MOVIE REVIEW: EXTRACTION 2

 

Back from the brink of death, commando Tyler Rake embarks on a dangerous mission to save a ruthless gangster's imprisoned family.

Director: Sam Hargrave

Cast: Chris Hemsworth, Golshifteh Farahani, Adam Bessa, Olga Kurylenko, Daniel Bernhardt, Tinatin Dalakishvili, Idris Elba

Release Date: June 16, 2023

Genre: Action, Thriller

Rated R for strong/bloody violence throughout and language

Runtime: 2h 2m

Sam Hargrave's follow up to his pandemic hit doesn't offer a lot more in terms of story as it plays fairly close to the original's plot simply switching out targets and adversaries.  The film's main draw is its action sequences and they are taken to another level of coordinated madness that nearly makes you forgot about the incredibly barebones story driving the entire thing.  Hargrave spends very little time explaining how Hemsworth's Rake survived a seemingly fatal wound at the end of the original.  Once that's out of way, a rather intriguing appearance from Idris Elba starts the story in earnest.  The set up is fairly basic as we're introduced to an array of Eastern European bad guys straight from central casting.  They're disposable fodder that serves as nothing more than meat for the grinder.  It quickly leads to the 22 unbroken shot that's impressive in terms of the sheer scale due to all the moving parts involved in coordinating the carnage thrown onscreen.  Its audaciously outlandish and insane but it's hard not to enjoy the action spectacle thrown at the audience in steady succession.  The rest of the film still has plenty of set pieces following the prison escape but that moment is definitely the most memorable of the entire film.  Sadly, the story doesn't get nearly the same amount of attention that the action does since it does the bare minimum to make the character more three dimensional.  The cast, for their part, do their best to make the characters more interesting and engaging than what's written on the page.  Chris Hemsworth's leads the film with the same steely dogged determination that he brought in the original.  The film doesn't ask him to do much more than be a believable killing machine as he dispatches enemy with a impressive gusto, people of a certain age might get flashbacks of 1985's Commando which less quips.  Golshifteh Farahani and Adam Bessa are given far more to do in this entry with Farahani taking full advantage of the expanded screen time.  Hemsworth and Farahani share some great chemistry together, the third film would be wise to take as much time with the characters as it does with the action sequences.  

B-

Cindy Prascik's Review of The Courier

Greetings, movie fans!

As COVID_19 Rules kept me confined to my own four walls on the High Holy Day of Gary Oldman's birthday last Saturday, I celebrated by watching the only Gary project I hadn't seen already, The Courier. I must say, his birthday deserved better.

Spoiler level here will be mild, nothing you wouldn't know from the trailer.

A London courier finds herself at the center of a plot to assassinate a valuable witness.

Gary Oldman is no stranger to taking sketchy projects for the paycheck; this is a well-documented fact. With an Academy Award under his belt (if you think it's ever NOT going to be mentioned, you're mistaken), I am equally impressed and disappointed that he still doesn't mind tackling a script that leaves me wondering how it ever got past his agent. The Courier is so very bad from the outset, I kinda wonder how it got past *anyone's* agent.

The Courier lays its groundwork broadly, through news clippings shown over the opening credits. Following is such a by-the-numbers outing that it's not only easy to guess every twist and turn, but I caught myself saying dialogue out loud before the characters did. (The beauty of home viewing, I guess?) Though the stakes are high, there's nary a hint of tension; it's that predictable. The film is as violent as you might expect, with plenty of up-close beatings and kills for your viewing "pleasure." Transitions among three primary locations — New York City, London, and Washington, DC — are choppy and awkward, and the acting can only be described as Shatner-esque. Gary gets a fair bit of screen time, though not nearly enough to make it worth enduring the rest. Two weird things that worked my nerves worse than the rest: the young woman who had her handbag on her arm at all times, even though she was mostly just walking around her house, and the guy who appeared to be channeling (poorly) Stansfield, Gary's character in 1994's The Professional.

The Courier clocks in at 99 minutes that feel like 99 years.  It is rated R for "strong violence, including bloody images, and language throughout."

Hollywood has already been trending towards the quicker release of bigger and better films for home viewing, and the current health crisis is only hastening that trend. Let's hope it will soon let movies like The Courier be mercifully lost in the shuffle.

