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Showing posts with label Maura Tierney. Show all posts
Showing posts with label Maura Tierney. Show all posts

Friday, July 19, 2024

MOVIE REVIEW: TWISTERS

 






















Haunted by a devastating encounter with a tornado, Kate Cooper gets lured back to the open plains by her friend, Javi, to test a groundbreaking new tracking system. She soon crosses paths with Tyler Owens, a charming but reckless social-media superstar who thrives on posting his storm-chasing adventures. As storm season intensifies, Kate, Tyler and their competing teams find themselves in a fight for their lives as multiple systems converge over central Oklahoma.

Director: Lee Isaac Chung

Cast: Daisy Edgar-Jones, Glen Powell, Anthony Ramos, Brandon Perea, Maura Tierney, Sasha Lane

Release Date: July 17, 2024

Genre: Action, Adventure, Thriller

Rated PG-13 for intense action and peril, some language and injury images.

Runtime: 2h 2m

Review:

Lee Isaac Chung’s pseudo sequel to the 90's film, Twisters, brings all the large-scale spectacle and destruction promised to the big screen but even the best efforts of its good-looking leads can't keep it from feeling hollow and soulless.  Chung's film is a good looking blockbuster, taking full advantage of the wide open spaces and vistas as he sets up impressive action sequences.   The digital wizardry has improved by leaps and bounds in the twenty eight years since the original film hit the screens which makes the tornados much more visceral and impactful.  Chung is more conscience to go beyond the thrill ride aspect of the whole thing and take time to show the level of damage and carnage left in the wake of these all too real storms.  It adds some weight to the film that grounds the story in a more realistic way than the original film.  Sadly, the rest of the story is little more than a remix of the original film with it hitting a lot of the same story beats throughout.  There are a handful of callbacks to the original film scattered throughout such as recycled lines of dialogue or Daisy Edgar-Jones sporting an outfit identical to Helen Hunt's.  The appearance of "Dorothy" early on is the only direct connection to the original film although it’s never explained how that equipment made it into the crews hands.  Story wise there's plenty that feels familiar with the F/X and cast left to do the heavy lifting.  Glen Powell's natural screen charisma is used to maximum effect as he leans into his southern roots as the YouTube star storm chaser.   It’s a role that's perfectly suited to his talents and he gives his thrill seeking character an authentic confidence from the moment he hits the screen.  Daisy Edgar-Jones is just as believable as the haunted storm chaser, with her bringing a tangible sense of determination once she’s fully committed again.  The strange thing is Powell and Edgar-Jones just don't share much romantic chemistry together which isn't a huge issue since that angle is more subtle here but it’s still noticeable.  Anthony Ramos is given the thankless task of being the wanna be love interest who just ends up being supportive in the end which seems like a waste of such a talented actor.  There's another motley crew of characters assembled here but none of the corporate or rag tag groups are really given much time to leave an impression.  It’s an issue across the board with none of the characters, even the leads, feeling like three dimensional people.  That's not to say the original was some dramatic masterwork but at least you had a better sense of some of the characters.  Twisters ultimately proves to be a capable redux that delivers the sort of mindless summer blockbuster fun that will fade quickly after the film ends.

C+

Tuesday, December 26, 2023

MOVIE REVIEW: THE IRON CLAW

 






















The true story of the inseparable Von Erich brothers, who make history in the intensely competitive world of professional wrestling in the early 1980s. Through tragedy and triumph, under the shadow of their domineering father and coach, the brothers seek larger-than-life immortality on the biggest stage in sports.

Director: Sean Durkin

Cast: Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany, Lily James

Release Date: December 22, 2023

Genre: Biography, Drama, Sport

Rated R for language, suicide, some sexuality and drug use.

Runtime: 2h 12m

The Iron Claw, the tragic true-life tale of the Von Erich family, is the kind of sports movie that doesn't require you to be a fan of the sport to be moved and affected by its painful story.  Sean Durkin directs the film with a nuanced hand giving it a sweaty, gritty feel which gives the story an air of authenticity.  He makes you feel every bit of flesh hitting the mat during the wrestling sequences but adds an overreach sense of dread and sadness throughout the entire film.  Thematically, it covers well worn concepts about masculinity and overbearing fathers trying to live vicariously through their sons but does so with a surprisingly level of effectiveness thanks to its cast.  Holt McCallany is the kind of actor that can bring a certain level of intimidation, intensity without overt physicality which works incredibly well here as the family patriarch.  There's an emotional frigidity to his character that's reflected in his treatment of his sons as mere vessels to correct his list of grievances and shortcomings.  The character is cold, emotionally distant, and aloof even as tragedy continues to befall his children due in large part to his constant pushing and playing them against each other.  Zac Efron, Jeremy Allen White, Harris Dickinson and Stanley Simons all deliver authentic, engaging performances, each reflecting the sons burning desire to please their father at any cost.  Efron though carries the emotional weight of the film as he makes you feel the pain of his perceived failures and shortcomings early on in the story before he’s burdened by loss of his siblings along with the realization of the root cause.  It’s an excellent showcase for Efron as he emotes all the internalized pain and trauma with a level of nuance and depth that I honestly didn't think he was capable of.  His psychical transformation almost becomes an afterthought due to his committed performance which elevates the entire film and makes it easier to overlook a few pacing issues and underwritten female characters.
 
A-
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