MOVIE REVIEW: THE THING (2011)

IN THEATERS

THE THING (2011)

An American paleontologist and a team of Norwegian scientists fight for their lives against a shape-shifting extraterrestrial that can perfectly mimic any living creature in this prequel to John Carpenter's 1982 horror classic. Upon receiving word that the Antarctic research team has unearthed an alien craft, paleontologist Kate Lloyd (Mary Elizabeth Winstead) joins the group to explore what secrets the ship might hold. Though by Kate's estimation the creature inside the spaceship has been dead for centuries, it has actually just been lying dormant in the ice. Perfectly preserved, it has awaited the day when it would finally be freed from its frigid prison; now, after eons of lying in wait, that day has finally come. Suddenly revived during a crucial experiment, the malevolent alien begins methodically mimicking each member of the crew undetected. By the time Kate realizes the frightening implications of the creature's unique ability, it may already be too late. As paranoia among the crew begins to intensify, it's up to Kate and the crew's helicopter pilot, Carter (Joel Edgerton), to make sure the extraterrestrial menace is exterminated before it has the opportunity to escape -- for, should it manage to make its way to a heavily populated area, humanity's days may be numbered. Matthijs Van Heijningen Jr. makes his feature directorial debut from a script by Eric Heisserer and Battlestar Galactica's Ronald D. Moore. ~ Jason Buchanan, Rovi
Director: Matthijs van Heijningen Jr.

Cast: Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Eric Christian Olsen, Adewale Akinnuoye-Agbaje

Release Date: Oct 14, 2011

Rated R for Strong creature violence and gore, disturbing images and language

Runtime: 1 hr. 43 min.

Genres: Horror, Sci-Fi/Fantasy

REVIEW:

The Thing prequel was always going to be a dicey subject for me since Carpenter’s remake from the 80’s is one of my top 3 favorite horror films of all time. I’ve tried to keep an open mind but I am only human and I’m sure my prejudices infect this review more than it should. This prequel feels a lot like a remake especially in the first act. It plays very similarly but first time director Matthijs van Heijningen Jr. seems more interested in getting to the creature effect as opposed to building up suspense. The story also changes the creature’s logic, making it more aggressive where as Carpenter’s version reacted in a more defensive manner. The effects in of themselves are impressive and pay homage to the Carpenter film but the CGI is of variable quality, occasionally looking very good then looking incredibly bad in others. Heinjinigen turns this prequel more into a standard creature feature with characters that could barely be called paper thin. The characters, including the lead, feel like nothing more than fodder for creature. Mary Elizabeth Winstead is terribly miscast her and she reads lines about as flatly as they can be read. Her performance and character are never engaging or interesting instead a general sense of bland throughout. The remainder of the cast is simply asked to replicate versions of characters from the Carpenter film, with Joel Edgerton and Adewale Akinnuoye-Agbaje doing their best Kirk Russell and Keith David impersonations. There are a few scares here and there but with the lack of any tangible suspense they are all telegraphed making them fairly obvious. The final act plays more like something from the Aliens franchise. The ambiguity of the Carpenter film is missing right through the end. A nice wrap up scene, setting up the Carpenter film, during the credits is well done but doesn’t do much but put the final pieces in place. Fans of the Carpenter film will find things to like here and there and will probably walkout with the desire to watch the Carpenter film as soon as they leave the theater, quickly forgetting this prequel.

C

TV SHOW REVIEW: WEEDS SEASON 1 - 7

TV SHOW REVIEW: WEEDS SEASON 1 - 7



Synopsis:

Dark comedy about a single mother who makes ends meet by selling marijuana in the fictional suburb of Agrestic, California. The series exposes the dirty little secrets that lie behind the pristine lawns and shiny closed doors of homes in the of this gated community. Mary Louise Parker stars as the suburban mom who resorts to selling weed to support her family after her husband unexpectedly dies

Starring: Mary-Louise Parker, Hunter Parrish, Alexander Gould, Kevin Nealon, Justin Kirk

Weeds is an interesting show, for a dramedy it’s incredibly risky and bold, not just because of the subject matter either. Jenji Kohan has to be given credit for taking massive risk throughout the series’ 7 season run. Most shows stick with the status quo and stick with what works. Weeds, for better or worse, likes to stir the pot (pun intended). At its center is the lovely and snarky turn by Mary-Louise Parker. Parker has an interesting screen presence and an uncanny ability to deliver lines in a funny & sarcastic way. Her biggest talent is turning a character that becomes increasingly reckless, selfish and self centered likeable some how. It’s a daunting task to keep the audience on Nancy Botwin’s side and there are plenty of times that it’s impossible but regardless Parker make her interesting. Justin Kirk has a slightly easier time with Andy Botwin who starts off as kind of a mooch be really turns into the shows heart and soul. Andy functions nicely a passive stand in for the audience. Hunter Parrish and Alexander Gould really grow into their roles both literally and artistically as the series goes on. Gould’s character in particular takes an interesting but decently foreshadowed turn as the series goes on. Kevin Nealon really flexes his comedic muscle as stoner / once well respected bureaucrat and accountant, like everybody else’s character his story line takes many a twist and turn. An assortment of excellent character actors and actresses pepper the series all leaving lasting impressions which are especially noticeable when their characters disappear from the series. Elizabeth Perkins, Allie Grant, Tonye Patano and Romany Malco in particular do fine work and causally tossed aside during various seasons. I’d be a liar if I said that Weeds wasn’t occasionally frustrating and maddening. Things change a lot over the course of the series. Season 1 is vastly different from Season 7 but then again the characters would be incredibly boring if they stayed the same forever. Wouldn’t they? If Season 7 is the end and a massive cliffhanger we’re left with is the end, part of me feels like its oddly fitting. Time will tell if we get a proper end or not.

