MOVIE REVIEW: AVATAR: FIRE AND ASH

 

The conflict on Pandora escalates as Jake and Neytiri's family encounter a new, aggressive Na'vi tribe.

Director: James Cameron

Cast: Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver, Oona Chaplin, David Thewlis, Joel David Moore, CCH Pounder, Giovanni Ribisi, Dileep Rao, Matt Gerald, Kate Winslet, Cliff Curtis, Edie Falco, Brendan Cowell, Jemaine Clement, Britain Dalton, Trinity Bliss, Jack Champion, Bailey Bass, Filip Geljo, Duane Evans, Jr.

Release Date: December 19, 2025

Genre: Action, Adventure, Fantasy, Sci-Fi, Thriller

Rated PG-13 for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material

Runtime: 3h 17m

Review:

Avatar: Fire and Ash is a visual and technical marvel, much like the first two entries, that’s the rare spectacle that needs to be seen on the big screen however the story is far more clunky and repetitive than before which makes its three hours plus run feel far more taxing than it should.  James Cameron’s third entry in his franchise again shows off his innate ability to continually up the ante on creating an immersive cinematic experience that envelopes you from the moment the film starts.  The action sequences are truly mesmerizing and massive in scale across the board with the 3D experience here putting everything else out there to shame.  The aerial and water set sequences are an assault on the senses especially when he utilizes a POV approach that firmly places the audience with the characters which is visceral and thrilling. Those set pieces alone are worth the price of admission since it’s something that filmmakers haven’t been able to recreate with such a level of technical CGI mastery especially in 3D.  Issues start to pop up as the general gist of the story starts to reveal itself with the introduction of the Ash People led by Oona Chaplin’s Varang.  Initially they serve as intriguing antagonists, particularly Chaplin who’s motion capture performance is impressive throughout but their backstory and motivations is oddly thin and rushed before turning into a mirror of Jake Sully and Neytiri relationship with Varang and Stephen Lang’s Colonel Quaritch.  There is a fun psychedelic sequence between them which serves as their twisted courtship which is a trippy thing to experience in 3D.  Their relationship should make more of an impact than it does but Chaplin’s Varang characterization stops there with her becoming little more than a hence woman for Quaritch to finally recapture Sam Worthington’s Jake Sully.  Stephen Lang is still loads of fun as Quaritch but his character’s actions and motivations all change on a dime throughout the film which keeps him from being as menacing as he should be.  Sam Worthington and Zoe Saldaña are both able to ease back into the roles with little trouble with a layer of emotion added early as they deal with the death of their son in the previous films.  It gives them both a bit more to work with dramatically as both characters deal with that loss in different ways with Saldaña’s Neytiri simmering with resentment and anger towards humans which is mostly directed towards their adopted son Jack Champion’s "Spider".  Champion does his best in that role, but the character still feels awkwardly out of his place from the way he’s written to his general 90’s drug dealer meets Land of the Lost’s Cha-Ka.  The spotty writing extends to the other children, with Sigourney Weaver and Britain Dalton doing their best with the teen angst their characters experience for far different reasons.  It’s an odd mis mash of ideas that doesn’t work as well as it should especially considering the amount of screentime it is given with those moments dragging the film’s momentum to a standstill in between the visceral electricity of the action sequences.  It saps Avatar: Fire and Ash of its full potential which is a shame since these plays well as a trilogy capper to the story started in the original.   

B

MOVIE REVIEW: SISU: ROAD TO REVENGE

 

Korpi dismantles the house where his family was murdered and loads it on a truck to rebuild it somewhere safe. He soon finds himself in a violent cross-country chase as the Red Army commander who killed his family comes back to finish the job.

Director: Jalmari Helander

Cast: Jorma Tommila, Richard Brake, Stephen Lang

Release Date: November 21, 2025

Genre: Action, War

Rated R for strong bloody violence, gore and language

Runtime: 1h 28m

Review:

Jalmari Helander's Sisu: Road to Revenge, his follow up to his 2022 original, ups the ante on the over-the-top grindhouse carnage by taking it to a cartoonish level of excess that's as lean as it is bloody.  Helander gleefully delivers another barebones story packed with massive action set pieces that get increasingly insane and nonsensical as the film goes on.  While his original film was more grounded and self-serious, this entry possesses a wry sense of humor that takes a minute to take hold.  The film plays like a bloody mashup of The Passion of the Christ in the form of a Looney Toons war movie which makes for an interesting experience to say the least.  The film throws out any semblance of logic in order to deliver some of the crazier action sequences in recent memory.  At the center of it all is the eternally stoic and driven Jorma Tommila who returns as the bloodied and battered Aatami Korpi.  Tommila just exudes intensity throughout while never uttering a single word of dialogue.  It’s another fascinating turn for Tommila in this role as he's again able to communicate so much emotion via facial expressions, something on full display in the last moments of the film where the character finally lets his guard down.  Stephen Lang serves as the primary antagonist in this entry, a role he's perfectly suited to his talents.  The role, much like the story, isn't terribly deep but Lang is menacing enough to serve as a perfect foil to Tommila's vengeful Korpi.  The film would have been well served to have given their relationship a bit more time to breathe so that you get a real sense of the animosity between the two before the final showdown.  Alas, Sisu: Road to Revenge doesn't concern itself with story or characters all that much which keeps it from being something truly special.  

B-

MOVIE REVIEW: HAMNET

 

William Shakespeare and his wife, Agnes, celebrate the birth of their son, Hamnet. However, when tragedy strikes and Hamnet dies at a young age, it inspires Shakespeare to write his timeless masterpiece "Hamlet."

Director: Chloé Zhao

Cast: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, David Wilmot, Olivia Lynes

Release Date: November 26, 2025 

Genre: Biography, Drama, History, Romance

Rated PG-13 for thematic content, some strong sexuality, and partial nudity.

Runtime: 2h 5m

Review:

Chloé Zhao’s Hamnet is a historical drama that takes you on an enveloping emotional journey that’s as uplifting as it is devastating thanks in large part to a mesmerizing turn from Jessie Buckley.  Zhao’s film is a study in subtly from the start as she holds images and frames the characters in a way that makes them look like they could be renaissance paintings.  She uses her ability to create a naturalistic look and feel to great effect here as there are countless quiet moments shared between characters and their environment to communicate a venerable treasure trove of emotional information.  Her direction gives the film a primal but utterly humanistic aura which creates an engrossing world for the characters to inhabit.  The central duo of Paul Mescal and Jessie Buckley are both clearly in their element with each instantly inhabiting the skin of each character and living it with an impressive level of authenticity.  Mescal’s turn is a study in measured, understatement as we follow his character go from unrealized “useless” scholar to a successful playwright.  Through it all, he brings a sense of undying love for his wife and children although there’s a sense of restraint especially after tragedy strikes.  It’s not the beefiest role in the film but he delivers excellent work in every time he’s onscreen.  Jessie Buckley though is the lifeblood of the film with a truly astonishing turn that runs through an obstacle course of emotions.  Buckley always brings an intelligence and intensity to her roles which is perfectly suited to this role.  She brings something otherworldly to the character that’s enchanting from the moment she appears onscreen.  The opening sequences of infatuation and love ring just as true as the heartbreaking moment of loss.  She’s captivating throughout with the final act serving as a showcase for her talents with character’s catharsis is laid bared onscreen.  It’s the kind of the singular performance that’s sure to garner many well-earned awards accolades when the time comes as she makes Hamnet a powerful experience that’s sure to leave a lasting impression.

A

MOVIE REVIEW: FIVE NIGHTS AT FREDDY'S 2

 

One year has passed since the supernatural nightmare at Freddy Fazbear's Pizza. Former security guard Mike has kept the truth from his 11-year-old sister, Abby, concerning the fate of her animatronic friends. When Abby sneaks out to reconnect with Freddy, Bonnie, Chica and Foxy, she sets into motion a terrifying series of events that reveal dark secrets about the true origin of Freddy's.

Director: Scott Cawthon

Cast: Josh Hutcherson, Elizabeth Lail, Piper Rubio, Matthew Lillard, Skeet Ulrich, Wayne Knight, Mckenna Grace, Teo Briones

Release Date: December 5, 2025 

Genre: Horror, Mystery, Thriller

Rated PG-13 for violent content, terror and some language.

