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Friday, July 4, 2014

MOVIE REVIEW: DELIVER US FROM EVIL










































A cop and a priest team up on a case of demonic possession in this Screen Gems horror film. Scott Derrickson directs from a script he wrote with Paul Harris Boardman. Eric Bana, Édgar Ramírez, and Olivia Munn star. ~ Jeremy Wheeler, Rovi

Director: Scott Derrickson 

Cast: Eric Bana, Edgar Ramirez, Olivia Munn, Sean Harris, Joel McHale

Release Date: Jul 02, 2014

Runtime: 1 hr. 58 min. 

Genres: Horror 

Review:

Deliver Us from Evil has an interesting conceit of mixing police procedural with an exorcism tale.  Scott Derrickson’s film establishes a nice bit of atmosphere at the start but the tension and scares are rather lacking.  The main issue at play is that everything is terribly routine for even the greenest of genre fans.  It’s a difficult thing to take something you’ve seen millions of times before and make it interesting, something that made last years The Conjuring so impressive.  Derrickson’s film is watchable if a tad overlong.  Sadly it’s not terribly memorable either except for Bana and Munn’s mega NU YARK accents and Jole McHale’s random inclusion.  The best thing about the film is obviously Edgar Ramirez who’s just effortless as the coolest Jesuit priest this side of The Exorcist.  Deliver Us from Evil is the kind of film that show up on cable at some point in the future and you watch portions of it, never actually watching the whole thing in the long run, cinematic purgatory.

C

Saturday, June 28, 2014

MOVIE REVIEW: TRANSFORMERS: AGE OF EXTINCTION







































The Transformers film series continues with this fourth entry from director Michael Bay and executive producer Steven Spielberg. Mark Wahlberg and Jack Reynor star. ~ Jeremy Wheeler, Rovi

Director: Michael Bay 

Cast: Mark Wahlberg, Nicola Peltz, Stanley Tucci, Ken Watanabe, Peter Cullen

Rated PG-13 for intense sequences of sci-fi violence and action, language

Release Date: Jun 27, 2014

Run Time. 2 hrs. 37 min

Genres: Action/Adventure 

Review:

Transformers: Age of Extinction is going to have a lot of batred shot it’s way most of well deserved.  It’s an over bloated mess that’s got way too many storylines at play to make any of it cohesive.  Had it stuck with the most interesting angle, secret government agency taking out all Transformers, it probably would have been one Bay’s better films.  As is, it’s a absurdly log slog through action set piece in between bits of story with more story followed by action set pieces and more story etc… So is it even worth your time?  Sort of.  As a superfan of the cartoon, I’ve found plenty to like in the previous efforts even the Revenge of the Fallen.  The frustrating part about Extinction is that it fixes a lot of issues from the previous films.  The human side of the story is actually bearable thanks to the addition of Wahlberg, Tucci and Grammer.  Mark Wahlberg is solid as the lead even if it stretches the imagination that he’s some sort of genius inventor.  Kelsey Grammer is fairly solid as the human villain, he poses a creditable threat throughout.  Stanley Tucci proves why he’s a great actor; taking a silly role and making it work.  Another aspect that’s much improved is that the transformers villain, Lockdown, is actually interesting this go around, something they failed to do over 3 films with Megatron.  Additionally, the Autobots at Prime’s side have some characterization that makes them likable and makes this feel the closest to the animated series and any child of the 80s will get chills when the dinobots makes their appearance.  It’s the Bay oddity that this is probably his best Transformers film even though it’s filled with the worse he has to offer.  Sadly, the animated Transformers The Movie is still the best cinematic entry.

C


Sunday, June 22, 2014

Cindy Prascik's Reviews of Edge of Tomorrow & Jersey Boys










Dearest Blog, yesterday it was off to the pictures for the strange-bedfellows double bill of Edge of Tomorrow and Jersey Boys.

Spoiler level here will be mild, nothing you wouldn't know from the trailers or, you know, if you lived through the 60s.

After weeks of missing out due to my Winter Soldier obsession, yesterday's opener was Edge of Tomorrow.

In the midst of an alien invasion, a US military officer finds himself reliving the same day over and over again. As synopses go, that one's a bit over-simplified, but, dear reader(s) you gotta give me some credit for not saying "Groundhog Day."

Edge of Tomorrow is a clever sci-fi pic that is surprisingly fun. I say "surprisingly" only because I think comparisons to Tom Cruise's last outing, Oblivion, are unavoidable, and though Oblivion was a good movie, it was also pretty joyless. Edge of Tomorrow is anything but.

Cruise is fantastic in the lead, an action hero's action hero who can also be a little bit scared or confused or funny or (*gasp*) not afraid to let a chick to the heavy lifting sometimes. Said "chick" is Emily Blunt, who...um...well, it's fair to say wouldn't have been the first person I'd think of for a role like this, but who does a mighty fine job of it nonetheless. I'm embarrassed to confess I didn't even recognize Jonas Armstrong, despite the fact that I own (and religiously watch) the box set of the BBC's Robin Hood. What's become of me?? Edge of Tomorrow boasts solid effects and scary aliens.

