MOVIE REVIEW: GRETA

Frances finds a handbag on the New York subway and promptly returns it to Greta, an eccentric French piano teacher who loves tea and classical music. Having recently lost her mother, young Frances strikes up a seemingly harmless friendship with the lonely and kindly widow who enjoys her company. But when Greta's behavior becomes increasingly erratic and obsessive, Frances does whatever it takes to end the toxic relationship before things spirals out of control.

Director: Neil Jordan

Cast: Isabelle Huppert, Chloë Grace Moretz, Maika Monroe, Colm Feore, Stephen Rea

Release Date: March 1, 2019

Genres: Drama, Horror, Mystery

Rated R for some violence and disturbing images

Runtime: 1h 38 min

Review:

Greta is one of those odd ball thrillers that pulls you in because of the talent assembled but never provides anything new or groundbreaking.  Neil Jordan’s film is wonderfully shot which makes it look far better than it deserves.  So it has a nice glossy veneer that elevates the subject matter even when it’s at its most ridiculous.  Isabelle Huppert is a decorated actress fully capable of playing this role in her sleep and she makes the entire thing run even if you do wonder why such an acclaimed actress is slumming it in such routine Fatal Attraction/Single White Female knock off. Chloë Grace Moretz is solid overall even though her and Huppert’s characters are so thinly written that there’s very little depth to either of them.  Maika Monroe makes the most of her supporting role even making more nuanced as the film moves around.  Ultimately, Greta is one of those films that pops up on cable down the road and is just interesting enough to keep you from changing the channel.         

C+

MOVIE REVIEW: DEAD MAN DOWN

Director Niels Arden Oplev (The Girl With the Dragon Tattoo) makes his eagerly anticipated English-language-feature debut with this action thriller about a tough New York City enforcer and an alluring blackmailer who both put their lives on the line to seek vengeance against one of the city's most powerful crime bosses. ~ Jason Buchanan, Rovi

Director: Niels Arden Oplev

Cast: Colin Farrell, Noomi Rapace, Terrence Howard, Dominic Cooper, Isabelle Huppert

Release Date: Mar 08, 2013

Rated R Violence, Language Throughout and A Scene of Sexuality

Runtime: 1 hr. 58 min.

Genres: Suspense/Thriller

Review:

By Cindy Prascik


Dearest Blog, yesterday I escaped my miserable workday existence for a couple blissful hours at the cinema. On my agenda was the Colin Farrell thriller Dead Man Down, which I just couldn't squeeze in on its opening weekend. (Hindsight: "Oz? Really??")
Spoiler level here will be mild, nothing you wouldn't know from the trailer.

Colin Farrell is a man on a mission, but will his agenda be derailed by a mysterious woman (Noomi Rapace) with her own plan?
Dead Man Down is a double-barrel crime thriller, two stories running side by side, connected by a single character's involvement in both.

The bullets fly early and often, but quieter scenes between the two damaged leads are awkwardly perfect. Colin Farrell is as magnetic a leading man as Hollywood has to offer, and though the movie has a well-known and decorated supporting cast, it's his to carry, and he does so with his usual brilliance. Noomi Rapace is perfect as a broken woman who would add her burden to his. Terrence Howard's crime lord is cool, brutal, and defiant, even under siege, and Dominic Cooper is great as a young thug looking to work his way up the criminal ladder.

This might normally be the part, dear Blog, where I complain that not enough stuff blows up, but...well...lots of stuff blows up. And lots of folks get killed. And even when those things aren't going on, this film has so much to recommend it that I don't even mind...ummm...I don't even mind much!

Dead Man Down clocks in at a well-paced two hours, and is rated R for "violence, language throughout, and a scene of sexuality."
Feels a little hokey to throw down such a high rating so early in the 2013 game, but of a possible nine Weasleys, it wouldn't be fair to give Dead Man Down less than eight.

Until next time...

It wasn't easy, but we got the Black Friday deals at Wal-Mart!

MOVIE REVIEW: AMOUR

An octogenarian couple find their love put to the ultimate test when one of them suffers a stroke, and the other must assume the role of the caretaker in this compassionate yet unsentimental drama from director Michael Haneke. Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva) are retired classical-music teachers savoring their golden years in a comfortable apartment when Anne experiences a stroke that leaves her partially paralyzed. ~ Jason Buchanan, Rovi

Director: Michael Haneke

Cast: Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert, Alexandre Tharaud, William Shimell.

Release Date: Dec 19, 2012

Rated PG-13 for mature thematic material including a disturbing act, and brief language

Runtime: 2 hr. 7 min.

Genres: Art House/Foreign

Review:

Micahel Haneke has made a career of turning the mundane into something disturbing and unsettling. He’s also been a didactic director even if you don’t notice it. Early on in Amour, his deeply moving yet tragic love story, the director holds a shot of an audience. Haneke is telling us that this tale is about something that will affect all us at some point. It’s an interesting starting point into a brutally honest tale of love and devotion that goes into the depths of our hearts and limitations of our bodies. Haneke confines the film to the octogenarian’s well worn apartment creating a sense of claustrophobia throughout. In this confined space is a pair of legendary French actors who deliver incredibly powerful performances throughout. Emmanuelle Riva has received plenty of praise and awards for her performance here and it’s well earned. Riva’s work portraying Anne’s increasingly degraded state is masterful and shockingly realistic. Riva has a showier role but Jean-Louis Trintignant work shouldn’t go unnoticed. Trintignant’s turn is just as strong. His ability to convey a plethora of emotion through a single look or facial expression is just masterful. Together with Haneke’s direction they create a film which takes us through the end of a love story in all its naked truth.

A