MOVIE REVIEW: BABYGIRL

 

A high-powered CEO puts her career and family on the line when she begins a torrid affair with a much younger intern.

Director: Halina Reijn

Cast: Nicole Kidman, Harris Dickinson, Sophie Wilde, Antonio Banderas

Release Date: December 25, 2024

Genre: Crime, Drama, Mystery, Thriller

Rated R for strong sexual content, nudity and language.

Runtime: 1h 54m

Review:

Babygirl plays like a gender-swapped version of 2002's Secretary and when it works it pulsates off the screen, but it struggles to maintain that energy despite a stellar turn from Nicole Kidman.  Writer/Director Halina Reijn has plenty on her mind as she presents a series of tantalizing themes over the course of her film.  Sexual desire, normalcy, power dynamics and age all bounce around the edges of the screen as we follow the torrid affair with her intern played by Harris Dickinson.  Kidman's performance is a study in layers as she gives the audiences glimpses of strength, intelligence, repression and shame that are all bottled up in her character.  She's consistently the most interesting performer onscreen as she crafts this fully formed character that feels like a living breathing person along with all her complications.  Her performance carries the film but the central relationship between her and the intern is a bit choppier due to a variety of reasons.  Harris Dickinson and Kidman just don't share the kind of electric chemistry together that would make their affair believable.  His character is terribly underwritten with the audience never being presented because he's so attractive to Romy.  We're told at various points that he is intelligent but never shown anything outside of the most generic sort of blackmail.  He's never portrayed with the sort of charisma or tact that he would be able to engage and enchant in the way we're led to believe on screen.  It doesn't help that he looks like any random, faceless guy you'd see on a subway or train and never give a second thought about.  The film's kinkier moments really play more like softcore Cinemax than anything else albeit with Kidman going for broke with each scene.  Antonio Banderas has a small supporting role as Kidman's husband, and he's given an impressive scene in the final act that reminds you how powerful of a performer he can be.  The film would have been well served had it given him a bit more screentime and fleshed out his character more but like most of the themes that Reijn throws onscreen such as an undercurrent about the monotony and automation of our everyday lives are never explored in any sort of meaningful way.  There's plenty left unexplored throughout which is shame because Reijn does deliver a series of energetic moments topped by a sequence in a dance club that just reverberates off the screen.  These sorts of moments highlight surges of energy in Babygirl which highlight how much more effective the film would have been if it had something substantial to say about itself.  

B-

MOVIE REVIEW: TALK TO ME

 

When a group of friends discovers how to conjure spirits by using an embalmed hand, they become hooked on the new thrill -- until one of them unleashes terrifying supernatural forces.

Director: Danny Philippou, Michael Philippou

Cast:  Sophie Wilde, Alexandra Jensen, Joe Bird, Otis Dhanji, Miranda Otto, Zoe Terakes, Chris Alosio, Marcus Johnson, Alexandria Steffensen

Release Date: July 28, 2023

Genre: Horror Thriller

Rated R for strong/bloody violent content, some sexual material and language throughout

Runtime: 1h 35m

Talk to Me is slick enough to make for an entertaining thrill ride but its only sporadically scary and hampered by predictable turns and characters who make the worst possible decisions.  Danny Philippou and Michael Philippou direct their debut film with a surprisingly confident hand as they deliver an efficient film that sets up its scares with an energetic verve that's impressive.  They don't waste much time setting the table before they move into the general premise of the story which is effectively dumb kids keep messing with a Ouija Board type deal.  They make strong use of sound design and camera moves to give each sequence a disorienting feel with each moment capped off with shocks or brutality.  This isn't the kind of horror film that's subtle or nuanced instead it's more interested in old school approaches to make you jump or squirm.  The brothers touch on interesting concepts throughout like possession going viral or reality bending moments but they never lean into them enough to make the most of those moments.  The script suffers from a similarly scattered approach as it switches its thematic focus from one theme to another which feels like a missed opportunity.  The film moves at such a steady pace that it's easy to overlook these faults especially since the cast is fully committed especially Sophie Wilde in the lead role.  Wilde's large expressive eyes work perfectly for the role as she gives her a character a simmering unresolved pain that feel authentic.  The supporting cast isn't asked to do much but Miranda Otto makes the most of her moments onscreen by giving her character a nice bit of depth.  Ultimately, Talk to Me is the kind of film that wears its inspirations on its sleeve for better or worse since it makes for some solid moments but not very many surprises.

 

C+