MOVIE REVIEW: LES MISERABLES

The King's Speech's Tom Hooper directs this adaptation of Cameron Mackintosh's successful musical version of Victor Hugo's classic novel. The drama surrounds the obsessive quest of Inspector Javert (Russell Crowe) as he spends years in an effort to capture escaped convict Jean Valjean. Hugh Jackman co-stars in the Universal Pictures production. Anne Hathaway, Amanda Seyfried, and Sacha Baron Cohen also star. ~ Jeremy Wheeler, Rovi

Release Date: Dec 25, 2012

Rated PG-13 for suggestive and sexual material, violence and thematic elements

Runtime: 2 hr. 38 min.

Genres: Drama, Music/Performing Arts

Director: Tom Hooper

Cast: Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Sacha Baron Cohen,
Helena Bonham Carter

Review:

The cinematic version of Les Misérables will give you goose bumps one moment then have readjusting in your chair as the barrage of bombastic yet bold musical numbers beat you into submission. It’s all wonderfully staged by a dedicated Tom Hooper. He treats this beloved musical with a tenderness and love throughout. Everything is wonderful to look at and listen to. Hooper just lets you dive right in and never really lets you take a breath. His A+ cast belts out tune after tune with impassioned veracity and emotional heft. At its center is Hugh Jackman who anchors the entire production with his impressive vocals and performance. Jackman’s stage talent and experience is readily apparent, making his casting a real win for film. Anne Hathaway has garnered plenty of attention because of her turn as Fantine and its well deserved. Her screen time is incredibly limited but she leaves a strong emotional impression. Less impressive is a miscast Russell Crowe. I’ve been a fan of Crowe for years and while he looks the part, his vocal chops are just all wrong for this type of film and character. It’s a major misstep, one that detracts from the film’s quality as a whole which is a real shame. An angelic Amanda Seyfried is strong if limited as the older Cosette. She’s outshined by her character’s counterpart played by Samantha Barks. Barks oozes melancholy as she belts out her songs about unrequited love. Hooper moves his film at a methodical pace but the story does leave you feeling a bit disjointed as it changes from intimate to global back to intimate. Flaws aside, it’s an opulent piece of musical filmmaking which keeps your eyes glued to each actor’s soulful eyes as they sing about dreams lost and found.

B+

MOVIE REVIEW: DJANGO UNCHAINED

DJANGO UNCHAINED



A former slave and a German bounty hunter become unlikely allies in the battle against a tyrannical plantation owner in this western from visionary director Quentin Tarantino. Two years before the Civil War pits brother-against-brother, German-born fugitive hunter Dr. King Schultz (Academy Award-winner Christoph Waltz) arrives in America determined to capture the outlaw Brittle brothers dead or alive. In the midst of his search, Dr. Schultz crosses paths with Django (Academy Award-winner Jamie Foxx), a freed slave and skilled tracker who seeks to rescue his beloved wife Broomhilda (Kerry Washington) from ruthless plantation owner Calvin Candie (Academy Award-nominee Leonardo DiCaprio). Django and Dr. Schultz will have to come out with pistols blazing if they ever hope to free Broomhilda from Candyland and the clutches of its vile proprietor. ~ Jason Buchanan, Rovi

Director: Quentin Tarantino

Cast: Jamie Foxx, Leonardo DiCaprio, Christoph Waltz, Kerry Washington, Samuel L. Jackson, Walton Goggins

Release Date: Dec 25, 2012

Rated R for strong graphic violence throughout, a vicious fight, language and some nudity.

Runtime: 2 hr. 21 min.