Of a possible nine Weasleys, the courier gets one, for my Gary.

Until next time, stay well movie fans!

Cindy Prascik's Review of The November Man

Dearest Blog, thanks to an early dismissal by my generous employer, I was able to get out to the movies yesterday afternoon. On my agenda, Pierce Brosnan's poor man's Bond, The November Man.

A retired CIA operative returns to action and finds himself pitted against his former pupil.

Well, dear reader(s), I think The November Man may be the most unbelievable movie I've seen all summer, and that includes the one with the gun-toting raccoon. Comparisons to the Bond franchise are inevitable, especially with Brosnan in the lead, but, for me, there's always a wink-wink, nudge-nudge aspect to James Bond movies. Sure...the guy is impossibly slick and has impossibly advanced tools and impossibly beautiful women, and gets himself into and out of impossibly impossible situations, but the movies seem self-aware. This one could have used a bit of self awareness, but that's not to say I didn't enjoy it.

Brosnan is still quite the dashing heartthrob. He's 61 now, so of course Hollywood has to offer some young meat in the form of one Luke Bracey, of whom I'd never heard until a trailer for The Best of Me ran immediately prior to November Man. I'd no more than thought, "Bet that dude is cornering the market on 'hot guy' roles," and...viola! Brosnan and Bracey have zero chemistry onscreen, and I wasn't buying the years of history between them for one minute. (Note: I mean "chemistry" in a non-romantic sense, although they don't make a very nice couple, either. I'd rather Pierce Brosnan and Andrew Garfield, myself.) Brosnan fares better with female lead Olga Kurylenko, but only just.

Mostly I think the writing is so flat that there's not much any actors could have done with it, but, again...that's not to say I didn't enjoy it.

The November Man is action packed, and no tip-toeing around trying to secure a PG13 rating either.

The series of events that keeps this movie going is about as remarkable as Gravity (a.k.a. "Murphy's Law"), but the movie is fun and not overlong, so it's not hard to forgive its other shortcomings.

The November Man runs 108 minutes and is rated R for "strong violence including a sexual assault, language, sexuality/nudity, and brief drug use." It's not a movie that'll change your life or that you'll remember forever, but for a late-August holiday weekend...eh...I'm alright with that.

Of a possible nine Weasleys, The November Man gets six.

Until next time...

 I regret nothing.

Cindy Prascik’s Review of Oblivion

Dearest Blog, yesterday my dear cuz and I headed out to the cinema to check out Tom Cruise's latest flick, Oblivion.

Spoiler level here will be mild.

Future Earth is a wasteland, its few remaining inhabitants charged with safeguarding those resources needed by survivors living off-planet.
Ima be straight with ya, dear Blog, I thought I was gonna love Oblivion. I've been comparing it with Will Smith's upcoming post-Apocalyptic blockbuster, After Earth, and was sure this one would be the winner of the two. Though it's not really a loser, terming Oblivion a winner might be over-reaching.

As you'd expect, Tom Cruise is solid in the lead, Morgan Freeman and my best gal Melissa Leo equally so in lesser roles. Cruise's leading ladies, Olga Kurylenko and Andrea Riseborough, are ho-hum and painfully annoying, respectively. Of the remaining supporting cast, all that's worth mentioning is that Game of Thrones' Nikolaj Coster-Waldau looks really good.

Oblivion is smart, but slow, sci-fi, and I'll cop to dozing off at least once. I can give full marks for production design, but the other tech was sometimes so laughably awful I wondered how it slipped into such a high-profile blockbuster. For the most part, I think Oblivion is a pretty well done film, but just not one I found all that enjoyable. Or, to sum it up, as we exited the cinema, my cuz' first words were, "Well...I didn't hate it......."

Oblivion clocks in at an excessive 126 minutes and is rated PG13 for "sci-fi action violence, brief strong language, and some sensuality/nudity." I'm so "meh" about it that I fear it may do to After Earth what Cloud Atlas did to Life of Pi, that is, I won't be able to force myself to see the second, the first left me with such a sour taste.

Of a possible nine Weasleys, Oblivion gets five.

Until next time...





...still more technically advanced than Oblivion...

