IN THEATERS
YOUNG ADULT
Upon returning to her small Minnesota hometown to win back her high school sweetheart (Patrick Wilson), now a happily-married father, divorced young adult fiction author Mavis Gary (Charlize Theron) forges an unexpected bond with another former schoolmate (Patton Oswalt) who's had a particularly difficult life. Juno collaborators Jason Reitman and screenwriter Diablo Cody re-team for this Paramount Pictures production. ~ Jason Buchanan, Rovi
Director: Jason Reitman
Cast: Charlize Theron, Patton Oswalt, Patrick Wilson, Elizabeth Reaser, Collette Wolfe
Release Date: Dec 09, 2011
Rated: Language and some sexual content
Runtime: 1 hr. 34 min.
Genres: Art House, Comedy, Drama
Review:
Young Adult is the kind of film that’s won’t give you tidy answers complete with a happy catch all lessons learned ending. It’s stark, occasionally dark and impressively authentic. Setting aside most of the more zingy dialogue from her previous efforts, Cody’s script feels closer to home and more personal. Reitman’s ability to make the mundane interesting is perfect to capture this woman’s constant state of arrested development. He drops clues throughout about Mavis’s state of mind and the dark comedy works well but when we dip into the further depths it gets pretty dark. Charlize Theron puts on the type of performance that just as raw and effective as her Oscar Award winning turn in 2003’s Monster. Theron has a masterful way of showing the character’s general state of entitlement and disgust while she’s in her old home town. As her character enters the abyss you expect a certain revelation to occur but it doesn’t. Patton Oswalt is perfectly cast as Mavis’s former classmate, an equally damaged but less delusional counter part. Oswalt has an effect everyman type truth to his deliver and here it works perfectly. Looking at this film as a whole, it’d be easy to feel that Reitman and Cody are making a statement about those lost Gen X-ers who seem to have a happier life but are ultimately vapid and unfulfilled.
A
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Friday, December 23, 2011
Thursday, December 22, 2011
[Trailer] Prometheus
MOVIE REVIEW: THE GIRL WITH THE DRAGON TATTOO
IN THEATERS
THE GIRL WITH THE DRAGON TATTOO
A discredited journalist (Daniel Craig) and a mysterious computer hacker discover that even the wealthiest families have skeletons in their closets while working to solve the mystery of a 40-year-old murder in this David Fincher-directed remake of the 2009 Swedish thriller of the same name. Inspired by late author Stieg Larsson's successful trilogy of books, The Girl with the Dragon Tattoo gets under way as the two leads (Daniel Craig and Rooney Mara) are briefed in the disappearance of Harriet Vanger, whose uncle suspects she may have been killed by a member of their own family. The deeper they dig for the truth, however, the greater the risk of being buried alive by members of the family, who will go to great lengths to keep their secrets tightly sealed. ~ Jason Buchanan, Rovi
Director: David Fincher
Cast: Daniel Craig, Rooney Mara, Christopher Plummer, Steven Berkoff, Stellan Skarsgård
Release Date: Dec 21, 2011
Rated R for brutal violent content including rape and torture, strong sexuality, graphic nudity, and language
Genres: Suspense/Thriller
Runtime: 2 hr. 38 min.
Review:
Remaking a foreign film that came out in 2009 still kind of boggles the mind but if somebody was going to do it and do it well, David Fincher is probably the right guy to helm it. Personally I’m a fan of the Swedish film trilogy which I found sleek and impressively shot, not to mention the cast with Noomi Rapace leaving the biggest impression. So while it’s hard to not compare and contrast, I’ll try and avoid it as much as possible but it’s unavoidable. Fincher’s film sizzles with his trademark visual style which gives his film an oppressive and grim atmosphere throughout. Fincher seems to be reaching back to his own film, The Game, when dealing with the Vanger’s. A few things change here and there but for the most part, to its detriment, Fincher sticks to the general structure of the Swedish film. Sadly, some of the plot issues that bothered me previously seem amplified here with a choppy story structure especially in the final act which seems to have more ending that the last Lord of the Rings. Still, Fincher does a good job of pacing the film at a steady pace even if there isn’t much tangible action. Fincher handles Lisbeth’s more explicit scenes with impressive style, making it just as shocking even if you’ve seen the Swedish version. Rooney Mara in the role of Lisbeth is a revelation, while I loved Noomi Rapace’s take on the character she had a bit of an issue showing the character’s fragile side. Mara deftly deals with this through simple facial movements, typically with no dialogue. She also plays her rage like a sort of wild animal pushed into a corner; just listen to her manic yelping when restrained. Daniel Craig fills the role of Mikael Blomkvist with a more believable sense of self than Michael Nyqvist in the Swedish version. Some of the issue with Blomkvist is that comes off as kind of aloof, it’s more of an issue with the source material than anything else but Craig does a solid job. Christopher Plummer’s small but pivotal role is well done as he’s clearly on task and having a ball. Stellan Skarsgård seems slightly off and understated for some reason. David Fincher brings it all together and delivers a strong film that, like the original film, works much better off the films leads especially the showcase role of Lisbeth which Mara nails.