Genres: Action/Adventure, Drama

Review:

Django Unchained is an uneven if effective entry into the Quentin Tarantino catalogue. Tarantino’s trademark mix of stark violence, even more potent here, and humor is on full display. The violence here seems much more grounded than usual, it’s brutal and harsher than some of the more cartoonish violence we’ve seen from him before. Like all of his films, you can tell Tarantino loves the genre he’s selected, Django is no different. He adjusts his shooting style to mimic many of the classic Western films something he did in Kill Bill Volume 2. Needless to say Django is a visually impressive film full of genre vibrancy throughout. Story-wise Tarantino delivers another revenge story with a, dare I say, more romantic slant. It’s straightforward for the most part and while the film didn’t lag at any point, there is plenty that could have been cut to make it a more efficient story. Regardless, Tarantino makes it all work pulling out some impressive performances from a strong cast. Jamie Foxx is stoic yet fiery and determined as the titular Django. It’s easy to forget how impressive of an actor Foxx is when he’s as focused as he is here. In full cowboy get up he’s quite the sight as well, filling out his character’s hero status with ease. Christoph Waltz returns to work with Tarantino with strong results, playing a mentorship role similar to his Basterd character but less sinister and more humane. Their chemistry together works well, creating a believable bond between the two men. Leonardo DiCaprio fills the villain’s role with a gleeful energy that’s palpable. DiCaprio brings the necessary threatening energy needed for the role. Sam Jackson also turns in his finest work in years. Like Foxx, you tend to forget how much talent these actors have because they don’t use it in all their roles. Jackson’s role feels like a caricature at first but as the film moves on he reveals more layers to the character. Both pairs of character work as a fascinating dichotomy to each other with actors on both sides putting in awards worthy performances. The situation and tension builds leading to a dizzyingly violent gunfight, close to the scale of Kill Bill Vol. 1 finale, leaves you with a firm impression of what a human shield is. After that point the film does feel a tad bit aimless, needing to close the final story threads which it does in less operatic fashion robbing it a bit of it’s power. Regardless, if you are a Tarantino fan, you’ll find so much to love here.

B

MOVIE REVIEW: THIS IS 40

THIS IS 40




After many years of marriage, Pete (Paul Rudd) is the sole male in a household that includes his wife, Debbie (Leslie Mann), and two young daughters (Iris Apatow, Maude Apatow). As Pete struggles to keep his record label afloat, he and Debbie navigate a three-week course of sex and romance, career victories and financial hardships, aging parents and maturing children. They'll have to learn to forgive, forget and enjoy the rest of their lives -- before they kill each other.

Director: Judd Apatow
Cast: Paul Rudd, Leslie Mann, Megan Fox, Albert Brooks, Chris O'Dowd.
Release Date: Dec 21, 2012
Rated R for pervasive Language, Crude Humor, Sexual Content and Some Drug Material
Runtime: 2 hr. 14 min.
Genres: Comedy

Review:

This is 40 is Judd Apatow’s 2nd uneven film in a row. Honestly, you might start to wonder if he’s losing touch with the type of humor that really put him on the map. The honestly and crassness is here but it only makes an appearance here and there in between grating arguments between 2 incredibly well meaning leads. The better part of the blame for the faults falls on Apatow who wrote the film. His leads aren’t ever particularly likable and come off as annoying and entitled throughout. A meandering molasses like pace doesn’t help matter either. The film trudges slowly and aimlessly towards an unresolved ending which leaves the audience with questions but so exhausted that they couldn’t be bothered to ask what will happen afterwards. 2 hours plus for a comedy is a stretch at best, something Apatow could get away with in The 40 Year Old Virgin and Knocked Up with a better story even then just barely, but here it’s just a drag. The film feels longer than The Hobbit by a mile. Paul Rudd does his best to pull the film out of its doldrums. He and Leslie Mann do share some good comedic chemistry as displayed in Knocked Up but here when it’s front and center for the entire film it makes the entire thing look like a fool’s errand. That’s not to say there are some strong scenes with plenty of laughs because there are. The problem is that there are twice as many scenes of them arguing or fretting about manufactured problems throughout. Mann is likable, she works well as a supporting player but here her acting shortcomings are on full display and her bugged eyed occasionally emaciated figure can start to wear on a viewer. The supporting cast is strong but only Albert Brooks and Melissa McCarthy leave a strongest impression while being thoroughly underused. John Lithgow, Chris O'Dowd, John Segal and Megan Fox are all played for types and given very little else to do. Apatow and Mann’s real life daughters appear again with the Maude screaming her lines, playing on the worse piece of first period humor possible, for the better part of the film with Iris coming off more muted than before. The first hour or so of the film has some steady steam providing a good series of laughs especially for anyone in a long term relationship but the film’s faults start to weigh it down ultimately bringing down the entire production.

