have been.

The Host runs 125 minutes and is rated PG13 for "some sensuality and violence." The whole thing plays like a bad (but overfunded!) film school project, and if I hated it less than Twilight, that's only because I don't love aliens like I love vampires. Of a possible nine Weasleys, The Host gets two.

Next on my agenda was G.I. Joe: Retaliation, admittedly one of my most-anticipated movies of the year. Go ahead, laugh!
Framed and branded as traitors, the G.I. Joes must save the world from destruction while restoring their good name.

Dear Blog, let me admit to you that I'm not well-versed in Joe Lore, and I did myself no favors by failing to re-watch the last G.I. Joe film before I saw this one. I spent a lot of time wondering, "Now what's this guy's deal again?" but that didn't dampen my enthusiasm for the movie one teensy bit.

Dwayne Johnson may never win an Academy Award, but he's certainly one of the more engaging leading men making movies today. After a more subtle turn in Snitch, G.I. Joe sees him back in full ass-kicking mode. The enjoyable supporting cast includes Channing Tatum, Jonathan Pryce, Ray Park, Byung-hun Lee, Adrianne Palicki, Joseph Mazello, and two folks who make me giddy whenever they turn up: Ray Stevenson and Walton Goggins. I found them a very likable group, with nice chemistry.

I did not see this in 3D, but I have no doubt the mountain scenes alone would be absolutely worth the upcharge and 3D-glasses headache.

As you'd expect, G.I. Joe: Retaliation is heavy on big action and light on pretty much everything else. It could fairly be compared to last summer's Battleship, but, unfortunately, G.I. Joe lacks that surprise bit of heart and sincerity that made Battleship more than it had to be.

Still, it's good, dumb fun, and no doubt will be counted among the summer's monster hits, even though we've barely made it to spring.

G.I. Joe: Retaliation clocks in at a fast-paced 110 minutes and is rated PG13 for "intense sequences of combat violence and martial arts action throughout, and for brief sensuality and language." I loved it every bit as much as I expected to. Of a possible nine Weasleys, G.I. Joe: Retaliation earns seven.

So, dearest Blog, that's about all the news that's fit to print for this lazy Sunday. Since I had my cinema fun on Friday, I guess that makes tomorrow closet-cleaning day. Ugh.

Until next time.......




*shameless fangirling*

MOVIE REVIEW: G.I. JOE: RETALIATION 3D

Veteran dance-film director Jon Chu takes a crack at G.I. Joe in this sequel to Stephen Sommers' blockbuster 2009 film. Dwayne Johnson stars as Roadblock in the sequel, with Channing Tatum returning as Duke, the leader of the Joes, and Ray Park joining them as mute ninja Snake Eyes. Bruce Willis, Ray Stevenson, Adrianne Palicki, Jonathan Pryce, Lee Byung-hun, Elodie Yung, and RZA co-star. ~ Jeremy Wheeler, Rovi

Director: Jon M. Chu

Cast: Dwayne Johnson, Channing Tatum, D.J. Cotrona, Adrianne Palicki, Jonathan Pryce.

Release Date: Mar 28, 2013

Rated PG-13 for Intense Seq of Combat Violence, Brief Sensuality, Language and Martial Arts Action

Runtime: 1 hr. 39 min.

Genres: Action/Adventure

Review:

I’m still trying to remember when I’ve ever had the desire to watch a sequel to a movie I avoided like the plague. G.I. Joe: The Rise of Cobra looked like garbage and everything I read after the fact confirmed that fact. Unlike Transformers, whom I loved as a child, G.I. Joe never connected with me as a kid, even if it was pretty much the same cartoon except one starred robots. Regardless, the trailer for this sequel looked like stupid fun and thankfully it’s incredibly stupid but fun in a toy box kind of way. The nonsensical plot is almost besides the point here. This movie is about highly choreographed and staged action and it works for the most part. There’s very little if any depth to any characters and the actors are all aware they’re in a silly movie. The cast, led by a very manly muscled Dwayne (The Rock) Johnson provides his usual charisma with an over the top delivery that appropriate for the film. Channing Tatum has a brief role in the film, disappearing quickly and quietly. Adrianne Palicki, the woman that would have been the new Wonder Woman, has a noticeable sass to go along with a seemingly endless supply of beauty products. Ray Stevenson, a personal favorite from HBO’s Rome, has a small role but still leaves an impression even with one of the worse southern accents in recent memory. Bruce Willis pops up because he has a little time on the set of RED 2 and continues his self parody tour with unabashed sincerity. It sounds like a mess and it is but it’s a fun mess especially when they stop trying to build a story or have the RZA try and act. That’s not what this film is about; it’s about 3D mountain climbing ninja fights which are surprisingly fun. The 3D, one of the better post conversion jobs, is spotty with some sequences like the aforementioned ninja fight working well and others coming off as too dark and jittery. It’s at best when the extreme action sequences take center stage something director Jon M. Chu obviously feels a lot more comfortable doing.

