Cindy Prascik’s Review of World War Z

Dearest Blog, today it was off to the cinema for World War Z.

Folks, the zombie apocalypse is upon us, and it's left to Brad Pitt to turn the tide.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Surprise, dear reader(s), I have actually read the book on which this film is based! The Great Gatsby? No. World War Z? Yes. If anyone's looking for me, I'll be off killing myself for the good of the species.

World War Z is a so-so zombie flick, but a pretty darn good dramatic thriller. Everything is presented in such a grounded way that, had filmmakers elected to use a term other than "zombie," it could have been another Contagion. Tension stays high throughout, and--though I've heard complaints that it's too slow--my attention never strayed. The living dead are appropriately creepy and, as fans will have noted from the trailers, can not only run but climb, a significant change from the usual zombie lore. Sorta made me want to sprint for the car when it was all said and done...just in case!

Brad Pitt is effective in the lead, though the role is hardly taxing. Fans of The Killing will note that Mirielle Enos smiles more in a film about the end of the friggin' world than she does in her weekly TV series...what?? The remaining cast is serviceable, if not remarkable, with the closest thing to a standout being Daniella Kertesz. The kids are a little annoying, but aren't on screen enough that it much matters. Personally, I was delighted to see David Morse and The Hour's Peter Capaldi in small roles.

The strangest thing about World War Z is what it's missing: blood and guts. We've become accustomed to The Walking Dead and its tendency to get up close and personal with zombies gnawing on human flesh, or Daryl Dixon putting an arrow through a walker's eye and splattering brains out the back of its head. You'll find virtually none of that in WWZ, which elects to keep the camera on the person wielding the gun/sword/axe/baseball bat/whatever, as opposed to actually showing a zombie's head getting smashed into a billion pieces. While I'm not saying making the film a gratuitous splatter-fest would have been the better artistic choice, I will say the extremely tame language and lack of any significant gore does leave the movie lacking an edge it probably could have used.

Regular reader(s) will know that vampires are my "thing," not zombies; in fact, if not for the presence of Mr. Pitt, I'd probably have paired my weekly Star Trek screening with Monsters University rather than with World War Z. I also found the book painfully dull, so, while I figured the movie had to be at least somewhat better, my expectations were moderate at best. I'm happy to report I was pleasantly surprised and liked the film much better than I anticipated.

World War Z runs a steadily-paced 116 minutes and is rated PG13 for "intense, frightening zombie sequences, violence, and disturbing images." It bears little resemblance to the book on which it's based, but that's not necessarily a bad thing! Of a possible nine Weasleys, World War Z gets six and a half.

Until next time...




OHMYGOSH, IT'S THE ZOMBIE APOCALYPSE!!

MOVIE REVIEW: WORLD WAR Z

Brad Pitt stars as an ex-United Nations employee racing around the globe in a bid to halt a worldwide zombie pandemic in Marc Forster's sprawling adaptation of Max Brooks' bestselling novel of the same name. James Badge Dale, Matthew Fox, and David Morse co-star in this Paramount Films production. ~ Jason Buchanan, Rovi

Director: Marc Forster

Cast: Brad Pitt, James Badge Dale, Ludi Boeken, Matthew Fox, David Morse

Release Date: Jun 21, 2013

Rated PG-13 for intense frightening zombie sequences, violence and disturbing images.

Runtime: 1 hr. 55 min.

Genres: Action/Adventure, Drama, Horror

Review:

World War Z, the book, is one of the smartest slants on zombies I’ve ever read. The amount of research that Max Brook put into his heady novella is extensive and well thought out. I personally think the best way to adapt the book faithfully is via a mini series. Of course that won’t happen. The film version bares little resemblance to the book and if book readers can detach themselves from that fact they might be able to enjoy it. It’s a generic but occasionally thrilling blockbuster. Brad Pitt is pretty much the only character that matters throughout. There are other ancillary characters but honestly they don’t matter outside of window dressing. Pitt is tasked with saving the world because he works for the UN doing, um, well something. Either way its Pitt’s show and thankfully he’s one of the few actors strong enough to carry a film like this. The plot littered is logical holes but thanks to his commanding, paternal presence you can overlook them, for the most part. Marc Forster does a solid job in the director’s chair. He crafts some impressively tense sequences throughout. This film is a relentless yet sterile PG-13 funhouse ride filled with big action set pieces. Even the airplane sequence, which I still found rather silly, works. It also confirmed my longstanding theory that Brad Pitt could survive an airplane crash solely based on good looks and charm. Unfortunately, like some rides, its ends abruptly with very little pomp and circumstance almost like it was out of breath and motivation. It’s all easily digestible and forgettable.

B-

TV SHOW REVIEW: HEMLOCK GROVE

A teenage girl is brutally murdered, sparking a hunt for her killer. But in a town where everyone hides a secret, will they find the monster among them?

