MOVIE REVIEW: CANDYMAN

 

In present day, a decade after the last of the Cabrini towers were torn down, Anthony and his partner move into a loft in the now gentrified Cabrini. A chance encounter with an old-timer exposes Anthony to the true story behind Candyman. Anxious to use these macabre details in his studio as fresh grist for paintings, he unknowingly opens a door to a complex past that unravels his own sanity and unleashes a terrifying wave of violence.

Director: Nia DaCosta

Cast: Yahya Abdul-Mateen II, Teyonah Parris, Nathan Stewart-Jarrett, and Colman Domingo. Vanessa Williams, Tony Todd, Virginia Madsen

Release Date: August 13, 2021

Genre: Horror, Thriller

Rated R for bloody horror violence, and language including some sexual references

Runtime: 1h 31min

Review:

Nia DaCosta’s spiritual sequel to the 90s cult favorite is visually impressive with a thematically timely message even if it’s overly didactic in its delivery.  The original film was the type of horror film that worked because its general premise was incredibly strong even if the actual execution was a lacking. This sequel has an art house feel to it which gives the overall story a stylish overhaul which makes for a beautiful film to look at.  The story itself suffers from its clunky social justice message and horror roots.  DaCosta is trying like crazy to make a stronger overall point by reworking the Candyman mythos but it doesn’t feel as organic as it should, instead there are multiple moments where the film feels the need to beat the message into your head.  At the same time she’s attempting to deliver a slasher film that leans on body horror a more than jump scares.  The cast is incredibly committed which makes the film an easy watch.   Yahya Abdul-Mateen II leads the film with relative ease even though his character commits every horror movie mistake you can think of.  He’s able to overcome the scripts deficiency and delivers a fascinating portrayal of a man decent into madness.   The supporting cast is just as strong with Teyonah Parris, Nathan Stewart-Jarrett and Colman Domingo all leaving a strong impression.  Tony Todd and Virginia Madsen both have roles in the film but your left thinking that the director and script could have made better use of Todd who is the embodiment of the character in the original films.  Even with its fault, Candyman delivers an entertaining refresh/reboot of the series that leaves the door open for future installments. 

B

Cindy Prascik's Review of Reminiscence, Woodstock 99 & Beckett

My dear reader(s), this weekend I had the opportunity to catch a triple feature without ever leaving home...a state of affairs that is as troubling as it is comforting. First on my agenda: Reminiscence.

A machine that allows people to relive their memories leads its operator to obsession.

With its fantastical premise and its core cast of Hugh Jackman, Thandiwe Newton, and Rebecca Ferguson, Reminiscence is the kind of movie I used to love seeing on the big screen. Sadly, hokey twists, broadly-drawn characters, and wooden performances make this one a real drag. The narration sets an awkward tone from the outset, and there's a weird undercurrent of climate-change warning that — no matter how essential — is a poor fit. The pace does pick up somewhat about the midway point, Ramin Djawadi's score is pretty nifty, and an unintentional (I guess?) homage to the great 80s comedy Top Secret! is actually quite funny, but there's just no saving this one.

Reminiscence clocks in at 116 minutes and is rated PG13 for "strong violence, drug material throughout, sexual content, and some strong language."

Reminiscence is a memory you won't care to revisit. Of a possible nine Weasleys, Reminiscence gets three.

Reminiscence is now playing in theaters worldwide, and streaming on HBO Max through mid-September.

Next on the docket: Woodstock 99: Peace, Love, and Rage.

A documentary showcasing the dark side of the third Woodstock festival.

Woodstock 99, the concert, booked talent that clearly indicated it wasn't aiming for the mellow hippie vibe of its predecessors. Woodstock 99, the film, wants you to believe only one outcome ever was possible, and it doesn't mind throwing a little shade at Woodstock 69 and Woodstock 94 along the way. Horror stories abound: Rioting, sexual assaults, even deaths. Attendees are generalized as angry white fratboys, and organizers come across as woefully out of touch. A testosterone-fueled lineup, featuring acts such as Metallica, Rage Against the Machine, Red Hot Chili Peppers, Korn, and Limp Bizkit, is rightfully painted as aggressive, with the only three women on the bill — Jewel, Sheryl Crow, and Alanis Morissette — portrayed as all sunshine and lollipops. Morissette, in particular, writes some pretty angry music, but here she's featured simpering her way through the idiotic "Ironic." While there's no denying some very bad things happened at this festival — some due to poor planning and others due to uncontrollable factors like the weather — I daresay there are thousands who enjoyed themselves and remember the event fondly. This film is interested only in tales of terror.

