MOVIE REVIEW OZ THE GREAT AND POWERFUL & PHANTOM

Cindy Prascik's reviews of OZ THE GREAT AND POWERFUL & PHANTOM

OZ THE GREAT AND POWERFUL



A mischievous magician gains the wisdom to become a powerful ruler after being swept away to a land of magic and mystery as director Sam Raimi and screenwriters Mitchell Kapner and David Lindsay-Abaire (Rabbit Hole) explore the genesis of author L. Frank Baum's enduring tales of Oz. Shady illusionist Oscar Diggs (James Franco) enchants curious audiences at a Kansas circus. A self-professed con man, he's a fast-talking performer who aspires to follow in the footsteps of inventors like Thomas Edison. Oscar is being chased across the circus grounds by the rampaging Strongman when a tornado blows in and everyone runs for cover. Seeing a hot-air balloon as his only chance for escape, the illusionist jumps in and cuts himself free. Magically transported to the wondrous world of Oz, he soon encounters Theodora (Mila Kunis), a temperamental witch who surmises that he is the wizard named after their land (Oscar's nickname is Oz), foretold to fall from the sky, defeat a nasty witch, and ascend to the throne. Theodora takes Oscar to the Emerald City to meet her sister Evanora (Rachel Weisz), a powerful witch who reveals that he cannot become the rightful ruler of Oz until he's accomplished his mission. Later, as Oscar and his new flying-monkey companion Finley (voice of Zach Braff) prepare to face their fearsome enemy, they're joined by the fragile but fearless China Girl (voice of Joey King) and benevolent witch Glinda the Good (Michelle Williams), who helps them prepare for the arduous battle ahead. Together with the brave people of Oz, Oscar draws up a plan to rid the land of evil once and for all, and become the great and powerful king who will rule from his throne in the Emerald City. ~ Jason Buchanan, Rovi

Release Date: Mar 08, 2013

Rated PG for sequences of action and scary images, and brief mild language

Runtime: 2 hr. 10 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Director: Sam Raimi

Cast: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff.


Review by Cindy Prascik

Dearest Blog, today I braved the infamous late-winter cinema crowd, plus everyone with a sentimental attachment to the Land of Oz, to spend my Saturday at Marquee.

First on my agenda, and everyone else's, was Oz: The Great and Powerful.

Neither a remake nor a reboot, Oz looks at a familiar world from an unfamiliar vantage point. The Witch of the West has Wicked, now the Wizard has Oz.

Spoiler level here will be mild-ish.

Oz' primary selling feature is that it's a work of art, absolutely stunning from start to finish. Sets, scenery, costumes, makeup...I would run out of superlatives long before I could come close to adequately describing them. My cinema oooh-ed and ahhh-ed aloud throughout.

The cast is fine, neither good nor bad enough to be worth mentioning. Mila Kunis, the only one of the main cast who hasn't at least been nominated for an Oscar, is easily the best of the lot.

Annnnnnnnnnnd...that's about all the nice things I have to say about Oz. Clocking in at an extremely bloated two hours and ten minutes, at times it bored me so much I wished I wanted popcorn or needed to use the bathroom. Fans who see this hoping for even a shred of what makes The Wizard of Oz so very special will leave sorely disappointed. It's missing some of the good nature and innocence of its predecessor, to be sure, but I don't even fault it there; I suspect perhaps that's impossible to duplicate in this day and age. More importantly, it's just bad storytelling: Disney throwing money at the screen--all style, no substance--much like it's theatre counterpart, Wicked.
Like Avatar before it, Oz: The Great and Powerful is about as gorgeous a film as ever you're likely to see, with little else to recommend it. I've struggled mightily these last several hours debating a fair rating; clearly it deserves full marks for appearance (and, make no mistake, it's absolutely worth seeing on a big screen for that alone), but little or no credit for anything else, so, of a possible nine Weasleys, we'll set it right in the middle at four and a half.


PHANTOM


The fate of humanity rests in the hands of a Soviet submarine captain whose tragic past casts a dark shadow over the present, and whose underwater craft might be host to an otherworldly entity in this apocalyptic thriller starring David Duchovny, Ed Harris, and William Fichtner. The Cold War has enveloped the entire globe, and when a Soviet submarine targets the U.S. Navy's Pacific Fleet for nuclear attack, it appears that the final battle has begun. But Capt. Dmitri Zubov (Harris) has a choice -- one that could pull the world back from the brink of annihilation. Meanwhile, it seems as if other forces are at work on Zubov's submarine. Now, in the depths of the South Pacific, Capt. Zubov will fight to ensure that there will be a future for every man, woman, and child on the planet. ~ Jason Buchanan, Rovi

Cast: Ed Harris, David Duchovny, William Fichtner, Lance Henriksen, Johnathon Schaech

Release Date: Mar 01, 2013

Rated R for violence

Runtime: 1 hr. 37 min.

Genres: Suspense/ThrillerDirector:Todd Robinson

Review by Cindy Prascik


Next on my agenda was the Cold War thriller Phantom.


