MOVIE REVIEW: PREY FOR THE DEVIL

 

The Roman Catholic Church combats a global rise in demonic possessions by reopening schools to train priests to perform exorcisms. Although nuns are forbidden to perform this ritual, a professor recognizes Sister Ann's gifts and agrees to train her. Thrust onto the spiritual frontline, she soon finds herself in a battle for the soul of a young girl who's possessed by the same demon that tormented her own mother years earlier.

Director: Daniel Stamm

Cast:  Jacqueline Byers, Colin Salmon, Christian Navarro, Lisa Palfrey, Nicholas Ralph, Virginia Madsen, Ben Cross

Release Date: October 28, 2022

Genre: Horror, Thriller

Rated PG-13 for violent and disturbing content, terror, thematic elements and brief language.

Runtime: 1h 33m

Review:

Daniel Stamm made his name as a director with the creepy and surprisingly effective The Last Exorcism which brought energy to the tired exorcism trope.  Prey for the Devil marks his return to the subgenre with a much more conventional and predictable film propped up by committed performances from its stars.  Stamm moves at a rapid pace which helps since the script is a collection of half baked ideas and overused tropes.  There is a kernel of an interesting idea that touches on gender politics and trauma, but the script doesn't explore them in any meaningful way making them pointless.  We're told fairly early on that Jacqueline Byers' Sister Ann is special, but the script doesn't bother to provide any tangible reason why she's special outside of being the focus of the demon since she was a child.  The character also leaves a wake of bodies by the time the film ends which doesn't seem to bother anyone in school.  Thankfully, Byers makes the entire thing watchable with a performance that's far better than the film and script.  Byers turn is believably focused with a palpable sense of the character's underlying trauma being ever present.  She's able to keep an air of authenticity throughout even as things become progressively more absurd. Colin Salmon and Christian Navarro, who looks distractingly like Jay Hernandez, do what they can with underwritten roles.  Virginia Madsen on the other hand is criminally underused in what amounts to a throwaway character.  Prey for the Devil is the kind of film that's perfectly comfortable using clichéd tropes to deliver a few effective set pieces but doesn't offer anything fresh or surprising.  

C

MOVIE REVIEW: TAR

 

Renowned musician Lydia Tár is days away from recording the symphony that will elevate her career. When all elements seem to conspire against her, Lydia's adopted daughter Petra becomes an integral emotional support for her struggling mother.

Director: Todd Field

Cast: Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong

Release Date: October 7, 2022

Genre: Drama, Music

Rated R for some language and brief nudity

Runtime: 2h 38m

Review:

Todd Field's Tár is an immersive and engaging character study lead by a singular turn from Cate Blanchett.  Field's film is a methodical trek into the central character's life, dropping bits and pieces of narrative and themes along the way.  It's a masterclass in subtly as quieter moments and more charged moments are all so densely packed with meaning that it requires your attention throughout.  There's a glossy veneer presented from the onset of the film but there's also an unsettling, disquieting undercurrent that's every present until its final act where things begin to unravel.  Cate Blanchett disappears into her character with incredible ease.  This performance isn't your typical awards showcase that requires big showy moments instead this is a case study in nuance.  It's the kind of performance where looks shared between characters delivers volumes worth of information.  Blanchett owns every moment she's on screen and its film from start to finish but the supporting cast is just as dialed in with each making the most of their screen time.  Once Tár heads into its final act the script and cast deliver some surprising moments which feel organic and earned, a credit to the level of craftmanship from both sides of the camera.  

A

MOVIE REVIEW: BLACK ADAM

 

In ancient Kahndaq, Teth Adam was bestowed the almighty powers of the gods. After using these powers for vengeance, he was imprisoned, becoming Black Adam. Nearly 5,000 years have passed, and Black Adam has gone from man to myth to legend. Now free, his unique form of justice, born out of rage, is challenged by modern-day heroes who form the Justice Society: Hawkman, Dr. Fate, Atom Smasher and Cyclone.

