MOVIE REVIEW: THE TOMORROW WAR

 

A man is drafted to fight in a future war where the fate of humanity relies on his ability to confront his past.

Director: Chris McKay

Cast: Chris Pratt, Yvonne Strahovski, J. K. Simmons, Betty Gilpin, Sam Richardson, Mary Lynn Rajskub

Release Date: July 2, 2021

Genre: Action, Adventure, Sci-Fi, Thriller

Rated PG-13 for intense sequences of sci-fi violence and action, language and some suggestive references.

Runtime: 2h 20min

Review:

The Tomorrow War, not to be confused with fantastic novel The Forever War by Joe Haldeman, is a hodgepodge of recycled parts that delivers a capable if forgettable sci-fi film.  Director Chris McKay seems to be channeling Starship Troopers sans the satire by way of early 2000s Michael Bay.  It’s a loud dumb movie that throws out some intriguing ideas but decides to go for the path of least resistance. The script is filled with clichés seasoned sci-fi fans haven’t seen before so don’t expect the story to surprise you at any turn, it predictable from start to finish.  Thankfully, the film isn’t an overly serious or grim affair so there is plenty of fun to be had in some of the film’s larger set pieces even if the CGI varies from top notch to video game cut scene quality.  Chris Pratt leads the film as best he can, but you get the feeling he needs somebody to work off in order to deliver his best work.  Early in the film, he has nice chemistry with Sam Richardson, but he disappears to the better part of the film.  He shares more dramatic moments with Yvonne Strahovsk and he can’t quite sell the emotional connection so your investment in the relationship isn’t nearly as important as it should be.  Strahovsk, for her part, delivers solid work with the character being right in her wheelhouse.  J.K. Simmons has a small but memorable supporting role, sadly Betty Gilpin is little more than window dressing in her few scenes.  The Tomorrow War ultimately ends up being a fun but disposable sci-fi film which is a shame since you get a strong sense that there is a better film somewhere in in the story. 

C+

MOVIE REVIEW: WEREWOLVES WITHIN

 

A snowstorm traps town residents together inside the local inn, where newly arrived forest ranger Finn and postal worker Cecily must try to keep the peace and uncover the truth behind a mysterious creature that has begun terrorizing the community.

Director: Josh Ruben

Cast: Sam Richardson, Milana Vayntrub, George Basil, Sarah Burns, Michael Chernus, Catherine Curtin, Wayne Duvall, Harvey Guillén, Rebecca Henderson, Cheyenne Jackson, Michaela Watkins, Glenn Fleshler

Release Date: June 16, 2021

Genre: Comedy, Horror

Rated R for some bloody violence, sexual references and language throughout

Runtime: 1 h 37 min

Review:

Werewolves Within is the rare horror comedy that hits the delicate balance between scares and laughs successfully.  Director Josh Ruben smartly emulates beats from Clue and The Thing to deliver a fun amalgam that rarely misses a beat.  Ruben establishes a strong comedic rhythm from the start and manages to maintain that energy throughout.  It helps that script is smartly written with some great subtext lingering below the comedic exterior.  The cast is stacked with familiar faces even if they don’t have instant name recognition.   Sam Richardson and Milana Vayntrub make up the central duo and their comedic chemistry is what makes the whole thing run.  Richardson and his nice guy persona make him perfect for this role.  Milana Vaynturb’s comedic talent might surprise some viewers but those who know her from other things beside her AT&T gig like the little seen Paul Feig show Other Space know she’s more than capable.  The supporting cast is equally strong with What We Do In Shawdow’s Harvey Guillén and Michaela Watkins having some memorable moments.  The film’s central mystery isn’t that hard to figure out but it’s hardly a major drawback in a film that’s delivers some of the best laughs in recent memory.  

B+

MOVIE REVIEW: LUCA

Set in a beautiful seaside town on the Italian Riviera, the original animated feature is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: he is a sea monster from another world just below the water's surface.

