MOVIE REVIEW: HALLOWEEN KILLS

 

The nightmare isn't over as unstoppable killer Michael Myers escapes from Laurie Strode's trap to continue his ritual bloodbath. Injured and taken to the hospital, Laurie fights through the pain as she inspires residents of Haddonfield, Ill., to rise up against Myers. Taking matters into their own hands, the Strode women and other survivors form a vigilante mob to hunt down Michael and end his reign of terror once and for all.

Director: David Gordon Green

Cast: Jamie Lee Curtis, James Jude Courtney, Judy Greer, Andi Matichak, Will Patton, Anthony Michael Hall, Thomas Mann

Release Date: October 15, 2021

Genre: Horror, Thriller

Rated R for strong bloody violence throughout, grisly images, language and some drug use

Runtime: 1h 45min

Review:

Halloween Kills is a strange unfocused follow up to a 2018 refresh.  David Gordon Green’s film is tonally all over the place with it going for goofy laughs in large swaths before switching back to more standard horror tension.  It’s gorier than its immediate predecessor but there are only a handful of truly tense moments that result in real scares.  Jamie Lee Curtis is mostly sidelined for the majority of the film leaving supporting characters like Anthony Michael Hall and Andi Matichak carrying the majority of the film.  Hall, playing a grown Tommy from the original film, delivers an overblown performance that never nails the generational trauma that he’s supposed to represent.  Other legacy actors appear but are given painfully little depth and are asked to make the stupidest decisions possible.  Andi Matichak is terribly bland which leaves her scenes coming off as generally disinteresting regardless of what’s going on.  Judy Greer, on the other hand, makes the best of her scenes as she provides the only noticeable energy on screen. The story attempts to deliver a bigger message more meaningful message but it fumbles it badly leaving it unfocused.  Halloween Kills ends up feeling incomplete and unfinished which is a shocking downgrade from 2018 refresh.  

D

MOVIE REVIEW: THE LAST DUEL

Jean de Carrouges is a respected knight known for his bravery and skill on the battlefield. Jacques Le Gris is a squire whose intelligence and eloquence makes him one of the most admired nobles in court. When Le Gris viciously assaults Carrouges' wife, she steps forward to accuse her attacker, an act of bravery and defiance that puts her life in jeopardy. The ensuing trial by combat, a grueling duel to the death, places the fate of all three in God's hands.

Director: Ridley Scott

Cast: Matt Damon, Adam Driver, Jodie Comer, Ben Affleck, Harriet Walter, Nathaniel Parker. Alex Lawther

Release Date: 1h 46min

Genre: Action, Drama, History

Rated R for strong violence including sexual assault, sexual content, some graphic nudity, and language

Runtime: 2h 32min

Review:

Ridley Scott's The Last Duel is the type of gritty muddy medieval drama that plays right into his wheelhouse. The Last Duel is a perfect bookend to the director's previous historical epics, Gladiator and The Kingdom of God, with this one focused more intently on the central characters than large scale battle field carnage.  That's not to say the film doesn't deliver a handful of bloody, bone crushing battle sequences including the titular duel but Scott's lens focuses more on the three main characters and their disparate versions of the truth.  Matt Damon and Adam Driver both deliver strong performances but as the film goes on you get the sense that the film would have been better served had they swapped roles.  Driver would have been far more believable as the hard edged brute as opposed to the strikingly handsome rapscallion the film tries incredibly hard to make us believe he is.  Driver is at his best when roles embrace his embodiment of the boorish angry masculinity which would have made him perfect for Jean de Carrouges.  Damon for his part delivers a workman like performance which adds bits of subtly depending on who's telling the story.  Jodie Comer balances both performances with a nuanced take on a character that could have easily fallen into clichéd territory.  Comer gives her a character a strong believable sense of intelligence paired with quiet strength and resolve.  Ben Affleck though maybe having the most fun of all in a supporting role as a debaucherous libertine who sets off the feud between to the two men.  The cast makes the film's lengthy runtime feel far more manageable due to their talents on display.  The Last Duel carries multiple thematic themes and messages, some work while others come off as overly blunt.  That being said the film works more than it doesn't and should please plenty of people looking for more heavy adult drama.

B+

MOVIE REVIEW: LAMB

 

In rural Iceland, a childless couple discover a strange and unnatural newborn in their sheep barn. They decide to raise her as their own, but sinister forces are determined to return the creature to the wilderness that birthed her.

Director: Valdimar Jóhannsson

Cast: Noomi Rapace, Hilmir Snær Guðnason, Björn Hlynur Haraldsson

Release Date: 1h 46min

Genre: Drama, Horror, Mystery

Rated R for some bloody violent images and sexuality/nudity

Runtime: 1h 46min

Review:

Valdimar Jóhannsson’s debut film is a meditative folk tale that plays like a long lost Grimm's Fairy Tales.  Jóhannsson’s film is beautifully filmed, filled with wonderfully composed shots that he leaves on screen for maximum effect.  It’s the type of film that’s uses visuals far more than actual dialogue, there’s barely a line of dialogue in the film for the first thirty minutes.  It’s methodical in its paces almost to a fault but maintains a steady sense of eeriness and foreboding for the majority of its runtime.  Holding together the scant script are two fantastic turns from Noomi Rapace and Hilmir Snær Guðnason.  Rapace and Guðnason communicate book loads of information with simple looks and gestures, the mundane sadness and grief seeps through the screen in the film’s first half.  They’re understated subtle performances that are so emotionally dense that you just have to appreciate the talent on display.  Björn Hlynur Haraldsson joins the pair as the loser brother in law in the second half of the film who brings some chaotic energy to the pairs new found familial bliss.  Lamb is the type of film that won’t be for everyone with it’s leisurely pace and bizarre conceit but it creates a palpable sense of tension while being touching at the same time.

