MOVIE REVIEW: SUPERMAN

 

When Superman gets drawn into conflicts at home and abroad, his actions are questioned, giving tech billionaire Lex Luthor the opportunity to get the Man of Steel out of the way for good. Will intrepid reporter Lois Lane and Superman's four-legged companion, Krypto, be able to help him before it's too late?

Director: James Gunn

Cast: David Corenswet,  Rachel Brosnahan, Nicholas Hoult, Edi Gathegi, Anthony Carrigan, Nathan Fillion, Isabela Merced

Release Date: July 11, 2025

Genre: Action, Adventure, Sci-Fi

Rated PG-13 for violence, action and language.

Runtime: 2h 9m

Review:

James Gunn's Superman forgoes all the dour, grittiness of Snyder's take on the character by going in the opposite direction by embracing a more colorful, less grounded approach that allows for him to have more fun with the character and his heavily populated comic book world.  Gunn doesn't bother with the usual origin story instead he gets right into the action almost immediately which gives the film a strong headwind that rarely lets up throughout its runtime.  The world he splashes onscreen is fully formed, already populated by villains and heroes who battle regularly.  It all leans heavily into its comic book roots which feels like it unburdens him and his cast to just have fun with the characters and story.  The action sequences are bombastically big and fun however this version of Superman is beaten around on more than a few occasions.  This version of the character is established but also still green enough to give moments of trepidation and self-doubt.   David Corenswet easily steps into the role with a disarming, boyish charm that fits the character perfectly especially when he's in his Clark Kent guise.  He has the perfect "Aw, shucks" quality that Christopher Reeve brought to the role back in the 1978 version that makes the character easy to like.  This is very much the boy scout version of the character who's straightlaced, well intentioned and ultimately just trying to do the right thing.  Rachel Brosnahan is equally impressive as she takes up the Lois Lane mantle with her performance being a mix of Margot Kidder and Dana Delany's animated versions.  Her Lane is plucky enough to hold her own against the Man of Steel as exemplified with a wonderful character moment during a private interview with him.  Corenswet and Brosnahan share excellent chemistry together, something that shines through in that scene as they bounce off each with believable ease.  I personally would have preferred a bit more focus on them at the cost of some of the more extraneous characters we get time with.  The "Justice Gang" made up of Green Lantern, Mister Terrific and Hawkgirl played by Nathan Fillion, Edi Gathegi and Isabela Merced are fun when they pop up on screen, but we're given the tiniest bit of information about each.  Fillion has a blast playing up the jerk angle as Guy Gardner's Green Lantern while Merced does what she can with the limited amount she's given to work with as Hawkgirl.  Edi Gathegi gets more screentime as the super genius Mr. Terrific, playing him mostly like a human supercomputer with occasional flashes of personality.  He gets a fun action sequence that feels like Gunn is plagiarizing his own work from Guardians of the Galaxy as it feels fairly similar to Yondu and his arrow.  In the same vein, Krypto essentially serves as this film's version of Groot with his appearance being well used for relatable pet comedy.  On the downside, Nicholas Hoult's Lex Luthor is more of a mixed bag as he comes off more like a hodgepodge of previous versions but missing the cold calculating, genius from the best take of the character which was Clancy Brown's work in Superman The Animated Series and Justice League.  Additionally, the film is overstuffed with ideas and plotlines that the film almost buries the titular character under the sheer weight of it all.  Still, it’s hard not to appreciate what Gunn and his cast accomplish with this restart of the DC movie universe with this easy to enjoy and incredibly fun version of Superman.  

B+

MOVIE REVIEW: JURASSIC WORLD REBIRTH

Zora Bennett leads a team of skilled operatives to the most dangerous place on Earth, an island research facility for the original Jurassic Park. Their mission is to secure genetic material from dinosaurs whose DNA can provide life-saving benefits to mankind. As the top-secret expedition becomes more and more risky, they soon make a sinister, shocking discovery that's been hidden from the world for decades.

Director: Gareth Edwards

Cast: Scarlett Johansson, Mahershala Ali, Jonathan Bailey, Rupert Friend, Manuel Garcia-Rulfo, Ed Skrein

Release Date: July 2, 2025

Genre: Action, Adventure, Sci-Fi, Thriller

Rated PG-13 for intense sequences of violence/action, bloody images, some suggestive references, language and a drug reference.

