The Roman Catholic Church combats a global rise in demonic possessions by reopening schools to train priests to perform exorcisms. Although nuns are forbidden to perform this ritual, a professor recognizes Sister Ann's gifts and agrees to train her. Thrust onto the spiritual frontline, she soon finds herself in a battle for the soul of a young girl who's possessed by the same demon that tormented her own mother years earlier.
Director: Daniel Stamm
Cast: Jacqueline Byers, Colin Salmon, Christian Navarro, Lisa Palfrey, Nicholas Ralph, Virginia Madsen, Ben Cross
Release Date: October 28, 2022
Genre: Horror, Thriller
Rated PG-13 for violent and disturbing content, terror, thematic elements and brief language.
Runtime: 1h 33m
Review:
Daniel Stamm made his name as a director with the creepy and surprisingly effective The Last Exorcism which brought energy to the tired exorcism trope. Prey for the Devil marks his return to the subgenre with a much more conventional and predictable film propped up by committed performances from its stars. Stamm moves at a rapid pace which helps since the script is a collection of half baked ideas and overused tropes. There is a kernel of an interesting idea that touches on gender politics and trauma, but the script doesn't explore them in any meaningful way making them pointless. We're told fairly early on that Jacqueline Byers' Sister Ann is special, but the script doesn't bother to provide any tangible reason why she's special outside of being the focus of the demon since she was a child. The character also leaves a wake of bodies by the time the film ends which doesn't seem to bother anyone in school. Thankfully, Byers makes the entire thing watchable with a performance that's far better than the film and script. Byers turn is believably focused with a palpable sense of the character's underlying trauma being ever present. She's able to keep an air of authenticity throughout even as things become progressively more absurd. Colin Salmon and Christian Navarro, who looks distractingly like Jay Hernandez, do what they can with underwritten roles. Virginia Madsen on the other hand is criminally underused in what amounts to a throwaway character. Prey for the Devil is the kind of film that's perfectly comfortable using clichéd tropes to deliver a few effective set pieces but doesn't offer anything fresh or surprising.
C