Woodstock 99: Peace, Love, and Rage runs 110 minutes and is rated TVMA for pervasive language, nudity, violence, and alcohol and drug use.

Woodstock 99: Peace, Love, and Rage is a riveting watch, even if it presents just half the story. Of a possible nine Weasleys, Woodstock 99 gets seven.

Woodstock 99: Peace, Love, and Rage is now streaming on HBO Max.

The final picture on my weekend agenda was Beckett.

Following a deadly car crash, an American tourist in Greece finds himself on the run from dangerous and powerful people.

Beckett is one of those films that probably seemed like a good idea on paper, but the execution is so poor it's hard to imagine anyone ever thought so. This movie is so slow and dull it almost stopped me calling Reminiscence slow and dull. The plot is both jumbled and eye-rollingly predictable, with its sole constant being, "How much can we physically abuse our lead?" John David Washington and Alicia Vikander are the most annoying on-screen couple in recent memory. They're among the top actors of their generation, but they've got zero chemistry and they've phoned it in here. Someone, somewhere, determined it wasn't necessary to caption the Greek dialogue, but there's enough that it's a little too easy to zone out a little too often. Mostly, though, poorly written characters and bland performances make it impossible to invest in anyone. The end seems a long time coming, and by the time you get there, you won't care what happens to any of them.

Beckett clocks in at 110 minutes (feels like about six hours) and is rated TVMA for moderate violence, profanity, and frightening/intense scenes. And because I haven't written anything nearly this funny, here's my favorite user-posted content warning from IMDB, totally more entertaining than the film itself: "Film starts off with a prolonged sex scene with limited thrusting." Kindly beware the "limited thrusting."

I desperately wanted to like Beckett. I didn't. Of a possible nine Weasleys, Beckett gets two.

Beckett is now streaming on Netflix.

Until next time...

MOVIE REVIEW: REMINISCENCE

 

A scientist discovers a way to relive your past and uses the technology to search for his long lost love. Whilst a private investigator uncovers a conspiracy while helping his clients recover lost memories.

Director: Lisa Joy

Cast: Hugh Jackman, Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, Marina de Tavira, Daniel Wu

Rated PG-13 for strong violence, drug material throughout, sexual content and some strong language

Release Date: August 20, 2021

Genres: Mystery, Romance, Sci-Fi, Thriller

Runtime: 1h 56min

Review:

Writer, director Lisa Joy's Reminiscence is a sci-fi noir thriller that's sweeping and ambitious with a A List cast.  The strange thing about the entire affair is that during it's ambitious world building it forgot to create a story that's as engaging as the concepts presented.  Joy's visuals evoke memories of Blade Runner and dashes of Alex Proyas' Dark City if you bought them from a dollar store.  Hugh Jackman leads the film with relative ease even though he feels miscast for the role and doesn't ask much from him outside of acting sad and angry. Jackman is typically a magnetic performer but this role just doesn't seem to fit him the way it should, the odd voiceover throughout the film doesn't help.  Likewise, Rebecca Ferguson is usually an engaging performer but in this film she's stiff and bland throughout.  Cliff Curtis is the primary villain who pops up in the third act and he chews up his screen time with weird out of place monologues that scream of overkill.  Thandiwe Newton is the lone bright spot who comes out unscathed with a strong performance which the film doesn't take full advantage of.  Reminiscence ends up feeling like a missed opportunity with ideas that needed more time to marinate and mature.  As is, it ends up being another forgettable sci-fi film that feels more like a middle of the road tv show than a big budget film. 

C

MOVIE REVIEW: THE NIGHT HOUSE

 

Reeling from the unexpected death of her husband, Beth (Rebecca Hall) is left alone in the lakeside home he built for her. She tries as best she can to keep together-but then the dreams come. Disturbing visions of a presence in the house call to her, beckoning with a ghostly allure. But the harsh light of day washes away any proof of a haunting. Against the advice of her friends, she begins digging into his belongings, yearning for answers.

