MOVIE REVIEW: LEAVE THE WORLD BEHIND

 

A family vacation on Long Island is interrupted by two strangers bearing news of a blackout. As the threat grows, both families must decide how best to survive the potential crisis, all while grappling with their own place in this collapsing world.

Director: Sam Esmail

Cast: Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Kevin Bacon, Farrah Mackenzie, Charlie Evans

Release Date: November 22, 2023

Genre: Drama, Mystery, Thriller

Rated R for language, some sexual content, drug use and brief bloody images.

Runtime: 2h 21m

Sam Esmail's adaptation of the 2020 novel of the same name, Leave the World Behind, is perfectly suited to his particular brand of unsettling and unnerving style.  Anyone familiar with Esmail's Mr. Robot will feel a certain air of familiarity with the approach to this material which traffics in similar themes and subject matters as his signature show.  His ability to frame shots and sequences in off kilter ways gives the entire film an unbalanced feel from the start with even mundane moments giving off a sense that something is off.  There's a methodical approach to the action and reveals which may test some viewer's patience but those willing to go with the flow he establishes will get wrapped up in the general air of confusion and unease that the characters experience.  This approach gives the film's more kinetic moments, particularly a sequence in the woods that makes great use of sound design to create an unnerving moment.  It all works because the director and cast are perfectly in tune from the opening sequence through its finale which is sure to upset more than a handful of viewers.  Julia Roberts leads the cast, clearly relishing the chance to play against type as a cynical and vaguely racist wife who sets up the initial trip.  Ethan Hawke is solid as her aloof, easy going husband.  The pair have believable chemistry together as a couple who've been together for a long time with power structures clearly established.  Mahershala Ali is just as good with a more understated, measured approach as someone who's trying to keep everything even keeled in the face of impending doom.  Roberts and Ali share some wonderful moments together which allow each performer to show off their talents.  Myha'la steals a handful of a scenes during the film as Ali's acerbic daughter.  Farrah Mackenzie and Charlie Evans end up on the other end with unwritten characters who never register on the same level as everyone else mainly due to being underwritten and mostly uninteresting archetypes.  Kevin Bacon has a small but memorable scene, but you get the sense that the film could have made better use of him throughout.  It’s a minor issue which is easy to overlook because of the level of craftmanship that Sam Esmail delivers paired with strong performances from his A list cast makes Leave the World Behind a fascinating, apocalyptic mystery thriller.

A-

MOVIE REVIEW: SILENT NIGHT

On Christmas Eve, a man witnesses the death of his young son when the boy gets caught in crossfire between warring gangs. Recovering from a wound that cost him his voice, he soon embarks on a bloody and grueling quest to punish those responsible.

Director: John Woo

Cast: Joel Kinnaman, Scott Mescudi, Harold Torres, Catalina Sandino Moreno

Release Date: December 1, 2023

Genre: Action

Rated R for strong bloody violence, drug use and some language.

Runtime: 1h 44m

John Woo's return to American cinema, Silent Night, is a ridiculously scripted B movie that's more fun than it should be thanks to his signature style of action and Joel Kinnaman's engaging central performance.  The dialogue free gimmick is an interesting approach and it does manage to give the film a certain kind of rhythm that works in the film's favor.  Woo is surprisingly restrained especially during the film's opening act which sets up Joel Kinnaman's character and his mental state.  It would have been easy to jump right into the action from the get go but Woo does an admirable job of setting up the emotional stakes with these opening sequences.  That's not to say the story is deeply layered or original because its not.  It stretches credibility on multiple occasions especially since it expects the audience to believe the main character can become an expert in driving, shooting, fighting and surveillance in a span of six months in order to battle hood gangsters straight from central casting.  The sole reason this works at all is due to an impressive and incredibly committed performance from Joel Kinnaman.  His performance drives the film as he proves he's more than up to the challenge of working sans dialogue.  Kinnaman is able to transmit a massive amount of internal emotions through his facial expressions.  It makes for a fascinating turn as he lets us into the character's tortured psyche which is driven solely by loss and vengeance, so much so that you could make the case that this is the best Punisher movie sans the branding.  All and all, Silent Night works better than it should thanks to Woo's energetic action and Kinnaman's engaging performance that makes it far more watchable that the script deserves.   

C+

MOVIE REVIEW: SALTBURN

 

A student is invited to an eccentric classmate's estate for an exciting summer.

Director: Emerald Fennell

Cast: Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant, Alison Oliver, Archie Madekwe

Release Date: November 17, 2023

Genre: Comedy, Drama, Thriller

Rated R for strong sexual content, graphic nudity, language throughout, some disturbing violent content, and drug use.

