MOVIE REVIEW: JUNGLE CRUISE

 

Dr. Lily Houghton enlists the aid of wisecracking skipper Frank Wolff to take her down the Amazon in his ramshackle boat. Together, they search for an ancient tree that holds the power to heal -- a discovery that will change the future of medicine.

Director: Jaume Collet-Serra

Cast:  Dwayne Johnson, Emily Blunt, Édgar Ramírez, Jack Whitehall, Jesse Plemons, Paul Giamatt

Release Date: July 30, 2021

Genre: Action, Adventure, Comedy, Fantasy

Rated PG-13 for sequences of adventure violence

Runtime: 2 h 7 min

Review:

Disney's Jungle Cruise desperately wants to harken back to classic adventure romances like The African Queen and Romancing the Stone.  Jaume Collet-Serra's film is a relentlessly aggressive film that moves from one action set piece to another, leaving you with nary a chance to catch your breath.  He and the script are trying to capture the spirt of those films, Johnson and Blunt's outfits are straight out of The African Queen, its execution is closer to a latter day Pirates of the Caribbean sequel.  It's an FX heavy film that's set in an exotic locale but its possible that there isn't a single shot filmed on location, as such its has an artificial feel throughout.  The script doesn't help matters much with a clunky old school feel where you can see every joke and punch line coming a mile away.  The strange thing about the entire production is that it's a fairly enjoyable albeit mindless watch mainly due to it's central stars.  Dwayne Johnson and Emily Blunt make the goofy script work even with some of the sillier conceits, Johnson's Frank loves dad jokes.  Their natural screen magnetism is the film's biggest assets even if they don't share any sort of believable romantic chemistry.  Their character's are broadly drawn with Frank being a charismatic rascal and Blunt's Lily being irrepressibly plucky and headstrong.  Jesse Plemons hams it up as the film's cartoonish villain who is only missing a German pickelhaube to complete his ensemble.  The film does start to wear out it's welcome in its final act showcasing the fact there is no reason this film couldn't be a half hour shorter.  Disney's Jungle Cruise emulates great films but ends up being a fun but hallow imitation. 

B-

MOVIE REVIEW: SNAKE EYES: G.I. JOE ORIGINS

 

An ancient Japanese clan called the Arashikage welcomes tenacious loner Snake Eyes after he saves the life of their heir apparent. Upon arrival in Japan, the Arashikage teach him the ways of the ninja warrior while also providing him something he's been longing for: a home. However, when secrets from Snake Eyes' past are revealed, his honor and allegiance get tested -- even if that means losing the trust of those closest to him.

Director: Robert Schwentke

Cast: Henry Golding, Andrew Koji, Úrsula Corberó, Samara Weaving, Iko Uwais

Release Date: July 14, 2021

Genre: Action, Adventure, Fantasy, Sci-Fi, Thriller

Rated PG-13 for sequences of strong violence and brief strong language

Runtime: 2 h 1 min

Review:

Snake Eyes: G.I. Joe Origins is a busy film serving as an origin story and franchise starter.  The fact that its serving multiple masters should be a recipe for disaster but Robert Schwentke’s still manages to deliver some enjoyable ninja action.  Schwentke’s film harkens back to cult 80’s ninja films like American Ninja with a glossy exterior.  The action sequences are well staged with a keen visual outside of some questionable overuse of shaky came.  The choreography of them is top notch and those sequences are the high points of the film.   Henry Golding and Andrew Koji make for an intriguing duo onscreen and their relationship drives the entire film.  Golding possess leading man charisma but you get the sense he could have used a tad bit more depth to make him more interesting than his counter part.  Andrew Koji performance and character is terribly intriguing as he plays him with a silent intensity that always makes him the most interesting character on screen.  Some fun supporting turns from Úrsula Corberó, Samara Weaving & Iko Uwais add some strong female punch to the proceedings with the latter two there to set up the larger G.I. Joe universe.  The film’s biggest issue is its script that doesn’t take advantage of its cast.  Everything plays out in a perfunctory manner while it checks certain boxes since its primary goal was to put pieces in place for future installments.  Snake Eyes: G.I. Joe Origins ends up being forgettable fluff that might have excelled had it possessed some tighter scripting and direction.