Director: David Bruckner

Cast: Rebecca Hall, Sarah Goldberg, Evan Jonigkeit, Stacy Martin, Vondie Curtis-Hall

Rated R for some violence/disturbing images, and language including some sexual references

Release Date: August 20, 2021

Genres: Horror, Thriller

Runtime: 1h 48min

Review:

David Bruckner's The Night House is the best type of psychological horror because it works both as a straightforward horror film and on a deep more emotional level.  Bruckner's film is visually impressive and impactful throughout as he builds an unsettling atmospheric tension which only lets up with well time dark humor.  He sets the stage wonderfully to showcase the endless talents of Rebecca Hall.  Hall is a master of playing damaged women, see the criminally underseen 2016 film Christine, dealing with trauma.  This film gives her a perfect showcase to display her acting prowess.  She has an incredible ability to subtly move her emotions from mournful to a simmer rage without breaking a sweat.  The film's heady script is bendy but a serious approach on how we deal with the trauma of loss.  It's an adults horror film that doesn't rely on cheap scares instead it uses atmosphere and tension to great effect.  The plot isn't straightforward and it may leave some people scratching their head especially those expecting a paint by the numbers ghost story.  This is the type of film that will stay with you after you leave the theater much like the other great horror film of 2021 Saint Maude.  

A-

MOVIE REVIEW: THE PROTEGE

 

Rescued as a child by the legendary assassin Moody, Anna is the world's most skilled contract killer. However, when Moody is brutally killed, she vows revenge for the man who taught her everything she knows. As Anna becomes entangled with an enigmatic killer, their confrontation turns deadly, and the loose ends of a life spent killing weave themselves ever tighter.

Director: Martin Campbell

Cast: Maggie Q, Michael Keaton, Samuel L. Jackson, Patrick Malahide, David Rintoul, Ori Pfeffer, Ray Fearon, Caroline Loncq, Robert Patrick

Rated R for strong and bloody violence, language, some sexual references and brief nudity

Release Date: August 20, 2021

Genres: Action, Crime, Thriller

Runtime: 1h 49min

Review:

The Protégé plays like a hybrid between Mr. & Mrs. Smith and La Femme Nikita.  The latter fits perfectly for the film's star, Maggie Q, who led the underseen and underappreciated  2010 series Nikita.  Needless to say, she's perfectly in her comfort zone here.  Martin Campbell brings his directorial clout having helmed two well regarded Bond films.  Together they should make for a match in heaven but a hackneyed muddled script hampers what should have been a slam dunk.  Thankfully the action sequences well staged and engaging with Q doing the majority of her own stunts.  In addition to being incredibly adept at the physicality needed for the role but she's equally capable as an actress.  She has the ability to go from stone cold stoic to vulnerable with an impressive subtly.  Samuel L. Jackson, who plays her adoptive father, is more subdued than his recent turn in The Hitman's Wife's Bodyguard instead he seems to be channeling Jules from Pulp Fiction which is a nice change of pace.  Michael Keaton makes the biggest impression in a supporting roles as he works the sort of wry world weary charm and intensity that worked so well for him in Burton's Batman.  Keaton and Q make for a strange May December pairing since they don't share any tangible romantic chemistry.  Even though their relationship isn't believable both performers are able to make each of their interactions the high points of the film.  So why doesn't the whole thing work better as a cohesive whole?  The script doesn't do any favors for the cast and director as they try their hardest to overcome the inherent limitations in terms of story and dialogue.  Thankfully, The Protégé is able to overcome this and still deliver a fun spy thriller even if its not as good as it could have been.  

B-

MOVIE REVIEW: FREE GUY

 

When a bank teller discovers he's actually a background player in an open-world video game, he decides to become the hero of his own story -- one that he can rewrite himself. In a world where there's no limits, he's determined to save the day his way before it's too late, and maybe find a little romance with the coder who conceived him.

Director: Shawn Levy

Cast: Ryan Reynolds, Taika Waititi, Jodie Comer, Lil Rel Howery, Utkarsh Ambudkar, Joe Keery

Rated PG-13 for strong fantasy violence throughout, language and crude/suggestive references

Release Date: August 13, 2021

Genres: Action, Comedy, Sci-Fi

Runtime: 1h 55 min

Review:

In a strange world The Lego Movie and John Carpenter’s They Live got married and had baby which grew up to be Free Guy.  Shawn Levy’s video game film is fun romp which isn’t nearly as clever as it thinks it is but manages to maintain an undeniable energy that makes the whole thing enjoyable.  Ryan Reynold’s uses his endless charm to great extent to make the film work.  He’s pretty much the lifeblood of the film but Killing Eve star Jodie Comer ends up being the film’s beating heart.  Together they make a fun onscreen couple among all the insanity that pulls heavily from the Grand Theft Auto video game series.  The supporting cast help make the film work through the predictable story.  Lil Rel Howery is incredibly earnest as Guy’s best friend, so much so that a moment near the end is surprisingly moving.  Taika Waititi though makes the biggest impression with his natural comedic talents.  Waititi’s character is incredibly over the top but so much fun as he spoofs the worse version of video game company owners.  Free Guy is a fun film but you can’t help but think that you’ve already seen much better versions of the same story. 

