MOVIE REVIEW: ZACK SNYDER'S JUSTICE LEAGUE

 

In ZACK SNYDER'S JUSTICE LEAGUE, determined to ensure Superman's (Henry Cavill) ultimate sacrifice was not in vain, Bruce Wayne (Ben Affleck) aligns forces with Diana Prince (Gal Gadot) with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions.

Director: Zack Snyder

Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Ezra Miller, Jason Momoa, Ray 
Fisher, Ciarán Hinds

Release Date: March 18, 2021

Genres: Action, Adventure, Fantasy 

Rated R for violence and some language 

Runtime: 4h 2min 

Review:

Zack Snyder's Justice League had a long and tragic road to becoming a reality.  Joss Whedon's cobbled together Frankenstein film isn't terrible but it just reeks of shooting for the lowest common denominator, what works is mainly due to the cast.  Regardless of that, the Whedon film felt nothing like Snyder's lead in, Batman v Superman: Dawn of Justice, an overstuffed film but one with a clear vision.  The last time we've been able to see two separate versions of the same film was in the early 2000's when both Renny Harlin's Exorcist: The Beginning and Paul Schrader's Dominion: Prequel to the Exorcist were both released with one film being the result of studio meddling, sadly both films were terrible for different reasons.  Against all odds, Zack Snyder's Justice League is a opus that hits all the right marks without any of cheesy one liners of the Whedon film.  Snyder's film is entirely his own entity from the start and fits in perfectly with Batman v Superman: Dawn of Justice.  Perhaps the most interesting thing about the whole thing is that while it's much more serious than the Whedon film, it's never an overly dour affair.  There's well placed levity throughout with Ezra Miller's Flash carrying the comedic load and it never feels fake or forced.  Even more surprising is the amount of heart and character building on display in this film, something that's been lacking from the majority of Snyder's previous films.  

This film gave Ray Fisher's Cyborg a real emotional arch and the character himself feels more like a fully realized creation with understandable motivations and emotions.  Ciarán Hinds's villain Steppenwolf is given more depth than he did in the original which works in the character's and story's favor.  Likewise, Jason Momoa's Aquaman isn't the over the top dudebro from the original release which makes his character far more interesting and nuanced.  This approach gives Momoa the chance to actually display some real acting chops and he does incredibly well.  Ben Affleck's Batman is more hopeful in this version without having to use goofy one liners.  Henry Cavill's resurrected Superman is saved from bad facial CGI and it's nerdy fun to see him don the black suit but his story is more or less unchanged. Gal Gadot's Wonder Woman gets a far better shake in this version as well, those complaining about the lack of action in Wonder Woman 84 from the Amazonian will find plenty to love here.  The action sequences themselves are also a revelation, the major set pieces are more or less the same but Snyder's version are stylized 300 esque battles that deliver an appropriately epic scope.  Steppenwolf's attack on Themyscira early on serves as a prime example of how Snyder's action worked much better on multiple levels, it helps that Connie Nielsen's Hippolyta is given more screen.  Much like the action, the story itself is cleaner and more efficient here which makes you wonder why some of the changes were even made in the first place.  It's a testament to how engaging the story and characters are that its four hour runtime rarely feels oppressive.  There aren't many scenes that feel superfluous, instead they all serve the character's story.  Zack Snyder's Justice League is an achievement on multiple levels, it's both ground and personal but epic in scope.  Comic book fans will find plenty to love in this version while DC fans will finally get to see their hero's in film they deserve which makes the sequel set up all that more painful.

A-

MOVIE REVIEW: THE FATHER

 

A man refuses all assistance from his daughter as he ages. As he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.