Director: Jaume Collet-Serra

Cast: Dwayne Johnson, Aldis Hodge, Noah Centineo, Sarah Shahi, Marwan Kenzari, Quintessa Swindell, Bodhi Sabongui, Pierce Brosnan

Release Date: October 21, 2022

Genre: Action, Fantasy, Sci-Fi

Rated PG-13 for sequences of strong violence, intense action and some language.

Runtime: 2h 4m

Review:

Black Adam joins the cinematic superhero genre with a highly caffeinated overly produced adventure that moves at a dizzying pace at times to its own detriments.  Jaume Collet-Serra delivers a kinetic, action heavy film that pulls a large bit of visual inspiration from Zach Synder's films.  There are hero shots a plenty and an overreliance on slow motion that feels passé at this point which ultimately distracts more than enhance the experience.  Collet-Serra may be in the director's seat, but this project has been Dwayne Johnson passion project which took years to finally come to fruition, needless to say his finger prints are all over the final product.  This is Johnson's film for better or worse and the bizarre thing is that the character the polar opposite of what he typically does best onscreen.  Gone is his usual charisma, replaced by a stern faced scowl and wooden line delivery that rarely feels authentic.  The character's scripting doesn't help much by giving him a kid to play off of which feels like a cheap imitation of the Terminator 2 relationship.  It’s a shame since you get distinct feeling that there's more depth to the character's story than what ends up on screen.  The same holds true for the supporting characters but the actors are able to make them far more interesting than the script does.  Pierce Brosnan and Aldis Hodge in particular deliver interesting turns as a superhero nearing the end of his journey and an alpha male who sees morality in black or white.  Noah Centineo is fun as the film's comic relief but Quintessa Swindell given woefully little to do.  The script drops a few bits and pieces about these character's background and story, but it never explores them. The film is always in a hurry to move to the next action set piece and while those are fun it would have benefited from slowing down for a moment and letting the characters shine.  Black Adam ends up being glossy mindless fun especially if you are a fan of DC properties with the biggest moment coming in the post credit scene.  

C+

MOVIE REVIEW: HALLOWEEN ENDS

 

Four years after her last encounter with masked killer Michael Myers, Laurie Strode is living with her granddaughter and trying to finish her memoir. Myers hasn't been seen since, and Laurie finally decides to liberate herself from rage and fear and embrace life. However, when a young man stands accused of murdering a boy that he was babysitting, it ignites a cascade of violence and terror that forces Laurie to confront the evil she can't control.

Director: David Gordon Green

Cast:  Jamie Lee Curtis, James Jude Courtney, Rohan Campbell, Andi Matichak, Will Patton, Kyle Richards

Release Date: October 14, 2022

Genre: Horror, Thriller

Rated R for bloody horror violence and gore, language throughout and some sexual references.

Runtime: 1h 51m

Review:

Halloween Ends should have been a rousing finale for the revitalized franchise serving as a swan song for Jamie Lee Curtis's iconic role.  Instead, David Gordon Green delivers a cofounding misfire which decides to move the focus from the primary pair onto a new character.  Gordon's previous entry, Halloween Kills, made the mistake of sideline Curtis's Laurie for the better part of the that film, here he doubles down on that mistake by taking both Laurie and Myers off the table for large spans of time.  It would have been a daring gamble if the script provided an intriguing storyline and characters to make it worthwhile but it fails on both points.  The film's storyline is a nonsensical hodgepodge of a dollar store serial killer plot points paired with an utterly unbelievable "love story" between Andi Matichak's Allyson and Rohan Campbell's Corey.  Rohan Campbell is essentially the main character of the entire film and to his credit he does his best to deliver a layered and nuanced performance.  The film moves at a snail's pace in its early acts before moving into overdrive in the final act.  The film is kind of enough to finally deliver the big showdown between Laurie and Michael which is fun but almost feels like an afterthought when you consider the preceding hour and forty minutes of unrelated garbage.  Halloween Ends finishes the new trilogy with a definitive thud after such a promising start with 2018's Halloween refresh.  