C+

[Trailer] The Wolverine

It won’t take much to wash off the horrible taste from X-men Origins: Wolverine. It was probably one of the worse comic movies I’ve sat through. So while another go around with this character seems unnecessary at the very least they can’t do any worse than before, this trailer gives a glimmer of hope especially with quick shots of Silver Samurai among others. Still, after the last debacle I’m still very wary…



International Trailer




US Trailer

Cindy Prascik’s Movie Review : The Croods / Olympus Has Fallen

Dearest Blog, yesterday I set out for the cinema, hoping two highly-anticipated offerings would meet expectations.
Spoiler level here is mild, limited to things you'd know from the trailers.

First on my agenda: DreamWorks Animation's The Croods.


A prehistoric family are forced to flee their cave after it's destroyed by a disaster that threatens to change their lives forever in this animated adventure featuring the voices of Nicolas Cage and Emma Stone. As a protective caveman father leads his family out of harm's way, the clan crosses paths with a resourceful teen named Guy (voice of Ryan Reynolds), who offers to help them reach a distant land where they'll be safe from an impending catastrophe that will soon alter the entire world. Catherine Keener, Clark Duke, and Cloris Leachman round out the cast of vocal performers. ~ Jason Buchanan, Rovi
Director: Kirk De Micco

Cast: Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, Cloris Leachman.

Release Date: Mar 22, 2013

Rated PG for some scary action

Runtime: 1 hr. 31 min.

Genres: Action/Adventure, Animated, Family


Much to the dismay of a rebellious daughter (Emma Stone), the patriarch (Nicolas Cage) of a pre-historic family believes the only way to keep them safe is to stay within the dark and gloomy confines of their cave home. His theory, as well as his ability to protect his family, are put to the test when the cave is destroyed.

Not gonna lie, dear Blog, I have a ridiculous amount of faith in DreamWorks Animation. Think it's got something to do with How to Train Your Dragon being...oh...only the best animated feature ever. I'm pleased to report that, despite a sluggish start, The Croods does not find my faith misplaced.

The Croods looks magnificent. No words could possibly describe just how gorgeous this film is; you have to see it. I was moved to tears a time or two by its physical beauty alone. Take Oz: The Great and Powerful, and multiply that by about a hundred. Full marks to the artistic and technical staff.

If The Croods' father/daughter tale is a little familiar, and if you see some things coming a mile or so out, that's easy enough to forgive in such a sweet and genuine picture. The voice cast is spot-on, with Cage and Stone joined by Ryan Reynolds, Cloris Leachman, and Catherine Keener.

The Croods does start out somewhat slow, and for 20 minutes or so, I feared I had another Oz on my hands; that is, I'd be left loving the look and nothing else. Once it gets moving, though, the movie's filled with action, laugh-out-loud moments, and a sincere and touching family tale.

The Croods runs 98 minutes, and is rated PG for "some scary action." It's no How to Train Your Dragon, but, of a possible nine Weasleys, it easily earns seven.

Next up was the action/thriller Olympus Has Fallen.

An ex-Special Forces operative and former presidential bodyguard must fight to take back the White House from terrorists who have kidnapped the Commander in Chief in this high-stakes action thriller directed by Antoine Fuqua (Training Day, Shooter) and starring Gerard Butler. Melissa Leo, Angela Bassett, Robert Forster, and Radha Mitchell co-star. ~ Jason Buchanan, Rovi
Director: Antoine Fuqua

Cast: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Melissa Leo.

Release Date: Mar 22, 2013 Rated R for Strong Violence and Language Throughout

Runtime: 2 hr. 0 min.

Genres: Action/Adventure, Suspense/Thriller


When terrorists overrun the White House, taking President Harvey Dent, erm, I mean Benjamin Asher (Aaron Eckhart) and his top staff hostage, it's left to Mike Banning (Gerard Butler), an ex-Secret Service agent, to save the President...and the nation.
Olympus Has Fallen is extremely well cast; every actor is a perfect fit for his role.