Runtime: 2h 7m

Emerald Fennell sophomore feature, Saltburn, is a deliberately paced puzzle box that reveals itself methodically as it attempts to shock and surprise with varying degrees of effect.  Fennell does go for something far more visually striking and impactful here than her first film which gives the proceedings the kind of flair that's hard to ignore. The use of a 1.33:1 aspect ratio adds to the effect by giving the film a voyeuristic look and feel throughout. This fly on the wall approach gives everything a sinister undertone even as the script veers into dark comedy more times than not as the depravity unveils itself.  Its easy to see similarities to The Talented Mr. Ripley in terms of story and setting but there's also the anarchist spirit of Roger Avery's twisted tale of entitlement from The Rules of Attraction.  At the center of it all is a chameleon like performance from Barry Keoghan who runs the gamut of emotions and presence as the film goes along.  Its fascinating turn that allows him to work through subtly before revealing bigger emotional shifts.  Jacob Elordi is a solid counter to Keoghan's more nebulous persona.  Elordi comes across as deceptively earnest and well meaning for the better part of the film's runtime.  Strong supporting turns from Rosamund Pike, Richard E. Grant, Alison Oliver and Archie Madekwe give the film the kind of depth that makes the film easier to enjoy even as it moves at a very specific pace.  Pike and Grant in particular make the most of their limited screen time by delivering devilishly fun performances as the parents.  There is plenty to unpack from the film's final act which takes a series of big swings with some working better than others.  There's a solid sense in some of these latter sequences that Fennell is trying to shock the audience which is fine but there's a lesson to be learned about less being more.  Issues aside, Saltburn is a solid follow up to Promising Young Women even if its not as refined or impactful as it should be.

B

MOVIE REVIEW: NAPOLEON

 

A look at the military commander's origins and his swift, ruthless climb to emperor, viewed through the prism of his addictive and often volatile relationship with his wife and one true love, Josephine.

Director: Ridley Scott

Cast: Joaquin Phoenix, Vanessa Kirby, Edouard Philipponnat, Rupert Everett, Matthew Needham, Cormac Hyde-Corrin, Anna Mawn, Tahar Rahim

Release Date: November 22, 2023

Genre: Action, Adventure, Biography, Drama, History, War

Rated R for strong violence, some grisly images, sexual content and brief language

Runtime: 2h 38m

Ridley Scott's Napoleon is a lavishly crafted historical epic with strong turns from its leads but there's a disconnect from its central subject that keeps it from being a truly compelling film.  Scott's steady hand delivers a series of wonderfully shot moments with his prowess at large scale action on full display here with a collection of carnage filled sequences which are easily the high points of the film.  That shouldn't come as surprise to anyone familiar with the legendary auteur's extensive resume but the film never truly finds its footing whenever its off the battlefield.  In those quieter moments the film tries to balance its central love story and Napoleon's rise to power with varying levels of effectiveness.  The script paints Napoleon as a boorish and clumsy in its deconstruction of the man sometimes to darkly comedic effect. While it avoids some of the more clichéd approaches to its central figure, it also keeps the audience at arms length from his psyche and never granting us a window into his inner machinations.  The script paints him as ambitious but show him falling into power more as a result of others doing than his own drive.  Joaquin Phoenix brings what he can to role with his natural talent but he's mostly asked to stare blankly at people with occasional fits of anger sprinkled throughout.  Phoenix's understated line deliver works in smaller moments but we never get any bigger sequence that makes you believe his troops would follow him to their own ruin, something driven home during a late stage stand off sequence.  Vanessa Kirby fares a bit better as Josephine but script issues keeps her character and ultimately their relationship resonate the way it should.  The film rushes through their meeting and courtship so the audience never gets a true sense of whether its a transaction relationship or one based on actual affection.  There's a tangible sense that Phoenix and Kirby could do so much more with these characters if they'd had a better script to work with since their scenes together feel disjointed.  Its an issue that keeps the film from finding any sort of rhythm which makes the two hour and a half film feel far longer than its actual runtime.  The proposed four hour cut of the film might smooth some of these issues but the theatrical cut of Napoleon is a missed opportunity which stays afloat mostly due to the talent behind and in front of the camera.  

B-

MOVIE REVIEW: THANKSGIVING

 

An axe-wielding maniac terrorizes residents of Plymouth, Mass., after a Black Friday riot ends in tragedy. Picking off victims one by one, the seemingly random revenge killings soon become part of a larger, sinister plan.

