Cindy Prascik’s review of Man of Steel / This Is the End

Dearest Blog, today I followed the herd to the cinema for Man of Steel. Though I'd happily have seen Star Trek again, I did the responsible thing and paired MOS with This Is the End, so, dear reader(s), I could share my "wisdom" on the week's big new releases. You're welcome. ;-)

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A reboot of the Superman franchise, Man of Steel is the obligatory origins tale.

The usual disclaimers, personal biases that will, no doubt, color this review: I love superhero movies. I do not love Superman, but I adore this team of filmmakers, and most of this cast. I very much wanted to love this movie. I did not.

Starting with the obvious: Henry Cavill.

I'm an Anglophile, so this is not the first time Mr. Cavill and I have crossed paths. While he is an extraordinarily good-looking young man, he is, unfortunately, only an average actor, with no special charisma. Never is that more obvious than when he shares a screen with one of Hollywood's most magnetic leading men, Russell Crowe, who is terrific as always, even with limited screen time. This film really needed a Robert Downey, Jr.-esque leading man to overcome its flaws, and Cavill is not that guy. (I'm a fan, but it is what it is.) The cast is fleshed out with big names and very familiar faces: Amy Adams, Kevin Costner, Diane Lane, Michael Shannon, Christopher Meloni, Laurence Fishburne, and, as mentioned, Russell Crowe. Other than Crowe, they are as unremarkable as the material. The usually superb Shannon is a particular disappointment, flat and uninspired as the film's main villain.

While the acting in Man of Steel is nothing to write home about, the cast can't really be blamed for the film's chief handicap: it's just plain boring. I somehow managed not to check the time more than once, which, in and of itself, constitutes a super-human feat.

Man of Steel does have some positives, including big, solid special effects, and a grand score by Hans Zimmer. My fellow Crowe fans will be pleased to note that Russell is looking fit these days, and there's no denying Henry Cavill is easy on the eyes, and has the perfect look for this iconic role.

Man of Steel attempts to drag Superman into the darker territory where Batman and Watchmen now comfortably reside, but Superman is ill
suited for that world. Take away the camp, and you're left with something that's no less silly, just less entertaining. This is an okay movie, but, sadly, far from the perfect superhero movie many of us were counting on.

Man of Steel clocks in at an excessive 143 minutes, and is rated PG13 for "intense sequences of sci-fi violence, action and destruction, and for some language." This will make a bundle at the box office this weekend, and, despite my disappointment, I'm very happy about that for all involved, and I look forward to a sequel that I'm already confident will be brilliant. Of a possible nine Weasleys, Man of Steel gets six.

Next on my agenda was the raunch-comedy, This Is the End, starring James Franco, Seth Rogen, Jay Baruchel, Craig Robinson, Jonah Hill and a slew of their Hollywood compatriots as what I'm told are very exaggerated versions of themselves...facing the Apocalypse.

This Is the End is one of those films I don't quite know what to do with. When it was funny, it was really, really funny, but, unfortunately, there was a good bit I just didn't find funny. Being that the film is essentially one long "in" joke, I'm willing to concede that maybe I just didn't get some of it, but there were also times when it was simply too much: too gross, too much foul language, too, too much. (Bear in mind I think Tropic Thunder is the funniest movie of all time, so I'm not particularly squeamish about any of that.)

The entire cast shows off brilliant comedy chops, especially Jay Baruchel (a personal favorite) and James Franco. Not sure how much credit is due there if they were basically playing themselves, but, to a man, they are hilarious. It goes without saying that I loved Harry Potter's Emma Watson in a small role that allowed her to play against type. The movie is a tad too long, and the plot (such as it is) bogs down in places, but generally speaking it's good fun from start to finish. While I won't spoil the ending for anyone who hasn't see it, I have to at least say there's a squee-worthy moment that: a.) caused me to embarrass myself in front of a packed theatre, and b.) immediately allowed me to forgive this film for any shortcomings.

This Is the End runs 107 minutes and is rated R for "crude and sexual content throughout, brief graphic nudity, pervasive language, drug use, and some violence."

It's a raucous comedy that's a great time, if you've got the stomach for it. I enjoyed it, but I also spent most of the two hours thinking how much funnier The World's End is certain to be. Of a possible nine Weasleys, This Is the End gets six.

The moral of today's cinema trip: If you're thinking of seeing either of these films, but haven't yet seen Star Trek Into Darkness or Now You See Me, do yourself a favor and see one of those instead.

Until next time...





Wait...what was I saying?

MOVIE REVIEW: MAN OF STEEL

Superman flies back onto the big screen in this Warner Bros./Legendary Pictures production directed by Zack Snyder (Watchmen), produced by Christopher Nolan (The Dark Knight), and featuring a screenplay by David Goyer (Blade, The Dark Knight). Academy Award-nominated actor Michael Shannon (Revolutionary Road, Boardwalk Empire) co-stars as General Zod and Laurence Fishburne steps into the role of "Daily Planet" editor-in-chief Perry White. Russell Crowe and Christopher Meloni co-star. ~ Jason Buchanan, Rovi

Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Russell Crowe.

