MOVIE REVIEW: NOPE

 

Caretakers at a California horse ranch encounter a mysterious force that affects human and animal behaviour.

Director: Jordan Peele

Cast: Daniel Kaluuya, Keke Palmer, Brandon Perea, Steven Yeun, Michael Wincott

Release Date: July 22, 2022

Genre: Horror, Mystery, Sci-Fi, Thriller

Rated R for language throughout and some violence/bloody images.

Runtime: 2h 10m

Review:

Jordan Peele's Nope is a strange sort of concoction that's intriguing on multiple levels for a variety of reasons.  Peele's film is a slow burn sci-fi film which leans heavily on its colorful characters and gorgeous cinematography both of which makes it easier to ignore some of the script's more glaring inadequacies.  The story plays out in two portions with the lead up providing some genuine, albeit fake out, chills while the second borrows heavily from a couple of classic horror films.  Peele pulls off an impressive sleight of hand in the first half leading you to believe you are watching a certain type of genre film before flipping the script even though he provides plenty of clues early on.  This is the type of film that will prove divisive once the reveal occurs especially since there is very little in the way of answers provided.  Peele seems to be making a concerted effort to make his film a discussion piece since multiple facets of it leave it open for endless theorizing and pontification.  On screen, Daniel Kaluuya, Keke Palmer and  Brandon Perea make for a fun trio.  Kaluuya is a talented performer who can transmit so much by doing so little, its not a showy turn but its still incredibly dense.  Keke Palmer is lively and fun throughout getting some of the film's funniest lines.  Brandon Perea also get some fun moments as the overly involved Fry's  employee.  Michael Wincott and Steven Yeun both do solid work in underwritten roles that never feel fully realized.  Those looking for a terrifying horror film will likely be left wanting with Nope since its funnier than scary.  Peele's film does play well as a love letter to his cinematic inspirations from a genre he clearly loves.

A-

MOVIE REVIEW: MARCEL THE SHELL WITH SHOES ON

 

Marcel is an adorable, 1-inch-tall shell who ekes out a colorful existence with his grandmother, Connie, and their pet lint, Alan. Once part of a sprawling community of shells, they now live alone as the sole survivors of a mysterious tragedy. However, when a documentary filmmaker discovers them, the short film he posts online brings Marcel millions of passionate fans, as well as unprecedented dangers and a new hope of finding his long-lost family.

Director: Dean Fleischer Camp

Cast: Jenny Slate, Dean Fleischer Camp, Rosa Salazar, Thomas Mann, Isabella Rossellin

Release Date: June 24, 2022

Genre: Animation, Comedy, Family, Fantasy

Rated PG for some suggestive material and thematic elements

Runtime: 1h 30m

Review:

Marcel the Shell with Shoes on is a wildly imaginative stop  motion film that has a heartfelt authenticity that's hard to find.  Dean Fleischer Camp's mockumentary has a fairy simple relying more on the charm of its central character and his sweet, life affirming worldview.  Jenny Slate, who cocreated the character with Camp, delivers a touching and surprisingly nuanced performance as Marcel.  Slate voicework makes the entire film work but imbuing the fanciful character feel real and believable.  Isabella Rossellin serves as the her main costar, together they make a fascinating family unit as they explore topics of isolation and self discovery.  Its a real testament to the script and performances that the film is sneakily moving and poignant while being incredibly accessible to everyone.  Marcel the Shell with Shoes is the type of original film that comes out of nowhere and surprises at every turn reminding you some films don't have to big events to leave a lasting impact.  

A

MOVIE REVIEW: WHERE THE CRAWDADS SING

 

Abandoned as a girl, Kya raised herself in the dangerous marshlands of North Carolina. For years, rumors of the marsh girl haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, she opens herself to a new and startling world.

Director: Olivia Newman

Cast: Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, Michael Hyatt, Sterling Macer Jr., David Strathairn

Release Date: July 13, 2022

Genre: Drama, Mystery, Thriller

Rated PG-13 for sexual content and some violence including a sexual assault.

Runtime: 2h 5m

Review:

Where the Crawdads Sing, based on the bestselling novel, is the type of film adaptation that's desperately aspiring to land a deep and emotion punch.  Unfortunately, Olivia Newman's film never reaches those heights instead it lands like a strange low rent To Kill a Mockingbird/The Notebook hybrid.  Newman, directing her first film, shoots plenty of lovely vistas establishing the swampy marsh as a main character of the film but its all terribly sanitized which robs it of any sense of grounded authenticity.  It hampers the film's emotional impact since the entire thing feels more romanticized than gritty.  The script itself doesn't help the matter much since the majority of secondary characters are written as types with very little depth.  Daisy Edgar-Jones delivers a workmanlike performance that serves as the driving force of the entire film.  Jones is able to pull every bit of emotional resonance out of the script which is an impressive feat since it features a hefty amount of cheese.  Taylor John Smith does what he can as the film's requisite good guy and he does have passable chemistry with Jones which makes their early sequences more effective.  On the other end of the spectrum, Harris Dickinson channels a sort of 80's jerk energy which makes his and Jones scenes improbable at best.  Michael Hyatt, Sterling Macer Jr. and David Strathairn serve as the Kya's caretakers with the latter perfectly suited for the southern lawyer role.  As the film moves, slowly, towards its finale you get the sense there is a better version of this story somewhere which would make it easier to overlook some of the more non sensical and downright illogical portions of the story.  

C

MOVIE REVIEW: THOR: LOVE AND THUNDER

 

Director: Taika Waititi

Cast: Chris Hemsworth, Christian Bale, Tessa Thompson, Jaimie Alexander, Taika Waititi, Russell Crowe, Natalie Portman

Release Date: July 8, 2022

Genre: Action, Adventure, Comedy, Fantasy, Music, Romance, Sci-Fi

Rated PG-13 for intense sequences of sci-fi violence and action, language, some suggestive material and partial nudity.

