MOVIE REVIEW: THE COLOR PURPLE

Torn apart from her sister and her children, Celie faces many hardships in life, including an abusive husband. With support from a sultry singer named Shug Avery, as well as her stand-her-ground stepdaughter, Celie ultimately finds extraordinary strength in the unbreakable bonds of a new kind of sisterhood.

Director: Blitz Bazawule

Cast: Fantasia Barrino, Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Halle Bailey, Louis Gossett Jr., Phylicia Pearl Mpasi, Ciara, Jon Batiste, Aunjanue Ellis-Taylor

Release Date: December 25, 2023

Genre: Drama, Musical

Rated PG-13 for mature thematic content, sexual content, violence and language.

Runtime: 2h 21m

The Color Purple is a lavishly constructed, vibrant musical which does a wonderful job of capturing the spirit of the original film for a new audience.  Blitz Bazawule confidentially directs the film with a decisive hand, staging a series of wonderfully choreographed musical numbers that each bring a distinctive kind of energy.  These sequences serve as the film's beating heart and in those moments the energy pops off the screen with impressive verve.  There are moments that echo other film musicals like Chicago or more fanciful moments similar to Julie Taymor's Across the Universe.  It’s a fascinating blend of styles and approaches that works in the film's favor for the most part even though some of dramatic weight of the story gets lost in spots.  There's a lighter tone throughout even as Celie experiences some of the uglier bits of abuse from Mister which makes for an abrupt turn after lively musical moments.  The ensemble cast manages to balance those moments thanks to strong performances across the board.  Phylicia Pearl Mpasi and Halle Bailey leave a lasting impression in their limited screen time during the film's open act before Fantasia Barrino takes center stage.  Barrino's turn is understated, meek, earnest and ultimately hopeful.  Her performance isn't as big as other more outsized characters, but she manages to be the backbone of the film before being allowed to display her immense vocal talent in a series of revelatory songs.  Barrino share excellent onscreen chemistry with the cast with it really shining through when paired with Taraji P. Henson and Danielle Brooks.  Henson and Brooks are perfectly suited to play their outsized and more garish characters with the latter stealing nearly every scene she's in.  Colman Domingo's baritone voice is perfectly suited for his turn as Mister, even though he's never quite as menacing as Danny Glover in the original film, mainly due to an inherent kindness that comes through all his performances in general.  Corey Hawkins possesses a similar energy which is much better suited for his character, Harpo, more so than Domingo's Mister.  It makes some slightly strange dynamics which the film can't quite balance perfectly in the non musical moments.  Minor issues like that can be forgiven thanks to the quality of the performances and direction which is sure to leave an impression regardless if people are experiencing the story for the first time or are already familiar with it.  

A-

MOVIE REVIEW: THE LAST VOYAGE OF THE DEMETER

 

Dracula's unholy presence dooms the crew of the merchant ship Demeter as it sails from Carpathia to London.

Director: André Øvredal

Cast: Corey Hawkins, Aisling Franciosi, Liam Cunningham, David Dastmalchian, Javier Botet

Release Date: August 11, 2023

Genre: Horror

Rated R for bloody violence

Runtime: 1h 58m

There's a built in predictability ingrained in The Last Voyage of the Demeter due to the nature of the story. However, the cast and crew do an admirable job of delivering some tension and thrills.  André Øvredal film borrow heavily from Ridley Scott's original Alien in terms of set up and structure, so much so that's hard to tell if it’s an homage or just straight up plagiarism, an early discussion about bonuses kind of leans me toward the latter.  Either way, Øvredal's self-assured style delivers a glossy, well shot film that establishes the setting and mood early on by keeping the monster in the shadows until the midpoint of the film.  The monster itself uses Count Orlok's design from 1922's Nosferatu as its basis which gives him a more animalistic and menacing look.  It makes the character a tangible threat to the collected human chum assembled for his feeding.  Corey Hawkins and Liam Cunningham lead the cast with deadly serious turns as the ship’s doctor and doomed captain.  They both deliver stoic, committed performances that make the film far more watchable than it deserves to be since the script doesn't flesh them too much.  They still manage to make the characters interesting enough to make the audience care about their wellbeing.  Aisling Franciosi and David Dastmalchian don't fare quite as well in supporting roles as they struggle to make their characters come off as more than one dimensional.  They do the best they can with underwritten characters but your left with the sense that some depth would have added to the overall quality of the film.  Ultimately, The Last Voyage of the Demeter is the very definition of disposable entertainment which delivers just enough to keep you entertained during its runtime, but it'll be quickly forgotten shortly thereafter.  

C+

MOVIE REVIEW: THE TRAGEDY OF MACBETH

 

A Scottish lord becomes convinced by a trio of witches that he will become the next King of Scotland. His ambitious wife will do anything to support him in his plans of seizing power.