Aaron Eckhart is very leaderly as a young-ish Commander in Chief. Gerard Butler has never been a favorite of mine. I've softened considerably towards him since he became Stoic the Vast, but think I'm still holding a grudge over Phantom of the Opera!

Yet I found him surprisingly watchable in Olympus, and I think he plays the tormented hero well. Angela Bassett is a bit too hard-ass for my taste as Director of the Secret Service; for some reason, she seemed like a comical police chief on a 70s TV cop drama. My favorite actress and best girl crush Melissa Leo is as lovely and tough as ever as the Secretary of Defense.

Morgan Freeman makes a predictably solid turn as Speaker of the House, forced to take charge as both the President and Vice-President are in the terrorists' grasp. If I had to trust the world's safety to any one individual, I admit I'd be entirely comfortable if that individual were Morgan Freeman. The rest of the cast is up to snuff, the one exception being Radha Mitchell, whose teary-eyed close-ups got old pretty quickly.

Olympus Has Fallen features maximum carnage.

The body count is so extreme that even I grew tired of it, and it's not that sort-of cartoonish massacre you get with a GI Joe or super-hero movie.

As a result, any chest-thumping 'Murica! sentiment the filmmakers hoped to achieve is somewhat deflated. The effects are good, and the trashing of the White House and other DC landmarks is chillingly realistic.

Olympus Has Fallen clocks in at 120 minutes, and is rated R for "strong violence and language throughout." If I liked it less than I'd hoped, I attribute that partially to my feeling that nobody makes a Big Baddie quite like Russia did back in the day, and partially to the movie's having precious little of that feel-good cowboy vibe (think Die Hard) I kind of expected from the trailers.

Of a possible nine Weasleys, Olympus Has Fallen gets six.

Our next question, dear Blog, is how many cinema trips can one individual fit into a long weekend that also includes three home hockey games, a midday hair cut n' color, and one full day of enforced family time (ugh). Time will tell!

Until next time...




Is it twisted that I'd totally do this cartoon person??

[Trailer 2] World War Z

I keep trying to convince myself that this movie won’t be a bloody disaster but the trailers keep telling me otherwise. First trailer ended with the superfast anthill zombie gang and this one ends with zombies on a plane……

MOVIE REVIEW: THE CROODS

A prehistoric family are forced to flee their cave after it's destroyed by a disaster that threatens to change their lives forever in this animated adventure featuring the voices of Nicolas Cage and Emma Stone. As a protective caveman father leads his family out of harm's way, the clan crosses paths with a resourceful teen named Guy (voice of Ryan Reynolds), who offers to help them reach a distant land where they'll be safe from an impending catastrophe that will soon alter the entire world. Catherine Keener, Clark Duke, and Cloris Leachman round out the cast of vocal performers. ~ Jason Buchanan, Rovi

Director: Kirk De Micco

Cast: Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, Cloris Leachman

Release Date: Mar 22, 2013

Rated PG for some scary action

Runtime: 1 hr. 31 min.

Genres: Action/Adventure, Animated, Family

Review:

The Croods is the type of animated family film that made for everyone to enjoy. Working from a simplistic and tried and true formula its script brims with enough energy to every keep it from being tedious. It’s funny and touching throughout. Kirk De Micco’s direction is deft; he keeps our attention with a lush virtual cornucopia while ably handling the family dynamics at play. De Micco has a strong track record going for him, (Lilo and Stich, How To Train Your Dragon) so it shouldn’t come as a surprise that his film has some tangible heart in between all the action set pieces and gags. The voice work by the assembled talent is all great with Cage, Stone and Reynolds deserving specific praise. Cage and Reynolds really seem comfortable doing voice work as both have distinctive voices and personalities that lend itself to this kind of film. Throw in some wonderful character designs and fun 3D and you have a family film that enjoyable for everyone.

B

MOVIE REVIEW: DEAD MAN DOWN

Director Niels Arden Oplev (The Girl With the Dragon Tattoo) makes his eagerly anticipated English-language-feature debut with this action thriller about a tough New York City enforcer and an alluring blackmailer who both put their lives on the line to seek vengeance against one of the city's most powerful crime bosses. ~ Jason Buchanan, Rovi

Director: Niels Arden Oplev

Cast: Colin Farrell, Noomi Rapace, Terrence Howard, Dominic Cooper, Isabelle Huppert

Release Date: Mar 08, 2013

Rated R Violence, Language Throughout and A Scene of Sexuality

Runtime: 1 hr. 58 min.