If it bogged down ever-so-slightly a couple times, I can't complain since it clocks in under the two-hour mark...AND they tie it up without getting contrived or being a buzzkill.

Edge of Tomorrow runs 113 minutes and is rated PG13 for "intense sequences of sci-fi action and violence, language, and brief suggestive material." It's a smart, fun shoulda-been-a-blockbuster that deserves your attention.

Of a possible nine Weasleys, Edge of Tomorrow gets seven and a half.

Next on my agenda was the big-screen rendering of the 2006 Tony Award winner for Best Musical, Jersey Boys.

Four kids from the wrong side of the tracks form a band that goes on to make some of the world's best-loved and most enduring music.

In the interest of full and fair disclosure, I admit this movie ticked all the boxes for me before I ever saw a single second of a single trailer. A movie musical about a group I love, that stars actual stage vets rather than big Hollywood names? Yes, please. Of course, the downside is such high expectations could have led to disappointment, but I'm happy to report that's not even close to the case.

I've been to IMDB and Rotten Tomatoes this morning. I've seen that Jersey Boys is carrying middling ratings and has been trounced at the box office by Think Like a Man 2. (Really?) I am confounded by this state of affairs.

Jersey Boys runs slightly longer than two hours, but it never feels slow or boring. A couple numbers from the stage show were eliminated, and a couple more songs relegated to the background; I certainly wouldn't have cut another thing. Telling the story from several points of view means it never patronizes by painting any one person strictly the bad guy or strictly the good guy. John Lloyd Young, who won a Tony Award as Best Leading Actor in a Musical for originating the role of Frankie Valli on Broadway, embodies his part like few actors ever do. He is mesmerizing. Other than Boardwalk Empire's Vincent Piazza, all members of the band are portrayed by actors who have performed in one or more stage versions of the show. This is a good thing, Hollywood! And the songs...OH! The songs!!

If you weren't a fan of the Four Seasons before seeing the movie, you certainly will be after. At both my screening and the one before it, everyone exiting the theatre was smiling and singing, and the movie earned TWO big rounds of applause at the end of my show. I can't speak for the people who rate movies at IMDB and Rotten Tomatoes (nor for those who saw Think Like a Man 2 instead), but, if I'm making movies, that right there is the reaction I'm going for. If there's one tiny negative, I thought there were an awful lot of f-words for a movie whose median audience member easily qualifies for the AARP discount.

Jersey Boys runs 134 minutes and is rated R for "language throughout."

Jersey Boys is a well written, well acted story that is filled with great, iconic music. For my money, it's easily as good as or even better than the screen version of Chicago that won the 2003 Best Picture Oscar.

Of a possible nine Weasleys, I am pleased to award Jersey Boys 2014's first perfect nine.

Until next time..

Sunday, June 15, 2014

Cindy Prascik's Review of How to Train Your Dragon 2










































Dearest Blog, yesterday I braved the opening-day kidlet rush to see How to Train Your Dragon 2.

Spoiler level here will be as mild as possible for a movie that spoils its own biggest reveal right in the trailer.

Having shown Berk the error of its ways as per human/dragon relations, a more mature Hiccup faces a new challenge with his trusty dragon Toothless.

Well, dear Blog, in all the history of film, there are four movies that I name my "favorite," since it's impossible for me to choose among them. The original How to Train Your Dragon is one of the four, so I could be excused for being a bit skeptical when people (many not involved with the production) started saying the sequel was even better than the original. For as long as I've known that was going to be my opening to this review, I always hoped the next sentence would involve me admitting the error of my ways, but....oh well, let's just get on with it.

The opening scene of How to Train Your Dragon 2, an overlong sequence of dragon games, is the most annoying thing I've ever seen that didn't involve Adam Sandler. Its primary purpose appears twofold: an immediate showcase for the film's stunning digital technology, and an excuse for each character to call his or her dragon by name, so pointedly that I could only assume we'd really need to know the names later. (That never happened.) The scene goes on forever, and by the end I was ready to stand up, shout, "On Cupid! On Comet! On Donner and Blitzen!" and walk out.

Getting the rest of the bad news out of the way: The new characters left me totally flat, and, my dear Cate Blanchett, where on Earth are you going with that accent?? While the first HTTYD boasted clever humor and a sincere charm, the sequel's laughs are few and far between, the good ones mostly poached from the original. Any charm is buried deep by a busy storyline that never quite finds its way. Even John Powell's score seems blah this time around.

Now, the good news: I was afraid that the kids no longer being kids would make the characters somehow less fun, but the returning Vikings are as lovable as ever, just a little more grown-up looking. The dragons also retain their charm, with even more types this time around, and if you're a pet owner you're sure to see your favorite dog or cat in at least one of them. How to Train Your Dragon 2 is also the most beautiful thing I've ever seen onscreen, hands down.

