Cindy Prascik’s Review of Metallica Through the Never

Dearest Blog, today I used my recovery day from the Nine Inch Nails concert to catch Metallica's latest big-screen venture, Through the Never.

Spoiler level here will be mild, and, truth be told, there's not a lot to spoil.

During a Metallica concert, a young man (Dane DeHaan) is charged with collecting "something the band needs tonight," but finds the task is more challenging than he could have imagined.

Lots of people release 3D concert films these days, and I get pretty tired of seeing trailers for Katy Perry, One Direction, Kenny Chesney....... Wait...what? Sorry, I dozed off just typing that bit. Anyway, it's nice to get a big-screen outing from a band that's actually worth seeing. Make no mistake, Through the Never is no more than a concert film with a little extra mustard on it, but what a concert film it is!!

Any plot is merely a side note to an explosive Metallica show. The story is interesting enough, without being distracting. DeHaan spends 90 minutes looking confounded, terrified, and higher than someone in a Cheech & Chong film...sometimes all at the same time.

There are extras aplenty, but his is really the only character to speak of, and he carries the scripted part of the movie well.

There's no backstage BS in Through the Never, no Katy Perry explaining how her Christian upbringing prepared her for a career crooning trite pop songs while dressed as a PG13-candy striper.

Outside the trippy clips of DeHaan trying to accomplish his chore, there's just Metallica, Metallica, and more Metallica. Top hits like Enter Sandman, One, and Nothing Else Matters are complimented by old favorites Ride the Lightning, Master of Puppets, and my favorite Metallica song, Creeping Death. I had the theatre to myself today, and I'll cop to throwing the horns and yelling, "Die! Die! Die!" along with the onscreen crowd.

The 3D is good without being obtrusive. Nothing flies off the screen at you, but it definitely feels like you're front row for Metallica's big sets and big sound. This movie is a good time x 12.

Metallica Through the Never runs a quick 93 minutes and is rated R for "some violent content and language."

Metallica Through the Never is a fantastic concert film that, for my money, could have been two hours longer and still seemed short.

Of a possible nine Weasleys, I can enthusiastically give it all nine.

And, if you were lucky enough to catch this in IMAX 3D,

I hate you. I really hate you! ;-)

Horns up, dear reader(s)! Until next time...



\ m/

Cindy Prascik's Review’s of Runner Runner and Gravity

Dearest Blog, today I slogged to the cinema for the ho-hum double bill Runner Runner and Gravity.

Spoiler level here will be mild...ish, I guess. Mostly nothing that's not in the trailers, though I gotta say one thing about Gravity that doesn't give away anything specific, but may be more than some want to know before watching.

First on my agenda was a movie I was actually pretty interested in despite poor reviews, Runner Runner.

Brilliant but broke whiz-kid Richie Furst (Justin Timberlake) gets sucked into the business empire of online gambling kingpin Ivan Block (Ben Affleck).

Timberlake and Affleck both turn in solid performances in Runner Runner, but their characters are sorely underdeveloped. I had a hard time buying that Furst was smart enough to discover what brought him to Block's attention, not due to any shortcomings on Timberlake's part, but because the movie just didn't convince me. Ditto how Block got to where he is. In both cases the movie makes mention of the past without doing enough to make it feel real.

Gemma Arterton fares even worse as Block's business partner and ex-flame. There's no denying she looks hot as ever, but I'd have liked to see her with more to do. Anthony

Mackie is solid as usual as an FBI agent out to take down Block's operation.
If there are hiccups in the way online gambling is presented, or the means used to discover certain things, well, I don't know enough about any kind of gambling for those to have bothered me, as they have apparently bothered some.

The movie does a good job of maintaining tension throughout, and sets up a suitable, if predictable, ending.

Runner Runner run(ner)s 91 minutes and is rated R for "language and some sexual content."

Runner Runner is a decent thriller that is smart enough not to wear out its welcome.

Funny thing is, I (of all people!) actually wished this one were a little longer. Of a possible nine Weasleys, Runner Runner gets six.

Next up was Gravity, one of the two critical darlings (along with Rush) that I've been dreading like a root canal.

An accident leaves a pair of astronauts (Sandra Bullock and George Clooney) adrift in space and fighting for survival.

Though I'm not quite jumping on the Gravity Love Train, I liked it much better than I expected to.

It's easy to understand why every director I follow on Twitter has been crowing about Gravity for the last week or so; it's glorious, easily one of the most stunning movies I've ever seen.

You know, dear reader(s), I hate 3D and wouldn't steer ya towards it unless it were really worth it, but Gravity's 3D is really, really worth it. I flinched to get out of the way of space debris more than once!