Runtime: 2h 14m

Review:

Jurassic World Rebirth offers the big scale dinosaur action we've come to expect from the long running series however it suffers from an identity crisis as it struggles to figure out if it wants to lean into its horror roots or something more family friendly and safe.  Gareth Edwards is perfectly capable of handling the dinosaur mayhem that occurs throughout the film by delivering impressive set pieces.  There are sequences that are reminiscent of his older works such as The Creator, Godzilla and Monsters which work well for this franchise.  The required T-Rex set piece is particularly well executed although people of a certain age might get heavy hints of the Land of the Lost intro from the 70's.  The rest of the action is solid but it’s nothing groundbreaking or new which is disappointing since the crux of this entry being that this was an R&D island which worked on genetic splicing to create something new to keep the public’s waning interest in the park and their regular dinosaurs.  It’s a bit of unintentional meta commentary on the series itself as this entry’s creatures really don't take any wild swings with the raptor/pterosaur hybrids and Distortus rex (which looks like a weird hybrid of the Rancor from Star Wars and an Alien from that franchise) which aren't nearly as memorable as they should be.  The story doesn't help matter much as we get competing narratives with one following Johansson's covert opt to retrieve dino DNA and a random family that's rescued by her team after being shipwrecked by Mosasaurus.  The script separates each group once they hit the island for no discernible reason other than to expand the geography of the film.  Scarlett Johansson and Mahershala Ali top line the film and their characters are given hints of deeper development which should have been nurtured with more screentime instead of the narrative tangents provided by the most generic family in the form of the Delgado's.  It’s a headscratcher of a decision since the film has two top list stars that could have carried this film with general ease, but the script decides to sideline them for half the film's screentime.  As a result, both groups of characters are underserved and they all come off as far more generic than they should be, especially considering the top tier talent.  It leaves everything in Jurassic World Rebirth feel like a retread of the far superior original, something a steady series of clunky visual easter eggs manage to hammer home.

C+

MOVIE REVIEW: M3GAN 2.0

 

Two years after M3GAN, a marvel of artificial intelligence, went rogue and embarked on a murderous rampage, its creator, Gemma, has become an advocate for government oversight of AI. Unbeknownst to her, a defense contractor has created a military-grade weapon known as Amelia, the ultimate infiltration spy. However, as Emlia's self-awareness increases, it becomes less interested in taking orders. Hoping to stop Emilia, Gemma decides to resurrect M3GAN, making it faster, stronger, and more lethal.

Director: Gerard Johnstone

Cast: Allison Williams, Violet McGraw, Amie Donald, Jenna Davis, Ivanna Sakhno, Aristotle Athari, Timm Sharp, Jemaine Clement

Release Date: June 27, 2025

Genre: Action, Horror, Sci-Fi, Thriller

Rated PG-13 for strong violent content, bloody images, some strong language, sexual material, and brief drug references.

Runtime: 1h 59m

Review:

M3GAN 2.0 switches up the horror tone of the original to a goofier, sci-fi slant that mines films like Terminator 2 among others which works more often than not if you go with the flow.  Gerard Johnstone avoids making this series into a Chucky clone by going in a different direction which is sure to turn off some people, but he manages the change in tone and genre with impressive ease.  The film has a breezy feel to it that makes it easy to enjoy even though its story is more than a tad nonsensical.  He's clearly comfortable leaning into the sillier aspect of this particular story something he did with the original, albeit in a more restrained manner.  The action is bigger and louder across the board with the climatic robot karate fight being chock full of B-movie cheese.  The cast fully embraces it all and seems up for everything that Johnston throws at them.  Allison Williams and Violet McGraw return from the first film as adoptive mother and daughter with McGraw being given more to do this go around.  Williams is given much more latitude as the disgraced robot designer turned advocate for ethical usage of AI in this entry than her more reserved turn in the original.  Violet McGraw also got so much to do here as a preteen with her character having turned into something of robotics prodigy in the intervening years.  They both work well together as parent and siblings who have dealt with a bit more than the usual preteens.  Brian Jordan Alvarez and Jen Van Epps both also return as Gemma's coworkers who have stuck with her for some reason all things consider but it does provide some comedy once M3GAN returns in earnest.  Amie Donald and Jenna Davis are back providing the body and voice to a now slightly taller M3GAN that's explained away in a throwaway line of dialogue.  Davis' voice work is hilariously sardonic here even as the titular robot experiences a bit of personal growth throughout the film from killer robot to more of a protector.  Jemaine Clement has a fun but all too brief appearance as a tech billionaire in the mold of Elon Musk that leaves you wishing he'd gotten more screentime.  Ivanna Sakhno is given the rather thankless role of AMELIA (Autonomous Military Engagement Logistics & Infiltration Android) who serves as M3GAN rival.  While the majority of the returning cast is given so much more to do this go around, Sakhno isn't asked to do much outside of look robotic and make good use of her stunt fighting training.  With the film clocking in at nearly 2 hours it would have been worthwhile to have given her something more interesting to do than what she's tasked with.  M3GAN 2.0 has plenty of fat that could have been trimmed to make room for a bit more time with Sakhno's character but she's more than capable of giving off a murderous stare in this enjoyably comedic sci-fi romp.  

