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Showing posts with label Lewis Pullman. Show all posts
Showing posts with label Lewis Pullman. Show all posts

Friday, May 2, 2025

MOVIE REVIEW: THUNDERBOLTS*

 






















Ensnared in a death trap, an unconventional team of antiheroes -- Yelena Belova, Bucky Barnes, Red Guardian, Ghost, Taskmaster and John Walker -- embarks on a dangerous mission that forces them to confront the darkest corners of their pasts.

Director: Jake Schreier

Cast: Florence Pugh, Sebastian Stan, Wyatt Russell, Lewis Pullman, Hannah John-Kamen, Julia Louis-DreyfusDavid Harbour, Geraldine Viswanathan, Olga Kurylenko

Release Date: May 2, 2025

Genre: Action, Adventure, Crime, Drama, Fantasy, Sci-Fi

Rated PG-13 for strong violence, language, thematic elements, and some suggestive and drug references.

Runtime: 2h 6m

Review:

Marvel's Thunderbolts* proves to be a refreshing change of pace to the standard formula by focusing on the characters’ inner turmoil while still delivering the kind of superhero action you've come to expect.  There's an easy flow to Jake Schreier's film even as it explores various aspects of unresolved trauma and how it affects each of the characters.  There's a noticeable confidence on display behind the camera, proving more than capable of delivering impressive action set pieces and quieter emotionally centered moments.  Schreier maintains a fine balance between the two, which is impressive especially considering how formulaic these films can be.  There's a concerted effort on keeping the focus squarely on the characters as opposed to devolving into the usual CGI fight fest.  Schreier is blessed with an excellent ensemble cast led by the ever-impressive Florence Pugh.  It'd be an understatement to say that Pugh serves as the oil that drives the machine here since she brings so much depth and nuance to her performance that it just makes the entire film more effective.  This iteration of her character carries so much pain that's practically disassociated with life in general with Pugh being able to communicate that with ease.  She's given a wide emotional berth to work with which makes her character feel like the most three dimensional onscreen as we watch her suffer through her pain but support others through theirs.  Pugh and David Harbour share some fun father daughter chemistry together which delivers some of the film's more effective moments of levity.  Harbour slips back into his Red Guardian role and easily brings his outsized presence to the past, his prime superhero.  The rest of the supporting cast is solid across the board even if they don't get the sort of time or depth of Pugh's Yelena.  Wyatt Russell, Hannah John-Kamen and Sebastian Stan share fun chemistry together with the ensemble bouncing off each other easily.  Stan has been playing his character longer than anyone else onscreen which gives him the opportunity to give his performance more layers that have been earned over the years.  It finally allows the character to breathe a bit and have some fun onscreen as opposed to carrying a perpetual scowl.  Lewis Pullman Bob's is subdued and likable when he shows up onscreen with the script adding more to his character as the film moves along.  Julia Louis-Dreyfus and Geraldine Viswanathan are both clearly having fun onscreen, but their characters feel underserved leaving them little to do outside of moving the plot along.  There's a rather inventive final act that brings something different to screen as a climax which is a welcome change from the usual CGI beat em up, making Thunderbolts* more memorable than the recent string of forgettable Marvel entries.

B+

Friday, May 27, 2022

MOVIE REVIEW: TOP GUN: MAVERICK

 





















After more than 30 years of service as one of the Navy's top aviators, Pete "Maverick" Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. Training a detachment of graduates for a special assignment, Maverick must confront the ghosts of his past and his deepest fears, culminating in a mission that demands the ultimate sacrifice from those who choose to fly it.

Director: Joseph Kosinski

Cast: Tom Cruise; Miles Teller; Jennifer Connelly; Jon Hamm; Glen Powell; Lewis Pullman; Ed Harris; Val Kilmer

Release Date: May 24, 2022

Genre: Action, Drama

Rated PG-13 for sequences of intense action, and some strong language

Runtime: 2h 11m

Review:

Top Gun: Maverick is the rare decades delayed sequel that somehow manages to recapture the magic of the original while standing on its own merits.  Joseph Kosinski's film works on multiple levels as it echoes classic scenes from the original while allowing his movie star to shine in his iconic performances.  It’s a fascinating bit of alchemy that allows him to bring back that feeling of a 80's blockbuster while delivering some insanely updated aerial acrobatics which may leave some people with a serious sense of vertigo.  The script is lean with a straightforward story that doesn't dig too deep into many of the characters even though it does manage to touch on themes of legacy and age.  Some of the dialogue does come off as stilted and old fashion in spots but it’s easy to forgive. Tom Cruise eases back into his iconic role with such gleeful ease that you can feel his deep affection for the character.  He carries the film with tangible energy that comes through the screen as he leads the newcomers of fresh faced up actors.  Miles Teller and Glen Powell get the biggest spotlights in supporting turns with Powell echoing Kilmer's Iceman throughout.  Kilmer himself gets a surprisingly touching sequence with Cruise that works well within the film and as a tribute to both characters and actors.  It's the type of moment that plenty of revived franchises have attempted but never quite nailed, it's a testament to the cast and crew to pull off such a satisfying sequel.  

A-

Sunday, October 14, 2018

MOVIE REVIEW: BAD TIMES AT THE EL ROYALE







































The El Royale is run-down hotel that sits on the border between California and Nevada. It soon becomes a seedy battleground when seven strangers -- a cleric, a soul singer, a traveling salesman, two sisters, the manager and the mysterious Billy Lee -- converge on a fateful night for one last shot at redemption before everything goes wrong.

Director: Drew Goddard

Cast: Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Cailee Spaeny, Lewis Pullman, Nick Offerman, Chris Hemsworth

Release Date: October 12, 2018

Genres: Mystery , Thriller

Rated R for horror violence, and language including some sexual references

Runtime: 2h 21min

Review:

Bad Times at the El Royale is a solid twisty thriller from Drew Goddard.  You’d be remiss if you didn’t feel some very strong Tarantino vibes throughout mixed together with some Agatha Christie as each individual story plays out.  The film is stylish and engrossing even if the ultimate payoff is bit of a letdown.  Goddard cast is made up of strong performers and a bevy of recognizable faces but Broadway star Cynthia Erivo really leaves an impressive mark.  Jeff Bridges centers the whole thing with a tangible sense of heart with healthy shades of grey.  Jon Hamm does solid work in a limited role and the film is lesser for taking him off the board as early as it does.  A perpetually shirtless Chris Hemsworth is clearly having a blast hamming it up as the cult leader that brings all the plot threads together.  For all the strong performances and stories, you d start to get the sense that Drew Goddard fell in love with his own creation as the film starts to meander towards the end.  There’s really no reason for the film to be nearly 2 and half hours and the film suffers since this type of pulpy fare is best in short doses.  

B
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