Release Date: Jun 14, 2013

Rated PG-13 for intense sequences of sci-fi violence, action and destruction, and for some language

Runtime: 2 hr. 23 min.

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

Review:

The Man of Steel delivers a newer slightly edgier more conflicted version of the granddaddy of all superheros. Its first act is a bit of a slog simply because there’s a lot to cover, mostly on Krypton. Once the set up is out of the way Snyder lets his film breathe a little even though there’s still an oppressive aura about it. It attempts to give Superman a slightly more interesting slant and it works to a certain extent. Henry Cavill and his lantern jaw look good in the Superman suit and cape. He carried a concerned look on his face even when he’s smiling. Cavill has a quiet strength about himself which works well for the character even if though he and Amy Adams have zero chemistry together. Michael Shannon meanwhile is limited by a surprisingly underwritten take of General Zod. Shannon maintains a crazed look throughout but isn’t given a meaty enough script to work with. Russell Crowe fairs better as Superman’s father Jor-El. Crowe is reserved but paternal. As mentioned previously, The Man of Steel’s first act is rather slow and reserved for a Snyder film but once the action starts it does stop, so much so that it almost beats you into the ground with the sheer amount of destruction being flung around. It’s all visually striking which shouldn’t come as a surprise but it’s also emotionally distant. The film never connects the way it should; instead it keeps the audience at arms length. A few scant moments of levity here and there but otherwise it’s all serious superhero business.

B-

[Trailer] Man of Steel

The first few trailers for Zach Snyder reboot of Superman were pretty lackluster to say the least. While I don’t quite have the vitriol that some do with Snyder, I was letdown with first glimpse but this trailer is rather rousing and exciting, give it a look below….

[Trailer] Man of Steel

Heres' the first trailer for Zack Snyder’s Superman reboot.

It gives us a better idea of what we’ll be seeing in this version, much more than the underwhelming teaser.

Snyder does look like he’s learned some lessons from his atrocious film Sucker Punch delivering a more polished and mature feel to his film.

Still not sure what the plot is going to be but trailer teases an epic confrontation between Michael Shannon’s General Zod and Cavill’s Superman…






Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Michael Shannon, Russell Crowe, Kevin Costner.

Release Date: Jun 14, 2013

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

MOVIE REVIEW: THE MASTER

IN THEATERS

THE MASTER




Paul Thomas Anderson's The Master stars Joaquin Phoenix as a psychologically damaged war veteran who finds himself working for Lancaster Dodd (Philip Seymour Hoffman), a charismatic figure building his own religion. As the alcoholic, self-destructive former soldier becomes more deeply involved with the leader of this cult-like organization, his natural instincts keep him from embracing his new position as strongly as others in the group would hope. The Master screened at the 2012 Toronto International Film Festival. ~ Perry Seibert, Rovi

Director: Paul Thomas Anderson

Cast: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Laura Dern, Jesse Plemons

Release Date: Sep 14, 2012

Rated R for Graphic Nudity, Sexual Content and Language

Runtime: 2 hr. 16 min.

Genres: Drama

Review:

The Master is an appropriate title for the new Paul Thomas Anderson. His place as the second coming of Stanley Kubrick fully realized with this visually powerful and intense film. Anderson directs his film with such a pronounced definitiveness that I’d be hard pressed to find a flaw. Anderson’s ability to get the most out of his actors is readily evident. Joaquin Phoenix gives a seminal performance which may prove to be a high point in his career. Phoenix utterly dissolves into the character from the start. It’s impossible to tear your eyes away from his ferocious mental disturbed man. Phillip Seymour Hoffman is equally impressive as the charismatic and subtly fiery cult leader. Their scenes together are some of the film’s best each showcasing their impressive talents all at once. Amy Adams is strong in a supporting role, showing off a steely intensity that makes her almost as frightening as the male leads. The actors and Anderson have created a classic film, which should be all over the place on the Oscars list, that requires your attention from the start, it offers very little in the way of clear answers. The Master is the type of film that requires repeat viewing which is a cinematic treat for any film fan.

A

First Photo of Henry Cavill As Superman from Zach Snyder's Man of Steel

First official photo of Henry Cavill as Superman in Zach Snyder’s Man of Steel is out.

Right off the bat I’ve never been a big fan of Superman in general but being a child and growing up with the Christopher Reeve’s films, it was kind of hard to escape.

I actually enjoyed the Bryan Singer reboot but that probably had more to do with it reminding me of the Donner films but I digress.

Snyder is a visual filmmaker and while I loved Watchmen and hated Sucker Punch I was still looking forward to see what he was going to do with this property.

Still am but first impressions on the new look, what’s up with the scales on the suit and I guess this Superman has super hair??

