MOVIE REVIEW: TITANE

 

Following a series of unexplained crimes, a father is reunited with the son who has been missing for 10 years. Titane : A metal highly resistant to heat and corrosion, with high tensile strength alloys.

Director: Julia Ducournau

Cast: Agathe Rousselle, Vincent Lindon, Garance Marillier, Laïs Salameh, Myriem Akheddiou, Bertrand Bonello, Dominique Frot, Adèle Guigue

Release Date: October 1, 2021

Genre: Drama, Sci-Fi, Thriller

Rated R for strong violence and disturbing material, graphic nudity, sexual content, and language

Runtime: 1h 48min

Review:

Titane is the type of aggressively provocative film that will either envelop or disgust you withing the first ten minutes of its brisk run time.  Julia Ducournau’s thematically dense film offers up a series of drug induced fever dreams that takes you on a journey that’s so bizarrely grotesque, darkly funny and even touching in spots that it’ll stay in your mind long after you’ve watched it for better or worse.  Agathe Rousselle central performance is feral but multifaceted at the same even though she spends the majority of the film with scant dialogue.  It’s a fascinating performance from start to finish especially as she experiences physical changes throughout the film which are extreme to say the least.  Her and Vincent Lindon, who looks like Scott Bakula & Chris Meloni at the same time, strange relationship functions as the primary driving force of the film.  Lindon blends a strong sense of masculinity with an underlying sadness that’s palpable every time he’s on screen.  They both leave a lasting impression as both deliver the type of performances with a fascinating layer of depth that elevates the film’s storyline.  Titane harkens back to early Cronenberg film’s like Videodrome or Naked Lunch in their delight of making you squeamish, confused and intrigued if you are willing to peel away the layers. 

B

MOVIE REVIEW: CRY MACHO

 

A onetime rodeo star and washed-up horse breeder, in 1978, takes a job from an ex-boss to bring the man's young son home and away from his alcoholic mum. Crossing rural Mexico on their back way to Texas, the unlikely pair faces an unexpectedly challenging journey, during which the world-weary horseman may find his own sense of redemption through teaching the boy what it means to be a good man.

Director: Clint Eastwood

Cast: Clint Eastwood, Dwight Yoakam, Eduardo Minett, Natalia Traven, Fernanda Urrejola, Horacio Garcia Rojas

Release Date: September 17, 2021

Genre: Drama, Thriller, Western

Rated PG-13 for language and thematic elements.

Runtime: 1h 44min

Review:

Clint Eastwood’s latest film plays like a swan song of his cinematic persona.  Its ready made to be a moving meditation on his iconic western character in a neo western send off.  Eastwood has shown an impressive ability to deconstruct the western drama and delve deeper into the tough guy psyche.  Unfortunately, Cry Macho is a shockingly inert piece of a filmmaking from an acclaimed director and actor.  Eastwood’s film moves at a molasses pace with very little actually happening in terms of action or character development.  The film clocks in at an hour and forty four minutes but it feels much longer than that due to its inability to connect you to these characters.  The main issue is that newcomer Eduardo Minett just isn’t a capable actor at this time. He’s the lynch pin of the entire film and serves as the primary motivating force for the entire story.  He and Eastwood share little to no on screen chemistry which hampers the film as their interactions are far more painful than touching.  Eastwood himself is surprisingly ineffective as a performer in this piece leaving a massive emotional disconnect for the entire film.  It’s a shame that Cry Macho failed on its main emotional story thread because the story is so simplistic that it can’t prop up the uninspired performances. 

D

MOVIE REVIEW: THE EYES OF TAMMY FAYE

 

In the 1970s, Tammy Faye Bakker and her husband, Jim, rise from humble beginnings to create the world's largest religious broadcasting network and theme park. Tammy Faye becomes legendary for her indelible eyelashes, her idiosyncratic singing, and her eagerness to embrace people from all walks of life. However, financial improprieties, scheming rivals and a scandal soon threaten to topple their carefully constructed empire.

Director: Michael Showalter

Cast: Jessica Chastain, Andrew Garfield. Cherry Jones, Vincent D'Onofrio, Fredric Lehne, Louis Cancelmi

Release Date: September 17, 2021

Genre: Biography, Drama, History

Rated PG-13 for sexual content and drug abuse

Runtime: 2h 6min

Review:

The Eyes of Tammy Faye, based on a documentary of the same name, is an engrossing biopic that's heavier on style than actual substance.  Michael Showalter's film has a candy colored approach to its primary subjects which is appropriate even if it glosses over some of the grimier realities of their actions.  His film is visually engaging and entertaining throughout especially as everything becomes increasingly garish and outlandish.  The lynchpin of the entire film though is Jessica Chastain who sports chipmunk cheek prosthetics and increasingly layered on make up which leaves her nearly unrecognizable by the end.  Chastain's performance is the type of transformative turn that's ready made for awards season.  She displays an impressive bit of versatility by playing against type with a turn that's heavy on wide eyed naivety and optimism with breakthrough moments of pain underneath it all.  It's difficult to take your eyes off her bombastic turn but Andrew Garfield is just as strong with a slightly more subdued turn. Garfield paints Bakker as a weaselly huckster who's going through his own personal battles while defrauding millions in the process.  A climatic fight lets both actors put their talents on full display.  Cherry Jones and Vincent D'Onofrio turn in solid work in supporting turn which would have been forgettable in lesser actors’ hands.  While the film has plenty going for it you can't help but feel that it's only scratches the surface of these people.  The script takes too broad of an approach to dig deeper in the pair with Tammy being treated with kid's gloves more or less absolved of any blame.  Even with a pedestrian script, The Eyes of Tammy Faye deserves to be seen for its singular performances from Jessica Chastain and Andrew Garfield.

