Cindy Prascik's Review of Hobbs & Shaw

Following my blissful ten-week Rocketman interlude, yesterday it was off to the pictures for the decidedly-un-Rocketman-like Fast & Furious Presents: Hobbs & Shaw.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

When a genetically-enhanced baddie (Idris Elba) threatens to release a virus to cull humanity, it's up to Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) to put aside their differences and save the world.

In the grand tradition of the Fast & Furious franchise, Hobbs & Shaw is big, loud, dumb fun that uses a single ridiculous set-piece to up the ante for the whole action genre. (Think Tom Cruise hanging off the side of that airplane in Mission Impossible: Rogue Nation.) The film is fast-paced from start to finish, with well-choreographed fight sequences and insane car chases, but the last act holds a special surprise only hinted at in the trailers. Overall the movie looks really good, though there are a few spots where the green screen is so obvious the actors might as well be Colorforms. (How old is everyone reading this? Do I need a different reference there?) The humor comes easy and is only seldom forced, working especially well for Kevin Hart and Ryan Reynolds in roles that are little more than cameos, but are just what the doctor ordered for the aging F&F series. Elba, Statham, Johnson, and franchise newcomer Vanessa Kirby ensure the movie isn't short on eye-candy. The picture's a bit overlong, but it keeps moving well enough that it's hardly noticeable.

Fast & Furious Presents: Hobbs & Shaw clocks in at 137 minutes and is rated PG13 for "prolonged sequences of action and violence, suggestive material, and some strong language."

While it's fair to say the Fast & Furious franchise is getting a bit long in the tooth, Hobbs & Shaw is good fun that not only ticks all the boxes for action fans, but also continues to raise the stakes for stupidly huge stunts. Of a possible nine Weasleys, Fast & Furious Presents: Hobbs & Shaw gets six.

Fangirl points: My go-to guy Jason Statham and my want-to guy Idris Elba! Until next time...

MOVIE REVIEW: SCARY STORIES TO TELL IN THE DARK

The shadow of the Bellows family has loomed large in the small town of Mill Valley for generations. It's in a mansion that young Sarah Bellows turns her tortured life and horrible secrets into a series of scary stories. These terrifying tales soon have a way of becoming all too real for a group of unsuspecting teens who stumble upon Sarah's spooky home.

Director: André Øvredal

Cast: Zoe Colletti, Michael Garza, Gabriel Rush, Austin Abrams, Dean Norris, Gil Bellows, Lorraine Toussain

Release Date: August 9, 2019

Genre: Horror, Mystery, Thriller

Rated PG-13 for terror/violence, disturbing images, thematic elements, language including racial epithets, and brief sexual references.

Runtime: 1 h 47 min

Review:

Scary Stories to Tell In the Dark is a solid entry level horror movie that may be a gateway for younger horror fans to explore the genre.  Norwegian director André Øvredal, who has been turning out solid horror films for a good while now, delivers an impressively stylish film.  It’s not ground breaking in any shape or form but his adaptation of the short stories are staged well enough to keep most people entertained even if the film start to film like a light version of IT as the plot unfolds.  The monsters are effectively creepy which makes for some solid moments of terror even though the film is very light on blood.  The cast of mostly unknowns does a great job of carrying the film with Zoe Colletti leaving a strong impression.  More seasoned horror aficionados may find the whole thing a bit quaint since the film feels like a throwback of sorts to the old horror films like Night of the Scarecrow or The Town that Dreaded Sundown.


B-

MOVIE REVIEW: ONCE UPON A TIME IN HOLLYWOOD

Quentin Tarantino’s Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.

Director: Quentin Tarantino

Cast: Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Austin Butler, Dakota Fanning, Bruce Dern,  Al Pacino

Release Date: July 26, 2019

Genre: Comedy, Drama

Rated R for language throughout, some strong graphic violence, drug use, and sexual references

Runtime: 2 h 45 min

Review:

Once Upon a Time In Hollywood, Quentin Tarantino’s 9^th film, is a gloriously unfocused tome that takes the audience back in time to another era.  Tarantino’s film feels like a unrelated assembly of story vignettes which ultimately do converge in an interesting and unexpected fashion.  While the finale will get a lot of buzz but the journey is just as enjoyable.  The film is anchored by Leonardo DiCaprio and Brad Pitt who are both clearly having a blast in their roles.  They both share some amazing chemistry that keeps the film watchable and enjoyable for the duration.  Their takes of their character layered, subtle and ultimately lots of fun.  There’s a huge whose who of faces that pop up through out the film that boost the film at just the right times.  You can almost feel Tarantino’s gleeful energy come through the screen as some of the screen legends pop up on the screen.  There might be a bit of a complaint about how unfocused the whole thing is and in comparison to his other films, the story here isn’t the strongest.  Still it’s hard not to enjoy this dazzling stroll through a bygone era brought back to life by one of films most talented directors.