C+

MOVIE REVIEW: ESCAPE ROOM: TOURNAMENT OF CHAMPIONS

Six people unwittingly find themselves locked in another series of escape rooms, slowly uncovering what they have in common to survive -- and discovering they've all played the game before.

Director: Adam Robitel

Cast: Taylor Russell, Logan Miller, Indya Moore, Holland Roden, Thomas Cocquerel, Carlito Olivero

Release Date: July 14, 2021

Genre: Action, Adventure, Horror, Mystery, Sci-Fi, Thriller

Rated PG-13 for violence, terror/peril and strong language

Runtime: 1 h 28 min

Review:

Escape Room: Tournament of Champions is the type of sequel that knows you probably don’t remember much of the original outside of it being enjoyable horror junk food.  It’s smart enough to give you a recap of the original film in its opening sequences before starting in earnest.  Adam Robitel delivers a slickly produced but inherently stupid film that plays it safe by using what worked in the original.  Robitel knows the main attraction to these films are its puzzles and he uses it to film’s advantage allowing you to overlook some shoddy script writing and lackluster acting from the cast.  It’s engaging enough but it still plays like a bastard child of the Saw series and underappreciated Canadian horror film Cube.  The story here is fairly nonsensical with its primary function is to set up the inevitable trilogy capper which will have to answer a slew of unanswered questions.  Escape Room: Tournament of Champions is fine for mindless background entertainment unfortunately it’s the type of film that suffers if you think about it too much. 

C+

MOVIE REVIEW: GUNPOWDER MILKSHAKE

 

To protect an 8-year-old girl, a dangerous assassin reunites with her mother and her lethal associates to take down a ruthless crime syndicate and its army of henchmen.

Director: Navot Papushado

Cast: Karen Gillan, Lena Headey, Carla Gugino, Michelle Yeoh, Angela Bassett, Chloe Coleman, Ralph Ineson, Adam Nagaitis, Michael Smiley, Paul Giamatti

Release Date: July 14, 2021

Genre: Action, Adventure, Thriller

Rated R for strong bloody violence throughout and language

Runtime: 1h 54min

Review:

Gunpowder Milkshake is a fizzy neon lit sugar rush of violence and faux female empowerment.  The latter is mainly due to a lazy script that waste an opportunity to deliver something more meaningful and fresh.  Director Navot Papushado does manage to keep the film engaging with some fun visuals and incredibly fun fight choreography.  Papushado manages the action sequences with a deft hand, delivering some inventive sequences which are as ridiculous as they are fun.  The smaller character moments though don't hit the way they should, so you never have any real emotional connection to the characters.  Its no fault of the cast which is all in from the opening frame.  Karen Gillian, using her Nebula voice, is intense killing machine who has abandonment issues.  She's not asked to do much with the character but she still manages to make her engaging. Lena Headey, Angela Bassett, Michelle Yeoh and Carla Gugino are fun in supporting roles with each being able to shine during kinetic action sequences.  Sadly, the script doesn't take full advantage of the assembled talent outside of asking them to make quips while looking cool.  The barebones story is borrows heavily from the John Wick film's so there are few surprises in story on that end, it does leave the door open for a sequel as well.  Gunpowder Milkshake is a strangely engaging film that works in spite of itself.  

B-

MOVIE REVIEW: BLACK WIDOW

 

Natasha Romanoff, aka Black Widow, confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy, and the broken relationships left in her wake long before she became an Avenger.

