MOVIE REVIEW: TROLLS WORLD TOUR

Poppy and Branch discover that there are six different troll tribes scattered over six different lands. Each tribe is also devoted to six different kinds of music -- funk, country, techno, classical, pop and rock. When rockers Queen Barb and King Thrash set out to destroy the other music, Poppy and Branch embark on a daring mission to unite the trolls and save the diverse melodies from becoming extinct.

Director: Walt Dohrn

Cast: Anna Kendrick, Justin Timberlake, James Corden, Kunal Nayyar, Ozzy Osbourne, Zooey Deschanel, Rachel Bloom

Release Date: April 10, 2020

Genres: Animation, Adventure, Comedy

Rated PG for some mild rude humor

Runtime: 1h 34min

Review:

Trolls World Tour is a fizzy lighthearted follow up to the original film.  The scope of the film expands even if the story is simpler than the first go around.  This entry is brighter and more energetic than the first and its chalk full of jukebox sing a longs that’s sure to get your toes tapping.  Walt Dohrn’s direction keeps the story moving at a swift pace which keeps the film from dragging for the most part.  Anna Kendrick and Justin Timberlake both ease back into their roles easily while newcomers like Kelly Clarkson and Ozzy Osborn fit right end with their particular musical genres.  There are plenty of musical jokes that are aimed more at the parents than the kids which gives everyone something to enjoy.  Rachel Bloom is solid if underdeveloped as the defacto villain.  The story doesn’t really give you a ton of information or backstory on her character so she mostly works as a function of a story telling tool.  Overall, the story overcomes some of it short comings by carrying a sweet message in an easy to like package. 

B

Cindy Prascik's Review’s of Runner Runner and Gravity

Dearest Blog, today I slogged to the cinema for the ho-hum double bill Runner Runner and Gravity.

Spoiler level here will be mild...ish, I guess. Mostly nothing that's not in the trailers, though I gotta say one thing about Gravity that doesn't give away anything specific, but may be more than some want to know before watching.

First on my agenda was a movie I was actually pretty interested in despite poor reviews, Runner Runner.

Brilliant but broke whiz-kid Richie Furst (Justin Timberlake) gets sucked into the business empire of online gambling kingpin Ivan Block (Ben Affleck).

Timberlake and Affleck both turn in solid performances in Runner Runner, but their characters are sorely underdeveloped. I had a hard time buying that Furst was smart enough to discover what brought him to Block's attention, not due to any shortcomings on Timberlake's part, but because the movie just didn't convince me. Ditto how Block got to where he is. In both cases the movie makes mention of the past without doing enough to make it feel real.

Gemma Arterton fares even worse as Block's business partner and ex-flame. There's no denying she looks hot as ever, but I'd have liked to see her with more to do. Anthony

Mackie is solid as usual as an FBI agent out to take down Block's operation.
If there are hiccups in the way online gambling is presented, or the means used to discover certain things, well, I don't know enough about any kind of gambling for those to have bothered me, as they have apparently bothered some.

The movie does a good job of maintaining tension throughout, and sets up a suitable, if predictable, ending.

Runner Runner run(ner)s 91 minutes and is rated R for "language and some sexual content."

Runner Runner is a decent thriller that is smart enough not to wear out its welcome.

Funny thing is, I (of all people!) actually wished this one were a little longer. Of a possible nine Weasleys, Runner Runner gets six.

Next up was Gravity, one of the two critical darlings (along with Rush) that I've been dreading like a root canal.

An accident leaves a pair of astronauts (Sandra Bullock and George Clooney) adrift in space and fighting for survival.

Though I'm not quite jumping on the Gravity Love Train, I liked it much better than I expected to.

It's easy to understand why every director I follow on Twitter has been crowing about Gravity for the last week or so; it's glorious, easily one of the most stunning movies I've ever seen.

You know, dear reader(s), I hate 3D and wouldn't steer ya towards it unless it were really worth it, but Gravity's 3D is really, really worth it. I flinched to get out of the way of space debris more than once!

Clooney and especially Bullock give realistic, moving performances, and Bullock had me in tears more than once. A magnificent score provides perfect emotional cues. That's the good news.

The bad news is, even at just over 90 minutes, Gravity feels too long. Space is beautiful, but I got bored of watching spacesuits tumble and drift, set to the backdrop of Bullock's incessant panting and grunting.

I also think maybe the film should have been called Murphy's Law instead of Gravity, because the number of things that had to go wrong to maintain peril started to feel a bit ridiculous and contrived. Still, there's more right than wrong with Gravity, and I'm delighted I didn't pay 3D prices just to hate it.

Gravity clocks in at 90 minutes and is rated PG13 for "intense perilous sequences, some disturbing images, and brief strong language." Whatever shortcomings it may have,

Gravity is worth seeing in 3D on the biggest screen you can find.

Of a possible nine Weasleys, Gravity gets seven.

Until next time...



If actual space is so much danger and so little Spock, why do people bother?