B-

MOVIE REVIEW: RESPECT

 

Following the rise of Aretha Franklin's career -- from a child singing in her father's church choir to her international superstardom -- it's the remarkable true story of the music icon's journey to find her voice.

Director: Liesl Tommy

Cast: Jennifer Hudson, Forest Whitaker, Marlon Wayans, Audra McDonald, Marc Maron, Tituss Burgess, Saycon Sengbloh, Hailey Kilgore, Skye Dakota Turner, Tate Donovan, Mary J. Blige

Release Date: August 13, 2021

Genre: Biography, Drama, Music

Rated PG-13 for mature thematic content, strong language including racial epithets, violence, suggestive material, and smoking

Runtime: 2h 25min

Review:

Aretha Franklin was a seminal star whose impact on the musical world still reverberates through the musical world.  Unfortunately, Liesl Tommy’s biopic is a paint by the numbers affair that plays more like a high end Lifetime film with better actors.  The film’s structure is a painfully predictable with melodramatic moments that will make most have flashback of Walk Hard: The Dewey Cox Story.  The film’s saving grace is it’s cast with Jennifer Hudson leading the way with her spectacular voice making the musical sequences the highlight of the film.  Hudson is ready made for these types of roles which highlight her voice over her acting ability.  She’s a capable actress but the script isn’t interested in any sort of deep dive into what made Aretha tick as it only scratches the surface of her trouble upbringing and relationships with men.  Still, she’s able to shine in the moment where she belts out Franklin’s songs.  The film stages those moment with the type of loving affection that they deserve.  The supporting cast do solid work with Forest Whitaker making the biggest impression.  Whitaker is the type of performer that can take small moment and imbue them with emotions that range from menace to tenderness.  When he and Hudson share the screen the movie pops in a significant way that makes the rest off the film feel like a bit of a letdown since it never maintains that type of quality.  Respect, sadly, ends up being a run of the mill biopic that doesn’t do anything truly meaningful deserving of it’s subject.

C+

MOVIE REVIEW: DON'T BREATHE 2

 

A blind veteran must use his military training to save a young orphan from a group of kidnappers.

Director: Rodo Sayagues

Cast: Stephen Lang, Brendan Sexton III, Madelyn Grace, Adam Young, Bobby Schofield, Rocci William

Release Date: August 12, 2021

Genre: Horror, Thriller

Rated R for strong bloody violence, gruesome images, and language

Runtime: 1 h 38 min

Review:

Fede Alvarez's Don't Breathe was surprisingly effective horror thriller that used it central conceit to maximum effect.  Stephen Lang delivered a memorable turn as the murderous rapist killer.  The sequel wants you to forget some of nastier parts of what we saw in the original and decides to turn The Blind Man into an antihero in a series of increasingly ludicrous set pieces.  Rodo Sayagues takes over directorial duties from Alvarez and he does a solid job mimicking his visuals and overall style.  Sayagues creates some inventive set pieces but he never achieves the sort of nail biting tension needed to make the sequences work.  They are still as brutal and gory as the original film but they don't have the same visceral effect.  It doesn't help that the script for the sequel is decidedly stupider than the original.  The first film required a certain level of disbelief but the sequel doesn't bother with that or any semblance of reality especially once it hits the final act.  Stephen Lang does his best to carry the film and you get the distinct impression that he really enjoys playing the character.  Unfortunately the supporting cast isn't nearly as committed or strong.  Madelyn Grace tries her best as The Blind Man's adopted daughter but she never comes across as authentic or believable.  Brendan Sexton III's turn as the villain is laughably bad especially once his character's motivations are revealed.  Don't Breathe 2 falls into the category of forgettable follow ups to infinitely better originals.  

C-

Cindy Prascik's Review of The Suicide Squad

My dear reader(s): The weekend just passed brought us the latest installment in DC Comics' extended cinematic universe, the Suicide Squad.

A collection of the criminal and the criminally insane embark on another secret mission.

Spoiler level here will be mild, nothing you wouldn't know from the trailers or a general familiarity with the product.

Technically, I believe the Suicide Squad is considered a sequel to 2016's Suicide Squad. In reality, minus Jared Leto's Joker and with an almost completely new cast, it feels more like a do-over. The original was universally reviled (though I didn't hate it), so putting maximum artistic distance between the two probably was in the best interest of the new movie.