Runtime:1h 59m

Review:

Taika Waititi's Thor: Love and Thunder, his follow up to Thor: Ragnarok, is a chaotic unfocused kaleidoscope that struggles to find the consistent fun and charm that made the previous film so enjoyable.  Waititi's delivers some truly impressive set pieces the majority of which are colorfully opulent but one monochromatic fight sequence is likely to leave the biggest impact.  You get the sense that he's poured his mind onto the screen like a visual trek through his stream of conscience.  It works in spots, but it never finds its footing consistently due to sizable tonal shifts throughout the film which makes for some noticeable dead spots.  The script, written by Waitit, tries to include some heftier emotional depth to the whole thing but it never connects the way it should.  Additionally, the humor here never feels as organic as it did in the previous entry making for more chuckles than laugh out loud moments.  The film relies heavily on Chris Hemsworth's charm, and he carries the film with relative ease that shouldn't come as a surprise since the character is like a second skin by now.  He's clearly having a great time and that energy is the driving force for the film. Natalie Portman returns to the fold but there is a strange lack of chemistry between her and Hemsworth.  Her bulked up frame makes for a great visual when she's in her Thor attire but her performance is noticeably stiff reminiscent of her turns in the Star Wars prequels.  Their relationship is the central part of the story but there is a disconnect which hurts the film overall.  Tessa Thompson returns but isn't given all that much to do outside of a few quips and action sequences.  Likewise, Christian Bale's villain is underutilized for the better part of the film which is a shame because the character's story is intriguing.  There are moments where you get the sense that Bale is trying to give his character more depth but the film never gives him enough time to fully realized it.  It's an issue with the film overall, there are plenty of solid ideas but very few of them are allowed to blossom organically due to its frantic and scattershot approach.  As such, Thor: Love and Thunder is all candy colored empty calories with very little actual substance.

B-

MOVIE REVIEW: MINIONS: THE RISE OF GRU

 

In the 1970s, young Gru tries to join a group of supervillains called the Vicious 6 after they oust their leader -- the legendary fighter Wild Knuckles. When the interview turns disastrous, Gru and his Minions go on the run with the Vicious 6 hot on their tails. Luckily, he finds an unlikely source for guidance -- Wild Knuckles himself -- and soon discovers that even bad guys need a little help from their friends.

Director: Kyle Balda

Cast: Steve Carell, Pierre Coffin, Taraji P. Henson, Michelle Yeoh, Russell Brand, Julie Andrews, Alan Arkin

Release Date: July 1, 2022

Genre: Animation, Adventure, Comedy, Crime, Family, Sci-Fi

Rated PG for some action/violence and rude humor

Runtime:1h 27m

Review:

Your enjoyment of Minions: The Rise of Gru will depend heavily on whether you still find the yellow denim clad underlings adorable or grating.  The target audience is sure to be delighted by the colorful hijinks and adults will appreciate the bevy of 70s references thrown on screen in rapid succession.  Kyle Balda directs the film with energetic ease in this unapologetically light and breeze children's film.  Sure there is a message ingrained through the film's story but none of it is overly heavy or heart wrenching and for this franchise it works.  The three central Minions, voiced again by Pierre Coffin, are the central focus of the film regardless of the film's title and their adventures deliver the biggest laughs.  Their training with Michelle Yeoh's Master Chow is a particularly fun sequence especially since you get the feeling she's really enjoying herself.  Taraji P. Henson's Belle Bottom is set up as the primary villain and she's fun when she's onscreen but the film doesn't take advantage of her or her crew which are voiced by Jean-Claude Van Damme and Dolph Lundgren.  Alan Arkin gets a bit more time to shine as Wild Knuckles who is Gru's idol and ultimately his mentor.  If you are still in business with this franchise by the fifth entry,  Minions: The Rise of Gru will offer an fun easy going family film.  

B

MOVIE REVIEW: THE BLACK PHONE

 

Finney Shaw is a shy but clever 13-year-old boy who's being held in a soundproof basement by a sadistic, masked killer. When a disconnected phone on the wall starts to ring, he soon discovers that he can hear the voices of the murderer's previous victims -- and they are dead set on making sure that what happened to them doesn't happen to Finney.

Director: Scott Derrickson

Cast: Mason Thames, Madeleine McGraw, Jeremy Davies, James Ransone, Ethan Hawke

Release Date: June 24, 2022

Genre: Horror 

Rated R for violence, bloody images, language and some drug use

Runtime: 1h 43m

Review:

Scott Derrickson's The Black Phone is a solid throwback of a thriller which makes efficient use of it's setting and cast.  Derrickson's film uses it's 70's setting to great effect while avoiding the usual nostalgia overload may productions like to wallow end.  There is a certain authenticity to the way he shoots his film resulting in some striking and memorable visuals.  The story, based on Joe Hill's short story, is simple and fairly straightforward making for lean storytelling which keeps all the action laser focused.  This all wouldn't matter if the younger cast members weren't up for the task.  Thankfully, Mason Thames and Madeleine McGraw are more than up for the task.  Thames has the kind of authenticity and naturalism that's hard to find in most younger actors.  He's able to carry the film ably with relative ease which does wonders for the film.  Madeleine McGraw steals every scene she in and is ultimately the beating heart of the entire film.  Ethan Hawke makes for an intriguing villain by giving him a tangible sense of unpredictability and ferocity.  His character's appearances are unnerving but the film doesn't provide much depth to him making him a cypher.  A more fleshed out character would have made him a more memorable film villain.  As is, The Black Phone is the kind of easily enjoyable thriller that sets out to provide some classic scares in a tight bit of filmmaking.  

B