Director: Florian Zeller

Cast: Anthony Hopkins, Olivia Colman, Mark Gatiss, Imogen Poots, Rufus Sewell, Olivia Williams

Release Date: February 26, 2021

Genre: Drama

Rated PG-13 for some strong language, and thematic material

Runtime: 1 h 37 min

Review:

The Father is a twisty poetic character study of a man experiencing dementia from his point of view.  Florian Zeller, adapting his own stage play, builds his film with a disorienting structure which works wonderfully by putting the audience in the main character’s mind.  Events are replayed or rerun with slight variations that leave you questioning which version of reality is actually real.  This is the type of film that benefits from its structure but is carried by its performers.  Zeller provides Anthony Hopkins a stage and he runs with it by delivering one of the best performances of his storied career.  Hopkins runs a master class in acting from start to finish.  There are multiple moments where he moves through a series of emotions with such ease and authenticity that you have to marvel at his talents.  It’s the type of the performance that will be used in acting classes for years to come.  The supporting cast is made up strong actors who are more than capable at holding their own on the screen with Hopkins.  Olivia Colman gets the largest portion of the load and she does well, always keeping everything grounded and painfully real. There are a bevy of these type of prestige films that pop up every year with varying results, Florian Zeller’s The Father works on multiple levels while providing a showcase to a legendary living legend.

A

MOVIE REVIEW: COMING 2 AMERICA

Set in the lush and royal country of Zamunda, newly-crowned King Akeem (Eddie Murphy) and his trusted confidante Semmi (Arsenio Hall) embark on an all-new hilarious adventure that has them traversing the globe from their great African nation to the borough of Queens, New York - where it all began.

Director: Craig Brewer

Cast: Eddie Murphy, Arsenio Hall, Jermaine Fowler, Leslie Jones, Tracy Morgan, KiKi Layne, Shari Headley, Teyana Taylor, Wesley Snipes, James Earl Jones

Release Date: December 18, 2020

Genre: Comedy

Rated PG-13 for crude and sexual content, language and drug content

Runtime: 1 h 50 min

Review:

Coming 2 America feels like many of recent unnecessary sequels to beloved classics in that it offers fun bits of nostalgia but never reaches the level of the original.  Craig Brewer’s film fits some familiar beats which will leave fans of the original happy but some maybe surprised to find that much of the film takes place in Zamunda and the story’s mainly focused on Jermaine Fowler’s character.  The story flips the script of the original by making the Folwer the outsider; it’s a decent if uninspired take.  Folwer is capable enough but he’s hardly on the same comedic talent level of Eddie Murphy or Arsenio Hall.  The latter do have plenty of chances to shine and they make great use of their screen time in revisiting their classic characters.  The supporting cast is filled with familiar faces with Wesley Snipes clearly having a ball playing General Izzi.  Ultimately, Coming 2 America is a fun little bit of comedic comfort food even if it’ll never touch the originals quality. 

C+

MOVIE REVIEW: CHAOS WALKING

 

In Prentisstown, Todd has been brought up to believe that the Spackle released a germ that killed all the women and unleashed Noise on the remaining men. After discovering a patch of silence out in the swamp, his surrogate parents immediately tell him that he has to run, leaving him with only a map of New World, a message, and many unanswered questions. He soon discovers the source of the silence: a girl, named Viola.

Director: Doug Liman

Cast: Daisy Ridley, Tom Holland, Mads Mikkelsen, Demián Bichir, Cynthia Erivo, Nick Jonas, David Oyelowo

Release Date: March 5, 2021

Genre: Adventure, Sci-Fi 

Rated PG-13 for violence and language 

Runtime: 1 h 49 min

Review:

Chaos Walking is a prime example of an enjoyable film that still feels like a missed opportunity.  Doug Liman's troubled production, originally filmed in 2017 and pushed back multiple times, is a visually appealing hybrid of a couple of genres.  There's the standard dystopian base mixed with a western, paired with some lovely pacific northwestern vistas which gives the film a distinctive look.  Linman tries his best to keep you from noticing the clichés that make up the skeleton of the plot while using some impressive effects to visualizes the film's primary conceit, the noise.  The "thoughts" are visualized as personalized auras or projections occasionally which keeps the proceedings from lagging even in slower moments.  The cast does the best they can with the script which seems interested in larger themes like sexual politics and zealotry but never delves into any of them with any serious depth.  Daisy Ridley's female character is the kicking off point of the entire story but her character feels painfully underwritten, as such she's relegating to reacting to situations and not much else.  Tom Holland's character fares better mainly due to his general boyish likeability which works so well for as Spiderman.  Holland's interactions with Ridley are the lifeblood of the film and makes markedly more watchable than it deserves to be.  Sadly, there is a bevy of a excellent actors who are short changed by the script.  Mads Mikkelsen can play passive aggressive villainy in his sleep but the film doesn't really give him much to do outside of looking at people menacingly.  Faring even worse are Demián Bichir, Cynthia Erivo, & David Oyelowo whose character seem much more nuanced and interesting than the script allows them to be.  Ultimately, Chaos Walking is a forgettable miss that could have been so much more.

