Dearest Blog: Today it was off to Marquee Cinemas to see my beloved Gary Oldman's latest picture, The Space Between Us.
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
A boy born and raised on Mars yearns to come to Earth.
Well, dear reader(s), I can't sugar coat it: The Space Between Us might be the worst movie I've ever seen. Almost everything about this film is so embarrassingly terrible that it's hard to know where to start, so, just to keep you on your toes, I'll start with the few things I actually liked. First, Gary looks amazing. Like, even-better-than-Air-Force-One amazing. He's in the movie a LOT more than I expected, too. I thought he'd be on the periphery of the main story between the two kids, but actually he's kinda the star, with commensurate screen time (which he already may be regretting). There's some lovely scenery as our kids traverse the country, a handful of genuinely funny/cute moments (though few and far between), and a few bits of the score that really caught my ear. That's the good news. The bad news is this movie is otherwise awful to the last detail. It sells its premise so poorly that you're laughing at the very idea before it really even gets started. Awkward, hokey dialogue sounds like it was written by someone who has never heard a real person speak before. It's hard to fault the actors, given the material, but nobody does anything to elevate this mess, either. Mostly what we've got here is two hours of smitten teens acting all teeny and adults scampering around, overwrought, in the most predictable series of events ever. On the Gary Oldman scale, it's about as bad as Lost in Space.
The Space Between us clocks in at an interminable 120 minutes and is rated PG13 for "brief sensuality and language."
As always, I encourage everyone to get out to the movies this weekend. Please just go see something besides The Space Between Us. Of a possible nine Weasleys, The Space Between Us gets one, for giving me my Gary on the big screen.
After a family tragedy, a boy named Jake (Asa Butterfield) follows a series
of clues that lead him to a mysterious orphanage on a remote Welsh island.
There, he discovers a community of children with unusual abilities, and learns
he is destined to protect them. Eva Green, Samuel L. Jackson, Kim Dickens,
Allison Janney, Judi Dench, Chris O'Dowd, Rupert Everett, and Terence Stamp
co-star. Directed by Tim Burton, Miss Peregrine's Home for Peculiar Children
was adapted from Ransom Riggs' debut novel of the same name. ~ Daniel Gelb,
Rovi
Director: Tim Burton
Cast: Eva Green, Asa Butterfield, Chris O'Dowd, Allison
Janney, Judi Dench
Release Date: Sep
30, 2016
Rated PG-13 for violence and Peril and Intense Fantasy
Action
Runtime: 2 hr. 7 min.
Genres: Action/Adventure, Family, Sci-Fi/Fantasy
Review:
Tim Burton’s newest film is a
welcome return to his glory days as a director.The book seems ready made for Burton and give a certain feel that works in the films favor.The cast seems to be having a blast, for the
most part, with a radiant Eva Green leading the way.Green is always the most interesting person
on screen and the film loses some pop when she’s not on screen especially
during an extended absence in the final act.Ella Purnell gives the best performance of the titular peculiar
children.It’s a shame her story and
character isn’t fleshed out more.Also
not helping matters is the film’s male lead.Asa Butterfield is possibly one of the blandest actors I’ve watched in a
long time.His line deliver is so stiff
and uninspired that it almost feels like he might yawn in the middle of
it.On the other end of the spectrum is
Samuel L. Jackson who’s so over the top that’s its jarring when he first shows
up.Its not good or bad just odd.Equally odd is just how thinly written the
villain is.It’s a shame because with a
better lead and more dynamic villain this might have been scratching the top
tier of Burton films.
Dearest Blog: Yesterday it was off to Marquee Cinemas for a double-bill of Miss Peregrine's Home for Peculiar Children and Deepwater Horizon.
Spoiler level here will be mild, nothing you wouldn't know from the trailers or perhaps the news.
First up: Miss Peregrine's Home for Peculiar Children.
Some characters straight out of his grandfather's bedtime stories turn a young man's ordinary existence upside-down.
It goes without saying that a story with "peculiar" in the title is ideally suited to director Tim Burton. All of Burton's more recent projects have earned critical ire (mostly deserved), and, if Miss Peregrine isn't quite the Burton of old, at least it seems to be a step in the right direction.
The film boasts glorious production design, some lovely set pieces, and stunning locations; Burton has not lost his ability to find beauty in even the strangest and most macabre things. Colleen Atwood's costumes and a wonderful score by Michael Higham and Matthew Margeson perfectly compliment the eerie atmosphere.
Unfortunately, though the story is compelling, the movie seems to crawl along at a snail's pace. There's too little of the stellar Eva Green (who was born for this role), and too much of the bland child cast.
Asa Butterfield is perfectly dreadful in the lead; he might as well have been reading from cards. Nothing points to 3D being a worthwhile investment on this one, aside from the fact that, in 2D, the movie's often too dark to see what's happening.
Miss Peregrine's Home for Peculiar Children clocks in at 127 minutes and is rated PG13 for "intense sequences of fantasty action/violence, and peril."
Miss Peregrine's Home for Peculiar Children is visually impressive enough to earn your big-screen dollars, but, sadly it's also something no idea so magical should ever be: kinda boring.
Of a possible nine Weasleys, Miss Peregrine's Home for Peculiar children gets five.
Fangirl points: Keep your eyes open for a rare and delightful Tim Burton cameo!
Next up, the based-on-true-events tale of Deepwater Horizon.
An explosion on a free-floating offshore drilling rig has disastrous consequences.
Dear reader(s), Deepwater Horizon is one of those movies whose trailer was so ubiquitous and irritating that I worried the movie wouldn't have a chance of overcoming it, but I'm pleased to report my concern was mostly unfounded.
Mark Wahlberg stars as Mike Williams, a technician on the rig who is central to this telling of the story. We're introduced to his insufferably cutesy wife and daughter (Kate Hudson and Stella Allen), then to most of the rig's crew through his eyes, giving viewers just enough of each person to make sure they'll be acceptably sad for the unlucky ones.
The supporting cast has a fair few familiar faces: Kurt Russell, John Malkovich, and my celebrity boyfriend (per a super-scientific Buzzfeed quiz) Dylan O'Brien. There's enough setup to make it clear who're the Good Guys and the Bad Guys, and then--BOOM!--disaster.
The film doesn't waste too much time getting there and, to its credit, moves along nicely throughout. The bulk of the picture plays out as the rig's situation deteriorates and crew members try to save themselves and others. Deepwater Horizon does a perfect 180 from its advertising, showing individuals behaving heroically, minus the frustrating chest-thumping vibe of the trailer.
The movie's disaster effects are spectacular, with sound mixing and editing in particular deserving full marks. It's a bit dark and jiggly at times, but that only adds to viewers' ability to share the terror the folks aboard that rig must have felt.
Two small and random quibbles: Did Williams' wife really take time to do her nails over the course of these harrowing hours?
They're pink the whole movie, then a French manicure when she and their daughter reconnect with him at the hotel following the rescue. Also, looking at photos of the crew next to the actors portraying them, I'm thinking my wish to have Beyonce star in the story of my life isn't so unrealistic after all.
Deepwater Horizon runs 107 minutes and is rated PG13 for "prolonged, intense disaster sequences and related disturbing images, and brief strong language."
Deepwater Horizon might have been better suited to summer's action season than to awards season, but it's an edge-of-your-seat tale that hopefully will make the world more cautious and aware going forward.
Of a possible nine Weasleys, Deepwater Horizon gets six.
