MOVIE REVIEW: WHERE THE CRAWDADS SING

 

Abandoned as a girl, Kya raised herself in the dangerous marshlands of North Carolina. For years, rumors of the marsh girl haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, she opens herself to a new and startling world.

Director: Olivia Newman

Cast: Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, Michael Hyatt, Sterling Macer Jr., David Strathairn

Release Date: July 13, 2022

Genre: Drama, Mystery, Thriller

Rated PG-13 for sexual content and some violence including a sexual assault.

Runtime: 2h 5m

Review:

Where the Crawdads Sing, based on the bestselling novel, is the type of film adaptation that's desperately aspiring to land a deep and emotion punch.  Unfortunately, Olivia Newman's film never reaches those heights instead it lands like a strange low rent To Kill a Mockingbird/The Notebook hybrid.  Newman, directing her first film, shoots plenty of lovely vistas establishing the swampy marsh as a main character of the film but its all terribly sanitized which robs it of any sense of grounded authenticity.  It hampers the film's emotional impact since the entire thing feels more romanticized than gritty.  The script itself doesn't help the matter much since the majority of secondary characters are written as types with very little depth.  Daisy Edgar-Jones delivers a workmanlike performance that serves as the driving force of the entire film.  Jones is able to pull every bit of emotional resonance out of the script which is an impressive feat since it features a hefty amount of cheese.  Taylor John Smith does what he can as the film's requisite good guy and he does have passable chemistry with Jones which makes their early sequences more effective.  On the other end of the spectrum, Harris Dickinson channels a sort of 80's jerk energy which makes his and Jones scenes improbable at best.  Michael Hyatt, Sterling Macer Jr. and David Strathairn serve as the Kya's caretakers with the latter perfectly suited for the southern lawyer role.  As the film moves, slowly, towards its finale you get the sense there is a better version of this story somewhere which would make it easier to overlook some of the more non sensical and downright illogical portions of the story.  

C

MOVIE REVIEW: SHADOW IN THE CLOUD

 

While travelling with top-secret documents on a B-17 Flying Fortress, a female WWII pilot encounters an evil presence on board.

Director: Roseanne Liang

Cast: Chloë Grace Moretz, Taylor John Smith, Nick Robinson, Beulah Koale, Callan Mulvey

Release Date: January 1, 2021

Genre: Action, Horror, War

Rated R for language throughout, sexual references and violence

Runtime: 1 h 23 min

Review:

There’s a clear point in Roseanne Liang gonzo Shadow in the Cloud where you’ll either check out or go all in with the nuttiness on screen.  Its first half is deliberately paced serving as a wonderful showcase for Chloë Grace Moretz talents.  She’s always been an engaging actress whose deserving of a bigger spotlight, this film isn’t nearly good enough to give her a solid boost.  The film itself is a hodgepodge of ideas mashed up into a strange B-Movie where Moretz’s character battles sexual stereotypes, gremlins, the Japanese and motherhood.   Once the film decides to go all in with it’s insanity, it’s best to throw any semblance of logic out the window because the film doesn’t care if any of what you see makes any sense.  You get the sense that in the hands of a better filmmaker there might be a better film in there somewhere.  Unfortunately Roseanne Liang, who heavily rewrote Max Landis’s original screenplay, just isn’t that talented as a filmmaker.  The 2^nd half is clunky on various levels which leaves the movie feeling more like one of the nameless direct to video movies that pepper streaming services.  At the very least, Chloë Grace Moretz makes Shadow in the Cloud far more watchable than it deserves to be.

C-