MOVIE REVIEW: THE HOLDOVERS

A curmudgeonly instructor at a New England prep school remains on campus during Christmas break to babysit a handful of students with nowhere to go. He soon forms an unlikely bond with a brainy but damaged troublemaker, and with the school's head cook, a woman who just lost a son in the Vietnam War.

Director: Alexander Payne

Cast: Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa, Carrie Preston, Gillian Vigman, Tate Donovan

Release Date: August 31, 2023

Genre: Comedy, Drama

Rated R for language, some drug use and brief sexual material.

Runtime: 2h 13m

Alexander Payne's newest film, The Holdovers, is a throwback on multiple levels from its character centered approach and methodical pacing which results in something nuanced, funny, and moving.  Its old school approach is readily evident from the start as Payne uses a retro style rating announcement and title cards to establish a mood before we even meet our cast of loners.  Once we do, there's a wonderful lived in, authenticity to each character that comes through the screen.  Paul Giamatti carries the lion's share of the screen time as the acidic, oddball intellectual whose overblown sense of superiority is instantly evident.  On first glance, it’s a fairly straightforward character which we've seen in these kind of films multiple times.  However, once the story starts in earnest the film slowly starts to peel layers away, revealing a character with multiple layers of depth particularly when the film's central trio gets center stage.  This is the kind of role that's tailormade for Giamatti since he can play an oddball in his sleep, but the latter moments lay bare how truly talented he is as he brings moments of rare but subtle emotions.  His natural chemistry with Dominic Sessa and Da'Vine Joy Randolph, both of which turn in stellar, subtle performances, serves as the emotional center of the entire film.  Their relationships evolve over the film's runtime, which gives it a more focused and adult styled The Breakfast Club as we experience each character's sense of isolation and loneliness.  The script is wryly written, finding comedy and heartfelt truths through which gives the audience an impressive emotional connection to these characters.  Its methodical pacing and understated style might not be for everyone but those still willing to engage with this kind of character study will find plenty to love in The Holdovers.

A-

MOVIE REVIEW: RESPECT

 

Following the rise of Aretha Franklin's career -- from a child singing in her father's church choir to her international superstardom -- it's the remarkable true story of the music icon's journey to find her voice.

Director: Liesl Tommy

Cast: Jennifer Hudson, Forest Whitaker, Marlon Wayans, Audra McDonald, Marc Maron, Tituss Burgess, Saycon Sengbloh, Hailey Kilgore, Skye Dakota Turner, Tate Donovan, Mary J. Blige

Release Date: August 13, 2021

Genre: Biography, Drama, Music

Rated PG-13 for mature thematic content, strong language including racial epithets, violence, suggestive material, and smoking

Runtime: 2h 25min

Review:

Aretha Franklin was a seminal star whose impact on the musical world still reverberates through the musical world.  Unfortunately, Liesl Tommy’s biopic is a paint by the numbers affair that plays more like a high end Lifetime film with better actors.  The film’s structure is a painfully predictable with melodramatic moments that will make most have flashback of Walk Hard: The Dewey Cox Story.  The film’s saving grace is it’s cast with Jennifer Hudson leading the way with her spectacular voice making the musical sequences the highlight of the film.  Hudson is ready made for these types of roles which highlight her voice over her acting ability.  She’s a capable actress but the script isn’t interested in any sort of deep dive into what made Aretha tick as it only scratches the surface of her trouble upbringing and relationships with men.  Still, she’s able to shine in the moment where she belts out Franklin’s songs.  The film stages those moment with the type of loving affection that they deserve.  The supporting cast do solid work with Forest Whitaker making the biggest impression.  Whitaker is the type of performer that can take small moment and imbue them with emotions that range from menace to tenderness.  When he and Hudson share the screen the movie pops in a significant way that makes the rest off the film feel like a bit of a letdown since it never maintains that type of quality.  Respect, sadly, ends up being a run of the mill biopic that doesn’t do anything truly meaningful deserving of it’s subject.

C+