When novelist Ohm Bauman retreats to a remote inn to scatter his parents' ashes, he's consumed by tales of a witch that haunts the honeymoon suite. Soon, disturbing visions and a shocking disappearance force him to confront dark corners of his past.
Director: Damian McCarthy
Cast: Adam Scott, Peter Coonan, David Wilmot, Florence Ordesh, Michael Patric, Will O'Connell, Brendan Conroy, Austin Amelio
Release Date: May 1, 2026
Genre: Horror
Rated R for some violent/disturbing content, and language.
Runtime: 1h 41m
Review:
Damian McCarthy’s latest film, Hokum, is another atmospheric exploration of trauma and regret, carried by a strong central performance from Adam Scott, that doesn’t bring as many scares as 2024’s Oddity but still works as an effective thriller with hefty supernatural elements. The central conceit of a damaged writer traveling to a haunted hotel immediately elicits comparisons to Kubrick’s The Shining which will be hard to avoid. There are similarities between the two, but McCarthy does manage to pave his own path by delivering something closer to a murder mystery paired with a haunted house. He takes his time setting up the location and the eccentric collection of locals at the hotel who come in contact with Adam Scott’s novelist. Scott delivers a fairly engaging turn in the lead by dialing up the asshole level to 11 especially in the first half of the film. His character just seeps with nihilistic energy from the open shot which starts to make more sense as we learn more about his traumatic childhood. There’s enough nuance to his performance to even out some of his outright hostility which gives you peeks into the pain he’s carried through his life. Once the action moves into the more self-contained Honeymoon suite, he sheds that top layer as he moves into survival mode as he’s dealing with murderous entities, both real and supernatural. McCarthy sets up a claustrophobic, haunted fun house that delivers the majority of the film’s scares. There are only a handful of jump scares scattered throughout with using the atmosphere to great effect that builds to a creepy conclusion that still offers a sliver of hope amid all the dour darkness wrapped into the narrative. Fun supporting turns from Peter Coonan, David Wilmot and Florence Ordesh leave you wishing the film spent a bit more time fleshing out their characters to make them more three dimensional and take advantage of the performers’ talents. Small complaints aside, Hokum is a rather impressive puzzle box of a supernatural thriller that delivers a story that’s far meatier than most other films in the genre.
A-