Director: Enrico Casarosa

Cast: Jacob Tremblay, Jack Dylan Grazer, Emma Berman, Marco Barricelli, Saverio Raimondo, Maya Rudolph, Jim Gaffigan

Release Date: June 18, 2021

Genre: Action, Comedy, Crime

 Animation, Adventure, Comedy 

Runtime: 1h 36min

Review:

Luca isn't the groundbreaking by Pixar standards which are admittedly sky high.  It checks all the boxes of a solid Pixar film by being beautifully animated, emotionally moving while touching on childhood moments that will resonate with nearly everybody.  It's story is fairly straightforward, there are light shades of The Little Mermaid, with it's overall theme being fairly simple, so its a film that will be easy for anyone to follow.  Antonio, voiced by Jack Dylan Grazer, is very much a Huckleberry Finn type character who's brash and overconfident to a fault.  Jacob Tremblay plays Luca with an appropriate level of naivete which evolves over the course of the film as he expands his knowledge and his relationship grows with Giuliana, voiced by the film's secret weapon Emma Berman, and Antonio.  Saverio Raimondo is good fun as the local bully who is the sort of the villian of the piece.  Its charming throughout with it's colorful vistas that make the film play like an Italian tourist package, there are even nods to Fellini and Miyazaki mixed in for good measure.  Director Enrico Casarosa clearly loves his home country and it bleeds through in each of the meticulously crafted shots.  After a string of high concept home runs, Luca might feel a little slight by comparison but that doesn't make it any less enjoyable.

B+

MOVIE REVIEW: THE HITMAN'S WIFE'S BODYGUARD

 

The world's most lethal odd couple -- bodyguard Michael Bryce and hit man Darius Kincaid -- are back for another life-threatening mission. Still unlicensed and under scrutiny, Bryce is forced into action by Darius's even more volatile wife. Soon, all three are in over their heads when a madman's sinister plot threatens to leave Europe in total chaos.

Director: Patrick Hughes

Cast: Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Richard E. Grant, Frank Grillo, Tom Hopper, Antonio Banderas, Morgan Freeman

Release Date: June 16, 2021

Genre: Action, Comedy, Crime

Rated R for strong bloody violence throughout, pervasive language, and some sexual content

Runtime: 1h 39min

Review:

The Hitman's Wife's Bodyguard never really breaks any new ground on the genre and it's script feels hackneyed and lazy but its still manages to provide some good mindless R rated fun.  Patrick Hughes directs his film with a made for standard cable feel to it even with the A list talent.  The action is fast and energetic set in attractive European locales but it all feels disposable like they could have been lifted from a dozen other films.  Thankfully, he's edited this film down to a lean hour and half so it's kinetic energy doesn't become exhausting like the first film.  Ultimately what save this film is the what made the first film work the chemistry of the cast.  Ryan Reynolds and Samuel L. Jackson are once again set to ten for the duration of the film as curse words and bullets fly.  Salma Hayek gets a much larger role here and it's to the film's benefit since she can play just as rough and loose as her two counter parts.  Antonio Banderas is just as a fun sporting a fabulous blonde wig while doing his best mock James Bond Villain.  It's all decidedly goofy and silly but you get the feeling the cast knows exactly what kind of film they are making, Frank Grillo's over the top Boston accent should be a dead giveaway, and they have fun with it.  The Hitman's Wife's Bodyguard isn't going to be topping a lot of people top ten films of the year but it's goofy enough for an enjoyable bit of mindless fun.

C+

Cindy Prascik's Review of In the Heights

 

My dear reader(s)…if I have any left after my persistent absences: This past weekend I took the opportunity to check out the big-screen adaptation of Lin Manuel Miranda’s In the Heights.

Some ordinary - and not-so-ordinary - days in the lives of the residents of Washington Heights.

Spoiler level here will be mild, nothing you wouldn’t know from the trailers.

