MOVIE REVIEW: BEAST

 

Recently widowed Dr. Nate Daniels and his two teenage daughters travel to a South African game reserve managed by Martin Battles, an old family friend and wildlife biologist. However, what begins as a journey of healing soon turns into a fearsome fight for survival when a lion, a survivor of bloodthirsty poachers, begins stalking them.

Director: Baltasar Kormákur

Cast: Idris Elba, Iyana Halley, Leah Sava Jeffries, Sharlto Copley

Release Date: August 19, 2022

Genre: Adventure, Drama, Horror, Thriller

Rated R for violent content, bloody images and some language.

Runtime: 1h 33m

Review:

Beast is a lean, straightforward but brain dead animal attack thriller that's engaging enough to keep your attention during it's brisk runtime.  Baltasar Kormákur directs the film with a steady hand, establishing the landscape and players early on before moving on to the mayhem everyone knows is coming.  The script provides the thinnest of characterization for Idris Elba's character, he's trying to connect with his daughter after the loss of his wife, while providing nearly none for a criminally underused Sharlto Copley.  Elba for his part is fully committed here and elevates the material as best he can.  This film isn't concerned with it character's as much as building tension for some well scripted set up which make the central CGI animal feel like a tangible menace.  The film's at its strongest during these sequences thanks to strong directions and staging.  Unfortunately, this is the kind of film where character's continue making abjectly stupid decisions which put them in harm's way.  It's brisk pace makes it easier to overlook some of these issues if not entirely.  Beast works as a mindless empty calorie fun but those looking for a better lion attack film might be better checking out 1996's The Ghost and the Darkness.

C+

Cindy Prascik's Review of The Contractor & The Gray Man

 Say, there, dear reader(s), did'ja miss me? Probably not, but I'm back with a couple reviews for your eager-ish eyes.

Spoiler level here will be mild, nothing you wouldn't know from the trailers or the IMDB synopses.

First movie on today's agenda: The Contender.

A Special Forces sergeant, involuntarily discharged from the service, finds work (and trouble) with a private contractor.

The Contractor has been bouncing around the buy/rent streaming circuit for several months. I wasn't interested enough to pony up any cash, but, when it turned up for free, the time was right.

The Contractor lays its groundwork slowly. The first half-hour really feels like it's going nowhere, and there's nothing so complicated that the movie couldn't have cut to the chase in half the time. Chris Pine (my favorite of the Hollywood Chrises!) portrays James, a brooding hero trying to stay afloat in a post-military life that owes him better than he gets. Ben Foster steals the show (as Ben Foster always does) as a fellow ex-soldier who gets James into the contract business. Kiefer Sutherland, Gillian Jacobs, JD Pardo, and Eddie Marsan flesh out cookie-cutter supporting roles that could have been handed to lesser names and been none the worse for it. The story twists and turns rather nicely, if somewhat predictably, but seems to rush to its end. Cutting 15 minutes from the setup and devoting it to the payout would have served the picture well, but ultimately it maintains tension and ties up its story nicely enough that we'll call it a win.

The Contractor clocks in at 103 minutes and is rated R for "violence and language."

The Contractor is a generic but serviceable way to pass a late summer afternoon. Of a possible nine Weasleys, the Contractor gets four and a half.

The Contractor is now playing/streaming on the Showtime family of networks, and is available to rent or buy from all the usual outlets.

Next on my Saturday schedule was the Gray Man.

After discovering some of the agency hierarchy's dirty secrets, a CIA dark operative finds himself on the run from a psychotic former colleague.

The Gray Man is another by-the-numbers thriller salvaged by a reasonably talented, good-looking, and likeable cast. Ryan Gosling and Chris Evans face off in the leads, with Evans' performance reminding me of nothing more than Jason Patrick's turn in my personal favorite Chris Evans movie, the Losers. The entertaining pair, along with some unique action sequences, combine for a good enough time, but the movie's attempts at humor are painful, and it overstays its welcome by a solid 30 minutes.

The Gray Man runs 122 minutes and is rated PG13 for "intense sequences of strong violence, and strong language."

The Gray Man is a passable thriller elevated by a solid cast. Of a possible nine Weasleys, the Gray Man gets five.

Fangirl points: Shea Whigham!

The Gray Man is now streaming on Netflix.

Until next time...

MOVIE REVIEW: BODIES BODIES BODIES

 

A party game leads to murder when young and wealthy friends gather at a remote family mansion.

Director: Halina Reijn

Cast:  Amandla Stenberg, Maria Bakalova, Myha'la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, Pete Davidson

Release Date: August 5, 2022

Genre: Comedy, Horror, Thriller

Rated R for violence, bloody images, drug use, sexual references and pervasive language.

Runtime: 1h 35m

Review:

Bodies Bodies Bodies is a fun pitch black whodunit that effectively captures a moment in time for millennials including all their worse tendencies much like the slasher films from the 80's and 90's. Halina Reijn's film has a chaotic energy about it which persist throughout the film's lean runtime.  The script is sharply written with dialogue that skewers millennials on multiple levels.  It's aided greatly by a strong cast who lean into their characters with impressive aplomb.  Amandla Stenberg and Maria Bakalova are the film's central duo with each delivering strong performances as the party interlopers.  Stenberg gives her character an unsteady, unreliable feel that makes you question her motivations at various points.  Bakalova delivers a believable sense of naivety as she watches the gaslighting descend into more extreme madness.  Rachel Sennot who plays Alice, an airhead people pleasing podcaster, steals practically every scene she in especially in the final act.  Lee Pace and Pete Davidson have smaller supporting roles with each making the most of their screen time.  Bodies Bodies Bodies plays like a modern version of the 80's cult slasher April Fool's Day as it shares that film's basic premise and it's fun but dark sense of satire.

