In the thriller, Rachel (Blunt), who is devastated by her recent divorce,
spends her daily commute fantasizing about the seemingly perfect couple who
live in a house that her train passes every day, until one morning she sees
something shocking happen there and becomes entangled in the mystery that
unfolds. Based on Paula Hawkins’ bestselling novel, The Girl on the Train is
adapted for the screen by Erin Cressida Wilson and Taylor. The film’s executive
producers are Jared LeBoff and Celia Costas, and it will be released by
Universal Pictures.
Rated R for violence, sexual content, language and nudity
Genres: Suspense/Thriller
Review:
Is it possible to make an interesting movie with a cast
of characters who are all unlikable and fairly terrible?The Girl on the Train tries really hard to
pull it off and has a decent amount of success even if the “mind blowing” twist
is telegraphed fairly early on.Tate
Taylor is clearly trying to emulate David Fincher’s Gone Girl but he’s not as
talented a filmmaker to make it work.As
is, the film is a surprisingly engrossing tale of bad people doing bad things
repeatedly.Taylor’s
real talent is getting some truly impressive performances out of his cast
especially Emily Blunt.Blunt is
incredibly impressive throughout with multiple scenes set up to showcase her
acting chops.Haley Bennett, who looks
distractingly like a Jennifer Lawrence clone, is just solid even though her
character feels unwritten.It’s a shame
because the character seems to be most interesting of the group.The Girl on the Train is trying it’s hardest
to be some special but it never quite gets there.
After a family tragedy, a boy named Jake (Asa Butterfield) follows a series
of clues that lead him to a mysterious orphanage on a remote Welsh island.
There, he discovers a community of children with unusual abilities, and learns
he is destined to protect them. Eva Green, Samuel L. Jackson, Kim Dickens,
Allison Janney, Judi Dench, Chris O'Dowd, Rupert Everett, and Terence Stamp
co-star. Directed by Tim Burton, Miss Peregrine's Home for Peculiar Children
was adapted from Ransom Riggs' debut novel of the same name. ~ Daniel Gelb,
Rovi
Director: Tim Burton
Cast: Eva Green, Asa Butterfield, Chris O'Dowd, Allison
Janney, Judi Dench
Release Date: Sep
30, 2016
Rated PG-13 for violence and Peril and Intense Fantasy
Action
Runtime: 2 hr. 7 min.
Genres: Action/Adventure, Family, Sci-Fi/Fantasy
Review:
Tim Burton’s newest film is a
welcome return to his glory days as a director.The book seems ready made for Burton and give a certain feel that works in the films favor.The cast seems to be having a blast, for the
most part, with a radiant Eva Green leading the way.Green is always the most interesting person
on screen and the film loses some pop when she’s not on screen especially
during an extended absence in the final act.Ella Purnell gives the best performance of the titular peculiar
children.It’s a shame her story and
character isn’t fleshed out more.Also
not helping matters is the film’s male lead.Asa Butterfield is possibly one of the blandest actors I’ve watched in a
long time.His line deliver is so stiff
and uninspired that it almost feels like he might yawn in the middle of
it.On the other end of the spectrum is
Samuel L. Jackson who’s so over the top that’s its jarring when he first shows
up.Its not good or bad just odd.Equally odd is just how thinly written the
villain is.It’s a shame because with a
better lead and more dynamic villain this might have been scratching the top
tier of Burton films.
Dearest Blog: Yesterday it was off to Marquee Cinemas for a double-bill of Miss Peregrine's Home for Peculiar Children and Deepwater Horizon.
Spoiler level here will be mild, nothing you wouldn't know from the trailers or perhaps the news.
First up: Miss Peregrine's Home for Peculiar Children.
Some characters straight out of his grandfather's bedtime stories turn a young man's ordinary existence upside-down.
It goes without saying that a story with "peculiar" in the title is ideally suited to director Tim Burton. All of Burton's more recent projects have earned critical ire (mostly deserved), and, if Miss Peregrine isn't quite the Burton of old, at least it seems to be a step in the right direction.
The film boasts glorious production design, some lovely set pieces, and stunning locations; Burton has not lost his ability to find beauty in even the strangest and most macabre things. Colleen Atwood's costumes and a wonderful score by Michael Higham and Matthew Margeson perfectly compliment the eerie atmosphere.
Unfortunately, though the story is compelling, the movie seems to crawl along at a snail's pace. There's too little of the stellar Eva Green (who was born for this role), and too much of the bland child cast.