B+

MOVIE REVIEW: GEORGE A. ROMERO'S: RESIDENT EVIL

 

A documentary that brings to light the vision that director George A. Romero had for an adaptation of Resident Evil, using newly filmed interviews with those who were there, and unravels the secrets behind why it was never produced.

Director: Brandon Salisbury

Cast: George A. Romero, James Rolfe, Charlie Kraslavsky, Pat Jankiewicz, Eric Pirius, Pablo Kuntz, Michael Felsher, Jim Krut, Matthew Blazi

Release Date: January 7, 2025

Genre: Documentary

Not Rated 

Runtime: 1h 50m

Review:

Brandon Salisbury's George A. Romero's Resident Evil documentary works as a retrospective of both the Resident Evil video game franchise and Romero's career and his far-reaching impact.  Salisbury's approach is rather methodical but informative as he tracks the rise of the Resident Evil video game franchise and its ultimate intersection with its uncredited godfather in the form of George A. Romero.  It’s a fascinating behind the scenes tale of what should have been a match made in heaven before falling apart for a variety of reasons.  Salisbury uses archival documents from Romero's estate to give us an insight into what he was attempting to deliver had he been given the reins of this cinematic adaptation.  The retrospectives of the game and Romero himself that begins the documentary are rather dry as it covers fairly well-known information about both and their rise to prominence.  Once we reach the singular moment where both entities come together serves as the most intriguing portion of the film's two-hour runtime.  There's a solid sense of Romero's mindset as he sees the chance to help with the adaptation of the video game which borrowed so much from his legendary films as a way to take back some sort of agency of his ideas.  The documentary does a solid job of leading us along the journey as his adaptation slowly begins to fall apart due to corporate interference.  We're given a window into his bitterness after the project collapses, especially once the zombie genre takes off in the subsequent years.  George A. Romero's Resident Evil ends on a bit of a somber note as it tracks the latter half of his career and ultimately his death in 2017 with heartfelt remembrance and longing for his Resident Evil film that never came to be.  

B-

MOVIE REVIEW: F1

 

In the 1990s, Sonny Hayes was Formula 1's most promising driver until an accident on the track nearly ended his career. Thirty years later, the owner of a struggling Formula 1 team convinces Sonny to return to racing and become the best in the world. Driving alongside the team's hotshot rookie, Sonny soon learns that the road to redemption is not something you can travel alone.

Director: Joseph Kosinski

Cast: Brad Pitt, Damson Idris, Kerry Condon, Tobias Menzies, Javier Bardem, Shea Whigham

Release Date: June 27, 2025

Genre: Action, Drama, Sport

Rated PG-13 for strong language, and action.