The crew of a Soviet submarine must thwart those who would to use it for a nefarious purpose.
Dear Reader(s), I gotta tell you a little story about Phantom. Two weeks ago I saw this trailer before Snitch. Last week it opened at my cinema. This week it's down to one show a day; it's not gonna see another weekend. I am not sure how a movie like this, with this cast, sails so far under the radar (see what I did there?), but this one's all but invisible.
The most noticeable thing about Phantom is that the Soviet crew is played by a thoroughly American cast, speaking unaccented American English. While committing to the choice 100% works much better than, say, 2011's Three Musketeers--where the "French" people all spoke English with a random mix of American, English, and German accents--it's an unfortunate distraction in what's actually a pretty solid little thriller.

Ed Harris is magnificent in the lead, and the always reliable William Fichtner is solid as his right-hand man. David Duchovny is effective as the film's mysterious antagonist...is his mission just secret, or is it secretly evil?? The excellent supporting cast is fleshed out by familiar faces, including Lance Henriksen, Sean Patrick Flanery, Jonathan Schaech, Jason Beghe, Derek Magyar, and Jordan Bridges.

Plenty of twists and turns, coupled with the mission's high stakes and the sub's cramped quarters, make for a tense, exciting 98 minutes; I was on the edge of my seat for the duration. The contrived ending will likely deprive the film of any love from Serious Critics, but I enjoyed even that, despite its being overly obvious.

Odds are you're gonna miss Phantom at the cinema, so don't make that mistake when it comes to DVD.

Of a possible nine Weasleys, Phantom gets seven.

Until next time...



I know some people without brains who make an awful lot of movies!

MOVIE REVIEW: OZ THE GREAT AND POWERFUL 3D

A mischievous magician gains the wisdom to become a powerful ruler after being swept away to a land of magic and mystery as director Sam Raimi and screenwriters Mitchell Kapner and David Lindsay-Abaire (Rabbit Hole) explore the genesis of author L. Frank Baum's enduring tales of Oz. Shady illusionist Oscar Diggs (James Franco) enchants curious audiences at a Kansas circus. When he is inexplicably transported to the wondrous world of Oz, he encounters three witches named Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams), who pose him an awesome challenge: root out a ruinous force of evil that threatens to destroy the entire kingdom, and become the great leader that the population has been waiting for. Should Oscar succeed in summoning the necessary sorcery and creativity to deliver the land from darkness, he will forever be known as the Wizard of Oz. ~ Jason Buchanan, Rovi

Director: Sam Raimi

Cast: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Joey King

Release Date: Mar 08, 2013

Rated PG for sequences of action and scary images, and brief mild language

Runtime: 2 hr. 10 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Let me start of by saying I’ve never been a Wizard of Oz fan. I’ve watched the film various times and it just never connected with me. I got it but the connection just never occurred. I went into this prequel expecting something akin to Tim Burton’s mess of an Alice in Wonderland prequel from a few years back. Strangely Raimi’s prequel worked so much better for me. It’s got some obvious issues but for a film that’s 2 hours long, I found myself entertained for the better part of it. Raimi’s general template is borrowed from the original film with plenty of callback to the classic film. Enough to keep any diehard fan happy. Raimi delivers a candy colored assault on the senses, especially if viewed in 3D, from the moment we enter Oz. It’s a rather rousing experience especially as the film’s quasi-fantasy epic story begins to unfold. James Franco at the lead left me feeling fairly conflicted. At times during the film I thought he was terribly miscast and at others I thought he was perfectly suited. In the end, I really couldn’t decide so it’s a mix bag at best. Mila Kunis and Rachel Weisz do good work in limited and underdeveloped roles. Kunis is solid but tends to oversell her performance especially later in the film where it feels increasingly off. Weisz on the other hand is having a ball in her role, chewing up scenery with a wicked sort of determination appropriate for the character. Michelle Williams as Glinda is an angelic sight to behold; she fits the character very well. Zach Braff and Joey King voice a pair of CGI creations with impressive ease. The CGI on both of them, especially China Girl, are really impressive creations. The visual effects as a whole are wonderfully done, occasionally recreating the look from original film in some of the backgrounds. As mentioned this isn’t a perfect film. Its evil characters are underdeveloped and the crux of a certain important conflict seemed half baked at best. While I did enjoy the experience I can’t say there are plenty of spots, especially before the final act, that could have been trimmed a tad. Honesty, there no reason for this film to be over 2 hours long; still I found it thoroughly enjoyable warts and all.

B-

[Trailer] Iron Man 3

The newest trailer for Iron Man 3 is out and it looks pretty impressive. The Avengers kind of made you forget about the overstuffed 2nd film.

This new trailer looks like it really ups the ante and gives us hope we’ll have a better entry this go around. Lots of wonderful tidbits offered throughout, check out the trailer and enjoy.

MOVIE REVIEW: THE LAST EXORCISM PART 2

Tormented Nell Sweetzer (Ashley Bell) discovers her infernal nightmare is far from over while waging a desperate struggle against the forces of darkness. Shortly after the events of the first film, Nell is discovered deeply traumatized in rural Louisiana. Her recent past is a blur, but the one thing Nell knows is that her entire family has perished. Later, just as Nell tries to start a new life in New Orleans, the evil force that laid claim to her body returns with a hellish vengeance, and a diabolical agenda. ~ Jason Buchanan, Rovi

Director: Ed Gass-Donnelly

Cast: Ashley Bell, Spencer Treat Clark, Louis Herthum, Dave Jensen, Tarra Riggs, Muse Watson

Release Date: Mar 01, 2013

Rated R for horror violence, terror and brief language

Runtime: 1 hr. 29 min.