B+
THE GIRL WITH THE DRAGON TATTOO
A discredited journalist (Daniel Craig) and a mysterious computer hacker discover that even the wealthiest families have skeletons in their closets while working to solve the mystery of a 40-year-old murder in this David Fincher-directed remake of the 2009 Swedish thriller of the same name. Inspired by late author Stieg Larsson's successful trilogy of books, The Girl with the Dragon Tattoo gets under way as the two leads (Daniel Craig and Rooney Mara) are briefed in the disappearance of Harriet Vanger, whose uncle suspects she may have been killed by a member of their own family. The deeper they dig for the truth, however, the greater the risk of being buried alive by members of the family, who will go to great lengths to keep their secrets tightly sealed. ~ Jason Buchanan, Rovi
Director: David Fincher
Cast: Daniel Craig, Rooney Mara, Christopher Plummer, Steven Berkoff, Stellan Skarsgård
Release Date: Dec 21, 2011
Rated R for brutal violent content including rape and torture, strong sexuality, graphic nudity, and language
Genres: Suspense/Thriller
Runtime: 2 hr. 38 min.
Review:
Remaking a foreign film that came out in 2009 still kind of boggles the mind but if somebody was going to do it and do it well, David Fincher is probably the right guy to helm it. Personally I’m a fan of the Swedish film trilogy which I found sleek and impressively shot, not to mention the cast with Noomi Rapace leaving the biggest impression. So while it’s hard to not compare and contrast, I’ll try and avoid it as much as possible but it’s unavoidable. Fincher’s film sizzles with his trademark visual style which gives his film an oppressive and grim atmosphere throughout. Fincher seems to be reaching back to his own film, The Game, when dealing with the Vanger’s. A few things change here and there but for the most part, to its detriment, Fincher sticks to the general structure of the Swedish film. Sadly, some of the plot issues that bothered me previously seem amplified here with a choppy story structure especially in the final act which seems to have more ending that the last Lord of the Rings. Still, Fincher does a good job of pacing the film at a steady pace even if there isn’t much tangible action. Fincher handles Lisbeth’s more explicit scenes with impressive style, making it just as shocking even if you’ve seen the Swedish version. Rooney Mara in the role of Lisbeth is a revelation, while I loved Noomi Rapace’s take on the character she had a bit of an issue showing the character’s fragile side. Mara deftly deals with this through simple facial movements, typically with no dialogue. She also plays her rage like a sort of wild animal pushed into a corner; just listen to her manic yelping when restrained. Daniel Craig fills the role of Mikael Blomkvist with a more believable sense of self than Michael Nyqvist in the Swedish version. Some of the issue with Blomkvist is that comes off as kind of aloof, it’s more of an issue with the source material than anything else but Craig does a solid job. Christopher Plummer’s small but pivotal role is well done as he’s clearly on task and having a ball. Stellan Skarsgård seems slightly off and understated for some reason. David Fincher brings it all together and delivers a strong film that, like the original film, works much better off the films leads especially the showcase role of Lisbeth which Mara nails.
B+
Wednesday, December 21, 2011
[Trailer] The Hobbit
Continuing the blockbuster season of trailers, the first trailer for Peter Jackson’s The Hobbit was just released and it can best be described in the cheesiest of ways but it is in fact a return to Middle Earth…..
Monday, December 19, 2011
[Trailer] Wrath of the Titans
Being overshadowed by the massive new of The Dark Knight Rises trailer’s release, the sequel to the redux of Clash of the Titans has released its first trailer.
Personally, Clash of the Titans was one of my least favorite remakes of recent memory. It just seemed to get everything wrong on so many levels.
This one looks a bit more promising, probably because of the higher amount of CGI and hair conditioner, and the trailer gives off a noticeable God of War video game feel.
They might deliver a more enjoyable experience, especially since they are removed from the first films requirement to adhere to part of the originals plot.
Then again it might just be more garbage….
Personally, Clash of the Titans was one of my least favorite remakes of recent memory. It just seemed to get everything wrong on so many levels.
This one looks a bit more promising, probably because of the higher amount of CGI and hair conditioner, and the trailer gives off a noticeable God of War video game feel.
They might deliver a more enjoyable experience, especially since they are removed from the first films requirement to adhere to part of the originals plot.
Then again it might just be more garbage….
[Trailer] The Dark Knight Rises
The full trailer for The Dark Knight Rises is finally out on the web. I saw it on IMAX this weekend before Mission Impossible: Ghost Protocol and after watching it again I’ve had the same reaction.
The hairs on my arm just stand up as I witness the epic-ness that on display…..
The hairs on my arm just stand up as I witness the epic-ness that on display…..
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