Cast: Famke Janssen, Penelope Mitchell, Freya Tingley, Bill Skarsgård, Freya Tingley, Kandyse McClure, Aaron Douglas

Executive producer(s) Eli Roth, Charles H. Eglee, Eric Newman, Michael Connolly, Lee Shipman, Brian McGreevy, Dan Paige

Written by Brian McGreevy Lee Shipman Dan Paige

Review:

Hemlock Grove feels familiar, incredibly familiar. A multitude of supernatural themed shows litter the airwaves and movie screens. Shows like True Blood and The Vampire Diaries cover somewhat similar territory with the latter proving to be a more consistently written product. Hemlock Grove has an uphill battle from the start. It has to bring us engaging characters and a new slant on certain genre tropes. Does it succeed? Not really. The central mystery at the heart of season 1 is rather uninteresting and the final reveal is telegraphed early on. The characters vary from semi interesting to bland. The fact that a mute comes off as the most intriguing character speaks volumes. The cast has a few stand outs such as Landon Liboiron as Peter Rumancek. Liboiron performance feels comfortable and natural throughout and he never comes across like he’s trying too hard unlike Bill Skarsgård. Skarsgård’s performance undersells what’s supposed to be a sexy conflicted lead; instead he comes off as whiny and disinterring. Nicole Boivin with Amazon Eve working as her massive body double as Shelly, the mute mutant Godfrey sister, emotes more through simple looks, while under extensive make up, than most of her cast mates. A usually reliable Dougray Scott comes off as stiff and fairly bland even though he’s a regular cast member. Battlestar Galactica alums, Aaron Douglas and Kandyse McClure are surprisingly bad. Some of their line delivers, especially some of the more emotional moments, miss the mark badly. Bad acting is hardly limited to them because it does pester the first season like an annoying fly. The best example of this is Famke Janssen. Janssen, with a truly embarrassing and distracting “British” accent, chews up scenery like she hasn’t eaten for weeks. Her character is supposed to be a rich, sexy man eater with a biting tongue. Janssen’s performance rarely hits her mark, occasionally falling into camp territory. Her character doesn’t become truly interesting until the latter episodes. The same can be said for the season as a whole. Its plot hints at a supernatural sci-fi, religious mix but stays in a holding pattern for most of the season. As a result, most of the plot feels like a trudge mainly because the ”twists” revealed in the latter episodes are fairly obvious and you wished it’d just get on with it already. After the reveals, the series seems to find some much stronger forward moment, something it could have sorely used earlier on. Let’s hope season 2, just confirmed, can take advantage of it.

C

[Trailer] Anchorman 2: The Legend Continues

First trailer for Anchorman 2, which shows some actual footage, has hit and it doesn’t show its hand too much. A few bit here and there made me grin but nothing made me laugh out loud.

I’m working on the assumption that they are keeping the best bits for the actual movie or at least hoping so since Anchorman is a personal favorite of mine, expectations are a tad high…

Cindy Prascik’s review of Man of Steel / This Is the End

Dearest Blog, today I followed the herd to the cinema for Man of Steel. Though I'd happily have seen Star Trek again, I did the responsible thing and paired MOS with This Is the End, so, dear reader(s), I could share my "wisdom" on the week's big new releases. You're welcome. ;-)

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A reboot of the Superman franchise, Man of Steel is the obligatory origins tale.

The usual disclaimers, personal biases that will, no doubt, color this review: I love superhero movies. I do not love Superman, but I adore this team of filmmakers, and most of this cast. I very much wanted to love this movie. I did not.

Starting with the obvious: Henry Cavill.

I'm an Anglophile, so this is not the first time Mr. Cavill and I have crossed paths. While he is an extraordinarily good-looking young man, he is, unfortunately, only an average actor, with no special charisma. Never is that more obvious than when he shares a screen with one of Hollywood's most magnetic leading men, Russell Crowe, who is terrific as always, even with limited screen time. This film really needed a Robert Downey, Jr.-esque leading man to overcome its flaws, and Cavill is not that guy. (I'm a fan, but it is what it is.) The cast is fleshed out with big names and very familiar faces: Amy Adams, Kevin Costner, Diane Lane, Michael Shannon, Christopher Meloni, Laurence Fishburne, and, as mentioned, Russell Crowe. Other than Crowe, they are as unremarkable as the material. The usually superb Shannon is a particular disappointment, flat and uninspired as the film's main villain.

While the acting in Man of Steel is nothing to write home about, the cast can't really be blamed for the film's chief handicap: it's just plain boring. I somehow managed not to check the time more than once, which, in and of itself, constitutes a super-human feat.