Genres: Horror, Suspense/Thriller

Review:

The Last Exorcism part 2 is a pretty terrible title for a movie especially an unneeded and mostly unwanted sequel. It’s not a terrible film by any stretch but at the same time it’s a very good one either. It’s in between living in the wasteland of mediocrity. Horror movie clichés abound throughout the majority of the runtime. Director Ed Gass-Donnelly, who’s wholly outside of his wheelhouse, relies on all these clichés and just runs with it. He does a decent job of taking advantage of the setting which gives the film the slightest spark but it’s mostly uninspired. Ashley Bell, who left a strong impression in the first film, returns in the lead with mixed results. Bell isn’t nearly strong enough on her own to carry the film. She has a tendency to oversell her character’s naivety had she played it more subtle it might have worked better. As a film it’s a forgettable if watch able experience.

C-

MOVIE REVIEW: ARGO

When militants seize control of the U.S. embassy in Tehran during the height of the Iranian Revolution, CIA agent Tony Mendez (Ben Affleck) creates a fake Hollywood film production in order to rescue a group of American diplomats who have sought refuge at the home of the Canadian ambassador. ~ Jason Buchanan, Rovi

Director: Ben Affleck

Cast: Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman, Taylor Schilling.

Release Date: Oct 12, 2012

Rated R for language and some violent images

Runtime: 2 hr. 0 min.

Genres: Drama, Suspense/Thriller

Review:

Argo is a wonderfully crafted film. The fact that Ben Affleck did not get an Oscar nomination for work behind the camera is nearly criminal. His skill is readily on display throughout culminating with a tension filled 30 minute climax. The film itself is easily accessible and immediately engaging, an impressive feat considering the subject matter. Affleck onscreen delivers an understated and subtle performance as Mendez. He gets plenty of help from some excellent supporting players. Alan Arkin chews up the scenery with gleeful delight. He and John Goodman make for an impressive team leaving you wishing there was more of them in the film. It’s always good to see Bryan Cranston get good film roles and here he’s given a nice part that lets him flex his acting chops. Argo is one of those films you know the ending to already but it doesn’t detract from the experience in the slightest.

A

MOVIE REVIEW: SINISTER

A struggling true-crime novelist stumbles into a grim supernatural mystery that threatens the lives of his entire family in this nightmarish horror yarn from director Scott Derrickson (The Exorcism of Emily Rose, The Day the Earth Stood Still). Ellison (Ethan Hawke) is seeking inspiration for his latest book when he moves his wife and children into a home where an entire family perished under gruesome circumstances. ~ Jason Buchanan, Rovi

Director: Scott Derrickson

Cast: Ethan Hawke, Fred Dalton Thompson, James Ransone, Michael Hall D'Addario, Rob Riley

Release Date: Oct 12, 2012

Rated R For some Terror and Disturbing Violent Images

Runtime: 1 hr. 49 min.

Genres: Horror, Suspense/Thriller

Review:

Sinister is the type of horror movie that’s heavy on atmosphere and tension with a sporadic sprinkling of gore and violence. Scott Derrickson returns the horror genre after his failed attempt at remaking a sci-fi classic. Derrickson understands mood and how to shoot a film in order to give it an overreacting sense of dread. It’s visually dark but beautiful as well capturing something a lot of horror films miss. Ethan Hawke is solid in the lead even if sweater loving character is written as an outright jerk. The script limits our empathy for him since he seems to have very little regard for his family and their wellbeing. The aforementioned family is terribly under developed which is a shame since it would have made the film stronger overall. Strangely, a police officer is given more meat than the writers wife. James Ransone plays the character about as hockey as possible killing the mood anytime he shows up on screen. The payoff is solid if a tab bit obvious due to the overuse of certain ghosts.

C+

MOVIE REVIEW: SNITCH

In the fast-paced action thriller SNITCH, Dwayne Johnson stars as a father whose teenage son is wrongly accused of a drug distribution crime and is looking at a mandatory minimum prison sentence of 10 years. Desperate and determined to rescue his son at all costs, he makes a deal with the U.S. attorney to work as an undercover informant and infiltrate a drug cartel on a dangerous mission -- risking everything, including his family and his own life.

Director: Ric Roman Waugh

Cast: Dwayne Johnson, Susan Sarandon, Jon Bernthal

Release Date: Feb 22, 2013

Rated PG-13 for Sequences of Violence and Drug Content

Runtime: 1 hr. 35 min.

Genres: Action/Adventure, Suspense/Thriller

REVIEW:

by Cindy Prascik

Dearest Blog, yesterday I headed up to the cinemas to check out Dwayne Johnson's new film Snitch.
Spoiler level here will be mild, limited to tidbits you'd get from the trailers.
When his son faces a minimum of ten years in prison for a minor drug infraction, a father (Dwayne Johnson) goes undercover with local drug dealers and a major cartel to get the sentence reduced.

If you're a fan who sees Dwayne Johnson movies looking only for two hours of him kicking the ever-lovin' crap out of people, I'm sorry to say you'll be disappointed in Snitch. The good news is, that'd be about the only reason you'd have to be disappointed.
Snitch is a solid drama/thriller that had me on the edge of my seat from start to finish. However accurately it does or does not depict the actual events on which it's based, as a movie it gets it right. The story is strong, if a little implausible in spots, and I chewed my nails to bits worrying about the outcome!