It comes as no surprise, then, that Suicide Squad and *the* Suicide Squad are two very different films. As mentioned, gone is Leto's deeply divisive Joker. While that's a significant character to remove from the mix, I don't think the movie misses him. Gone, also, is Will Smith as Deadshot. The team's new leader is Bloodsport, portrayed by Idris Elba. Will Smith is cool, but I can't say there are many actors I wouldn't happily swap for Elba, and Mr. Smith is no exception. (Sorry, Will. Love ya.) Margot Robbie makes her third big-screen appearance as Harley Quinn, and — given the character's psychoses — it feels inappropriate to say she's delightful, but delightful she is. She's come to own the character, and certainly she owns the screen whenever she's on it. Joel Kinnaman returns as Rick Flag, and Viola Davis as Amanda Walker, but most of the other faces are new to the property, if mostly familiar to movie-goers. Notable are the brilliant Peter Capaldi, John Cena, and David Dastmalchian, a favorite of mine since he named Rachel Dawes as next on the Joker's hit list in the Dark Knight. (Dastmalchian and co-star Michael Rooker have also done time in the Marvel Cinematic Universe.) Sylvester Stallone is a scene-stealer as the voice of King Shark. Most of the performances can fairly be called terrific without a "for the genre" qualifier. The Suicide Squad uses a solid score by John Murphy and an interesting selection of tunes to underscore its dark mood, another important distinction from the original, which often felt more like a series of music videos than it did one cohesive film. The movie has its fair share of juvenile humor, but an equal helping of legitimately funny bits. CGI is decent throughout, and action scenes are exciting and don't wear out their welcome. Harley Quinn features in a fight sequence that is right up there with the Freebird/church scene in Kingsman: the Secret Service as a new classic and maybe an all-time great.

While the 2016 and 2021 Suicide Squads are very different, they're also quite similar. Both are very, very violent, though in a stylized way that doesn't seem as much about the gross-out as it does about interesting visuals. Both have a bright comic-book look to them, with colorful graphics and bold text. Both feature an abundance of bad language and disturbing content. (Why does James Gunn hate birds??) Both play Harley Quinn's insanity for laughs when, really, hers is a grotesque and unsettling story. If the houses ended up looking quite different, it's clear their foundations were the same.

The Suicide Squad is now playing in cinemas worldwide, and streaming on HBO Max through the first week of September. It runs 132 minutes and is rated R for "strong violence and gore, language throughout, some sexual references, drug use, and brief graphic nudity."

The Suicide Squad is good fun for those who aren't squeamish about extreme content, a definite improvement over the original. Of a possible nine Weasleys, the Suicide Squad gets seven and a half.

Until next time...

MOVIE REVIEW: THE GREEN KNIGHT

 

King Arthur's headstrong nephew embarks on a daring quest to confront the Green Knight, a mysterious giant who appears at Camelot. Risking his head, he sets off on an epic adventure to prove himself before his family and court.

Director: David Lowery

Cast: Dev Patel, Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris, Ralph Ineson

Release Date: July 30, 2021

Genre: Adventure, Drama, Fantasy

Rated R for violence, some sexuality and graphic nudity

Runtime: 2 h 10 min

Review:

David Lowery’s deconstructed Arthurian tale is a methodical pensive take that’s moody and visually stunning.  Lowery’s film isn’t going to be for everyone since his pacing is deliberately slow as he lets visual and moments linger on screen for an extended amount of time.  Everything moves at a slow simmer allowing the thematic meaning to seep into your mind.  It’s the opposite of a blockbuster film since it asks you actively digest what’s being presented on screen. Dev Patel leads the film ably in a understated but thoughtful turn as Sir Gawain as he tackles destiny and life during his journey. Patel’s dialogue is sparse but he communicates a books worth of emotions via his eyes.  The supporting cast is equally effective with Alicia Vikander making the biggest impression in a duel role one of which leaves her nearly unrecognizable. David Lowery’s film fits nicely next to John Boorman’s classic Excalibur and much like that film it’s a visual feast that will leave you thinking about it long after the film is over.    

A-

MOVIE REVIEW: THE SUICIDE SQUAD

 

The government sends the most dangerous supervillains in the world -- Bloodsport, Peacemaker, King Shark, Harley Quinn and others -- to the remote, enemy-infused island of Corto Maltese. Armed with high-tech weapons, they trek through the dangerous jungle on a search-and-destroy mission, with only Col. Rick Flag on the ground to make them behave.