B-

[Official Trailer] The Avengers

Official trailer is finally out and it’s pretty damn Geektastic, watch it for yourself.

You get a nice sense of the scale that Whedon is going for and some nice action shots of all the heroes, of course Robert Downey Jr’s Tony Stark gets the best line in the trailer…..

MOVIE REVIEW: TROLLHUNTER

ON VIDEO

TROLLHUNTER



Three student filmmakers venture into the most isolated region of Norway on a mission to confront a notorious bear poacher, and discover that the elusive hunter's true prey is something far more extraordinary. Though Kalle, Thomas, and Johanna thought they were pursuing a criminal, after locating Hans (Otto Jespersen) with the help of some local hunters, they learn that bears are not his true target but a mere smokescreen to obscure what he's really after -- trolls. A secret government agency has been conspiring to cover up the existence of these massive monsters, but occasionally the trolls manage to break their containment area. Now, if the group can just survive long enough to get their incredible footage to the outside world, they could be responsible for revealing the most impressive cryptozoological discovery in the history of humankind. ~ Jason Buchanan, Rovi

Director: André Øvredal

Cast: Glenn Erland Trosterud, Otto Jespersen, Robert Stoltenberg, Knut Nærum

Release Date: Jun 10, 2011

Rated PG-13 for some sequences of creature terror

Runtime: 1 hr. 43 min.

Genres: Art House/Foreign, Horror

Review:

There is an incredible sense of fun and adventure at the heart of this “found footage” mockumentary. It benefits the film which never really takes itself overly seriously and serves the premise perfectly well. This low budget creature feature is an interesting film that feels more like a road movie which takes full advantage of the wonderfully mythical looking Norwegian landscapes. Director André Øvredal gives his film a surprisingly polished feel. So much so that it really doesn’t feel like a lot of “found footage” genre films. The CGI is impressive considering the minuscule budget; most of it is wisely hidden in the dark or night vision. His cast is fairly naturalistic and come across as authentic. Glenn Erland Trosterud, in particular, just nails his grizzled hunter who’s over the crap job he’s been tasked with. Watching Trosterud and knowing that an American remake is already in the works, remake deal was announced the day it was released internationally, I couldn’t help but think of Tommy Lee Jones in the role. I digress, the film is a lot of fun but it does have some flaws. A few portions of the film just seem like filler and the last act feels like it’s building up to an impressive climax but it doesn’t come through. Instead the film ends abruptly and certain parties portrayed previously suddenly become dangerous. It’s a strange finale but there is a funny little bit near the end with reminds you of the tone that makes Trollhunter easy to enjoy.

B-

[Full Trailer] Paranormal Activity 3

Full trailer for Paranormal Activity 3 is out and it appears that this entry will be a lot more aggressive and left subtle than the first 2.

By the third entry in this franchise, which I’ve enjoyed, it’s almost required that you go all out since the audience already knows rules of the game.

We’ll see if it works in October……

MOVIE REVIEW: MONEYBALL

IN THEATERS

MONEYBALL



Brad Pitt stars in the real-life tale of Major League Baseball general manager Billy Beane, who built up a winning team despite a decreased budget thanks to his sly use of statistical data to calculate the best -- and cheapest -- players for his roster. Aaron Sorkin updates Steve Zaillian's adaptation of Michael Lewis' fly-on-the-wall novel for Columbia Pictures, with Robin Wright, Jonah Hill, and Philip Seymour Hoffman co-starring. ~ Jeremy Wheeler, Rovi

Director: Bennett Miller

Cast: Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, Chris Pratt

Release Date: Sep 23, 2011

Rated: Some strong language

Runtime: 2 hr. 6 min.

Genres: Drama

Review:

To call Moneyball a baseball movie is kind of a disservice. Personally, I’ve never been a big fan of sports films mainly because they follow such a predictable pattern and are filled with genre required benchmarks. Moneyball forgoes most of that and explores the business of the sport but doing so in a manner that people who are well versed in sports and those who barely know the difference between and out and a touchdown can enjoy it. It’s engaging from the start and the character piece pops in a way few films can. It’s a slow and organic film that allows scenes to gestate long enough to achieve their desired effect. Bennett Miller provides a strong guiding hand making his film feel like jock version of The Social Network. Miller does such a strong job of giving his film an air of authenticity, the scenes all ring true, even to a sports fanatic like myself, but never spilling over into parody. Brad Pitt is spot on as Beane. Pitt masterfully and subtly displays Beane cocksure bravado and private self doubts that drive the man. It’s the type of performance that brings his character to life especially in character scenes that showcase the man’s mind at work. Jonah Hill playing against type provides an excellent counterpoint to Beane. Hill’s quiet and measured performance is perfect for the character’s persona. Phillip Seymour Hoffman rounds out the cast with an impressive turn as A’s Manager Art Howe, his interaction with Pitt’s Beane is the kind of stuff most sports fans know all too well. The film might overstay it’s welcome near the end but just barely.

A