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Showing posts with label Daisy Edgar-Jones. Show all posts
Showing posts with label Daisy Edgar-Jones. Show all posts

Friday, July 19, 2024

MOVIE REVIEW: TWISTERS

 






















Haunted by a devastating encounter with a tornado, Kate Cooper gets lured back to the open plains by her friend, Javi, to test a groundbreaking new tracking system. She soon crosses paths with Tyler Owens, a charming but reckless social-media superstar who thrives on posting his storm-chasing adventures. As storm season intensifies, Kate, Tyler and their competing teams find themselves in a fight for their lives as multiple systems converge over central Oklahoma.

Director: Lee Isaac Chung

Cast: Daisy Edgar-Jones, Glen Powell, Anthony Ramos, Brandon Perea, Maura Tierney, Sasha Lane

Release Date: July 17, 2024

Genre: Action, Adventure, Thriller

Rated PG-13 for intense action and peril, some language and injury images.

Runtime: 2h 2m

Review:

Lee Isaac Chung’s pseudo sequel to the 90's film, Twisters, brings all the large-scale spectacle and destruction promised to the big screen but even the best efforts of its good-looking leads can't keep it from feeling hollow and soulless.  Chung's film is a good looking blockbuster, taking full advantage of the wide open spaces and vistas as he sets up impressive action sequences.   The digital wizardry has improved by leaps and bounds in the twenty eight years since the original film hit the screens which makes the tornados much more visceral and impactful.  Chung is more conscience to go beyond the thrill ride aspect of the whole thing and take time to show the level of damage and carnage left in the wake of these all too real storms.  It adds some weight to the film that grounds the story in a more realistic way than the original film.  Sadly, the rest of the story is little more than a remix of the original film with it hitting a lot of the same story beats throughout.  There are a handful of callbacks to the original film scattered throughout such as recycled lines of dialogue or Daisy Edgar-Jones sporting an outfit identical to Helen Hunt's.  The appearance of "Dorothy" early on is the only direct connection to the original film although it’s never explained how that equipment made it into the crews hands.  Story wise there's plenty that feels familiar with the F/X and cast left to do the heavy lifting.  Glen Powell's natural screen charisma is used to maximum effect as he leans into his southern roots as the YouTube star storm chaser.   It’s a role that's perfectly suited to his talents and he gives his thrill seeking character an authentic confidence from the moment he hits the screen.  Daisy Edgar-Jones is just as believable as the haunted storm chaser, with her bringing a tangible sense of determination once she’s fully committed again.  The strange thing is Powell and Edgar-Jones just don't share much romantic chemistry together which isn't a huge issue since that angle is more subtle here but it’s still noticeable.  Anthony Ramos is given the thankless task of being the wanna be love interest who just ends up being supportive in the end which seems like a waste of such a talented actor.  There's another motley crew of characters assembled here but none of the corporate or rag tag groups are really given much time to leave an impression.  It’s an issue across the board with none of the characters, even the leads, feeling like three dimensional people.  That's not to say the original was some dramatic masterwork but at least you had a better sense of some of the characters.  Twisters ultimately proves to be a capable redux that delivers the sort of mindless summer blockbuster fun that will fade quickly after the film ends.

C+

Friday, July 15, 2022

MOVIE REVIEW: WHERE THE CRAWDADS SING

 






















Abandoned as a girl, Kya raised herself in the dangerous marshlands of North Carolina. For years, rumors of the marsh girl haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, she opens herself to a new and startling world.

Director: Olivia Newman

Cast: Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, Michael Hyatt, Sterling Macer Jr., David Strathairn

Release Date: July 13, 2022

Genre: Drama, Mystery, Thriller

Rated PG-13 for sexual content and some violence including a sexual assault.

Runtime: 2h 5m

Review:

Where the Crawdads Sing, based on the bestselling novel, is the type of film adaptation that's desperately aspiring to land a deep and emotion punch.  Unfortunately, Olivia Newman's film never reaches those heights instead it lands like a strange low rent To Kill a Mockingbird/The Notebook hybrid.  Newman, directing her first film, shoots plenty of lovely vistas establishing the swampy marsh as a main character of the film but its all terribly sanitized which robs it of any sense of grounded authenticity.  It hampers the film's emotional impact since the entire thing feels more romanticized than gritty.  The script itself doesn't help the matter much since the majority of secondary characters are written as types with very little depth.  Daisy Edgar-Jones delivers a workmanlike performance that serves as the driving force of the entire film.  Jones is able to pull every bit of emotional resonance out of the script which is an impressive feat since it features a hefty amount of cheese.  Taylor John Smith does what he can as the film's requisite good guy and he does have passable chemistry with Jones which makes their early sequences more effective.  On the other end of the spectrum, Harris Dickinson channels a sort of 80's jerk energy which makes his and Jones scenes improbable at best.  Michael Hyatt, Sterling Macer Jr. and David Strathairn serve as the Kya's caretakers with the latter perfectly suited for the southern lawyer role.  As the film moves, slowly, towards its finale you get the sense there is a better version of this story somewhere which would make it easier to overlook some of the more non sensical and downright illogical portions of the story.  

C

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