Dwayne Johnson is good in the lead and gets to show off a bit of extra depth with that natural charisma that's gotten him where he is. The supporting cast is fleshed out by notable names and faces such as Susan Sarandon, The Walking Dead's Jon Bernthal, Boardwalk Empire's Michael Kenneth Williams, Barry Pepper, Benjamin Bratt, Harold Perrineau, and Melina Kanakaredes. Rafi Gavron is especially good as the terrified boy facing a stiff jail term for a stupid mistake.
Snitch clocks in at a tense 112 minutes and builds to an ending that's satisfying without feeling forced or hokey, definitely worthy of your movie-going dollars.

Of a possible nine Weasleys, Snitch gets seven.
And nearly three decades removed from my days as a high-school Spanish honor student, apparently all that's left is that I speak "drug dealer."

Until next time...




I don't really need a reason to post this, do I?

Introducing The Random White Woman Movie reviewer Cindy Prascik.…

In a decision to expand my blog and reviews, both in style and perspective, I’ve added a good friend to mine who’s been reviewing films for just as long as I have.
Cindy Prascik has graciously accepted my offer to join my little movie blog. Together, I hope we can expand the scope of my blog and get Cindy some exposure outside of Facebook.

First and foremost, I want to say thank you again for joining me. I know it’s going to be great.
I wanted to run through a few questions to introduce you and your style to the readers.

Q: How long have you been writing movie reviews and what got you started?

A: I started on my old MySpace page…I’d guess mid-2000s? Time does funny things when you get to my age. Jumped over to Facebook when it became clear MySpace was as dead as most of the characters Gary Oldman plays!


I’ve always enjoyed your style because it’s very conversational and your passions really come through.

Q: Care to tell us about some of your favorite genres, films or actors?

A: Favorite genre is an easy one: If every movie could be The Expendables, I’d be a happy camper!

Favorite movies are too numerous to count, but if there’s a Lord of the Rings movie on somewhere, chances are a Prascik is watching it!

Other perennial list toppers include Nolan’s Batman trilogy, all the Harry Potters and Pirates of the Caribbeans, Ferris Bueller’s Day Off, Bram Stoker’s Dracula, How to Train Your Dragon, The Crow, Tombstone, Slap Shot, Real Genius, Clue, The Three Musketeers (1993), Big Trouble in Little China, The Full Monty, Hot Fuzz, Streets of Fire, District 9, Watchmen, The Warriors, Tropic Thunder, and The Blues Brothers.

My Acting Holy Trinity has been firmly set for more than two decades: Gary Oldman, Johnny Depp, and Russell Crowe. Rarely does another actor have a real chance of cracking the Trinity, but Sharlto Copely and Ben Foster are close.

Wish Copely didn’t have so many irons in the fire, so he had more time for acting. Oh, and I will always...always...see a Jason Statham movie the minute it hits the cinema!

Q: We generally like a lot of the same films but there are a few that we couldn’t be more opposed to, like The Master and Prometheus in recent memory. Is there a certain style of film that really bugs you or that you really like?

A: I have sooooooooooo little patience for rom-coms, and see those only under duress (read: if a favorite actor is in one).


Mostly, I just try to be an educated consumer, so I’m never really disappointed by a movie unless it’s been misrepresented in its advertising; otherwise, even the bad ones are a good time…if only because I enjoy making fun of them!



Q: Last one, I rate my movies on the A-F scale because I’m lazy and couldn’t come up with anything funnier. Tell us about where the Wesley scale came from.

A: I’m a proud Potter-head! Grading on the Weasley scale seemed like a great idea at the time…though I’ve stuck myself with having to mention in every single review that there are only nine Weasleys, lest anyone miss when I’m giving a film full marks!


Well there’s a brief intro to my new partner on this site, I hope everyone reads and enjoys her reviews as much as I do!

MOVIE REVIEW: BEAST OF THE SOUTHERN WILD

A six-year-old girl from the southern Delta searches for her long-lost mother after her father falls ill and her world spins out of balance in the film from director Benh Zeitlin that took home the Grand Jury Prize and Best Cinematography award at the 2012 Sundance Film Festival. ~ Jason Buchanan, Rovi

Director: Benh Zeitlin

Cast: Quvenzhané Wallis, Dwight Henry, Lowell Landes, Levy Easterly

Release Date: Jun 29, 2012

Rated PG-13 for child Imperilment, Brief Sensuality, Language, Some Disturbing Images and Thematic Material

Runtime: 1 hr. 33 min.

Genres: Drama

Review:

Benh Zeitlin’s first full length film is a magical experience that’s deceptively simple but incredibly dense. Zeitlin’s film is a visual marvel which captures the childlike wonder of innocence with a tangible authenticity which seeps through the screen. It’s the type of film which if instantly engaging and mesmerizing as well. Quvenzhané Wallis & Dwight Henry serve as the film’s core throughout. Zeitlin’s decision to cast non actors really adds to the feel of the film. Quvenzhané Wallis is just as impressive as I’d heard. She carries herself with a wonderful sense of strength and awareness of self throughout. It’s always tough to gauge with child actors if it’s a performance or just their innate personality seeping through, regardless she’s perfect in the lead role. I was just as impressed with Dwight Henry’s work especially since he’s truly a non actor, he owns a bakery. Together they work with a fascinating chemistry which is endearing and heartbreaking at the same time.