Director: Joel Coen

Cast: Denzel Washington, Frances McDormand, Bertie Carvel, Alex Hassell, Corey Hawkins, Harry Melling, Brendan Gleeson

Release Date: December 25, 2021

Comedy, Drama, Romance

Rated R for violence

Runtime: 1h 45m

Review:

Joel Coen's The Tragedy of Macbeth is a fascinating amalgam of stage minimalism and cinematic grandeur.  The resulting concoction echo's Ingmar Bergman's The Seventh Seal and Akira Kurosawa's Throne of Blood itself an adaption of Macbeth.  It's visually arresting and engaging from it's opening frame.  Stage actress Kathryn Hunter eerie turn as the witches gives the film an air of urgency and kinetic energy and she contorts unnaturally in her introduction.  The familiar but dense Shakespearean dialogue is performed with emotional precision from it's stellar cast.  Denzel Washington's older Macbeth hits all the right notes especially as the film progresses and his character's mental state declines into madness.  Frances McDormand is just as strong as his calculating Lady Macbeth.  They both deliver lines in such a naturalistic fashion that it's easy to get lost in their individual performances, when the pair share a scene their energy burns through the screen.  Supporting turns from Alex Hassell as Ross and Corey Hawkins as Macduff leave the biggest impact outside of the central duo.  The Tragedy of Macbeth is a visually striking, narratively efficient adaptation that's sure to leave an impression for years to come. 

A

Cindy Prascik's Review of In the Heights

 

My dear reader(s)…if I have any left after my persistent absences: This past weekend I took the opportunity to check out the big-screen adaptation of Lin Manuel Miranda’s In the Heights.

Some ordinary - and not-so-ordinary - days in the lives of the residents of Washington Heights.

Spoiler level here will be mild, nothing you wouldn’t know from the trailers.

For three days I’ve struggled to write something about In the Heights. It’s an upbeat show that is never weighed down by its more somber moments. In its costumes and choreography is a genuine feel for the community it honors. In its humor is the resilience of people accustomed to smiling in the face of life's challenges. In Anthony Ramos and Gregory Diaz, IV, it has revealed a couple potential superstars. In its tunes are the seeds of what would later become the once-in-a-generation show Hamilton. For all these reasons, it is a movie worth seeing, but…I didn’t love it. I wanted to love it. It feels almost mean not to have loved it. But I didn’t love it. I don’t think the show translated all that well from stage to screen. Some content hasn’t aged well, and not in the kitschy 80s way of Cats (the show, NOT the movie) but in a way that just makes it feel…off…in 2021. Where it attempts to connect to current events (the deportation of DREAMers), it feels contrived. Some of the casting misfires badly. (Has Jimmy Smits ever been this bad before?) There were too many exteriors that looked like low-budget green screen. Perhaps I'm being too hard on it. Perhaps I just miss Broadway too much to accept it on a screen anymore.  Perhaps I should have gotten out to see it in a cinema instead of settling for HBO Max on the biggest TV in my orbit. Perhaps all of the above kept me from getting lost in this movie as I needed to get lost in this movie, but...I didn't love it.

In the Heights clocks in at 143 minutes, and is rated PG13 for “some language and suggestive references.”

In the Heights is a positive, uplifting production. Given what the world has suffered in recent months, that should be enough, but somehow it isn’t. Of a possible nine Weasleys, In the Heights gets six and a half.

In the Heights is now playing in cinemas, and streaming on HBO Max.

Fangirl Points: Stephanie Beatriz! Patrick Page! (And, yes, Jimmy Smits, even though I thought he was terrible in this!)

Until next time…

MOVIE REVIEW: IN THE HEIGHTS

In Washington Heights, N.Y., the scent of warm coffee hangs in the air just outside of the 181st St. subway stop, where a kaleidoscope of dreams rallies a vibrant and tight-knit community. At the intersection of it all is a likable and magnetic bodega owner who hopes, imagines and sings about a better life.

Director: Jon M. Chu

Cast: Anthony Ramos, Corey Hawkins, Leslie Grace, Melissa Barrera, Olga Merediz, Daphne Rubin-Vega, Gregory Diaz IV, Jimmy Smits

Release Date: June 4, 2021

Genre:  Drama, Music, Musical 

Rated PG-13 for some language and suggestive references

Runtime: 2h 23min

Review:

In The Heights is rousing celebration of community heritage and striving for a better life.  Jon M. Chu's film is a vibrant wall to wall musical that's filled with easy to love musical numbers that'll elicit a wide range of emotions throughout its runtime.  The musical numbers written by Lin-Manuel Miranda have an energy to them that feels personal and heartfelt with numbers like 96,000, Paciencia y Fe and Carnaval del Barrio leaving a lasting impact.  Chu's direction takes full advantage of the spectacular choreography during some of the larger ensemble pieces and veers into fantasy in select spots without going full Baz Luhrmann.  The story itself is fairly straightforward but covers a broad array of topics from gentrification, cultural identity and self discovery. This broadness extends to the characters who play more as types than fully realized people.  As such, the characters relationships, especially the main love story, doesn't connect emotionally the way it should.  The impressive part about the film is that it overcomes this shortcoming thanks to it's engaging cast lead by Anthony Ramos who posses a natural performers charisma that shines through the screen.  The supporting cast is made up of an array of Hispanic Broadway actors or singers including Olga Merediz who reprises her role from Miranda's original stage play and shines in spotlight.  The rest of the ensemble are given their chance to shine throughout the film's extensive 2 hour plus run.  Throw in a few moments where you might experience a sensation of déjà vu with the film adaptation of Rent.  That being said, In The Heights feels like more complete adaption of its source material for the big screen. 

A-