Asa Butterfield is perfectly dreadful in the lead; he might as well have been reading from cards. Nothing points to 3D being a worthwhile investment on this one, aside from the fact that, in 2D, the movie's often too dark to see what's happening.
Miss Peregrine's Home for Peculiar Children clocks in at 127 minutes and is rated PG13 for "intense sequences of fantasty action/violence, and peril."
Miss Peregrine's Home for Peculiar Children is visually impressive enough to earn your big-screen dollars, but, sadly it's also something no idea so magical should ever be: kinda boring.
Of a possible nine Weasleys, Miss Peregrine's Home for Peculiar children gets five.
Fangirl points: Keep your eyes open for a rare and delightful Tim Burton cameo!
Next up, the based-on-true-events tale of Deepwater Horizon.
An explosion on a free-floating offshore drilling rig has disastrous consequences.
Dear reader(s), Deepwater Horizon is one of those movies whose trailer was so ubiquitous and irritating that I worried the movie wouldn't have a chance of overcoming it, but I'm pleased to report my concern was mostly unfounded.
Mark Wahlberg stars as Mike Williams, a technician on the rig who is central to this telling of the story. We're introduced to his insufferably cutesy wife and daughter (Kate Hudson and Stella Allen), then to most of the rig's crew through his eyes, giving viewers just enough of each person to make sure they'll be acceptably sad for the unlucky ones.
The supporting cast has a fair few familiar faces: Kurt Russell, John Malkovich, and my celebrity boyfriend (per a super-scientific Buzzfeed quiz) Dylan O'Brien. There's enough setup to make it clear who're the Good Guys and the Bad Guys, and then--BOOM!--disaster.
The film doesn't waste too much time getting there and, to its credit, moves along nicely throughout. The bulk of the picture plays out as the rig's situation deteriorates and crew members try to save themselves and others. Deepwater Horizon does a perfect 180 from its advertising, showing individuals behaving heroically, minus the frustrating chest-thumping vibe of the trailer.
The movie's disaster effects are spectacular, with sound mixing and editing in particular deserving full marks. It's a bit dark and jiggly at times, but that only adds to viewers' ability to share the terror the folks aboard that rig must have felt.
Two small and random quibbles: Did Williams' wife really take time to do her nails over the course of these harrowing hours?
They're pink the whole movie, then a French manicure when she and their daughter reconnect with him at the hotel following the rescue. Also, looking at photos of the crew next to the actors portraying them, I'm thinking my wish to have Beyonce star in the story of my life isn't so unrealistic after all.
Deepwater Horizon runs 107 minutes and is rated PG13 for "prolonged, intense disaster sequences and related disturbing images, and brief strong language."
Deepwater Horizon might have been better suited to summer's action season than to awards season, but it's an edge-of-your-seat tale that hopefully will make the world more cautious and aware going forward.
Of a possible nine Weasleys, Deepwater Horizon gets six.
In this remake of the classic 1960 oater of the same name (itself a Western
remake of Akira Kurosawa's masterpiece, The Seven Samurai), seven gunslingers
join forces in order to protect a small town from a mining tycoon (Peter
Sarsgaard) and his goons, who plan to seize the residents' land by force. The
seven-man army is led by a mysterious bounty hunter (Denzel Washington), and
also includes a sharp-witted gambler (Chris Pratt), a troubled ex-Civil War
soldier (Ethan Hawke), a mountain man (Vincent D'Onofrio), an expert knife
thrower (Byung-hun Lee), an outlaw (Manuel Garcia-Rulfo), and a Comanche
warrior (Martin Sensmeier). Directed by Antoine Fuqua (Training Day). ~ Jack
Rodgers, Rovi
Director: Antoine Fuqua
Cast: Denzel Washington, Chris Pratt, Ethan Hawke,
Vincent D'Onofrio, Lee Byung-hun
Release Date: Sep
23, 2016
Rated PG-13
Runtime: 2 hr. 12 min.
Genres: Action/Adventure
Review:
I’ll start by saying that I’ve never seen the original
The Magnificent Seven film so I don’t have anything to compare it to.The plot itself has been recycled multiple
times so the story itself doesn’t hold much in the way of surprises.Antoine Fuqua seems to know this so he tries
his best to honor the classic westerns of yesteryear.As such, you get plenty of scenic
cinematography and high intensity shoot outs throughout.Ultimately, the only way this film would
maintain anyone’s interest would be because of the cast.Denzel Washington holds the entire film
together as the steely eyed bounty hunter.The film is at it’s best during the first half as the team is assembled
and we get a taste of each of the characters being assembled.Some of which get more time than others but
in the end you can tell the actors are just having a blast.That keeps the film fun and interesting even
as we start heading into very well worn territory in terms of story. As such, The Magnificent Seven is an enjoyable
bit of entertainment that could have used a tad bit more depth to make it truly
standout.