C

MOVIE REVIEW: THE HOBBIT: AN UNEXPECTED JOURNEY,

THE HOBBIT: AN UNEXPECTED JOURNEY IMAX 3D

Bilbo Baggins (Martin Freeman) lives a simple life with his fellow hobbits in the shire, until the wizard Gandalf (Ian McKellen) arrives and convinces him to join a group of dwarves on a quest to reclaim the kingdom of Erebor. The journey takes Bilbo on a path through treacherous lands swarming with orcs, goblins and other dangers, not the least of which is an encounter with Gollum and a simple gold ring that is tied to the fate of Middle Earth in ways Bilbo cannot even fathom.

Director: Peter Jackson

Cast: Ian McKellen, Martin Freeman, Richard Armitage, Ken Stott, Graham McTavish

Release Date: Dec 14, 2012

Rated PG-13 for extended sequences of intense fantasy action violence, and frightening images.

Runtime: 2 hr. 49 min.

Genres: Action/Adventure

Review:

Watching Peter Jackson’s The Hobbit: An Unexpected Journey in IMAX 3D is a bit of an undertaking, it’s like trying to eat a cake in one bite. Trying to take in all the grandeur and majesty that Jackson poured onto the screen take some effort at first. It’s a film that has more than a few noticeable flaws but I found it far more accessible than the first Lord of the Rings film. Jackson, as he does when in Middle Earth, takes his time with everything, slowly acclimating us with the prequel story while laying the ground work for the Lord of the Ring story along the way. The opening portion of the film can be a bit of a bear to trudge through but once the story gets moving in earnest you’ll find yourself rather enveloped in a massive action piece after another one. The story’s more straightforward nature makes it easier to digest. Martin Freeman brings an instant likeability to the younger Bilbo. Freeman isn’t saddled with the angst Elijah Wood had to deal with as Frodo so he’s free to be a bit more easy going and easier to connect with. Richard Armitage is appropriately billow-chested and stoic as the leader of the dwarfs. Armitage fits the hero mold perfectly and he delivers fine work throughout. Ian McKellen returns to his role as Gandalf The Grey with noticeable ease. McKellen could have just phoned in his performance and honestly nobody would have complained but he takes the opportunity to add more layers of emotion and doubt to Gandalf The Grey. Thankfully, these three deliver strong performances because that’s it. The rest of the cast simply fades into the background; we barely know their names but not much else, only Ken Stott’s Balin gets a substantial scene. Even Bilbo fades into the background during the middle and first part of the final act. There are a handful of returning actors (along with Andy Serkis as Gollum) from the original trilogy, serving as threads leading into The Lord of Rings. I understand why Jackson felt the need to include them but they bring the main story’s forward momentum to a grinding halt. Lastly, the film suffers from the same issue the first 2 films from The Lord of the Rings, it’s merely an opening act and ends as such. The latter is to be expected and while there are a handful of issues The Hobbit: An Unexpected Journey delivers an impressive cinematic experience which reminds you why certain films should be seen on a big screen.

B

[Trailer] PACIFIC RIM

The official trailer for Guillermo Del Toro’s Pacific Rim has been released and it’s full of geektastic scenes.

It is a bit strange hearing Charlie Hunnam narrate the trailer, if you’re a fan of Sons of Anarchy you’ll know what I mean, but the visual look strong even if the CGI is just a tad suspect.