D-

MOVIE REVIEW: HELLRAISER

 

A young woman must confront the sadistic, supernatural forces behind an enigmatic puzzle box responsible for her brother's disappearance.

Director: David Bruckner

Cast: Odessa A'zion, Jamie Clayton, Brandon Flynn, Goran Višnjić, Drew Starkey, Adam Faison, Aoife Hinds, Selina Lo, Hiam Abbass

Release Date: September 28, 2022

Genre: Horror, Mystery, Thriller

Rated R for strong bloody horror violence and gore, language throughout, some sexual content and brief graphic nudity.

Runtime: 2h 1m

Review:

David Bruckner's, who directed the underseen 2020 horror gem The Night House, attempt at resurrecting the Hellraiser franchise is competent it’s not quite the home run long suffering fans were hoping for.  Bruckner captures a lot of the mood and looks of the first two film's albeit in a glossier veneer.  He's clearly a fan of the series and he delivers plenty of horrific skin tearing gore and visions that nails this very specific aesthetic.  The new Cenobites designs are familiar enough to keep fans happy along with some interesting new variations for some variety.  Unfortunately, they decided to drop the S&M black patent leather in favor of white which doesn't do the costuming any favors, leaving some close ups looking more like molded latex than the flayed flesh they are supposed to be which kills some of the effect.  Jamie Clayton does a solid job taking over Doug Bradley’s iconic Pinhead by giving a distinct but familiar performance.  She nails the creepiness but doesn't quite nail the subtle but ever present menace behind Bradley's delivery.  The script doesn't give her much help by making the primary human characters, lead by Odessa A'zion, utterly uninteresting and downright stupid in large portions of the film.  Goran Višnjić's Roland Voight is far more interesting for a variety of reasons, but the film decides to only use the character in the opening and final acts which seems like a waste.  As is, this reboot of the Hellraiser franchise checks enough boxes to make it passable but doesn't do anything special enough to make it memorable.

C

MOVIE REVIEW: AMSTERDAM

 

Set in the '30s, it follows three friends who witness a murder, become suspects themselves, and uncover one of the most outrageous plots in American history.

Director: David O. Russell

Cast: Christian Bale, Margot Robbie, John David Washington, Chris Rock, Anya Taylor-Joy, Zoe Saldaña, Mike Myers, Michael Shannon, Timothy Olyphant, Andrea Riseborough, Taylor Swift, Matthias Schoenaerts, Alessandro Nivola, Rami Malek, Robert De Niro

Release Date: October 7, 2022

Genre: Comedy, Drama, History

Rated R for brief violence and bloody images.

Runtime: 2h 14m

Review:

David O. Russell's star studded Amsterdam is a strange amalgam of a convoluted storyline that's nearly offset by energetic turns from its cast.  The film itself is impeccably shot with a glossy look that gives everything an air of Norman Rockwell nostalgia brought to life.  The visuals keep things interesting while the plot's expansive and overly busy story threads start unfurling.  This is the type of film that's in no hurry to get anywhere as it relishes in setting up scene and sequences which allow his cast to shine.   Christian Bale, Margot Robbie and John David Washington make up the primary trio carrying the film and each of them brings a specific sort of energy to their characters.  Christian Bale's Burt is a collection of idiosyncrasies in a hunched over, emaciated, battle scarred body.  It’s a showy role, the type Bale loves sinking his teeth in and does so with his usual gusto.  John David Washington's character is the opposite side of the coin, and he delivers a turn that's confidently cool and authentic. Margot Robbie brings a nice mix of bohemian and manic energy which is an old hat to her by this point in her career.  All three make their characters incredibly likable which makes the film's unfocused story more palpable and enjoyable.  The supporting cast is a cavalcade of well known actors gleefully chewing up scenery as an assortment of quirky characters.  Amsterdam is the type of film that allows actors to dig into their characters, unfortunately the story doesn't meet the challenge leaving it an uneven experience where the performances are far better than the mystery laid out.  

B-