B+

MOVIE REVIEW: NO TIME TO DIE

 

James Bond is enjoying a tranquil life in Jamaica after leaving active service. However, his peace is short-lived as his old CIA friend, Felix Leiter, shows up and asks for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond on the trail of a mysterious villain who's armed with a dangerous new technology.

Director: Cary Joji Fukunaga

Cast: Daniel Craig, Léa Seydoux, Ben Whishaw, Naomie Harris, Jeffrey Wright, Christoph Waltz, Rory Kinnear, Ralph Fiennes, Rami Malek, Lashana Lynch, Billy Magnussen, Ana de Armas

Release Date: October 8, 2021

Genre: Action, Adventure, Thriller

Rated PG-13 for intense sequences of violence and action, some strong language, disturbing material and suggestive references

Runtime: 2h 43m

Review:

Daniel Craig's much delayed swan song as James Bond, No Time to Die, is an expansive wide-reaching finale that provides a true series capper to his run in the tuxedo.  Cary Joji Fukunaga directs the film with a steady hand, delivering the expected exotic locals and massive set pieces.  Those action set pieces are incredibly fun but mostly relegated to the film's first act before it moves into a heaty bit of exposition in its second act.  Fukunaga's film is visually appealing throughout even in its quieter moments as there's a palpable sense of finality and mortality.  Craig is more comfortable than ever with his world-weary take on the character feeling more at home here even as he drops sly quips with relative ease.  The script works in lighthearted moments even in the mist of more dramatic sequences to keep the entire thing from becoming overbearing.  Craig is able to work both ends of the spectrum easily and having a game supporting cast makes his job all that much easier.  Léa Seydoux returns as his primary love interest though her character doesn't carry as much emotional heft as she should.  Faring much better are Lashana Lynch, Naomie Harris and Ana de Armas who each leaving a strong impression with the film giving them ample time to shine.  Rami Malek though is saddled with undercooked villain who reeks of the worst clichés of Bond villains complete with a secret island base.  The script works in large portions of the film as it caps off story threads from Craig's run but it's also unfocused, causing the film to drag in its nearly 3 hour runtime which borders on attrition.  Those issues aside, No Time to Die brings a solid sense of closure and completion rarely seen in the Bond franchise

B

MOVIE REVIEW: VENOM: LET THERE BE CARNAGE

 

After finding a host body in investigative reporter Eddie Brock, the alien symbiote must face a new enemy, Carnage, the alter ego of serial killer Cletus Kasady.

Director: Andy Serkis

Cast: Tom Hardy, Michelle Williams, Naomie Harris, Reid Scott, Stephen Graham, Woody Harrelson

Release Date: October 1, 2021

Genre: Action, Adventure, Sci-Fi, Thriller

Rated PG-13 for intense sequences of violence and action, some strong language, disturbing material and suggestive references

Runtime: 1h 30min

Review:

Venom: Let There Be Carnage is the kind of sequel that takes what worked in an underwhelming original and goes all in with them.  Andy Serkis directs his film with a kinetic sort of energy that’s hard to ignore.  It works best when it focuses on Hardy’s Brock and his symbiote bickering back and forth like the world’s strangest odd couple.  It’s goofy and silly but it’s enjoyable for large chunks of its brisk runtime.  Woody Harrelson chews up scenery with impressive gusto as the film’s villain.  Harrelson seems to relish in these sort of oddball and he’s clearly having a ball it’s just a shame he doesn’t have a better script to work with.  There’s an overall sense that Harrelson is slumming here just like Michelle Williams and Naomie Harris who’s criminally underused here. Venom: Let There Be Carnage is the type of cinematic fast food that more enjoyable than it should be and probably bad for you if you have too much of t.

C

MOVIE REVIEW: TITANE

 

Following a series of unexplained crimes, a father is reunited with the son who has been missing for 10 years. Titane : A metal highly resistant to heat and corrosion, with high tensile strength alloys.

Director: Julia Ducournau

Cast: Agathe Rousselle, Vincent Lindon, Garance Marillier, Laïs Salameh, Myriem Akheddiou, Bertrand Bonello, Dominique Frot, Adèle Guigue

Release Date: October 1, 2021

Genre: Drama, Sci-Fi, Thriller

Rated R for strong violence and disturbing material, graphic nudity, sexual content, and language

Runtime: 1h 48min

Review:

Titane is the type of aggressively provocative film that will either envelop or disgust you withing the first ten minutes of its brisk run time.  Julia Ducournau’s thematically dense film offers up a series of drug induced fever dreams that takes you on a journey that’s so bizarrely grotesque, darkly funny and even touching in spots that it’ll stay in your mind long after you’ve watched it for better or worse.  Agathe Rousselle central performance is feral but multifaceted at the same even though she spends the majority of the film with scant dialogue.  It’s a fascinating performance from start to finish especially as she experiences physical changes throughout the film which are extreme to say the least.  Her and Vincent Lindon, who looks like Scott Bakula & Chris Meloni at the same time, strange relationship functions as the primary driving force of the film.  Lindon blends a strong sense of masculinity with an underlying sadness that’s palpable every time he’s on screen.  They both leave a lasting impression as both deliver the type of performances with a fascinating layer of depth that elevates the film’s storyline.  Titane harkens back to early Cronenberg film’s like Videodrome or Naked Lunch in their delight of making you squeamish, confused and intrigued if you are willing to peel away the layers. 

B