Having Idris Elba close out the trailer with a great rallying speech was a wonderful choice.

I’m a big Del Toro fan to begin with and this looks like he’s just going to be having a great time delivering a monster movie he wants to make….







Filmmaker Guillermo del Toro teams up with Legendary Pictures to bring audiences a unique take on the monster film with this sci-fi production. Charlie Hunnam (Sons of Anarchy) stars as a washed out pilot of a series of robots called Jaegers, which are put into production when Earth invaded by a species of giant monsters, the Kaijus. The Brothers Bloom's Rinko Kikuchi co-stars as a trainee whom Hunnam is psychically paired with in order to pilot the last beacon of hope - a decommisioned Jaeger aimed to stop the Kaijus once and for all. Thor's Idris Elba leads the rest of the starring cast, which includes Charlie Day. Rob Kazinsky and Ron Perlman. ~ Jeremy Wheeler, Rovi

Release Date: Jul 12, 2013

Genres: Sci-Fi/Fantasy

Director: Guillermo del Toro

Cast: Charlie Hunnam, Idris Elba, Charlie Day, Rinko Kikuchi, Ron Perlman

[Trailer] Man of Steel

Heres' the first trailer for Zack Snyder’s Superman reboot.

It gives us a better idea of what we’ll be seeing in this version, much more than the underwhelming teaser.

Snyder does look like he’s learned some lessons from his atrocious film Sucker Punch delivering a more polished and mature feel to his film.

Still not sure what the plot is going to be but trailer teases an epic confrontation between Michael Shannon’s General Zod and Cavill’s Superman…






Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Michael Shannon, Russell Crowe, Kevin Costner.

Release Date: Jun 14, 2013

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

MOVIE REVIEW: WRECK-IT RALPH

WRECK-IT RALPH




An 8-bit video-game character attempts to shed his bad-guy image by escaping into a popular first-person shooter, but inadvertently wreaks havoc in the video-game universe by freeing a digital villain who can only be contained with the help of a most unlikely ally in this colorful animated adventure. Wreck-It Ralph (voice of John C. Reilly) is the arch nemesis of Fix-It Felix (voice of Jack McBrayer), one of the most beloved video-game icons of all time. In a noble bid to prove he is more than the sum of his programming, Ralph sneaks from his cozy retro home into a highly advanced combat game featuring battle-hardened soldier Sergeant Calhoun (voice of Jane Lynch), and strives to prove his bravery by winning a medal. In the process, however, Ralph accidentally frees the greatest threat the video-game world has ever seen. But all hope is not lost, because if Ralph can just convince unpredictable cart racer Vanellope von Schweetz (voice of Sarah Silverman) to help set things right, perhaps he can finally unleash his inner hero and save the arcade from certain destruction. ~ Jason Buchanan, Rovi

Director: Rich Moore

Cast: John C. Reilly, Sarah Silverman, Jack McBrayer, Jane Lynch, Alan Tudyk

Release Date: Nov 02, 2012

Rated PG for some rude humor and mild action/violence

Runtime: 1 hr. 41 min.

Genres: Animated, Comedy, Family

Review:

Wreck-it Ralph is a surprise on many levels. A smart script with a strong emotional center works on various levels and for various age groups. Thrity-somethings will find enough 8 bit nostalgia to keep them grinning throughout with each tasty Easter egg they run into. Children will find a candy coated story with a good story and message for them to chew on. Rich Moore does what few outside of Pixar have been able to do, deliver an emotional bond with these computer creations. He handles his 2 leads characters with a tenderness which comes through especially with some impressive voice work. John C. Reilly as the lumbering Ralph is just perfect throughout, his voice works so well for the character reminding me of his work in Chicago singing Mr. Cellophane in particular. Sarah Silverman’s precocious misfit character fits her voice like a glove. Both establish a strong chemistry with each other, so much so that it’s hard not to get caught up in their story. Supporting characters are all just as strong. Jane Lynch delivers excellent work as the tough as nails FPS character who spends most of the movie with Fix-it Felix. Jack McBrayer’s southern prep fits the character to a T. Alan Tudyk, drawing inspiration from Ed Wynn, just loses himself in his work here as a fitting villain for the story. If there are a few small drawback in the film is its length and its need to keep us in the Sugar Rush world for nearly the entire film. The latter is understandable considering the plot. Still it’s hard to feel that there’s a wealth of story that could have been told in all the video game worlds hinted at but never explored. It would have been a lot of fun had they not gone with a Wizard of Oz inspired plot line. A few cuts or trims could have streamlined the film by a good ten minutes to deliver a sleeker product. Still it’s a very impressive family film.