Director: James Gunn

Cast: Margot Robbie, Idris Elba, John Cena, Joel Kinnaman, Sylvester Stallone, Viola Davis, Jai Courtney, Peter Capaldi

Release Date: Rated R for strong violence and gore, language throughout, some sexual references, drug use and brief graphic nudity

Genre: Action, Adventure, Comedy, Sci-Fi

Rated R for strong violence and gore, language throughout, some sexual references, drug use and brief graphic nudity

Runtime: 2 h 12 min

Review:

James Gunn's The Suicide Squad is a visually aggressive Dirty Dozen grindhouse film in the guise of a superhero film.  Gunn's Guardian of the Galaxy was one of first Marvel films that had a decidedly unique feel to it but those expecting something similar in DC universe will be surprised.  In this film Gunn has gone back to his gory roots by mirroring his first film's, Slither, story and using his refined directorial talents to great effect.  He delivers some truly beautiful sequences which will leave a lasting impact, Harley's escape is colorful collage of carnage.  His story is goofy, bloody but heartfelt at the same time even if all those elements don't hit the mark perfectly.  The character arches are filled with lingering mommy and daddy issues which doesn't give the ensemble much depth outside of being an outcast.  Robbie's Harley fares the best since her character has had three films to evolve into herself.  Idris Elba instantly feels like a more natural fit for this film than Will Smith did in the original film. Elba has a natural toughness that oozes through the screen which works perfectly for his character.  John Cena's Peacemaker should be the stand out of the piece but the script doesn't give him much to work with so he's not as impactful as the script wants him to be.  Daniela Melchior's Ratcatcher 2 ends up being the beating heart of film with her and Bloodsport's relationship providing the emotional string to the film.  Joel Kinnaman's Col. Rick Flag gets an expanded role here which makes him feel more like a complete character even amongst the insanity of Sylvester Stallone's, R rated Groot, King Shark or David Dastmalchian's Polka Dot Man.  Gunn's film embraces the insanity full bore by the final act by delivering the kind of big budget midnight movie madness which you have to appreciate for its sheer audacity.  

B

Cindy Prascik's Review of The Sparks Brothers

 

My dear reader(s) — assuming I have any left, given my lengthy absences — among the pandemic's ripple effects not noted by the CDC, a big one for me has been my "conscious uncoupling" from the cinema. Even in rare cases where a new release interests me, it doesn't interest me enough to get out and see it on the big screen. The few recent movies that might have gotten me out to the cinema haven't played on any big screens locally; thus, I come to my (so far) most anticipated release of 2021, Edgar Wright's The Sparks Brothers, via Amazon Prime.

The incredible true story of "your favorite band's favorite band."

I'm not sure you can actually spoil a documentary, but if you're concerned, best watch before reading.

Edgar Wright has become my favorite director, largely due to his uncanny feel for music. Nobody can put the right song in the right place in the right movie like Edgar Wright. When I heard he was doing a straight-up music documentary, my tiny heart soared. I am pleased to report The Sparks Brothers does not disappoint.

Wright mixes live and video footage of Sparks with terrific new interviews and clever animated sequences. In addition to "the Sparks Brothers" (Ron and Russell Mael), band members past and present and artists/fans across media and genres weigh in with anecdotes and opinions. There's a dry — but never cynical — sense of humor about the whole that is both expected and surprising for a band that is simultaneously hugely influential and a great mystery. It speaks volumes that former band members seem to carry no hard feelings (regardless of the circumstances of their dismissal) and that the Maels are not bitter about the many times their strange art has been less appreciated than they might have liked.

A documentary is a strange animal, seemingly a harder sell than a scripted movie for viewers who are not previously invested in the subject matter. The enthusiasm of The Sparks Brothers is contagious and more than up to the challenge of entertaining old fans and winning over new. This is a film crafted with the greatest affection, but for everyone, not just for those who already share that affection. There's also a generosity not often found in today's "gatekeeping" fandoms. These people love Sparks, and they want you to love Sparks too, even if you've only just heard of them or only know one song. If the story of Sparks sometimes seems too strange to be true, this telling is simply magical from start to finish.

The Sparks Brothers runs a delightful 140 minutes and is rated R for language.

The Sparks Brothers is now playing in cinemas (somewhere) and via streaming services worldwide.

Of a possible nine Weasleys, the Sparks Brothers gets all nine.

Fangirl points: Beatles, Beatles, Beatles! Duran Duran! The god Todd Rundgren! Nick Heyward!

Until next time...