A

MOVIE REVIEW: AMOUR

An octogenarian couple find their love put to the ultimate test when one of them suffers a stroke, and the other must assume the role of the caretaker in this compassionate yet unsentimental drama from director Michael Haneke. Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva) are retired classical-music teachers savoring their golden years in a comfortable apartment when Anne experiences a stroke that leaves her partially paralyzed. ~ Jason Buchanan, Rovi

Director: Michael Haneke

Cast: Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert, Alexandre Tharaud, William Shimell.

Release Date: Dec 19, 2012

Rated PG-13 for mature thematic material including a disturbing act, and brief language

Runtime: 2 hr. 7 min.

Genres: Art House/Foreign

Review:

Micahel Haneke has made a career of turning the mundane into something disturbing and unsettling. He’s also been a didactic director even if you don’t notice it. Early on in Amour, his deeply moving yet tragic love story, the director holds a shot of an audience. Haneke is telling us that this tale is about something that will affect all us at some point. It’s an interesting starting point into a brutally honest tale of love and devotion that goes into the depths of our hearts and limitations of our bodies. Haneke confines the film to the octogenarian’s well worn apartment creating a sense of claustrophobia throughout. In this confined space is a pair of legendary French actors who deliver incredibly powerful performances throughout. Emmanuelle Riva has received plenty of praise and awards for her performance here and it’s well earned. Riva’s work portraying Anne’s increasingly degraded state is masterful and shockingly realistic. Riva has a showier role but Jean-Louis Trintignant work shouldn’t go unnoticed. Trintignant’s turn is just as strong. His ability to convey a plethora of emotion through a single look or facial expression is just masterful. Together with Haneke’s direction they create a film which takes us through the end of a love story in all its naked truth.

A

TV SHOW REVIEW: House of Cards

Francis Underwood is Majority Whip. He has his hands on every secret in politics - and is willing to betray them all to become President.


Cast: Kevin Spacey, Michael Gill, Robin Wright, Kate Mara, Michael Kelly, Corey Stoll

Executive Producers: David Fincher, Kevin Spacey, Eric Roth, Joshua Donen, Dana Brunetti, Andrew Davies, Michael Dobbs, John Melfi, Beau Willimon


Netflix’s decision to give original programming a shot was something that could have gone very badly. It could have been some cheaply produced muck with low rent actors. The decision to remake the British series House of Cards, after outbidding the cable networks, with A-list talent in front and behind the camera was a master stroke. With David Fincher at the helm for the first 2 episodes, allowing him to establish is distinctive style, gives the series instant legitimacy. The cast instantly shows you they are on their A game with an incredibly magnetic performance by Kevin Spacey at its center. The supporting cast such as a luminous Robin Wright textures the world being presented. Robin Wright’s performance as Underwood’s wife is just as interesting and complex as Spacey’s, a lesser actress could have faded into the background. Kate Mara continues to leave a noticeable impression even when working with some grade A talent. Other supporting players like Corey Stoll and Michael Kelly round out an impressive cast. The story and characters are all incredibly rich giving all these actors so much to work with throughout. Its plot feels like a MacBeth, King Lear hybrid blended into a modern day Washington all of it handled in an incredibly watchable and engrossing manner. Season 1 only failing speaks to effectiveness, the finale leaves you wishing you could watch season 2 instantly, a real triumph for Netflix.

A

Netflix Streaming Exclusive with all 13 episodes available

MOVIE REVIEW: FLIGHT

FLIGHT



A pilot with a substance-abuse problem has to land a crippled airliner in this Robert Zemeckis-directed drama for Paramount Pictures. Real Steel's John Gatins provides the script. Denzel Washington heads up a cast that includes The Hurt Locker's Brian Geraghty, along with John Goodman and Don Cheadle. ~ Jeremy Wheeler, Rovi

Director: Robert Zemeckis

Cast: Denzel Washington, Don Cheadle, Kelly Reilly, John Goodman, Bruce Greenwood

Release Date: Nov 02, 2012

Rated R for Intense Action Sequence, Drug and Alcohol Abuse, Language and Sexuality/Nudity

Runtime: 2 hr. 18 min.

Genres: Drama

Review:

After watching Flight I’d come to the realization that Denzel Washington had been churning interesting and impressive performances in some rather lackluster films for a good while. So much so that I’d almost consider him unappreciated, considering how some Academy Award winners have been known to phone it in more often that not. Flight is a bloated ham fisted film that’s elevated by its incredible leading man. Denzel Washington is the show here and the film dips significantly whenever he’s off screen. Thankful he’s onscreen for the better part of the film and he’s entrancing even though he’s dealing with a script that rams every cliché it could think of into the characters and plots. Washington performance is so much more impressive considering what he’s handcuffed with and I shudder to think of what a lesser actor would have done in this role. Robert Zemeckis has been removed from live action film directing for a while and outside of truly spectacular and horrifying crash sequence he overdoes everything. There’s a scarcity of quiet moments where he’s just pulls back and lets Denzel do his thing. Instead there’s are some eye rolling bad musical cues to hammer home each point not to mention an overused religion slant which is just as frustrating as the rest of the script. Denzel doesn’t just carry this film he drags it kicking and screaming to respectability that alone deserves kudos and awards.