For three days I’ve struggled to write something about In the Heights. It’s an upbeat show that is never weighed down by its more somber moments. In its costumes and choreography is a genuine feel for the community it honors. In its humor is the resilience of people accustomed to smiling in the face of life's challenges. In Anthony Ramos and Gregory Diaz, IV, it has revealed a couple potential superstars. In its tunes are the seeds of what would later become the once-in-a-generation show Hamilton. For all these reasons, it is a movie worth seeing, but…I didn’t love it. I wanted to love it. It feels almost mean not to have loved it. But I didn’t love it. I don’t think the show translated all that well from stage to screen. Some content hasn’t aged well, and not in the kitschy 80s way of Cats (the show, NOT the movie) but in a way that just makes it feel…off…in 2021. Where it attempts to connect to current events (the deportation of DREAMers), it feels contrived. Some of the casting misfires badly. (Has Jimmy Smits ever been this bad before?) There were too many exteriors that looked like low-budget green screen. Perhaps I'm being too hard on it. Perhaps I just miss Broadway too much to accept it on a screen anymore.  Perhaps I should have gotten out to see it in a cinema instead of settling for HBO Max on the biggest TV in my orbit. Perhaps all of the above kept me from getting lost in this movie as I needed to get lost in this movie, but...I didn't love it.

In the Heights clocks in at 143 minutes, and is rated PG13 for “some language and suggestive references.”

In the Heights is a positive, uplifting production. Given what the world has suffered in recent months, that should be enough, but somehow it isn’t. Of a possible nine Weasleys, In the Heights gets six and a half.

In the Heights is now playing in cinemas, and streaming on HBO Max.

Fangirl Points: Stephanie Beatriz! Patrick Page! (And, yes, Jimmy Smits, even though I thought he was terrible in this!)

Until next time…

MOVIE REVIEW: IN THE HEIGHTS

In Washington Heights, N.Y., the scent of warm coffee hangs in the air just outside of the 181st St. subway stop, where a kaleidoscope of dreams rallies a vibrant and tight-knit community. At the intersection of it all is a likable and magnetic bodega owner who hopes, imagines and sings about a better life.

Director: Jon M. Chu

Cast: Anthony Ramos, Corey Hawkins, Leslie Grace, Melissa Barrera, Olga Merediz, Daphne Rubin-Vega, Gregory Diaz IV, Jimmy Smits

Release Date: June 4, 2021

Genre:  Drama, Music, Musical 

Rated PG-13 for some language and suggestive references

Runtime: 2h 23min

Review:

In The Heights is rousing celebration of community heritage and striving for a better life.  Jon M. Chu's film is a vibrant wall to wall musical that's filled with easy to love musical numbers that'll elicit a wide range of emotions throughout its runtime.  The musical numbers written by Lin-Manuel Miranda have an energy to them that feels personal and heartfelt with numbers like 96,000, Paciencia y Fe and Carnaval del Barrio leaving a lasting impact.  Chu's direction takes full advantage of the spectacular choreography during some of the larger ensemble pieces and veers into fantasy in select spots without going full Baz Luhrmann.  The story itself is fairly straightforward but covers a broad array of topics from gentrification, cultural identity and self discovery. This broadness extends to the characters who play more as types than fully realized people.  As such, the characters relationships, especially the main love story, doesn't connect emotionally the way it should.  The impressive part about the film is that it overcomes this shortcoming thanks to it's engaging cast lead by Anthony Ramos who posses a natural performers charisma that shines through the screen.  The supporting cast is made up of an array of Hispanic Broadway actors or singers including Olga Merediz who reprises her role from Miranda's original stage play and shines in spotlight.  The rest of the ensemble are given their chance to shine throughout the film's extensive 2 hour plus run.  Throw in a few moments where you might experience a sensation of déjà vu with the film adaptation of Rent.  That being said, In The Heights feels like more complete adaption of its source material for the big screen. 

A-