Man of Steel does have some positives, including big, solid special effects, and a grand score by Hans Zimmer. My fellow Crowe fans will be pleased to note that Russell is looking fit these days, and there's no denying Henry Cavill is easy on the eyes, and has the perfect look for this iconic role.

Man of Steel attempts to drag Superman into the darker territory where Batman and Watchmen now comfortably reside, but Superman is ill
suited for that world. Take away the camp, and you're left with something that's no less silly, just less entertaining. This is an okay movie, but, sadly, far from the perfect superhero movie many of us were counting on.

Man of Steel clocks in at an excessive 143 minutes, and is rated PG13 for "intense sequences of sci-fi violence, action and destruction, and for some language." This will make a bundle at the box office this weekend, and, despite my disappointment, I'm very happy about that for all involved, and I look forward to a sequel that I'm already confident will be brilliant. Of a possible nine Weasleys, Man of Steel gets six.

Next on my agenda was the raunch-comedy, This Is the End, starring James Franco, Seth Rogen, Jay Baruchel, Craig Robinson, Jonah Hill and a slew of their Hollywood compatriots as what I'm told are very exaggerated versions of themselves...facing the Apocalypse.

This Is the End is one of those films I don't quite know what to do with. When it was funny, it was really, really funny, but, unfortunately, there was a good bit I just didn't find funny. Being that the film is essentially one long "in" joke, I'm willing to concede that maybe I just didn't get some of it, but there were also times when it was simply too much: too gross, too much foul language, too, too much. (Bear in mind I think Tropic Thunder is the funniest movie of all time, so I'm not particularly squeamish about any of that.)

The entire cast shows off brilliant comedy chops, especially Jay Baruchel (a personal favorite) and James Franco. Not sure how much credit is due there if they were basically playing themselves, but, to a man, they are hilarious. It goes without saying that I loved Harry Potter's Emma Watson in a small role that allowed her to play against type. The movie is a tad too long, and the plot (such as it is) bogs down in places, but generally speaking it's good fun from start to finish. While I won't spoil the ending for anyone who hasn't see it, I have to at least say there's a squee-worthy moment that: a.) caused me to embarrass myself in front of a packed theatre, and b.) immediately allowed me to forgive this film for any shortcomings.

This Is the End runs 107 minutes and is rated R for "crude and sexual content throughout, brief graphic nudity, pervasive language, drug use, and some violence."

It's a raucous comedy that's a great time, if you've got the stomach for it. I enjoyed it, but I also spent most of the two hours thinking how much funnier The World's End is certain to be. Of a possible nine Weasleys, This Is the End gets six.

The moral of today's cinema trip: If you're thinking of seeing either of these films, but haven't yet seen Star Trek Into Darkness or Now You See Me, do yourself a favor and see one of those instead.

Until next time...





Wait...what was I saying?

MOVIE REVIEW: MAN OF STEEL

Superman flies back onto the big screen in this Warner Bros./Legendary Pictures production directed by Zack Snyder (Watchmen), produced by Christopher Nolan (The Dark Knight), and featuring a screenplay by David Goyer (Blade, The Dark Knight). Academy Award-nominated actor Michael Shannon (Revolutionary Road, Boardwalk Empire) co-stars as General Zod and Laurence Fishburne steps into the role of "Daily Planet" editor-in-chief Perry White. Russell Crowe and Christopher Meloni co-star. ~ Jason Buchanan, Rovi

Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Russell Crowe.

Release Date: Jun 14, 2013

Rated PG-13 for intense sequences of sci-fi violence, action and destruction, and for some language

Runtime: 2 hr. 23 min.

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

Review:

The Man of Steel delivers a newer slightly edgier more conflicted version of the granddaddy of all superheros. Its first act is a bit of a slog simply because there’s a lot to cover, mostly on Krypton. Once the set up is out of the way Snyder lets his film breathe a little even though there’s still an oppressive aura about it. It attempts to give Superman a slightly more interesting slant and it works to a certain extent. Henry Cavill and his lantern jaw look good in the Superman suit and cape. He carried a concerned look on his face even when he’s smiling. Cavill has a quiet strength about himself which works well for the character even if though he and Amy Adams have zero chemistry together. Michael Shannon meanwhile is limited by a surprisingly underwritten take of General Zod. Shannon maintains a crazed look throughout but isn’t given a meaty enough script to work with. Russell Crowe fairs better as Superman’s father Jor-El. Crowe is reserved but paternal. As mentioned previously, The Man of Steel’s first act is rather slow and reserved for a Snyder film but once the action starts it does stop, so much so that it almost beats you into the ground with the sheer amount of destruction being flung around. It’s all visually striking which shouldn’t come as a surprise but it’s also emotionally distant. The film never connects the way it should; instead it keeps the audience at arms length. A few scant moments of levity here and there but otherwise it’s all serious superhero business.

B-