Director: Cate Shortland

Cast: Scarlett Johansson, Florence Pugh, David Harbour, O-T Fagbenle, William Hurt, Ray Winstone, Rachel Weisz

Release Date: July 9, 2021 

Genre: Action, Adventure, Sci-Fi

Rated PG-13 for intense sequences of violence/action, some language and thematic material

Runtime: 2h 13min

Review:

Black Widow, directed with a meticulous hand by indie director Cate Shortland, is an engaging spy thriller/family drama that's far more grounded than most Marvel movies.  Scarlett Johansson's long overdue solo outing feels a bit like a film displaced in time, you get the strong sense this film should have come out much earlier.  Being sandwiched between Captain America: Civil War and Avengers Infinity War allows the stakes to less grand and more personal.  That being the case, the film is able to focus on her character and relationships on a more granular level while still delivering massive action set pieces.  This makes the film's first half feel more like a Mission Impossible/Bond mash up than a straight up superhero film.  It also benefits from more organic banter and interactions which is due in no larger part to the stellar cast assembled.  Johansson wears this character like a second skin at this point but she's able to bring some more nuance and vulnerability to her performance here.  It'd have been easy for her to phone in her performance, but you get the sense she really cares about this character and cares about her legacy in this universe.  Her costars deliver equally strong performances even if the script is clunky on more than a few occasions.  Florence Pugh delivers a fun and memorable turn as Natasha's "sister" Yelena Belova.  Pugh's wry wit and spunk really shines through her entire performance.  It's a perfect showcase for an immensely talented actress who looks to be taking over the mantel from Johansson.  Pugh and Johansson have natural chemistry together and they serve as the beating heart of the entire film.  David Harbour is perfectly cast as Russian super solider who's more brawn than brains.  Rachel Weisz is sadly underutilized but she makes the most of her scenes since she's clearly acting well above the material.  Ray Winstone's villain isn't asked to do much more than talk menacingly and look vaguely greasy which leaves the finale lacking the cathartic kick it's meant to have.  Instead, it does what most Marvel movies do, and become a long CGI action sequence which is well choregraphed but becomes mildly numbing by the end since we know how it'll all end.  There in is the main problem with the film, had Marvel made and released this film after Captain America: Civil War it would have amplified the emotional impact of the character's ultimate sacrifice in Avengers Endgame.  Ultimately, Black Widow is a well-made spy thriller that fleshes out her character on a personal level but still feels like a missed opportunity.  

B

Cindy Prascik's Reviews of The Tomorrow War & No Sudden Move

My dear reader(s): Still having no access to the Sparks Brothers, the long holiday weekend just passed offered nothing to draw me to the cinema, so I checked out a couple new streaming options. On my agenda: the Tomorrow War and No Sudden Move.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on the docket: the Tomorrow War.

A high-school teacher is drafted into a future alien war.

The Tomorrow War is a hodge-podge of over-used tricks, our muscle-bound hero and his cliched family awkwardly facing a world of aliens and time travel. Chris Pratt is really good at playing a likable goof, and this role is neither likable nor goofy enough to suit him. The rest of the cast is unremarkable, the story offers no surprises, and  — for an effects driven movie — the effects are actually kind of sketchy. I had hoped this might be good, dumb fun, but sadly it's just dumb.

The Tomorrow War clocks in at 140 minutes and is rated PG13 for "intense sequences of sci-fi violence and action, language, and some suggestive references."

The Tomorrow War is the movie equivalent of those recipes that use up whatever's left in your 'fridge. All the stuff is in there, but that doesn't necessarily make the finished product very good.

Of a possible nine Weasleys, the Tomorrow War gets one.

The Tomorrow War is now streaming on Amazon Prime.

Next up: No Sudden Move.

A pair of criminals becomes reluctant partners when a job goes wrong.

Written by Ed Solomon and directed by Steven Soderbergh, No Sudden Move is a sharp heist film with surprises around every corner. The cast — led by Don Cheadle and Benicio del Toro — is exceptional, with nary a weak link among them. At times it's tricky keeping up with all the twists and turns, but smart writing and well-crafted dialogue make the journey a treat and the finish worthwhile.

No Sudden Move runs 115 minutes and is rated R for "language throughout, some violence, and sexual references."

No Sudden Move is a smart movie with a great cast, a nice surprise for a summer holiday weekend.

Of a possible nine Weasleys, No Sudden Move gets seven and a half.

No Sudden Move is now streaming on HBO Max.

