MOVIE REVIEW: MARTY SUPREME

 

In the 1950s, young Marty Mauser pursues his dream of becoming a champion table-tennis player.

Director: Josh Safdie

Cast: Timothée Chalamet, Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara, Fran Drescher

Release Date: December 25, 202

Genre: Drama, Sport

Rated R for language throughout, sexual content, some violent content/bloody images and nudity.

Runtime: 2h 29m

Review:

Marty Supreme is a chaotic but propulsive film from Josh Safdie that boasts a kinetic turn from Timothée Chalamet which drives the entire experience.  There’s an instant jolt of energy that pops off the screen as it takes off to a running start, rarely letting up during its two hour and half hour runtime.  Safdie quickly establishes the setting and cast of characters before moving into an impressively shot table tennis tournament.  The story moves at such a frenetic pace that only a few ill-advised musical choices take you out of the experience before you notice you’ve been fully engaged in a story about table tennis.  Timothée Chalamet magnetic central turn makes the entire engine churn as we follow his non-stop journey to achieve success.  Chalamet simply dissolves into the character who’s utterly charismatic and driven but incredibly flawed at the same time.  It’s a fascinating turn that shows off how talented he is as the film serves as a character study Marty’s drive and desires.  The character is ready made to be dissected as an example of what goes on in the head of a relentless competitor or even as a metaphor for the country as a whole.  There are plenty of layers that can be peeled off once it’s all said and done but Chalamet is simply the most interesting performer onscreen.  It helps that his character is given the largest amount of depth while the supporting characters prove to be far more one dimensional.   Gwyneth Paltrow and Odessa A'zion are both solid as respective love interest but we are given painfully little depth that leaves them feeling slightly underserved.  Kevin O'Leary, Tyler Okonma and Abel Ferrara likewise make the most of their screentime but there’s very little to any of them outside the superficial aspects offered up.  In the end, Marty Supreme is all about Timothée Chalamet’s performance, which creates the kind of cinematic gravitation pull that’s so enveloping that the rest feels almost unnecessary.  

A-

MOVIE REVIEW: UNTIL DAWN

 

One year after her sister disappeared, Clover and her friends head to the remote valley where she vanished to search for answers. Exploring an abandoned visitor center, they soon encounter a masked killer who murders them one by one. However, when they mysteriously wake up at the beginning of the same night, they're forced to relive the terror over and over again.

Director: David F. Sandberg

Cast: Ella Rubin, Michael Cimino, Odessa A'zion, Ji-young Yoo, Belmont Cameli, Peter Stormare

Release Date: April 25, 2025

Genre: Drama, Horror

Rated R for strong bloody horror violence, gore and language throughout.

Runtime: 1h 43m

Review:

Until Dawn is a fun horror mashup of countless 80's slasher tropes paired with a gorier version of Edge of Tomorrow's rinse and repeat conceit.  Since I'm not personally familiar with the game this film is based on, I can't speak to how this works as an adaptation but as a horror film it has a wickedly fun tone that embraces the bloody carnage on display.  Once the film sets up the general premise, director David F. Sandberg moves the action along at a steady pace by delivering a string of effective jump scares and inventive kills.  A handful of those moments are truly inspired and sure to make old school gore hounds grin with glee as the splatter hits the screen.  There are a few that don't work quite as well but the film moves by them so quickly that it doesn't negatively impact on the overall experience too badly.  The cast of fresh-faced actors is well aware of the kind of film they’re in and lean into their roles with a knowing wink and just have fun with it.  The script is a bit clunky in spots with cast doing their best to deliver convincing reads of slow rolled realizations and revelations.  Ella Rubin makes for a fine lead while the supporting cast is capable even if the script doesn't give them a ton of depth. There isn't much to them and if any of the characters annoy you too much there's the fallback of watching them die multiple times. Odessa A'zion with her raspy voice, green eyes and messy hair leaves the most noticeable impression of ensemble that feels vaguely reminiscent of late 90's slashers like I Know What You Did Last Summer and Urban Legend.  Long-time character actor, Peter Stormare feels terribly underutilized here, which feels like a misstep since he could have brought so much more to his role.  Missteps aside, Until Dawn is like cinematic fast food that makes for a bit of a mindless treat for horror fans. 

B-

MOVIE REVIEW: HELLRAISER

 

A young woman must confront the sadistic, supernatural forces behind an enigmatic puzzle box responsible for her brother's disappearance.

Director: David Bruckner

Cast: Odessa A'zion, Jamie Clayton, Brandon Flynn, Goran Višnjić, Drew Starkey, Adam Faison, Aoife Hinds, Selina Lo, Hiam Abbass

Release Date: September 28, 2022

Genre: Horror, Mystery, Thriller

Rated R for strong bloody horror violence and gore, language throughout, some sexual content and brief graphic nudity.

Runtime: 2h 1m

Review:

David Bruckner's, who directed the underseen 2020 horror gem The Night House, attempt at resurrecting the Hellraiser franchise is competent it’s not quite the home run long suffering fans were hoping for.  Bruckner captures a lot of the mood and looks of the first two film's albeit in a glossier veneer.  He's clearly a fan of the series and he delivers plenty of horrific skin tearing gore and visions that nails this very specific aesthetic.  The new Cenobites designs are familiar enough to keep fans happy along with some interesting new variations for some variety.  Unfortunately, they decided to drop the S&M black patent leather in favor of white which doesn't do the costuming any favors, leaving some close ups looking more like molded latex than the flayed flesh they are supposed to be which kills some of the effect.  Jamie Clayton does a solid job taking over Doug Bradley’s iconic Pinhead by giving a distinct but familiar performance.  She nails the creepiness but doesn't quite nail the subtle but ever present menace behind Bradley's delivery.  The script doesn't give her much help by making the primary human characters, lead by Odessa A'zion, utterly uninteresting and downright stupid in large portions of the film.  Goran Višnjić's Roland Voight is far more interesting for a variety of reasons, but the film decides to only use the character in the opening and final acts which seems like a waste.  As is, this reboot of the Hellraiser franchise checks enough boxes to make it passable but doesn't do anything special enough to make it memorable.

C