A-

MOVIE REVIEW: THE LION KING

Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny on the plains of Africa. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother -- and former heir to the throne -- has plans of his own. The battle for Pride Rock is soon ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. Now, with help from a curious pair of newfound friends, Simba must figure out how to grow up and take back what is rightfully his.

Director: Jon Favreau

Cast: Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Beyoncé Knowles-Carter, James Earl Jones

Release Date: July 18, 2019

Animation, Adventure, Drama

Rated PG for sequences of violence and peril, and some thematic elements |

Runtime: 1 h 58 min

Review:

First and foremost, I have to admit that I’ve never seen the original Lion King.  It’s a film that’s become so ingrained in the cultural zeitgeist that it almost doesn’t feel necessary.  None the less, I understand it’s a much beloved property that many people have incredible affection for so it makes watching this remake a strange experience.  The film itself is a technical marvel, all the animals are beautifully realized throughout.  The film’s voice cast is a who’s who of big stars who all do serviceable work in their particular roles with nobody really standing out.  A handful of the legendary songs reappear with some strong staging but all of it feels strangely hollow.  Unfortunately the whole thing feels rather soulless much like most of Disney’s ongoing money making scheme of remaking all their animated classics.  Jon Favreau’s film isn’t a terrible film by any stretch but it’s strangely uninspired.  Some of that might come from the fact that by making the film photo realistic the animals lack any sort of real expressive features, something that’s much easier in an animated feature.  As such it feels like you are watching one of those old 90s Homeward Bound films with much better production values.


C+

MOVIE REVIEW: STUBER

When a mild-mannered Uber driver named Stu (Kumail Nanjiani) picks up a passenger (Dave Bautista) who turns out to be a cop hot on the trail of a brutal killer, he’s thrust into a harrowing ordeal where he desperately tries to hold onto his wits, his life and his five-star rating. Directed by Michael Dowse, this action-comedy from 20th Century Fox also stars Iko Uwais, Natalie Morales, Betty Gilpin, Jimmy Tatro, Mira Sorvino and Karen Gillan.

Director: Michael Dowse

Cast: Dave Bautista, Kumail Nanjiani, Iko Uwais, Natalie Morales, Betty Gilpin, Jimmy Tatro, Mira Sorvino, Karen Gillan

Release Date: June 28, 2019

Action, Comedy, Crime

Rated R for violence and language throughout, some sexual references and brief graphic nudity

Runtime: 1 h 33 min

Review:

Stuber is one of those stupid mindless action comedies that seemingly pops up every summer.  Michael Dowse’s film knows what it is and never really pretends to be anything else especially anything resembling serious.  The action is loud, kinetic and surprisingly bloody for some reason.  Still it all carries very little weight in terms of gravitas.  It’s all played for fun and both the leads are more than ready to go all in.  Dave Bautista, aka Mr Monotone, uses a schtick similar to his Guardians of the Galaxy routine which works well here.  His massive size compared to Kumail Nanjiani’s plays right into the film’s general hook.  Nanjiani is perfectly neurotic as the hapless uber driver who’s commandeered for the drive around the city.  Together they make for a fun pair delivering a low rent 48 Hrs. or Running Scared.  Ultimately, the film does sort of feel like a throwback to those 80’s buddy comedies even if doesn’t quite reach classic status.


B-

MOVIE REVIEW: MIDSOMMAR

With their relationship in trouble, a young American couple travel to a fabled Swedish midsummer festival where a seemingly pastoral paradise transforms into a sinister, dread-soaked nightmare as the locals reveal their terrifying agenda.

Director: Ari Aster

Cast: Florence Pugh, Jack Reynor, William Jackson Harper, Vilhelm Blomgren, Will Poulter

Release Date: July 3, 2019
Genre: Drama, Horror, Mystery

Rated R for disturbing ritualistic violence and grisly images, strong sexual content, graphic nudity, drug use and language

Runtime: 2 h 27 min

Review:

Midsommar, Ari Aster’s 2^nd film, is a singular movie watching experience.  It’s the type of film that’ll stick with you for a long while afterward.  Aster’s direction is self assured and methodical while never being boring even with the film’s glacial pace.  There’s a steady sense of dread from the outset and it never really lets up throughout the better part of the film.  While this film isn’t quite as strong in the horror category as Hereditary was its still filled with plenty of starkly bleak imagery and iconography.  At its center is Florence Pugh who carries the film and elevates some of the weaker portions of the film’s plot.  Pugh’s ability to emote pain and grief comes through the screen which some of the film’s more trippy sequences all the more powerful.  As for those hallucinatory sequences they are some of the most discombobulating and outright weird sequences I’ve seen on film.  It's easy to compare Midsommar to the original Wicker Man, it does share various similarities with that film, but ultimately it’s it own wonderfully weird amalgam of that film and the 1981 film Possession, destined to become a cult classic in it's own right.

A-