Even when I was getting a little bit bored or annoyed with whatever it was I was getting a little bit bored or annoyed with at the time, the movie quickly brought me back around to its side just by being so damn gorgeous. (I imagine this is what it must be like when Matt Bomer's being a jerk...if Matt Bomer is ever a jerk, which I highly doubt.) I'm not schooled in the art of making movies, so I have no idea what technology filmmakers used to make HTTYD2 so good looking, but full marks are due the art department, VFX, and animators. And the colors...oh, the colors!! Even Rio--my benchmark for visual excellence--might as well be sepia-toned compared to HTTYD2. Time constraints forced me into a 2D show this time, but you may rest assured, dear readers, I'll be seeing this in 3D as soon as possible!

Normally I go to the cinema on Saturday afternoons, when the most pressing thing on my agenda is where I'm having dinner afterward. I saw HTTYD2 after a miserable day at work, with a couple even-more-miserable weeks looming ahead, so I have to admit that may have left me unable to put the world aside to enjoy it as I should. I make that disclaimer only to clarify: the movie's probably better than I'm ready to give it credit for at this writing. Still, to suggest it's even as good as--let alone better than--the original is absurd.

How to Train Your Dragon 2 clocks in at 102 minutes and is rated PG for "adventure action and some mild rude humor."

How to Train Your Dragon 2 is such a glorious feast for the eyes you'll have no problem forgiving its other shortcomings.

Of a possible nine Weasleys, How to Train Your Dragon 2 gets seven and a half.

Until next time...

 "Hail Hydra."

Saturday, June 14, 2014

MOVIE REVIEW: 22 JUMP STREET








































After making their way through high school (twice), big changes are in store for officers Schmidt (Jonah Hill) and Jenko (Channing Tatum) when they go deep undercover at a local college. But when Jenko meets a kindred spirit on the football team, and Schmidt infiltrates the bohemian art major scene, they begin to question their partnership. Now they don't have to just crack the case - they have to figure out if they can have a mature relationship. If these two overgrown adolescents can grow from freshmen into real men, college might be the best thing that ever happened to them.~ Jeremy Wheeler, Rovi

Director: Christopher Miller, Phil Lord     

Cast: Jonah Hill, Channing Tatum, Peter Stormare, Ice Cube. 

Release Date: Jun 13, 2014

Rated: R for Language Throughout, Drug Material, Brief Nudity, Sexual Content and Some Violence     

Runtime: 1 hr. 49 min.     

Genres: Action/Adventure, Comedy     

Review:

22 Jump Street is pretty much 21 Jump Street with a bigger budget.  Something the movie literally tells you within 10 minutes of watching it.  Its self aware humor peppers the film as it plays up the bromance that’s part of every cop flicks.  All the while it’s skewering bloated sequel while being one at the same time.  That’s not to say it isn’t funny because it is but it could have used a tad bit of trimming.  Thankfully, Hill and Tatum continue their fantastic chemistry from the first, each playing up their parts to perfection.  Christopher Miller and Phil Lord, yes the same guys that made The Lego Movie, keep the action rolling at a steady pace with just a smattering of dead spots.  The third act might feel a tad bit tacked on but as a whole it’s a really fun film.  Be sure to stick around for the credits as they posit what countless sequels would look like, something Ice Cube might know a little something about..

B+

Thursday, June 5, 2014

MOVIE REVIEW: EDGE OF TOMORROW







































Tom Cruise stars as a soldier who lives out the last day of his life over and over again in this Warner Bros. sci-fi production from driector Doug Liman. Emily Blunt and Bill Paxton co-star, with Dante Harper and Joby Harold providing the script. ~ Jeremy Wheeler, Rovi

Director: Doug Liman 

Cast: Tom Cruise, Emily Blunt, Bill Paxton, Jonas Armstrong, Kick Gurry.

Release Date: Jun 06, 2014

Rated PG-13 for intense seq. of sci-fi action, brief suggestive material, intense seq. of sci-fi violence and language 

Genres: Action/Adventure 

Review:

Doug Liman’s Edge of Tomorrow maybe the biggest surprise of the summer.  An odd thing to say considering it stars Tom Cruise and Emily Blunt, believably badass throughout, during the middle of blockbuster season.  Cruise’s last sci-fi epic, Oblivion, failed to impress because of how much it borrowed from other sources while never really adding much to the mix.  Edge of Tomorrow also borrows heavily from other sources, think Groundhog Day meets Starship Troopers, but it’s just a film that’s a lot more enjoyable to watch especially the first 2 acts.  Cruise and Blunt are wonderful together with the latter really leaving you with a different impression of her overall.  Cruise isn’t overly serious, having fun with the role that doesn’t place him in the hero role right away, instead making him earn it.  Massive set pieces are revisited various times but some sharp editing keeps it from becoming too tedious.  The last act falters a tad because it falls into some standard sci-fi territory which gives you time to start nitpicking the story’s premise and the endless plot holes at play.  That’s when you kind of wish Liman would have trimmed the film just a tad.   

B+
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