C+

MOVIE REVIEW: WARM BODIES

WARM BODIES




A tormented zombie (Nicholas Hoult) experiences a profound transformation after entering into an unusual relationship with the daughter (Teresa Palmer) of a military leader charged with eradicating the walking dead. As the unlikely pair build a tenuous bridge between the living and the dead, those on both sides of the battle begin to sense that nothing in their world will ever be the same again. Warm Bodies is based on the novel by Isaac Marion. Rob Corddry and John Malkovich round out the starring cast. ~ Jason Buchanan, Rovi

Director: Jonathan Levine

Cast: Nicholas Hoult, Teresa Palmer, Rob Corddry, John Malkovich, Dave Franco

Release Date: Feb 01, 2013

Rated PG-13 for zombie violence and some language

Runtime: 1 hr. 38 min.

Genres: Comedy

Review:

Warm Bodies is a simple film which a bit of a statement for a zombie rom-com. Director Jonathan Levine keeps things as simple as possible while giving us a self aware version of Twilight with a much better sense of humor. Its light fare at it’s fluffiest. Its center is an incredibly fun, charming and ultimately engaging performance from Nicholas Hoult. From the moment we hear his internal monologue the audience is sucked into his plight and quest for zombie reinvention. R is pretty much Buddy from Day of the Dead with a romantic heart. Love truly conquers all, even rigor mortis. As mentioned the plot is thread bare and while it’ll keep you grinning throughout you can’t help but think it could have been streamlined or that it’s rather neutered to keep that sacred PG-13 rating. Teresa Palmer is rather bland but serviceable. Rob Corddry and a steady John Malkovich do solid work in limited roles. Warm Bodies is an almost sugary sweet zombie love story, it’s not perfect but who is.

B-

MOVIE REVIEW: END OF WATCH

END OF WATCH




David Ayer's End of Watch stars Michael Peña and Jake Gyllenhaal as a pair of L.A. cops and close friends who work to keep the streets safe. Shot in a found-footage style, the movie follows the duo as they make enemies with a major drug cartel and attempt to lead happy personal lives. ~ Perry Seibert, Rovi

Director: David Ayer

Cast: Jake Gyllenhaal, Michael Peña, Anna Kendrick, Frank Grillo, America Ferrera.

Release Date: Sep 21, 2012

Rated R for sexual References, Pervasive Language, Some Disturbing Images, Some Drug
Use and Strong Violence

Runtime: 1 hr. 49 min.

Genres: Drama

Review:

End of Watch is an aggressive film which feels like a cop version of into The Heart of Darkness. David Ayers uses a lot of filming techniques to get give his film a crazy kind of energy that makes the more mundane parts of the film seem less so. His style works for the most part but occasionally it’s more distracting than it needs to be, detracting from the quality of the story and excellent performances on display. Jake Gyllenhaal and Michael Peña have some of the best chemistry I’ve seen in ages in this type of film. Each works off each other extremely well. Their performances have a tangible and believable sense of authenticity throughout. It’s the best performance from both in a long while. They are the heart and soul of the film, creating an impressive connection with the audience even as the story gets more and more extreme, occasionally veering into implausibility. The supporting cast fills out the character’s world well, adding to the film’s overall quality and compounding the emotional punch the climax delivers.

B

MOVIE REVIEW: COMPLIANCE

Inspired by actual events, writer/director Craig Zobel's sophomore feature Compliance examines the complex hierarchy of authority through the experiences of a teenage fast-food restaurant clerk who falls victim to a twisted practical joke. ~ Jason Buchanan, Rovi

Director: Craig Zobel

Cast: Ann Dowd, Dreama Walker, Pat Healy, Bill Camp, Ashlie Atkinson

Release Date: Aug 17, 2012

Rated R for language and sexual content/nudity

Runtime: 1 hr. 30 min.

Genres: Suspense/Thriller

Review:

Compliance is the type of feel that really feels like its stretching credulity and good taste various times during its runtime. At certain points during the film, I couldn’t help but feel like there was something exploitative or embellished about the proceedings but sadly, the plot of the film following the real life events fairly closely. It’s a disturbing and frustrating experience which leaves you with plenty of questions, most of which aren’t answered in the film or in real life for that matter. Craig Zobel shows an impressive talent as a director bringing an immediacy and authenticity to the proceedings. Ann Dowd’s complex and layered turn as the manager adds to the sense of authenticity. Dowd is always the most interesting person the screen even though there are other strong performances. The film loses some of its power when she isn’t front and center which happens for the better part of the final act. Dreama Walker is just as impressive with a performance that leaves her character exposed on multiple levels, both literally and figuratively. It’s a thankless role in many ways but she commits fully and believably. Pat Healy is appropriately detached yet sinister as the caller. It’s not a showy role but effective. We don’t know much about his character or motivations outside of tidbits of information that we are shown throughout the film after he’s revealed. In fact there we don’t get very many answers about him or the other characters, only a quick wrap up of each finishing with an interview with Dowd’s character.