Until next time...

MOVIE REVIEW: THE FOREVER PURGE

 

Adela and her husband, Juan, live in Texas, where he works as a ranch hand for the wealthy Tucker family. On the morning after the Purge, a masked gang of killers attacks the Tuckers, forcing both families to band together and fight back.

Director: Everardo Valerio Gout

Cast: Ana de la Reguera, Tenoch Huerta, Josh Lucas, Cassidy Freeman, Leven Rambin, Alejandro Edda, Will Patton

Release Date: July 2, 2021

Genre: Action, Horror, Sci-Fi, Thriller

Rated R for strong/bloody violence, and language throughout

Runtime: 1 h 43 min

Review:

The Purge films have always bore the hallmarks of being decedents of 70’s exploitation films like Soylent Green or Logan’s Run.  High concept sci-fi films with politically timely ideas addressed in less than subtle means.  The Purge series has always been one of the bluntest objects since it hit the scene with each film capturing a moment in time.  Each film has had solid conceits but none of them have been able to nail the execution with the latest and likely final film, The Forever Purge, continuing that trend.  The Forever Purge delivers its social political commentary with the subtly of a sledgehammer.  This entry somehow manages to be even less subtle than previous entries, which is saying something.  Amid all the bloodshed and mayhem the most frightening thing about the film is that some of insanity on display veers incredibly close to real life events.  A better script could have made some incredibly nascent points about our current environment but this film just isn’t up to the task.  It makes its points in the most obvious and overt ways possible even spelling it in case it wasn’t abundantly clear.  They do manage to keep things fresh by refocusing the story on a Mexican couple in Texas after focusing on various other classes or races.   Ana de la Reguera and Tenoch Huerta turn in capable performances as the leads.  Both are able to handle action and emotional moments with ease making the film more watchable than it deserves to be.  Josh Lucas and Leven Rambin round out the main cast and turn in solid supporting roles even if the film doesn’t ask much of them.  The Forever Purge isn’t close to being the best in the series but the cast ultimately makes it watchable in spite of its shortcomings.  

C

MOVIE REVIEW: THE TOMORROW WAR

 

A man is drafted to fight in a future war where the fate of humanity relies on his ability to confront his past.

Director: Chris McKay

Cast: Chris Pratt, Yvonne Strahovski, J. K. Simmons, Betty Gilpin, Sam Richardson, Mary Lynn Rajskub

Release Date: July 2, 2021

Genre: Action, Adventure, Sci-Fi, Thriller

Rated PG-13 for intense sequences of sci-fi violence and action, language and some suggestive references.

Runtime: 2h 20min

Review:

The Tomorrow War, not to be confused with fantastic novel The Forever War by Joe Haldeman, is a hodgepodge of recycled parts that delivers a capable if forgettable sci-fi film.  Director Chris McKay seems to be channeling Starship Troopers sans the satire by way of early 2000s Michael Bay.  It’s a loud dumb movie that throws out some intriguing ideas but decides to go for the path of least resistance. The script is filled with clichés seasoned sci-fi fans haven’t seen before so don’t expect the story to surprise you at any turn, it predictable from start to finish.  Thankfully, the film isn’t an overly serious or grim affair so there is plenty of fun to be had in some of the film’s larger set pieces even if the CGI varies from top notch to video game cut scene quality.  Chris Pratt leads the film as best he can, but you get the feeling he needs somebody to work off in order to deliver his best work.  Early in the film, he has nice chemistry with Sam Richardson, but he disappears to the better part of the film.  He shares more dramatic moments with Yvonne Strahovsk and he can’t quite sell the emotional connection so your investment in the relationship isn’t nearly as important as it should be.  Strahovsk, for her part, delivers solid work with the character being right in her wheelhouse.  J.K. Simmons has a small but memorable supporting role, sadly Betty Gilpin is little more than window dressing in her few scenes.  The Tomorrow War ultimately ends up being a fun but disposable sci-fi film which is a shame since you get a strong sense that there is a better film somewhere in in the story. 

C+