MOVIE REVIEWS: THE FIGHTER

IN THEATERS

THE FIGHTER



Mark Wahlberg stars in Paramount Pictures' inspirational docudrama exploring the remarkable rise of Massachusetts-born, junior welterweight title winner "Irish" Micky Ward. A determined pugilist whose career in the ring was shepherded by his loyal half-brother, Dicky (Christian Bale) -- a hard-living boxer-turned-trainer whose own career in the ring was nearly sent down for the count due to drugs and crime -- perennial underdog Irish Micky rebounded from a disheartening series of defeats to win both the WBU Intercontinental Lightweight title and the WBU Light Welterweight title thanks to a fierce combination of determination and hard work. David O. Russell directs from a script by 8 Mile's Scott Silver and Paul Attanasio (The Bourne Ultimatum). ~ Jason Buchanan, Rovi

Director: David O. Russell

Cast: Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo, Jack McGee

Release Date: Dec 17, 2010

Rated R for some violence, sexuality, language throughout and drug content

Runtime: 1 hr. 54 min.

Genres: Documentary, Drama

Review:

Films based on sports stories always have inherent obstacles to clear to make an impression. Those obstacles are simple in that the plots are all identical, underdog rises get to the big game fight etc., and the faux sports never feels truly authentic. As a result this genre always has to work a bit harder than most. The Fighter works as a true life Rocky story because it’s a thoroughly compelling story about family and dysfunction with the sports aspect almost an afterthought. David Russell delivers a film that engaging from the moment it begins. It features some of the best all around acting from its stellar cast. Mark Wahlberg is soft spoken and heartfelt throughout, he tends to blend in to the background from time to time. It’s not really because of anything Wahlberg does but the other parts are meatier roles. Case in point, Christine Bale’s amazing performance as Mickey’s crack addict / trainer Dicky. Bale is a method actor through and through and here he’s manipulated his body to another extreme similar to what he did in The Machinist. His appearance and mannerism are just spot on throughout especially when you see footage of the real person. Bale has shown incredible versatility over the past couple of years and this role should give him the accolades and Oscar he’s deserved. Amy Adams is also impressive playing against type and does it extremely well. Melissa Leo reeks of authenticity as Mickey’s mother and manager. As a whole the cast share fantastic believable chemistry that boosts the story’s emotional center making everything ring true.
A-

Movie Reviews: JULIE & JULIA

Tuesday, September 15, 2009
Movie Reviews: JULIE & JULIA
IN THEATERS

JULIE & JULIA

A frustrated temp secretary (Amy Adams) embarks on a year-long culinary quest to cook all 524 recipes in Julia Child's Mastering the Art of French Cooking. She chronicles her trials and tribulations in a blog that catches on with the food crowd. The film also covers the years Julia Child (Meryl Streep) and her husband Paul (Stanley Tucci) spent in Paris during the 1940s and 1950s, when he was a foreign diplomat who was eventually investigated by Sen. Joseph McCarthy for alleged communist ties.

Cast: Meryl Streep, Amy Adams, Stanley Tucci, Chris Messina, Linda Emond

Director: Nora Ephron

Opened August 7, 2009.

Runtime: 2 hr. 3 min.

Rated PG-13 for some sensuality and brief strong language

Genres: Comedy, Domestic Comedy



Review:




Julie & Julia is a fun and light look at 2 women separated by time and space. Based on 2 separate books, Julia Child’s memoir My Life in France and the titular Julie & Julia by Julie Powell, writer director Nora Ephron tries her best to meld these 2 stories into a coherent narrative. It’s a mixed bag mainly because Julia Child’s story is far more intriguing than Powell’s. That’s not to say Powell’s segments are terrible but they just feel closer to your standard Rom-com territory ala some of Ephron’s other directorial efforts. The two women are vastly different and while the film tries to connect them as much as possible it feels forced. The Child segments, helped by a truly inspired turn by Meryl Streep, are delightful throughout and really give insight to this woman who was larger than life both literally and figuratively. Streep captures her mannerism and voice perfectly but also projects the drive and warmth Child possessed. Stanley Tucci matches her step by step as Child’s loving husband. Tucci and Streep have tangible chemistry and they do a wonderful job of giving the audience a peek at Child’s marriage. Special notice has to be given to Jane Lynch as Child’s sister, her appearance comes and goes much too quickly but Lynch hits the mark the entire time. When the film shifts back to 2002 and Powell, Amy Adams does a fairly impressive job with a far less glamorous role. ..Adams.. does a solid job of capturing Powell’s neuroticism coupled with her massive mood swing during the course of her journey. ..Adams.. does her best but, as written, Powell is a tad unlikable and it’s difficult for the audience to connect with her the way they should. It might also just be a case of Child being painted as an almost saintly figure throughout. Chris Messina does yeoman work as Powell’s husband and makes his support and love of his wife palpable and believable to the audience. As mentioned before Powell is a fairly interesting character but when compare to someone of Child’s stature and accomplishments it’s hard to maintain the same level of interest. Ephron does the best she can with these two stories but when the film finishes its 2 hour runtime you can’t help but think that Child deserved her own stage.



B-