B+

MOVIE REVIEW: THE LAST STAND

A border-town sheriff pulls out the heavy artillery to prevent an escaped drug kingpin from blasting his way into Mexico in this sun-scorched action opus starring Arnold Schwarzenegger and directed by Kim Jee-Woon (I Saw the Devil, The Good, the Bad, and the Weird). Johnny Knoxville, Luis Guzman, and Rodrigo Santoro co-star. ~ Jason Buchanan, Rovi

Director: Kim Jee-Woon

Cast: Arnold Schwarzenegger, Peter Stormare, Forest Whitaker, Jaimie Alexander, Luis Guzman

Release Date: Jan 18, 2013

Rated R for strong Bloody Violence and Language

Runtime: 1 hr. 46 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

The Last Stand is Arnold’s triumphant return to the big screen as a leading man. Its ludicrous plot sounds like the perfect fodder for a good old fashion Arnie blowout. My only question is why Kim Jee-Woon decided to waste so much time with pointless set up whiling trying to shoehorn in some seriousness into the plot. The first act of the film is incredibly choppy seemingly reluctant to embrace its own silliness. Once the ball actually starts rolling and the property damage increases it finally stops taking itself so serious and starts having fun. Arnold is rather flat which doesn’t come as a surprise as he works his way back into the acting game. The rest of cast give forgettable performances with Johnny Knoxville and Rodrigo Santoro battling for silliest and most of the top performance of the movie. As an action film its enjoyable fluff but the script doesn’t do it any favors serving up some incredibly hammy lines creating some groan inducing moments. Kim Jee-Woon would have been well served to reference Con Air, a movie with a similarly outlandish illogical plot, to get an idea about setting up a tone for his film. There’s plenty of fat which could have been cut to streamline the old school action which is what everybody was paying to see.

C+

MOVIE REVIEW: THE IMPOSSIBLE

Director Juan Antonio Bayona follows up his critically acclaimed feature debut The Orphanage with this drama set during the 2004 Thailand tsunami, detailing one family's incredible fight for survival. Inspired by actual events. Tom Hollander and Geraldine Chaplin co-star. ~ Jason Buchanan, Rovi

Director: Juan Antonio Bayona

Cast: Naomi Watts, Ewan McGregor, Tom Hollander, Marta Etura, Sönke Möhring, Geraldine Chaplin

Release Date: Dec 21, 2012

Rated R for intense realistic disaster sequence, disturbing injury images and brief
nudity

Runtime: 1 hr. 43 min.

Genres: Drama

Review:

The Impossible is the type of harrowing experience that has you watching the film through clenched teeth while grasping the arm rest during some of the more intense sequences. It’s a dramatization of a true story but it does an impressive job of giving you an approximation of the destruction that occurred during this tragic event. Bayona masterfully re-creates the tsunami’s impact with the visceral punch of a horrific amusement park ride. Naomi Watts and Tom Hollander do the majority of the heavy lifting on the emotional side. Watts and Hollander share a strong believable chemistry as mother and son. Personally, I can’t think of anybody better at playing emotionally beaten and frayed than Naomi Watts while keeping a quite strength behind her eyes. Watts delivers an unglamorous raw turn; it leaves a lasting impression even though she disappears for the better part of the last act. Hollander matches her every step of the way with one of the best performances I’ve seen by a child actor in years. Ewan McGregor and the 2 younger actors get some small moments to shine and each does impressive work with limited screen time. They get relegated to the background for the most part and the script seems content to use them for some of the more manufactured moments of heart string pulling such as a trifold set of near misses before the final reunion. It’s an issue that becomes more apparent as the film nears its finale. These moments feel out of place and forced even though the story didn’t need to beat you over the head with agony and could have relied on the organic moments of uplifting human drama.

B

MOVIE REVIEW: HOUSE AT THE END OF THE STREET

A teenager (Jennifer Lawrence) and her mother (Elisabeth Shue) move to a new town and make a gruesome discovery about the house next door in this tale of terror from Hush director Mark Tonderai. Shortly after learning that the neighboring house was recently the scene of a horrific double homicide, the curious teen forges a tender friendship with the boy who cheated death (Max Thieriot) on that fateful night. ~ Jason Buchanan, Rovi

Director: Mark Tonderai

Cast: Jennifer Lawrence, Elisabeth Shue, Max Thieriot, Gil Bellows, Nolan Funk.

Release Date: Sep 21, 2012

Rated PG-13 for Intense sequences of violence and terror, thematic elements, language, some teen partying and brief drug material

Runtime: 1 hr. 41 min.

Genres: Suspense/Thriller

Review:

It helps to know that Jennifer Lawrence filmed House at the End of the Street before Winter’s Bone was released and her star began it’s impressive rise. Knowing that explains why she’d be involved in such a terrible production. House at the End of the Street misfires on pretty much every level, it’s terribly scripted, flatly acted and clumsily directed. Director Mark Tonderai is more concerned with unnecessary camera movement such as using shaky cam during standard conversations and capturing Lawrence’s assets via a series of borderline gratuitous shots throughout. Worse of all he moves the story along at a terribly awkward pace, never building any suspense and forgetting to deliver any actual scares. This is all topped of with a liberal dose of clichéd horror movie logic along with a nonsensical plot and motivations. It leaves you disinterested and waiting the ending which doesn’t come quick enough.

F

MOVIE REVIEW: ZERO DARK THIRTY

Kathryn Bigelow and Mark Boal, the Academy Award-winning duo behind The Hurt Locker, reteam for this drama detailing the hunt for Osama bin Laden, which stars Oscar nominee Jessica Chastain as the intelligence expert who dedicated a decade of her life to tracking down the world's most wanted terrorist. Joel Edgerton, Edgar Ramirez, Mark Strong, Chris Pratt, and James Gandolfini co-star. ~ Jason Buchanan, Rovi

Release Date: Dec 19, 2012

Rated R for Strong Violence, Language and Brutal Disturbing Images

Runtime: 2 hr. 37 min.

