MOVIE REVIEW: BABYGIRL

 

A high-powered CEO puts her career and family on the line when she begins a torrid affair with a much younger intern.

Director: Halina Reijn

Cast: Nicole Kidman, Harris Dickinson, Sophie Wilde, Antonio Banderas

Release Date: December 25, 2024

Genre: Crime, Drama, Mystery, Thriller

Rated R for strong sexual content, nudity and language.

Runtime: 1h 54m

Review:

Babygirl plays like a gender-swapped version of 2002's Secretary and when it works it pulsates off the screen, but it struggles to maintain that energy despite a stellar turn from Nicole Kidman.  Writer/Director Halina Reijn has plenty on her mind as she presents a series of tantalizing themes over the course of her film.  Sexual desire, normalcy, power dynamics and age all bounce around the edges of the screen as we follow the torrid affair with her intern played by Harris Dickinson.  Kidman's performance is a study in layers as she gives the audiences glimpses of strength, intelligence, repression and shame that are all bottled up in her character.  She's consistently the most interesting performer onscreen as she crafts this fully formed character that feels like a living breathing person along with all her complications.  Her performance carries the film but the central relationship between her and the intern is a bit choppier due to a variety of reasons.  Harris Dickinson and Kidman just don't share the kind of electric chemistry together that would make their affair believable.  His character is terribly underwritten with the audience never being presented because he's so attractive to Romy.  We're told at various points that he is intelligent but never shown anything outside of the most generic sort of blackmail.  He's never portrayed with the sort of charisma or tact that he would be able to engage and enchant in the way we're led to believe on screen.  It doesn't help that he looks like any random, faceless guy you'd see on a subway or train and never give a second thought about.  The film's kinkier moments really play more like softcore Cinemax than anything else albeit with Kidman going for broke with each scene.  Antonio Banderas has a small supporting role as Kidman's husband, and he's given an impressive scene in the final act that reminds you how powerful of a performer he can be.  The film would have been well served had it given him a bit more screentime and fleshed out his character more but like most of the themes that Reijn throws onscreen such as an undercurrent about the monotony and automation of our everyday lives are never explored in any sort of meaningful way.  There's plenty left unexplored throughout which is shame because Reijn does deliver a series of energetic moments topped by a sequence in a dance club that just reverberates off the screen.  These sorts of moments highlight surges of energy in Babygirl which highlight how much more effective the film would have been if it had something substantial to say about itself.  

B-

MOVIE REVIEW: BODIES BODIES BODIES

 

A party game leads to murder when young and wealthy friends gather at a remote family mansion.

Director: Halina Reijn

Cast:  Amandla Stenberg, Maria Bakalova, Myha'la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, Pete Davidson

Release Date: August 5, 2022

Genre: Comedy, Horror, Thriller

Rated R for violence, bloody images, drug use, sexual references and pervasive language.

Runtime: 1h 35m

Review:

Bodies Bodies Bodies is a fun pitch black whodunit that effectively captures a moment in time for millennials including all their worse tendencies much like the slasher films from the 80's and 90's. Halina Reijn's film has a chaotic energy about it which persist throughout the film's lean runtime.  The script is sharply written with dialogue that skewers millennials on multiple levels.  It's aided greatly by a strong cast who lean into their characters with impressive aplomb.  Amandla Stenberg and Maria Bakalova are the film's central duo with each delivering strong performances as the party interlopers.  Stenberg gives her character an unsteady, unreliable feel that makes you question her motivations at various points.  Bakalova delivers a believable sense of naivety as she watches the gaslighting descend into more extreme madness.  Rachel Sennot who plays Alice, an airhead people pleasing podcaster, steals practically every scene she in especially in the final act.  Lee Pace and Pete Davidson have smaller supporting roles with each making the most of their screen time.  Bodies Bodies Bodies plays like a modern version of the 80's cult slasher April Fool's Day as it shares that film's basic premise and it's fun but dark sense of satire.

B+