B-

MOVIE REVIEW: QUEENPINS

 

A frustrated suburban housewife and her best friend hatch an illegal coupon-club scheme that scams millions from corporations and delivers deals to legions of fellow coupon clippers. Hot on their trail is an unlikely duo -- a hapless loss-prevention officer and a determined U.S. postal inspector -- both looking to end their criminal enterprise.

Director: Gita Pullapilly, Aron Gaudet

Cast: Kristen Bell, Kirby Howell-Baptiste, Paul Walter Hauser, Bebe Rexha, Vince Vaughn

Release Date: September 10, 2021

Genre: Comedy, Crime

Rated R for language throughout

Runtime: 1h 50min

Review:

Queenpins is a breezy slice of life crime drama that's smart enough to make great use of it cast.   Writers/directors Gita Pullapilly & Aron Gaudet give these film an easy sensibility that makes its subject matter easy to digest.  At the center of it all is Kristen Bell who has perfected the damaged overachiever.  Bell is right at home in this role that allows her to use her considerable comedic talents with an air of sadness behind her beaming smile.  She and costar Kirby Howell-Baptiste share a natural likeable onscreen chemistry together.  Their character's relationship serves as the lifeblood of the film and ultimately what makes the film so watchable.  Paul Walter Hauser and Vince Vaughn also share a parallel story arcs as investigators on the tail of the two couponing criminals.  The film biggest issue is that film frames the characters as heroes and it mostly absolves them of any real blame or responsibility.  It's a strange bit of framing for what was a real criminal enterprise but based solely on it's cinematic merits,  Queenpins works as fun dramady buoyed by it's game cast. 

B-

MOVIE REVIEW: MALIGNANT

 

Paralyzed by fear from shocking visions, a woman's torment worsens as she discovers her waking dreams are terrifying realities.

Director: James Wan

Cast:  Annabelle Wallis, Maddie Hasson, George Young, and Michole Briana White

Release Date: September 10, 2021

Genre: Action, Adventure, Fantasy, Sci-Fi

Rated PG-13 for sequences of violence and action, and language

Runtime: 1h 50min

Review:

James Wan's return to the horror genre is a film destined to divide audiences.  Wan delves deep into cult horror history to deliver a film that so niche that I'm genuinely surprised it was greenlit. Needless to say the film is made for a specific audience who will appreciate how the look and dialogue are inspired by Italian Giallo horror classics like Suspiria and Deep Red.  It makes for a visually striking film especially in its first two acts where it plays more like a gory murder mystery than a horror film.  Those looking for more traditional scares will be left wanting since the film uses atmosphere more than cheap jump scares.  Annabelle Wallis leads the film with a performance that echoes Barbara Steele in Mario Bava's Black Sunday.  It's a fascinating which makes her the most interesting person on screen throughout. The film's third act's reveal will ultimately be what divides audiences.  While everything that preceded it was inspired by Italian horror masters, its final act is clearly pulling from cult horror film from the 80s that lived on the bottom shelves of video stores.  Regardless of whether the turn works or not you have to respect Wan for swinging for the fences and embracing what made him love the horror genre.  

B

MOVIE REVIEW: SHANG-CHI AND THE LEGEND OF THE TEN RINGS

 

Martial-arts master Shang-Chi confronts the past he thought he left behind when he's drawn into the web of the mysterious Ten Rings organization.

Director:  Destin Daniel Cretton

Cast: Simu Liu, Awkwafina, Meng'er Zhang, Fala Chen, Florian Munteanu, Benedict Wong, Michelle Yeoh, Ben Kingsley, Tony Leung

Release Date: September 3, 2021

Genre: Action, Adventure, Fantasy, Sci-Fi

Rated PG-13 for sequences of violence and action, and language

Runtime: 2h 12min

Review:

Shang-Chi and The Legend of the Ten Rings, much like Black Panther, expands Marvel's ethnic make by delivering a fun and colorful comic book exploration of heritage, destiny and legacy.  Director Destin Daniel Cretton film is a kinetic experience right from the start pausing only here and there for quieter character moments.  His action set pieces are wonderfully staged and choregraphed allowing you to see every bit of the impressive action.  Those moments, especially in the first two acts, are the highlights of the film.  Cretton uses inspiration from old school Kung Fu films while adding his own modern sensibilities.  Simu Liu leads the almost exclusively Asian cast with relative ease.  Liu is instantly likeable and magnetic even amongst the coordinated comic madness around him.  He and Awkwafina make for a fun onscreen duo since they share excellent comic chemistry.   Meng'er Zhang though is the scene stealer as Shang's sister, so much so that you wished the film spent a bit more time with her.  Asian acting legends Michelle Yeoh & Tony Leung add just the right amount of gravitas to the proceedings with each getting ample time to leave their mark on the film.  While the film works on visceral level the story does feel like it's lifted from the original Star Wars in that inside all the fantastical elements, it's ultimately a family drama between siblings and their father whose chosen the wrong path.  As such, there aren't a ton of surprises in store with each beat being fairly predictable.  Additionally, those who have complained about superhero films turning into CGI fest in their final acts will have the same issues here as this film turns heavily into fantasy action to the point of attrition.  Small complaints asides, Shang-Chi and The Legend of the Ten Rings is one of the more enjoyable cinematic entries in the Marvel monolith that actually brings something new to the table.  

B+