Dearest Blog: Yesterday it was off to Marquee Cinemas for one of my more anticipated offerings of 2016, Antoine Fuqua's remake of The Magnificent Seven.
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
When a brutal robber baron tries to steal a town right out from under its inhabitants, the townsfolk turn to an eclectic band of gunslingers to defeat him.
So, dear reader(s), you're tired of remakes and reboots and rehashes, right? I hear ya. Hollywood apparently doesn't, but I do. Scarred though you may be by lady Ghostbusters and a decidedly Michael Bay-ish Ben-Hur, I'm asking you to give this one a chance. Please.
Throwing the universe's most watchable actor, Denzel Washington, into an ensemble picture is a bit like putting a perfect diamond on a CZ-tennis bracelet--no matter how good the rest is, it won't compare--but he does a masterful job of leading this pack without actively scene-stealing.
His diverse group of not-so-merry men is uniformly fantastic, with Byung-hun Lee and the brilliant Vincent D'Onofrio nearly walking off with the movie. Gunfights are tightly-choreographed chaos, a delight to watch. The picture also boasts some majestic scenery and a lovely score by Simon Franglen and the late James Horner.
Throughout, it feels like a throwback to the glory days of Hollywood westerns.
Among The Magnificent Seven's relatively few weaknesses: It relies just a little to heavily on Chris Pratt's appeal, while criminally wasting the lovely Matt Bomer.
Haley Bennett overacts like a madwoman at times. There are some weirdly obvious inaccuracies, like blindingly-white teeth all 'round, and a few prominently-placed prostitutes who more closely resemble 1980s video extras than anything from the wild west. The entire cast is sweat-shiny for the duration...except Denzel, who is cool as a cucumber until the very end.
Also, the movie is occasionally so very traditional as to appear almost comical on today's cinema landscape.
This remake defies many current cinema norms. Though a battle is the picture's primary focus, there are no bloated, never-ending fight scenes. The pace is deliberate, but the movie is never dull. There's surprisingly little graphic gore, despite a Game of Thrones-esque body count.
The single female lead provides opportunities aplenty, yet she's never shoehorned into a romance with any of our heroes. Finally, this film is utterly disinterested in kicking off a franchise. Come on, reader(s), when was the last time you walked out of the theatre without feeling like you'd just been set up for the next sequel?
The Magnificent Seven is a beautifully-filmed, epic western that features top-notch performances from some of today's best and most-loved actors. Simply put, movies like this are why I go to the movies.
Of a possible nine Weasleys, The Magnificent Seven gets eight.
Dearest Blog: Yesterday it was off to Marquee Cinemas to check out the latest from Oliver Stone: Snowden.
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
Convinced the US government's spying has gone too far, a CIA consultant steals information to expose its secrets.
Snowden is awards bait at its most obvious.
Timely, contentious subject matter combines with decorated talent to peg it an early contender, but that doesn't necessarily make it a great movie.
Joseph Gordon-Levitt is compelling as Edward Snowden, though his deliberate method of speech is nearly as distracting as his French accent was in The Walk. Rhys Ifans and Nicolas Cage turn in terrific performances as Snowden's CIA mentors, and Melissa Leo, Zachary Quinto, and Tom Wilkinson are fantastic as the journalists who helped break Snowden's remarkable story.
While Snowden's tale is undoubtedly fascinating, the movie seems to drag. Your attention isn't likely to wander too far, but you'll be getting mighty fidgety by the second act. A political story by default, Snowden may annoy both sides of the aisle equally.
Unlike last weekend's pristine cinema hero, Sully, Ed Snowden is no squeaky-clean good guy; his reasons were brave and selfless, but he still broke laws intended to protect the country he loves so much. Is he a heroic villian? A villianous hero? The movie asks the questions, but isn't all that convincing in its answer.
Snowden is distractingly desperate for awards, but there are some great moments to be found.
A scene where a video-screen Ifans looms cartoonishly-large over Levitt's doubting Snowen is particularly effective.
The film maintains tension throughout, but a cheesy ending leaves you feeling like it was all for naught.
Snowden clocks in at 134 minutes and is rated R for "language and some sexuality/nudity."
Snowden is a reasonably entertaining outing, but its heavy-handedness is ultimately its downfall. Of a possible nine Weasleys, Snowden gets five and a half.
Fangirl points: Timothy Olyphant!
Until next time...