Director: Eli Roth

Cast: Patrick Dempsey, Addison Rae, Milo Manheim, Jalen Thomas Brooks, Nell Verlaque, Rick Hoffman, Gina Gershon

Release Date: November 17, 2023

Genre: Horror, Mystery, Thriller

Rated R for strong bloody horror violence and gore, pervasive language and some sexual material.

Runtime: 1h 46m

Eli Roth's Thanksgiving is a gleeful, holiday themed slasher that's unabashedly campy as it delivers creative blood and gore but little else.  Roth uses the framework of most Scream movies to set up a murder mystery to propel the plot forward.  He's obviously not terribly concerned with the story or characters as much as he is with getting to his blood splattered set pieces.  Those set pieces are perfectly exemplified by the Black Friday riot which opens the film and should give the audience a clear warning about what's coming down the road.  Its manically frenetic and silly especially as the blood starts to spurt in increasingly outlandish and silly manners.  Roth, for his part, lays all his cards out on the table from the start but the film struggles to maintain that manic energy it starts with as we are introduced to a fairly bland crop of fresh faced fodder for the axe.  The central group collection of characters barely registers as one dimensional which makes it a bit hard to get invested in any of them as they spew out rather banal dialogue which is happy to use buzz words as flair.  There’s no big expectation of character development in slashers but this group feels particularly interchangeable and disposable.  Patrick Dempsey, Gina Gershon and Rick Hoffman add some credibility to the production with Dempsey getting the most screen time.  Dempsey understands the assignment and is clearly having a great time throughout playing the local sheriff with a wink and a nod.  On the other hand, it’s a bit confusing that Gershon and Hoffman were cast and then given practically nothing meaningful to do which is a missed opportunity.  As is, Thanksgiving is a fun but mostly disposable slasher film which will probably end up a cult classic simply because of the seasonal theme more so than overall quality.

C+

MOVIE REVIEW: THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES

 

Years before he becomes the tyrannical president of Panem, 18-year-old Coriolanus Snow remains the last hope for his fading lineage. With the 10th annual Hunger Games fast approaching, the young Snow becomes alarmed when he's assigned to mentor Lucy Gray Baird from District 12. Uniting their instincts for showmanship and political savvy, they race against time to ultimately reveal who's a songbird and who's a snake.

Director: Francis Lawrence

Cast: Rachel Zegler, Tom Blyth, Peter Dinklage, Hunter Schafer, Josh Andrés Rivera, Viola Davis

Release Date: November 17, 2023

Genre: Action,Adventure, Drama, Sci-Fi,Thriller, War

Rated PG-13 for strong violent content and disturbing material.

Runtime: 2h 37m

The Hunger Games: The Ballad of Songbirds & Snakes is a pleasant surprise on multiple levels from the quality of the direction and impressive performances from its cast.  This prequel avoids multiple pitfall that franchise expansion packs usually fall into by taking time and care with the story and characters presented.  Francis Lawrence delivers a wonderfully shot film which is aided by familiarity with the franchise and setting as he leans more into the art deco design.  He delivers some big sweeping moments even if some shoddy CGI kills the effect of a few action set pieces but the film works best when it focuses on its character.  Luckily, the film is blessed with an inspired cast that makes the film far more engaging than it should be.  English actor Tom Blyth takes on the role of a nascent Coriolanus Snow years before he becomes a dictator.  Blyth turns in a nuanced performance which is engaging enough to draw you in before he reveals bits of simmer rage and anger as the film moves on.  His committed performance makes it easier to overlook some of the more bombastic and melodramatic bits of dialogue that the script throws at him.  The chemistry he shares with Rachel Zegler is the engine that keeps the whole thing moving even during some of the lulls in the pacing during the film's runtime.  Zegler is just as committed throughout as the film takes full advantage of the multi talented artist which includes her singing talents, who knew there were so many hootenannies going in Panem, on top of her acting skills.  They are blessed with wonderful supporting cast made up of established stars whose characters give the film a sense of respectability.  Peter Dinklage is appropriately mournful as the accidental co creator of the Hunger Games while Jason Schwartzman is a perfectly preening predecessor to Stanley Tucci's character but Viola Davis leaves the biggest impression with a deliciously twisted turn which has her manically chewing up scenery to great effect.  The film though isn't without some issues with pacing being the most glaring.  There are noticeable lulls that pop up throughout the film's runtime making it feel far longer than it's 2 hour and 37 minutes length.  While there are plenty of moments in the first two acts that could use some trimming, the final act is strangely overstuffed and rushed so much so that you get the sense this story could have been broken up into two films.  Those issues aside, The Hunger Games: The Ballad of Songbirds & Snakes, manages to be one of the more carefully crafted and enjoyable prequels in recent memory.  

B