Genres: Suspense/Thriller

Review:

By Cindy Prascik


Dearest Blog, yesterday I escaped my miserable workday existence for a couple blissful hours at the cinema. On my agenda was the Colin Farrell thriller Dead Man Down, which I just couldn't squeeze in on its opening weekend. (Hindsight: "Oz? Really??")
Spoiler level here will be mild, nothing you wouldn't know from the trailer.

Colin Farrell is a man on a mission, but will his agenda be derailed by a mysterious woman (Noomi Rapace) with her own plan?
Dead Man Down is a double-barrel crime thriller, two stories running side by side, connected by a single character's involvement in both.

The bullets fly early and often, but quieter scenes between the two damaged leads are awkwardly perfect. Colin Farrell is as magnetic a leading man as Hollywood has to offer, and though the movie has a well-known and decorated supporting cast, it's his to carry, and he does so with his usual brilliance. Noomi Rapace is perfect as a broken woman who would add her burden to his. Terrence Howard's crime lord is cool, brutal, and defiant, even under siege, and Dominic Cooper is great as a young thug looking to work his way up the criminal ladder.

This might normally be the part, dear Blog, where I complain that not enough stuff blows up, but...well...lots of stuff blows up. And lots of folks get killed. And even when those things aren't going on, this film has so much to recommend it that I don't even mind...ummm...I don't even mind much!

Dead Man Down clocks in at a well-paced two hours, and is rated R for "violence, language throughout, and a scene of sexuality."
Feels a little hokey to throw down such a high rating so early in the 2013 game, but of a possible nine Weasleys, it wouldn't be fair to give Dead Man Down less than eight.

Until next time...

It wasn't easy, but we got the Black Friday deals at Wal-Mart!

[Trailer] Kick Ass 2

Red Band trailer for the sequel to one of my favorite movies from the last few years is out and it look like it’ll more than live up to the original!

The only thing that makes me a bit worries is the new director’s previous films which don’t inspire a ton of confidence. Either way, I’ll be checking it out for sure.

MOVIE REVIEW: DREDD

A feared urban cop takes on a vicious city drug dealer in a futuristic metropolis as director Pete Travis (Vantage Point) and screenwriter Alex Garland (28 Days Later, Sunshine) team to bring iconic 2000A.D. lawman Judge Dredd to the big screen. In the future, much of North America has been poisoned by radiation. The sprawling urban jungle Mega City One stretches from Boston to Washington D.C., and in order to keep the growing criminal element in check, police enforcers called "Judges" have been given the power of judge, jury, and executioner. Judge Dredd (Karl Urban) is the most feared of them all, delivering death sentences with impunity as he fights to rid the streets of "Slo-Mo" -- a powerful new drug that alters its user's perception of time. In the process of training psychic rookie Cassandra Anderson (Olivia Thirlby), Dredd receives a report of an incident in a sprawling criminal stronghold ruled by fearsome drug lord Ma-Ma (Lena Headey), and ventures in to investigate. Upon learning that one of her top men has been captured by Dredd shortly thereafter, an enraged Ma-Ma seizes control of her massive 200-story complex, launching an all-out war against the Judges as Dredd and Cassandra find themselves trapped in the belly of the beast. ~ Jason Buchanan, Rovi

Director: Pete Travis

Cast: Karl Urban, Olivia Thirlby, Lena Headey, Wood Harris, Langley Kirkwood

Release Date: Sep 21, 2012

Rated R for strong bloody violence, language, drug use and some sexual content

Runtime: 1 hr. 36 min.

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

Review:

Taking another shot at a character that’s best remembered for a laughably bad Sylvester Stallone film takes some guts. Dredd isn’t necessarily a film that anybody asked for or wanted and the fact that it was mostly ignored by the movie going audience kind of rams that point home. It’s a bit of a shame because Pete Travis’s version is actually a solid piece of R rated action fun. He fully embraces the splatter factor delivering a series of visual punches in the face. Along the way he delivers some of the best looking use of slow mo to visually represent the effects of the drug in question. The plot is incredibly thin and you could probably watch it while doing something else and you’d miss absolutely nothing and still enjoy the gory spectacle. Character development is sparse and we don’t know much about the titular Dredd. Karl Urban, helmet on for the duration, gives a gravelly chin driven performance that’s impressive but your left wondering what’d he done if he’d been given a little more meat. Olivia Thirlby is equally one note with a slightly more fleshed out character. Lena Headley, as the lead baddie, isn’t asked to do much outside of having constant bitch face; thankfully she was born with that talent. While it sounds like the film is flimsy, which it is, it’s also a lot of fun for all the action thrown at you.

B-