MOVIE REVIEW: DROP

 

Violet is a widowed mother who goes to an upscale restaurant to meet Henry, her charming and handsome date. However, her pleasant evening soon turns into a living nightmare when she receives phone messages from a mysterious, hooded figure who threatens to kill her young son and sister unless she kills Henry.

Director: Christopher Landon

Cast: Meghann Fahy, Brandon Sklenar, Violett Beane, Jacob Robinson, Reed Diamond, Ben Pelletier, Gabrielle Ryan, Jeffery Self, Ed Weeks, Travis Nelson

Release Date: April 11, 2025

Genre: Drama, Mystery, Thriller

Rated PG-13 for strong violent content, suicide, some strong language and sexual references.

Runtime: 1h 40m

Review:

Christopher Landon's Drop is admittedly ludicrous at various points during its runtime but that doesn't keep his well-crafted pseudo Hitchcockian thriller from being an entertaining experience.  Landon’s direction is confident and efficient as he wastes little time getting the general premise and setting established with general ease.  He adds a handful of visual flourishes that work well to make sequences pop and put us in the mind of Meghann Fahy, Violet, as she's being taunted by her unseen assailant.  The script does give Landon a more complex female lead to work with than he has in his previous films, and he proves more than capable of handling her tragic backstory in a meaningful way which gives the character a solid story arc.  Impressively, Landon still manages to bring the same type of comedic sensibilities that he's known from his previous films, like Happy Death Day and Freaky, while balancing some of the heftier themes at play here.  It might not work as well if Meghann Fahy didn't deliver such a well-balanced performance that keeps her character likable even though she might be the worst first date ever through no fault of her own.  Her and Brandon Sklenar share some strong screen chemistry which helps keep the whole thing watchable even as things get increasingly more outlandishly detached from reality and logic.  Sklenar is perfectly suited as the dream date with a nearly unlimited sense of patience and goodwill paired with good looks.  They make for a believable pair even amongst the clandestine madness going on in the background.  The supporting players are given generic, one note, characters but Gabrielle Ryan and Jeffery Self make the most of their screentime as an attentive bartender and overly excited waiter.  There's a strong verve to most of Drop, thanks to its cast and direction, but the wheels do start to fly off the narrative once the central mystery is revealed which makes the film's finale choppier than everything that came before it.  

B-

MOVIE REVIEW: IT ENDS WITH US

 

Lily Bloom moves to Boston to chase her lifelong dream of opening her own business. A chance meeting with charming neurosurgeon Ryle Kincaid soon sparks an intense connection, but as the two fall deeply in love, she begins to see sides of Ryle that remind her of her parents' relationship. When Lily's first love, Atlas Corrigan, suddenly reenters her life, her relationship with Ryle gets upended, leaving her with an impossible choice.

Director: Justin Baldoni

Cast: Blake Lively, Justin Baldoni, Brandon Sklenar, Jenny Slate, Hasan Minhaj

Release Date: August 9, 2024

Genre: Drama, Romance

Rated PG-13 for domestic violence, sexual content and some strong language.

Runtime:  2h 10m

Review:

It Ends with Us is a glossy romantic drama that tries to broach the issue of domestic abuse and generational trauma with mixed results.  Justin Baldoni directs the film with a Nancy Meyers style sheen that gives everything a music video/perfume commercial look and feel.  A hefty amount of musical montages only add to the effect, giving everything an artificial sense of detachment from reality that is part in parcel in this genre.  This approach does make it difficult for the film to change gears once it starts to deal with the more grounded issues of domestic abuse that loom larger in the story's back half.  Baldoni never finds a real tonal balance between the storybook romance and harsh reality of abuse leaving the latter underserved as it tiptoes around some of the uglier elements at play.  Blake Lively, for her part, delivers an earnest heartfelt performance in the central role.  Its clear from the start that Lively has a deep affection for the material, she also a producer on the film, and character with a measured performance that tries desperately to give the character some real sense of depth outside of her chic bohemian exterior.  The issue is that the characters are generally thin across the board with each having one or two defining traits but little more.  Justin Baldoni and Brandon Sklenar's character are essentially two halves of one person with neither being able to bring something more to the role outside of smoldering looks. Jenny Slate does provide some much need energy when she pops up as Lily's best friend but the film never takes full advantage of her as the film never bothers to really establish their friendship and instant connection.  Its an issue across the board a series of contrivances brings characters together which kills any sense of authenticity.  The film's lackadaisical pacing paired with some incredibly clunky dialogue that probably reads better on the page than it does on screen keeps It Ends with Us from making the sort of impact it sets out to make. 

C