MOVIE REVIEW: OBLIVION

A solitary drone repairman working on a war-ravaged planet Earth becomes humanity's last hope for survival in this ambitious sci-fi epic from Tron Legacy director Joseph Kosinski, and Rise of the Planet of the Apes producer Peter Chernin. Olga Kurylenko and Morgan Freeman co-star. ~ Jason Buchanan, Rovi

Director: Joseph Kosinski

Cast: Tom Cruise, Olga Kurylenko, Morgan Freeman, Andrea Riseborough, Nikolaj Coster-Waldau

Release Date: Apr 19, 2013

Rated PG-13 for nudity, Brief Strong Language, Sci-Fi Action Violence and Some Sensuality

Runtime: 2 hr. 5 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

You’d be hard pressed to argue that Joseph Kosinski can’t direct a beautiful movie with loads of cool visuals. Both Tron: Legacy and Oblivion are incredibly pretty films but both lack any semblance of emotion or originality. Oblivion takes liberal doses of “inspirations” from a variety of sci-fi classics from the past and even more recent fare. There are moments were the film is nearly in danger of becoming more than the sum of its parts but it just never gets there. There’s plenty to keep you busy and the eye candy on display is occasionally thrilling if terribly familiar. There are plenty of twists and turns in the overly complicated plot. The film would have been better served if the plot were streamlined and avoided some of the more obvious “surprise” turns, some of which are telegraphed as early as the first 10 minutes of the film. Tom Cruise does his usual reliable work but, through no fault of his own, we never feel a connection with his character. Instead it feels like he’s simply driving us through the terrain. Olga Kurylenko, who looks like she’s just had a very sour lemon most of the time and Andrea Riseborough aren’t asked to do much. As a result, the audience is always kept at arms length leaving us thinking about the films that touched on the same subject matter in much better fashion.

C

MOVIE REVIEWS: CENTURION

ON DVD

CENTURION



A Roman soldier (Michael Fassbender) leads a small band of troops on a mission to rescue a key Roman general after becoming trapped in the territory of their sworn enemies in this period action-adventure film from director Neil Marshall (The Descent, Doomsday). The year is A.D. 117: despite the growing strength of the Roman Empire, a fierce tribe known as the Picts has prevented Hadrian's armies from conquering northern Britain. The Picts offer a devastating display of their guerilla power when they raid a Roman frontier fort, and Quintus just barely manages to escape with his life. Thirsting for revenge, Quintus joins General Virilus' Ninth Legion as the squadron begins traveling north on a mission to find and kill Gorlacon, the leader of the Picts. That mission is complicated when the Ninth Legion is ambushed and General Virilus is captured, leaving his men stranded behind enemy lines. Now, as the Quintus and the surviving members of the Ninth Legion are hunted from the shadows, they prepare to make one last, desperate bid to save General Virilus and reach the Roman frontier before being captured or killed by the Picts. ~ Jason Buchanan, Rovi

Director: Neil Marshall

Cast: Michael Fassbender, Dominic West, Olga Kurylenko, Noel Clarke, David Morrissey.

Release Date: Aug 27, 2010

Rated R for grisly images, strong bloody violence and language

Runtime: 1 hr. 37 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

Neil Marshall’s Gladiator meets The Warriors bloody exercise is a surprising film in many ways. Throughout the run time there are blood spurts aplenty, body parts are cleaved at a amazing rate, Marshall’s ability to keep this interesting and shoot it beautifully elevate this film over the usual genre garbage. Marshall has an exceptional talent to create films that keep genre fans happy (see The Decent, Dog Soldiers & Doomsday) but what’s generally overlooked is his growth as a filmmaker. Marshall gives this film an epic feel with huge expansive landscape shots that gives the audience a real scene of the location. It sounds like a small thing but visually it’s a huge plus for this film that occasionally falters with hackneyed scripting. The cast is all game with only a few hiccups. Michael Fassbender is impressively comfortable in a leading man role. He brings a nice sense of gravitas even when delivering some of the more wooden dialogue. Olga Kurylenko is hit or miss throughout; occasionally she finds the right sense of danger and menace while other times it looks like she’s just playing dress up. Marshall’s wife Axelle Carolyn actually comes off far more menacing in a small role. Dominic West delivers solid work but he’s given a terribly small role. Those looking for a strong history lesson should probably look elsewhere but those looking for a solid piece of genre filmmaking that’s fairly entertaining throughout should find plenty to like here.

B