Genres: Action/Adventure, Suspense/Thriller

Director: Kathryn Bigelow

Cast: Jessica Chastain, Joel Edgerton, Edgar Ramirez, Kyle Chandler, Mark Strong

Review:

Zero Dark Thirty is not a jingoistic depiction about the hunt for Osama Bin Laden. Kathryn Bigelow takes Mark Boal script and opts for a detached documentary feel. There’s a noticeable neutrality throughout the film. It’s not the type of feel that’s going for a slant or angle; instead it decides to simply unfurl the series of events that occurred even if some are fictionalized. It’s a methodical straightforward film that keeps you engaged as you watch the frustrating and occasionally dangerous machinations of the world’s biggest manhunt. At its center is Jessica Chastain. Chastain gives her character a calculated intensity and steely resolve. She’s fascinating in her singular dedication to her task, so much so that when the task is done you have to wonder how the character would ever find meaning in another task. The supporting characters come and go as the film goes on. Due to the style of the film, we never get very close to any of the characters even the lead. The climatic raid is almost clinical but incredibly tense and powerful. The same can be said about the film as a whole.

A

The Best (and Worst) Movies of 2012

NOTE:

Major Films I missed in 2012:

Argo, Zero Dark Thirty, The Impossible, Beasts of the Southern Wild & Amour.


All films are in no particular order, so without any further adieu;


Best films of 2012


The Hobbit




Not being a diehard LOTR fans left me kind of iffy about this but Jackson’s slightly uneven film kept me entertained throughout, unlike Fellowship of the Ring.

Prometheus



It’s a flawed film with its issues magnified with repeated viewings, still it worked for me on so many levels. So much so that I saw it various times in theaters and multiple times on blu-ray.

The Dark Knight Rises




It’s was one of my most anticipated films of the summer and it didn’t disappoint. That being said, much like Prometheus, its flaws are more and more apparent with repeated viewings but it still leaves me satisfied with each viewing.

Moonrise Kingdom




My favorite Wes Anderson film has been The Royal Tenenbaums for ages. While his films have been consistently solid, Moonrise Kingdom was the first one since The Royal Tenenbaums that connected with me in such a strong manner.

The Master




It’s a movie who’s plot could be written on a post it but it’s has some of the best performances I’ve seen all year. While the plot is frustratingly opaque and ultimately unresolved, Hoffman Phoenix and Adams keep your eyes glued to the screen.

Silver Lining Playbook




I hate romantic comedies because they are so formulaic. At its base this film is a Rom-Com but it does it with such interesting characters and strong performances that you won’t really notice until the film’s over.

Lincoln




Spielberg and Daniel Day Lewis are in top form supported by an equally game supporting cast. Sure it’s ready made Oscar bait, so much so I kept imaging fake trailers for it like on Tropic Thunder, but it’s thoroughly engaging and fascinating.

Life of Pi 3D





Ang Lee’s visually stunning and moving adaptation of the beloved book is the type of film that needs to be seen on a big screen and in 3D.

Django UnChained




Quentin Tarantino’s latest film is another stellar turn. It’s his most romantic and unflinching film, which is saying a lot on both fronts, it’s nearly perfect and easily re-watchable.

The Avengers




It should have worked at all but it did. After a few more viewings I still can’t help thinking its Joss Whedon playing with toys on a massive scale. The interplay between the characters is fun delivering as much fan service as possible.


My Biggest cinematic surprises of 2012


Cloud Atlas




It’s not a perfect film but I couldn’t keep but respect its audaciousness. It’s as massive as it is bold. In a sea of films I really enjoyed, this one left me the most emotionally invested by the time the credits rolled.

Pitch Perfect




Trailers looked funny enough to be respectable but I was surprised at how well written it was. A good collection of talent and the fact that it never took itself too serious made it a big success.

Wreck-it Ralph




One of the best non Pixar animated film out there. Some inspired voice acting choices along with a more textured than expected story left me grinning and caring about the characters.

Chronicle



I love found footage films but even I can tell it’s overexposed. Chronicle was entirely off my radar so I was taken by surprise at how well acted and inventive this superhero origin story was.


The worst movies I suffered through in 2012



Silent House




Stupid endings with bad plot twist can kill a solid film, a real shame because Elizabeth Olson put in a great performance.

Wrath of the Titans




For some reason I thought this sequel might be better than the horrid remake. It was worse and even stupider.

Chernobyl Diaries




The first third of the film does a solid job of establishing the setting and tone. Then they introduce the mutants from The Hills Have Eyes….

Snow White and the Huntsman




Kristen Stewart as Snow White. I tried as hard as I could to give it a fair shot but Stewart’s endlessly mopey face and Charlize Theron unchecked Mommy Dearest overacting make this an unpleasant experience.


Total Recall




Glossy, slick and just about as soulless and pointless as they come, it’s a perfect example of what not to do with remakes.


Resident Evil Retribution




Why do I keep watching these expecting to be surprised? Somehow even worse than the last one and even more incoherent and idiotic.

Paranormal Activity 4




A cash in sequel which could and should be ignored when the next chapter hits screens. Lazy in everyway possible after some rather well thought out sequels to the original hit.