MOVIE REVIEW: HAMNET

 

William Shakespeare and his wife, Agnes, celebrate the birth of their son, Hamnet. However, when tragedy strikes and Hamnet dies at a young age, it inspires Shakespeare to write his timeless masterpiece "Hamlet."

Director: Chloé Zhao

Cast: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, David Wilmot, Olivia Lynes

Release Date: November 26, 2025 

Genre: Biography, Drama, History, Romance

Rated PG-13 for thematic content, some strong sexuality, and partial nudity.

Runtime: 2h 5m

Review:

Chloé Zhao’s Hamnet is a historical drama that takes you on an enveloping emotional journey that’s as uplifting as it is devastating thanks in large part to a mesmerizing turn from Jessie Buckley.  Zhao’s film is a study in subtly from the start as she holds images and frames the characters in a way that makes them look like they could be renaissance paintings.  She uses her ability to create a naturalistic look and feel to great effect here as there are countless quiet moments shared between characters and their environment to communicate a venerable treasure trove of emotional information.  Her direction gives the film a primal but utterly humanistic aura which creates an engrossing world for the characters to inhabit.  The central duo of Paul Mescal and Jessie Buckley are both clearly in their element with each instantly inhabiting the skin of each character and living it with an impressive level of authenticity.  Mescal’s turn is a study in measured, understatement as we follow his character go from unrealized “useless” scholar to a successful playwright.  Through it all, he brings a sense of undying love for his wife and children although there’s a sense of restraint especially after tragedy strikes.  It’s not the beefiest role in the film but he delivers excellent work in every time he’s onscreen.  Jessie Buckley though is the lifeblood of the film with a truly astonishing turn that runs through an obstacle course of emotions.  Buckley always brings an intelligence and intensity to her roles which is perfectly suited to this role.  She brings something otherworldly to the character that’s enchanting from the moment she appears onscreen.  The opening sequences of infatuation and love ring just as true as the heartbreaking moment of loss.  She’s captivating throughout with the final act serving as a showcase for her talents with character’s catharsis is laid bared onscreen.  It’s the kind of the singular performance that’s sure to garner many well-earned awards accolades when the time comes as she makes Hamnet a powerful experience that’s sure to leave a lasting impression.

A

MOVIE REVIEW: WOMEN TALKING

 

Women in an isolated religious colony struggle to reconcile with their faith after a series of sexual assaults.

Director: Sarah Polley

Cast: Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, Frances McDormand

Release Date: December 23, 2022

Genre: Drama

Rated PG-13 for mature thematic content including sexual assault, bloody images, and some strong language

Runtime: 1h 44m

Review:

Sarah Polley’s Women Talking is a meditative drama is the kind of film that’s driven by its script and cast.  Polley takes a minimalist approach which allows the focus to remain centered on its subject matter and characters.  A handful of sweeping landscape shots and post assault flashbacks make up the small visual flourishes she utilizes during the course of the film’s runtime.  The film’s central meetings feel more like a stage play as we listen to the character describe the terrible state of this situation and ruminate on how to escape and possible consequences.  This isn’t the kind of film that isn’t going to be for everyone with its dialogue-centric approach and heavy subject matter which some people might find to be little more than pretentious award fodder.  It’s definitely a certain type of film but that doesn’t keep it from being impactful for those willing to take the time to appreciate the performances on screen.  The ensemble of actresses on screen deliver excellent performances throughout with each of them given ample time to shine. The characters do lean a bit more into types than fully realized characters but that doesn’t make them any less effective.  Rooney Mara is decidedly hopeful, Claire Foy intensely fiery but Jessie Buckley’s conflicted character is the most interesting of the group.  Buckly’s performance dominates the latter portion of the film with a measured and complex performance that’s rather mesmerizing.  Ben Whishaw, Judith Ivey, Michelle McLeod and Sheila McCarthy make the most of their screentime in vital supporting turns which gives the film its beating heart.  Women Talking is the kind of film that allows you appreciate the power of words especially when delivered by a stellar cast.

A-

MOVIE REVIEW: MEN

 

In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to find a place to heal. However, someone or something from the surrounding woods appears to be stalking her. What begins as simmering dread soon becomes a fully formed nightmare, inhabited by her darkest memories and fears.

Director: Alex Garland

Cast: Jessie Buckley, Rory Kinnear, Paapa Essiedu, Gayle Rankin

Release Date: May 20, 2022

Genre: Drama, Horror, Sci-Fi

Rated R for disturbing and violent content, graphic nudity, grisly images and language.