B-

MOVIE REVIEW: TOM AND JERRY

 

A legendary rivalry reemerges when Jerry moves into New York City's finest hotel on the eve of the wedding of the century, forcing the desperate event planner to hire Tom to get rid of him. As mayhem ensues, the escalating cat-and-mouse battle soon threatens to destroy her career, the wedding, and possibly the hotel itself.

Director: Tim Story

Cast: Chloë Grace Moretz, Michael Peña, Colin Jost, Rob Delaney, and Ken Jeong, Nicky Jam, Bobby Cannavale,  Lil Rel Howery, William Hanna, Mel Blanc, June Foray, Frank Welker

Release Date: February 26, 2021

Genre: Animation, Adventure, Comedy

Rated PG for cartoon violence, rude humor and brief language

Runtime: 1 h 41 min

Review:

Tom and Jerry is very much a throwback on multiple levels.  The titular pair are some of the most iconic characters in the history of animation with this being the second outing on the big screen.  It’s not the mess that the 1992 film but still scattershot and uneven for its runtime.  The live action hybrid works fairly well even though there are multiple times that you can tell the cast is reacting to air or placeholders.  Its still a very impressive feat on a technical level and the animations looks wonderfully fluid.  It’s hard to watch this without getting some Who Framed Roger Rabbit vibes in spots with a more family friendly approach.  The story and direction are harmlessly broad for the most part but there are bits of edge, some of which works well while others fall flat.  Tom and Jerry mostly stay true to their classic iterations which is a win for people who remember the classic shorts.  The human cast is solid if bland with Chloë Grace Moretz carrying the larger portion of the film, Moretz is a talented actress but her delivery here feels a little wooden and uninspired.  Her character never really connects as a fully formed entity but just a vessel to move the story along.  Michael Peña likewise doesn’t feel as naturalistic as he usually does which leads me to be believe that there might be a disconnect between the live actors and their animated counter parts.  As such, we are left with an overlong film that works in spots but lulls in others.  Tim Story’s film would have benefited from trimming but overall it’s a solid mindless family film that’ll keep most kids entertained. 

C+

MOVIE REVIEW: NOMADLAND

 

A woman embarks on a journey through the American West after losing everything during the recession.

Director: Chloé Zhao

Cast: Frances McDormand, David Strathairn, Linda May, Swankie, Bob Wells

Release Date: February 19, 2021

Genre: Drama

Rated R for some full nudity.

Runtime: 1 h 48 min

Review:

Chloé Zhao’s Nomadland is a dreamlike portrait of grief and self realization.  Her film is methodically paced travelogue through the country through the eyes of a forgotten population.  At the center of the entire film is Frances McDormand who delivers an understated multilayered performance that anchors the film.  McDormand’s ability to channel an authentic everywoman is on par with Tom Hanks.  It’s a talent that fits this role perfectly and she delivers one of the most authentic and grounded performances of her career.  She emotes an immense amount of emotional information with gestures or looks with the script keeping dialogue at a minimum.  The supporting cast is a mixture of non actors and familiar character actors like David Strathairn.  Strathairn is equally understated as the love interest in the thickest story thread in the film.  McDormand’s work with non actors Linda May, Swankie and Bob Wells feels improvised giving portions of the film an almost documentary feel.  The story introspective journey is deeply personal but universal at the same time which gives the film its emotional impact.

A