MOVIE REVIEW: BAD TEACHER

BAD TEACHER



A booze-swilling, pot-smoking, hard-swearing seventh-grade teacher rallies to get out of the classroom for good by wrangling a rich substitute teacher into marriage in this comedy from director Jake Kasdan (Walk Hard: The Dewey Cox Story). Cynical teacher Elizabeth (Cameron Diaz) hates her job. She can't wait for the day she finds a man who makes enough cash to let her walk away from her life of middle-school misery, and when her fiancé cancels their wedding plans, her frantic search intensifies. Just when it starts to look like Elizabeth will have to muscle her way through another semester of skull-crushing hangovers, however, handsome substitute Scott Delacorte (Justin Timberlake) shows up at school sporting a fancy wristwatch and the promise of a care-free future. But in order to earn her meal ticket, Elizabeth will have to out-cute perky fellow teacher Amy (Lucy Punch). And it won't be easy, because Scott is crushing on Amy hard. Now, if Elizabeth can just motivate her students to study so that she can win a state contest to earn enough cash for some new breast implants, perhaps she can finally find a means of diverting Scott's gaze. Meanwhile, much to Elizabeth's chagrin, wisecracking, self-effacing gym teacher Russell (Jason Segel) refuses to admit defeat despite being turned down for a date by his gold-digging colleague time and again. ~ Jason Buchanan, Rovi

Director: Jake Kasdan

Cast: Cameron Diaz, Justin Timberlake, Jason Segel, Lucy Punch, John Michael Higgins

Release Date: Jun 24, 2011

Rated R for some drug use, nudity, sexual content and language

Genres: Comedy

Review:

Bad Teacher is supposed to be crass, rude and outlandish. While it’s hardly kid friendly the biggest shock is how incredibly unfunny the entire way through. Cameron Diaz is game throughout so it’s hard to lay the blame on her. She plays the superficial gold digging teacher with great gusto but she’s limited by a script that’s peppered with cartoon characters. A prime example of this is Lucy Punch’s character whose like so sort of freakazoid valleygirl which supposed to serve as a foil to Diaz. It never works and it provides some of the biggest dead spots in the film, it doesn’t help that Punch looks like some sort of Lady Gaga mannequin come to life. Justin Timberlake is handicapped in similar fashion. Jason Segel is the only supporting player that allowed to shine. Various others talented comedians pepper the film but it almost feels like window shopping since their never allowed to actually be funny. Jake Kasdan directs it all with incredibly broad strokes and he never finds a good rhythm for it. As a result the movie feels like it goes on forever, aimlessly without any narrative force and even worse no laughs.

D

MOVIE REVIEW: THE SOCIAL NETWORK

IN THEATERS

THE SOCIAL NETWORK



The remarkable story behind Facebook comes to the big screen with this Columbia Pictures production scripted by The West Wing's Aaron Sorkin and directed by David Fincher (Fight Club, Zodiac). The year was 2003. Computer programming wizard Mark Zuckerberg (Jesse Eisenberg) was a Harvard undergrad when he laid the foundation for a social networking website that would revolutionize the way we communicate. Six years later the ambitious entrepreneur made his first million -- but that was just the beginning. Despite all of Zuckerberg's wealth and success, his personal life began to suffer as he became marred in legal disputes, and discovered that many of the 500 million people he had friended during his rise to the top were eager to see him fall. Justin Timberlake co-stars as Napster co-creator Sean Parker, with Andrew Garfield filling the role of ousted Facebook co-founder Eduardo Saverin. The Social Network is based on the book The Accidental Billionaires by Ben Mezrich. ~ Jason Buchanan, Rovi

Director: David Fincher

Cast: Jesse Eisenberg, Justin Timberlake, Andrew Garfield, Rashida Jones.

Release Date: Oct 01, 2010

Rated: Language, drug and alcohol use and sexual content

Runtime: 2 hr. 1 min.

Genres: Drama

Review:

My favorite filmmakers can make me watch films about subjects I’d never give another thought about. Most recently Paul Thomas Anderson had me thoroughly intrigued with turn of the century oil prospectors and now David Fincher has me terribly interested in the creation and founding of Facebook. I’ll be honest, when I heard that a movie about Facebook was in the works, I was terribly skeptical but when Fincher was tapped to direct and with Aaron Sorkin doing the script my interest was piqued. Within the first 10 minutes of the film, any concerns I may have had about the film were laid to rest with a rapid fire character establishing segment that covers more ground than some characters. Sorkin’s script sizzles throughout and Fincher’s direction is incredibly impressive, throw in a subtle but engaging musical score provided by Trent Reznor. Jesse Eisenberg is top notch in the lead role adding multiple layers to his character outside of his general nervous guy routine. Eisenberg makes Zuckerberg come across as terribly detached and cold but insanely intelligent and quick witted. Andrew Garfield is equally impressive as the overly compassionate and naïve Eduardo Saverin, he should probably receive a supporting Oscar nod for his work here, serving as a wonderful ying to Zuckerberg’s yang. Armie Hammer does double duty as the Winklevoss twin which is done with such technical precision that you’d never know it was 1 guy playing both roles. Justin Timberlake boarders on cartoonish as Napster founder Sean Parker showing up for a portion of the third act but disappears before the finale. Rooney Mara is the closest thing to a female character in the film and she has a total of 2 scenes. It’s a minor issue and doesn’t detract from Fincher’s work as he captures an energy and moment, even if the truth is somewhat fictionalized, of an era.

A