B+

MOVIE REVIEW: PREY

 

A skilled Comanche warrior protects her tribe from a highly evolved alien predator that hunts humans for sport, fighting against wilderness, dangerous colonisers and this mysterious creature to keep her people safe.

Director: Dan Trachtenberg

Cast: Amber Midthunder, Dakota Beavers, Michelle Thrush, Stormee Kipp, Julian Black Antelope, Dane DiLiegro

Release Date: August 5, 2022

Genre: Action, Drama, Horror, Sci-Fi, Thriller

Rated R for strong bloody violence.

Runtime: 1h 39m

Review:

The Predator franchise has been a difficult nut to crack in terms of delivering satisfying follow up after the second Danny Glover entry from the 90s.  Dan Trachtenberg's prequel takes a back to basic approach which results in a lean and efficient film paired with a strong script that makes us care about the central character's arch.  Trachtenberg avoids the pitfalls of recent entries by keeping it simple and smartly focusing on establishing the central character before unleashing the carnage everyone knows is coming.  Amber Midthunder carries the film with a believable focused performance as Naru.  The script smartly sets her up as a somebody that's still trying to find her place as opposed to introducing her as fully formed warrior.  This measured approach allows the audience to connect with the character and makes her journey more believable once the film reaches it's final faceoff.  Trachtenberg takes advantage of this to set up some tense moments while still delivering the kind of bloody violence you'd expect from this franchise.  The supporting characters are more thinly written with most coming off as fodder for the fray.  Some surprisingly shoddy animal CGI detracts from some of the Predator action in the first act which is a shame because the cinematography takes full advantage of the Canadian landscape.  Small issues aside, Prey is the Predator sequel a lot of fans have been waiting for which makes the streaming only release even more confounding.      

B+

MOVIE REVIEW: BULLET TRAIN

 

Ladybug is an unlucky assassin who's determined to do his job peacefully after one too many gigs has gone off the rails.

Director: David Leitch

Cast: Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Benito A Martínez Ocasio, Sandra Bullock

Release Date: August 5, 2022

Genre: Action, Thriller

Rated R for strong and bloody violence, pervasive language, and brief sexuality.

Runtime: 2h 6m

Review:

Bullet Train doesn't deliver much in terms of story or characterization, instead it relies on spurts of hyper stylized violence and its cast endless charisma.   David Leitch's film is choppier than his last two film, Deadpool 2 and Atomic Blonde, making the lulls in between the action set pieces much more noticeable and jarring.  When those action set pieces kick in though they do offer some colorful and gleefully violent choreography that gives the film a boost of adrenaline.  The biggest issue being that the remainder of the film's story and character backgrounds are told via flashy slow motion flashbacks with nearly every single character in the large ensemble getting a vignette.  The majority of the character's themselves are incredibly thin with a handful popping up and off the screen with little more than a few lines of dialogue.  The saving grace of it all is the cast who are clearly having a ball hamming it throughout the film's runtime.  Brad Pitt leads the group giving a light, but fun turn as an operative who's looking for deeper meaning in his overly lethal life.  Aaron Taylor-Johnson and Brian Tyree Henry prove to be standouts together with each of them bouncing dialogue off each other with incredible ease.  They provide the most consistent and energetic characters making their time on screen some of the film's highpoints.  Joey King looks the part but doesn't really add much to her character outside of what's written onscreen even though we're lead to believe she's smarter than nearly everyone.  Hiroyuki Sanada and Michael Shannon have small supporting roles with both punching well under their class but providing the film some credibility even though Shannon is sporting a ridiculously impressive wig and accent.  Bullet Train is the type of film that would have been more effective in a smaller package since it never earns it's two hour runtime and starts to sag noticeably in its final act.  It's still a fairly fun throwback of sorts to those late 90's early 2000 Pulp Fiction knock offs like 2 Days In The Valley, Go or Smoking Aces with a dash of John Woo for good measure.     

C+

MOVIE REVIEW: VENGEANCE

 

A journalist and podcaster travels from New York City to Texas to investigate the death of a woman whom he hooked up with.

Director: B. J. Novak

Cast: B. J. Novak, Boyd Holbrook, Dove Cameron, Issa Rae, Ashton Kutcher, J. Smith-Cameron

Release Date: July 29, 2022

Genre: Comedy, Mystery, Thriller

Rated R for language and brief violence

Runtime: 1h 47m

Review:

B. J. Novak's Vengeance is a dramady that's disarmingly funny even though its dissecting some heady and timely themes.  Novak wrote and directs the film and you get the distinct feeling that the story and idea are something very personal to him.  The script has an easy flow to it as you meet the assorted cast of characters who start off as clichés before being revealed as three dimensional people.  Novak's main character plays as a your standard narcissistic coastal elite who's clearly outside of his bubble.  The comedy that comes from the fish out of water situation is solid and delivers some solid laughs.  Boyd Holbrook and Novak have some solid chemistry together and deliver some of the film's funnier moments.  J. Smith-Cameron provides a strong maternal performance that's more subtle than a lot of the other characters but packs a punch by the end of the film.  Ashton Kutcher also delivers a surprisingly subdued but incredibly effective supporting turn as a small town record producer who like most people in the film have much more to them than meets the eye.  Vengeance has a slightly choppy tonal feel that makes it uneven in parts but ultimately it does a solid job of capturing the current state of our divided country.

B+