Runtime: 1h 40m

Review:

Alex Garland's third film, Men, is a stylish fever dream that takes broad strokes at it central theme.  The film establishes an unsettling atmosphere immediately juxtaposed with the lush beauty of the English countryside.  Flashbacks establish the central character's state of mind while dealing with increasingly nightmarish situation.  Each scene is a meticulously constructed and packed with subtle and overt thematic overtones as the tension increases as the film moves on.  Jessie Buckley carries the film with ease as the central woman in a vortex of menacing masculinity.  The script doesn't ask much from Buckley outside of being confused and terrified but she adds layers to the character that isn't on the page.  Its a fascinating performance that puts you in the character's skin and makes you feel every bit of terror as the film becomes increasingly disturbing and abstract.  Veteran British actor, Rory Kinnear is tasked with playing nearly every other character onscreen.  It's a dauting, disjointing task but Kinnear's talents are up to the task with each character feeling like a singular representation of masculinity.  Garland clearly has something to say and for the most part he accomplishes it even if the actual story is decidedly simplistic while he take big swing at bigger idea instead of character depth.  

A-

MOVIE REVIEW: THE COURIER

 

The true story of a British businessman unwittingly recruited into one of the greatest international conflicts in history. Forming an unlikely partnership with a Soviet officer hoping to prevent a nuclear confrontation, the two men work together to provide the crucial intelligence used to defuse the Cuban Missile Crisis.

Director: Dominic Cooke

Cast: Benedict Cumberbatch, Merab Ninidze, Rachel Brosnahan, Jessie Buckley, Angus Wright

Release Date: March 19, 2021

Genre: Thriller

Rated PG-13 for violence, partial nudity, brief strong language, and smoking throughout

Runtime: 1 h 52 min

Review:

The Courier is a throwback cold war spy thriller that hits nearly all the right marks.  Dominic Cooke directs his film with an efficient fun energy especially in opening sequences before slowing into more direct drama.  Cooke’s film never feels overbearing or stuffy which many of these types of films tend to feel like.  Benedict Cumberbatch carries the film with an impressive everyman turn that’s grounded and believable.  Cumberbatch makes his character incredibly likable from the first time he appears onscreen, as such you are emotionally invested in his journey.  Merad Ninidze is equally effective at engaging the audience with a steely turn as the brave Soviet officer who’s providing the intelligence.  Ninidze makes his character more than just a one note character making him more nuanced with real depth.  When Ninidze and Cumberbatch share the screen you get a real sense of their characters respect and admiration which serves as the lifeblood of the film.  Rachel Brosnahan, playing a composite CIA character, makes the best of her limited screen time with her tangible strength the film would have been served well to have given her a bit more to do.  Likewise Jessie Buckley is solid when she’s give time but her character isn’t given much to do.  Still, The Courier works primarily due to strong direction and excellent turns from the two leads as a old school spy film.  

A-

MOVIE REVIEW: JUDY

Thirty years after starring in "The Wizard of Oz," beloved actress and singer Judy Garland arrives in London to perform sold-out shows at the Talk of the Town nightclub. While there, she reminisces with friends and fans and begins a whirlwind romance with musician Mickey Deans, her soon-to-be fifth husband.

Director: Rupert Goold

Cast: Renée Zellweger, Jessie Buckley, Finn Wittrock, Rufus Sewell, Michael Gambon

Release Date: September 27, 2019

Genre: Biography, Drama, History

Rated PG-13 for substance abuse, thematic content, some strong language, and smoking

Runtime: 1 h 58 min

Review:

You walk into some movies knowing full well its awards fodder.  Biopics in the fall are generally the biggest culprits and whether those films sink or swim is usually up to the central star of the piece.  Renée Zellweger in Rupert Goold’s film delivers a transformative performance that overcomes some of the story’s shortcomings.  Goold’s direction is steady and loving but he’s clearly more comfortable during the musical sequences.  Those musical sequences are the kind of award moments that are moving and sort of magical.  Whether you like Renée Zellweger’s voice is a matter of personal taste but she pours everything into those moments and you’d be hard pressed not to be moved by pain and sadness of Garland’s final days.  The film itself is a bit clunky in spots particularly with expositional flashbacks that are used to flesh out Garland’s early days.  Those sequences are ok but they feel shoehorned in and sort of unnecessary since Zellweger is more than capable of convening her tragic life and pain. Judy is one of those types of film’s that is better than it deserves to be because of a singular start delivering an Oscar worthy performance.


A-