Clooney and especially Bullock give realistic, moving performances, and Bullock had me in tears more than once. A magnificent score provides perfect emotional cues. That's the good news.

The bad news is, even at just over 90 minutes, Gravity feels too long. Space is beautiful, but I got bored of watching spacesuits tumble and drift, set to the backdrop of Bullock's incessant panting and grunting.

I also think maybe the film should have been called Murphy's Law instead of Gravity, because the number of things that had to go wrong to maintain peril started to feel a bit ridiculous and contrived. Still, there's more right than wrong with Gravity, and I'm delighted I didn't pay 3D prices just to hate it.

Gravity clocks in at 90 minutes and is rated PG13 for "intense perilous sequences, some disturbing images, and brief strong language." Whatever shortcomings it may have,

Gravity is worth seeing in 3D on the biggest screen you can find.

Of a possible nine Weasleys, Gravity gets seven.

Until next time...



If actual space is so much danger and so little Spock, why do people bother?

MOVIE REVIEW: GRAVITY

Director Alfonso Cuaron's Gravity stars Sandra Bullock as Dr. Ryan Stone, a scientist on a space shuttle mission headed by astronaut Matt Kowalsky (George Clooney), a talkative, charismatic leader full of colorful stories that he shares with his crewmates as well as mission control. As the two are on a space walk, debris hits the area where they are working, and soon the pair finds themselves detached from their ship and stranded in space. While figuring out what steps they can take to save themselves ~ Perry Seibert, Rovi

Director: Alfonso Cuarón

Cast: Sandra Bullock, George Clooney.

Release Date: Oct 04, 2013 RealD 3D, IMAX

Rated PG-13 for intense perilous sequences, some disturbing images and brief strong language

Runtime: 1 hr. 31 min.

Genres: Drama, Sci-Fi/Fantasy

Review:

The story in Gravity is something most movie going audiences have seen before in movies like Open Water or even Cast Away. It’s simply a man vs. nature survival story elevated by impressive visual and excellent performances by the two main leads. Your enjoyment of the film maybe helped or hindered by your enjoyment of Clooney and Bullock. Clooney is at his charismatic best in limited screen time but the bulk of the heavy lifting is done by Bullock. She delivers an impressive performance throughout while working through a full range of emotions as the film progresses. If something hinders performance it’s mainly due to the script which gives us two rather pedestrian characters. That’s not to say they are terribly by any stretch of the imagination but they are basic. Mix that with some not so subtle themes (rebirth, acceptance of things you can’t control) and it can get a tad heavy handed. It not a massive misstep but it’s there. Honestly though, the story isn’t the main draw here, it’s Alfonso Cuarón’s technical acumen which impresses me more and more with each passing film. Cuarón has created a visual wonderland / thrill ride which utilizes 3D (see it in IMAX if you can) in amazing ways. The opening sequence is a technical marvel which feels like a weightless wonderfully choreographed 10 minute + ride into space. The action sequences and even the quieter moments deliver the kind of helpless but thrilling experience that the characters are going through. Gravity is the type of film that has to be seen on the big screen and in 3D to fully appreciate it.

A-

[Official Main Trailer] The Hobbit: The Desolation of Smaug

The “Official Main Trailer” of the 2nd part of The Hobbit has just hit the internet. It’s appropriately epic in tone and scope. It also gives us our first full looks at the Legolas subplot, Luke Evans and Benedict Cumberbatch's Smaug, check it out below….

Cindy Prascik's Reviews of Prisoners & Don Jon

Dearest Blog, today it was off to the cinemas for a double-feature of strange bedfellows, Prisoners and Don Jon.

Spoiler level here will be mild, nothing the trailers didn't reveal.

First up was last week's number-one box office draw, Prisoners.

Two young girls go missing on Thanksgiving day, and while locals and law enforcement attempt to find the girls and the culprit, one father takes matters into his own hands.

To be perfectly frank, I wasn't buying much of the hype about Prisoners. It looked like a good enough whodunnit, but nothing special. Sadly, it didn't surprise me.

Dear reader(s), by now we know one another well enough that I don't need to tell you

Prisoners is too damn long. It clocks in at two and a half hours, and starts feeling like it's never going to end somewhere around the 90-minute mark. The mystery itself is interesting, if nothing new, but the pacing is slow and never really gains any momentum.

The bleak late-fall/early-winter landscapes (Georgia masquerading as Pennsylvania) set the perfect tone for what is a humorless, miserable film. I'm not a fool, and I don't expect pratfalls and belly laughs in a story about child abduction, but there's a sort-of graveyard humor that's common among folks who work in grim circumstances, and the movie could have used some of that.