B+

[Trailer] Star Trek Into Darkness

We get our first glimpse of the upcoming reboot sequel via this "announcement" trailer, as a life long Trek fan I’m still not sure what to make of it. I enjoyed the reboot but it lacked a true Trek feel, we’ll see if this one can capture that as of right now it looks like a big action tent pole film….

The Star Trek franchise continues with this follow-up to 2009's J.J. Abrams-directed reboot. Abrams returns to direct from a script by Damon Lindelof and the writing team of Roberto Orci and Alex Kurtzman. The crew of the Enterprise engages in an epic battle of good versus evil after being summoned home to discover Starfleet in ruins, and venturing into a war zone to find the powerful villain (Sherlock's Benedict Cumberbatch) responsible for the devastation. ~ Jeremy Wheeler, Rovi





Japanese trailer below has a bit of extra footage which hints that they might be doing a version of a classic Trek film…



Full new trailer

MOVIE REVIEW: HITCHCOCK

HITCHCOCK



Director Sacha Gervasi adapts Stephen Rebello's book Alfred Hitchcock and the Making of Psycho to explore the relationship between the legendary British director (Anthony Hopkins) and his wife Alma Reville (Helen Mirren), who played a crucial behind-the-scenes role in the making of her husband's terrifying 1960 classic Psycho. Scarlett Johansson co-stars as Janet Leigh and James D'Arcy portrays Anthony Perkins in a film also featuring Jessica Biel, Danny Huston, Toni Collette, and Ralph Macchio. ~ Jason Buchanan, Rovi

Director: Sacha Gervasi

Cast: Anthony Hopkins, Helen Mirren, Scarlett Johansson, Jessica Biel, James D'Arcy

Release Date: Nov 23, 2012

Rated PG-13 for some violent images, sexual content and thematic material

Runtime: 1 hr. 38 min.

Genres: Drama

Review:

Hitchcock takes a fun and lighthearted look into the trials, tribulation and machinations of the making of one his seminal films. Sasha Gervasi, helming his first non documentary film, makes it feel like we are watching a sort of accurate cliff notes version of what actually happened. As such he keeps it from being overly dry, allowing his cast to relish in their roles. Anthony Hopkins, under heavy prosthetics which work with varying degrees of effectiveness, delivers one of his better performances in a good while. He can’t hide his singular voice but occasionally he does get the tenor of Hitch down perfectly. Hopkins allows us to see various sides of Hitch, his obsessive controlling nature along with his voyeuristic tendencies. Helen Mirren makes a good match for Hopkins as Alma, Hitchcock’s long suffering wife/collaborator. Mirren takes on the meaty role and she shares a steady effective chemistry with Hopkins and they play out the collaborative but dysfunctional relationship the couple shared. Both can carry a scene easily and are given plenty of chances to shine. Supporting players like Scarlett Johansson, Jessica Biel, Toni Collette, Danny Huston and James D’Arcy, doing an impressive turn as Anthony Perkins, all do solid work filling out the film. The film ends on a tad bit too much of a happy note for my taste. A good companion piece to follow up with is the recent HBO film The Girl, which covered the making of The Birds, with a very effective Toby Jones playing a creepier Hitch as he tormented Tippi Hedren played by Sienna Miller.

B+