Runtime: 1h 44m

Review:

Five Night at Freddy's 2 is a mess of a horror sequel that improves on the original merely because it’s so bad and incoherent that it’s funnier as it goes along.  Emma Tammi returns behind the camera and does a capable job of directing the action and delivering a handful of well-timed jump scares throughout.  She moves the action along at a steady pace in spite of the increasingly incoherent mythology being thrown onscreen.  Those who have played the games might get more of out all of this but as a straightforward film the number of illogical concepts and ideas thrown out onscreen are bound to confuse the uninitiated.  The main story cherry picks story elements from A Nightmare on Elm Street and Friday the 13th padded with a pack of clichéd childhood trauma which makes everything feel very generic and terribly unoriginal.  There are plenty of nonsensical horror movies out there which still manage to be engaging or fun, but this one just leaves you scratching your head or asking more questions as the story gets sillier.  There are a variety of just goofy things like 80’s era animatronics having tracking mechanisms and location locks, returning characters being entirely unaware of other locations of the restaurant that are in the general area or an all-night science fair just to name a few.  The cast does what it can with the material with both Josh Hutcherson and Elizabeth Lail desperately searching for a better film to no avail.    They both are solid across the board even though their characters are thrown into a variety of exceedingly preposterous situations which is exemplified by Hutcherson’s character questioning the lack of a door in haunted pizza joint before using an animatronic face to confuse the possessed animatronic robots.  Piper Rubio returns from the original as Abby, it’s passable but hampered by an unfortunate haircut that might remind a few people of Lord Farquaad from the original Shrek.   Matthew Lillard returns for a quick hallucinatory sequence with Elizabeth Lail that’s far more inventive and interesting than everything else in the film.  Skeet Ulrich, Wayne Knight and Mckenna Grace have small supporting bits which really don’t add all that much to the overall film outside of throwing familiar faces at the screen.  Five Night at Freddy's 2 is at, the very least, funny even if unintentionally but the set up for a third part is real headscratcher because who exactly is asking for that.

D+

MOVIE REVIEW: WAKE UP DEAD MAN: A KNIVES OUT MYSTERY

 

Detective Benoit Blanc sifts through a series of suspects when a monsignor turns up dead.

Director: Rian Johnson

Cast: Josh O'Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, Thomas Haden Church.

Release Date: November 26, 2025

Genre: Comedy, Crime, Drama, Mystery, Thriller

Rated PG-13 for violent content, bloody images, strong language, some crude sexual material, and smoking.

Runtime: 2h 24m

Review:

The third entry in the Knives Out series, Wake Up Dead Man, is a slightly darker mystery that has some headier concepts on its mind than the first two films still sporting its wry scripting and big characters led by Josh O’Connor and Daniel Craig.  Rian Johnson borrows plenty of inspiration from classic Edgar Allan Poe and Agatha Christie locked room mystery among others as his launching pad.  He takes a slightly different approach in the first half by using Josh O'Connor’s Rev. Jud Duplenticy as his primary point of view before bringing Craig’s Benoit Blanc into the fold.  It’s a bold move to keep the main character of the series offscreen for nearly an hour in order to let O’Connor establish the character and introduce the cast of characters at play.  Thankfully, O’Connor is thoroughly engaging as the pragmatic, well-meaning boxer turned priest who serves as the linchpin of the story.  His emotional baggage that led him to the priesthood adds layers of complexity to his role which makes the character’s story arch all the more interesting by the time it’s all said and done.  The supporting players led by Glenn Close, Josh Brolin and Jeremy Renner are all clearly having a blast with the outsized characters they are playing.  Close and Brolin both chew up every bit of scenery they get with impressive enthusiasm with the latter looking like a cult leader version of Kris Kristofferson on more than a few occasions.  Renner plays against type here as a nebbish loser, drinking his life away after his wife left him, becoming more and more bitter as the days go along.  Kerry Washington, Andrew Scott, Cailee Spaeny and Daryl McCormack round out the primary cast, but their characters are noticeably underwritten as caricatures more than three-dimensional people.  They serve more as types of people that fall under the spell of Brolin’s charismatic extremist Monsignor Wicks.  Those relationships offer up a variety of tantalizing tidbits of thematic morsels that you’ll be left chewing on long after the film’s runtime comes to end.  The concepts of faith, storytelling and fanaticism are thrown about as the central mystery unfurls onscreen with Daniel Craig’s Benoit Blanc getting a hell of an introductory monologue once he appears onscreen.  Craig is given more to work with here as Blanc isn’t as self-confident and sure of himself as we’ve seen in previous entries.  It allows Johnson and Craig plenty of fertile ground to explore with Blanc and what makes his tick.  Wake Up Dead Man is a thoroughly fascinating direction to take the character although there are more than a few spots where some trimming down would have made for a fluid, effective experience.  

B+