The cast is a who's who of Awards season darlings: Hugh Jackman, Jake Gyllenhaal, Terrence Howard, Viola Davis, Maria Bello, Melissa Leo and Paul Dano. I can't say anyone gave the performance of his or her career, but everyone was more than adequate. I might fairly be accused of some personal bias in Mr. Gyllenhaal's favor, but I thought he captured his stressed and twitchy detective especially well. And I will never complain about two hours of Melissa Leo. Ever.

Prisoners clocks in at 153 minutes (you heard me!) and is rated R for "disturbing violent content including torture, and language throughout."

Prisoners is an average thriller that's blessed with, but ultimately can't be saved by, an extraordinary cast.

Of a possible nine Weasleys, Prisoners gets five.

Lightening things up a bit for the second half of our doubleheader, I sprinted across the cinema to catch Don Jon, starring, written, and directed by Joseph Gordon-Levitt.

A young New Jerseyite is content with his life of working out, clubbing, and watching porn...until he meets the girl of his dreams.

Lest any readers get the wrong idea, and I think the wrong idea easily could be gotten here, I'll state up front that the following thoughts are based on this film only, there's no underlying discomfort with or distaste for the subject matter. (Read: I'm entirely okay with porn.)

Don Jon isn't the straight comedy sold by the trailers. When it's funny, it's very funny. The drama is equally well done, but--not being what I expected--it left me feeling a bit off-kilter about the whole. The film is very crass throughout. It's short by today's standards, but I suspect it would have worn out its welcome long before the end if Gordon-Levitt weren't so charming. Scarlett Johansson is fantastic as his Jersey Shore-esque dream woman, and Julianne Moore, Tony Danza, and Glenne Headly are strong in supporting roles.

Before I saw this, if you'd asked me to list ten ways I thought it might end, I wouldn't have come close to guessing the way it does end. Full marks for one of the best cinema surprises I've had in a good, long while.
Don Jon runs 90 minutes and is rated R for "strong graphic sexual material and dialogue throughout, nudity, language, and some drug use."

Don Jon isn't a perfect film, but it's confident, funny, and charming enough to be worth a rental, if not a trip to the cinema.

Of a possible nine Weasleys, Don Jon gets six.

Now, seriously, I've already had enough of this crap. Remind me when Thor's out again, please??

Until next time...........



If I ever go missing, please send Detective Jake Gyllenhaal!

MOVIE REVIEW RUSH

Chris Hemsworth and Daniel Bruhl star as legendary Formula One drivers James Hunt and Niki Lauda respectively in this biographical drama set during the 1970s, at the peak of their heated rivalry. Both on the track and off, Hunt (Hemsworth) and Lauda (Bruhl) couldn't have been more different. Yet as much as Englishman Hunt's showy public persona clashed with Lauda's reputation for tightly-controlled perfectionism, both men remained bound together by one undeniable fact -- they were both among the best drivers ever to grace the racetrack. Olivia Wilde and Alexandra Maria Lara co-star in a film directed by Academy Award-winner Ron Howard, and penned by Peter Morgan (Frost/Nixon, Hereafter). ~ Jason Buchanan, Rovi

Director: Ron Howard

Cast: Chris Hemsworth, Daniel Brühl, Olivia Wilde.

Release Date: Sep 20, 2013

Rated R for sexual content, nudity, language, some disturbing images and brief drug use

Runtime: 2 hr. 3 min.

Genres: Action/Adventure, Drama

Review:

People that know me know I love my sports. I’m a fan of pretty much any and every sport but I’ve never been a fan of sports movies because they all have the same trajectory and beats. That being said it takes alot for a sports movie to capture my attention the way Rush did. Ron Howard’s love of the subject matter is readily apparent from the get go. He directs the racing sequences with a white knuckled ferocity that delivers the most visceral experience I’ve ever had in a movie about racing. His film does dip in some of the non racing sequences mainly because the script lacks subtly, beating themes into your head instead of letting them flow organically. Chris Hemsworth and Daniel Brühl both impress in their roles as Hunt and Lauda. Hemsworth’s natural on screen charisma is perfect for the role. Hemsworth is believable and likeable even though the character is a bit of a jerk. Brühl is given the meatier part of Lauda and he’s easily the most interesting thing onscreen, outside of Hemsworth’s unnaturally chiseled body. Brühl performance is measured but on point, don’t be surprised if his name comes up during awards season. Sadly the characters don’t feel tactile, mostly because of the script. They are types more than they are real life people and while it’s not a sin it would have been nice to get inside the heads of both characters a bit more. Something the wonderful documentary Senna did so well. Still, Rush is a quality “prestige” film which may get some nods come awards season.

A-