Runtime: 2h 36m

Review:

Joseph Kosinski's F1 delivers some truly intense and thrilling racing sequences that really put you in the driver's seat which is sure to leave an impression even though the plot is more or less a dramatic take of 1989's Major League.  This is a sleek film that really takes off when it gets the camera inside the cars and we feel the propulsive energy of the motors.  Kosinski pulls off some impressive technical feats by giving the audience a full 360-degree view during the film's energetic racing sequences that leave you feeling every twist and turn of the track in a visceral way.  It would all be even more engaging if the story and characters matched the level of creativity and artistry as the visual but sadly, they prove to be little more than a collection of sports movie clichés.  The characters all fit into nice tidy boxes with their general characteristics and motivations easily related in a brief synopsis.  Brad Pitt is perfectly cast as the weather worn, former golden boy that's brought back to the sport that he'd walked away from decades ago after a tragic failure.  Pitt's natural, earned screen charisma makes his character far more interesting than he would be in a lesser actor's hands.  There are moments where you get the sense, he's digging for more depth to the character whose ultimate motivation seems to be the same as Ricky Bobby's in Talladega Nights.  It’s a testament to him as a true movie star that he can make some of the film's clunkier moments and dialogue palpable with his natural delivery.  Damson Idris is solid as the hotshot rookie who's brash but still intimidated when Pitt's character shows up.  Idris is an incredibly talented performer, anyone who watched his work in 6 seasons of FX's Snowfall can attest to that, but the script gives him painfully little to work with as Joshua Pearce's rivalry/friendship plays out in predictable fashion with Sonny Hayes.  There's a moment where it feels like the script might take their relationship and the story into more meaningful territory which would have been far more interesting than the more predictable path, they end up choosing.  Kerry Condon is given the thankless job as the perfunctory love interest that's given just enough backstory to give her character a tad more depth than you'd usually expect. Javier Bardem has fun as the team owner and former teammate of Pitt's Sonny Hayes that brings him back into F1.  Tobias Menzies is wasted as the scheming board member who's hoping for the team's failure and ultimate sale.  Once it’s all said and done you get the feeling there was an opportunity for F1 to be something truly special if the amount of time and care put into the racing sequences had been given to the story and characters. 

B-

MOVIE REVIEW: ELIO

 

Elio, an underdog with an active imagination, finds himself inadvertently beamed up to the Communiverse, an interplanetary organization with representatives from galaxies far and wide. Mistakenly identified as Earth's ambassador to the rest of the universe, he starts to form new bonds with eccentric aliens while discovering who he's truly meant to be.

Director: Adrian Molina, Domee Shi, Madeline Sharafian

Cast: Yonas Kibreab, Zoe Saldaña, Remy Edgerly, Brandon Moon, Brad Garrett, Jameela Jamil

Release Date: June 20, 2025

Genre: Animation, Adventure, Comedy, Drama, Family, Fantasy, Sci-Fi

Rated PG for some action/peril and thematic elements.

Runtime: 1h 39m

Review:

Elio, Pixar's latest animated feature, brings a breath of fresh air with is original story and colorful characters while still managing to center itself around an emotional core.  The trio of directors, Adrian Molina, Domee Shi and Madeline Sharafian, deliver a lively sci-fi tale that's fun and easy to enjoy.  The character designs are inventive and wonderfully crafted especially once the action moves into the Communiverse.  They manage to keep a steady pace with the action which keeps the plot moving, something that both parents and children alike will appreciate.  It gives the film a nice flow that rarely lets up as we follow Elio's journey as he progressively gets more and more in over his head.  It helps that the central character is likeable from the onset even as he tries to deal with the loss of his parents and find his place in the world.  Yonas Kibreab voices the character with impressive enthusiasm layered with tinges of sadness that's some depth to the character.  He and Zoe Saldaña share a believe rapport together as she navigates the best way to deal with her nephew who she's left to care for.  Saldaña does a solid job of balancing her character's conflicted situation where she wants to do the best she can for Elio but is equally overwhelmed with the responsibility thrust on her which stalled her career.  There's a fair amount of subtle nuance to it that's easy to miss among the cornucopia of visuals thrown on screen, but it adds so much to the overall story especially in the back half of the film.  Brad Garrett and Remy Edgerly bring a similar sort of energy to Lord Grigon and his son Glordon.  Garrett's deep baritone voice works well for his seemingly aggressive character while Edgerly provides a solid contrast as his son who's not interested in his dad's work.  Edgerly and Kibreab make for a fun duo in the middle portion of the film with their friendship feeling believable as they're both looking for acceptance and attention from their guardians.  It all may not be as emotionally deep or devastating as some of Pixar's other films such as Coco or Inside Out, but Elio will leave you feeling good when you walk out of the theater.  

  

A-